Celebrating the imperfect, the time-worn, and the re-invented resonates deeply with me, probably because I am a combination of all of those things. That’s why the Japanese arts of Boro and Kintsugi are so appealing. Boro, a Japanese word meaning “tattered rags,” describes lovingly patched and repaired cotton bedding and clothing used much longer than the normal expected life cycle.
Boro is enjoying a revival among fiber artists who treasure its indigo blue color and melange of textures and subtle patterns. In fact, the Fiber Artists of San Antonio are offering a Boro workshop taught by Mary Ruth Smith in July.
Linked to Boro by concept is Kintsugi, meaning “mended with gold.” It refers particularly to the Japanese method for repairing broken ceramics with a special lacquer mixed with gold, silver, or platinum.
Both Boro and Kintsugi are interwoven with the philosophy of wabi-sabi, which means “to find beauty in broken things or old things. ” See why I like this stuff so much?
So today at the Studio, I was putting away materials from our Citrasolve and altered paper collage workshop, and I started thinking about torn paper scraps (Boro) mended with gold (Kintsugi). I printed out the word “kintsugi” and began arranging Boro-like tatters of paper (they would probably have been dumped in the trash) onto 8×10″ pieces of archival mat board.
Then, inspired by the gold veins of Kintsugi, I “mended” the spaces between the scraps with gold leaf. It was amazing how fast time flew – I created five of these collages in about four hours. They almost pieced themselves together.
Here are the five collages – #3 is my favorite because it looks most “Boro-like.” These pieces are destined for the Beacon Hill Art Walk this Sunday, but when I come home from Boston, I’m going to continue to explore the idea of gold-mended tatters and the beauty of imperfection and re-invention.