Susie King Taylor – Inspiring Discovery, Remarkable Woman

Upcoming Black History Month is the perfect time to share what I have learned about a remarkable woman named Susie King Taylor.

Several months ago, I was looking thrugh old photos in the archives of the Library of Congress and saw this one. Sometimes, images reach out like a compelling force, and this was one of them. What a presence!

After I learned that her name was Susie King Taylor, I started researching her remarkable life, then used her image to inspire an artwork.

Born into slavery in Georgia in 1848, Susie King Taylor (born Susan Baker) lived on a plantation for the first seven years of her life. In 1855, Susie was allowed to go live with her free grandmother in Savannah. Despite Georgia’s harsh laws prohibiting formal education for African Americans, Susie attended two secret schools taught by black women and was tutored by two white youths.

In April 1862, Susie was able to escape slavery with her uncle and other African Americans who fled to a federal gunboat near Confederate-held Fort Pulaski. She went to live on Union-occupied St. Simons Island off the southern Georgia coast along with hundreds of other formerly enslaved refugees. There, at only 14 years old, Susie became the first black teacher to openly educate African Americans in Georgia.

That same year Susie married Edward King, a black officer in the 33rd United States Colored Infantry Regiment, and began serving as a nurse and laundress for his regiment. Off hours she taught the soldiers reading and writing and, according to her memoirs, “…learned to handle a musket very well…and could shoot straight and often hit the target.”

Susie served as a nurse at a hospital for African American soldiers in Beaumont, South Carolina, where she met and worked with Clara Barton. For four years and three months, she served the Union military without pay. Susie and Edward remained with the 33rd Regiment until they were mustered out at the end of the war. (Source)

Susie King Taylor’s autobiographic book, Reminiscences of My Life in Camp, was written in 1906 and is still in publication. I ordered her book and  was transported by her wisdom and graciousness. She is a skilled and objective writer.

I was compelled to use her striking mage in an encaustic mixed-media collage, which was recently included in an article in the Winter 2020 issue of Encaustic Arts magazine.

In the article, I wrote, “In one of my latest pieces, the subject is a striking African American woman. As usual, I knew nothing about her until her photograph almost leaped out at me from the screen as I was looking through Library of Congress for inspiration.  She was identified in the photograph as Susie King Taylor, and through research I learned that she was the first Black Army nurse. During the Civil War, she tended to the all-Black 33rd United States Colored Infantry Regiment. In my encaustic collage titled Susie, I included gauze and horsehair as material symbols of her life in the regiment.”

You can see the gauze and horsehair embedded in the beeswax layers in this detail. I used colors of indigo and sepia as the primary palette:

As always, photos and stories from the past continue to inspire and fascinate me as inspirations for my work. Susie’s story was one of the best discoveries I’ve made.

If you’d like to learn more about her, please watch this brief video about the life of Susie King Taylor, produced by the Georgia Women of Achievement when she was inducted in 2018. You’ll be glad you did.

See you next time, and take good care,

Lyn

Cats and Possibilities

When times are turbulent, I keep telling myself, “Trust the Process.” This doesn’t mean doing nothing and just watching it all happen, but rather doing what we do best – creating with compassion and imagination in the certainly that adding beauty to the world fuels thoughtfulness and optimism.

Seeing what others are doing in this turbulent time brings me that sense of optimism – particularly when their art stems from our Teachable workshop community. And particularly when the subject is cats!

Willma Sliger’s Cat Shaman pieces are a perfect example of taking a basic idea (from my Cat Shaman online workshop) and just flying with it.

Wilma writes, As promised here are the Cat Shamans I have joyfully created. . . .Some have very old ticking . An evil eye brought back from Turkey by a friend. A replica of a coin given to men in old time saloons/bawdy houses. And lots more.
You are my antidote for covid. Seriously. Stay safe and well.
Love, Wilma the Desert Dweller

Wilma lives in Moab, Utah where she creates fabric & mixed media collages, incorporating photos and found objects with fabric to produce unique wall hangings. I told her I was stealing her idea of using a mesh screen on the Heart Box of her Shaman – it’s symbolic and mysterious.

Here is another one of those great Heart Boxes filled with charms and found objects. I like the tied desert wood pieces as well.

This Evil Eye fellow may be my favorite, all twisty and dance-y, with the lion-like head and butterfly wings.

I am so grateful to Wilma for sending these pictures – her work is artfully folk-like but complex, with a real sense of purpose in every assemblage.

So what do YOU do when you know you should be creating something for the good of you heart and soul, but you can’t get started because you don’t have an idea??

That’s an easy one – just get started, Grasshopper, and the Idea will come. Here’s an example.

Two days ago, I desperately needed to make some art so I could (at least briefly) focus on the creative rather than the political. Nothing inspiring struck. That’s rare. But I know if I did SOMETHING, I’d feel better, more optimistic.

So . . . I found a block of wood, and marked some holes. Two holes seemed like a good number. Maybe.

I got out my trusty cordless drill (every artist should have one of these) and drilled two holes.

Then I cut some super-strong but slender bamboo sticks to about 18″ tall and stuck them in the holes.

Voila! It ain’t much yet, but it will be SOMETHING! Who knows what?? When I posted it to Instagram, my friends suggested it could be a two-legged table or a REALLY tall spirit doll.

I’m thinking it might be a sculpture with a body that’s shaped like a kimono with beeswax-coated pages that open and close. Maybe so, maybe not . . .but the whole process got me thinking in a new creative direction –

So the point is, you can’t “Trust the Process” if there isn’t a process to trust yet. Start something. Wrap some string around a stick. Pour the last of your morning coffee on a piece of watercolor paper. Unravel a worn-out sweater.

In the background, I can hear Wilma’s Cat Shamans saying, “The journey of a thousand miles begins with the first step, Grasshopper.” Pounce. Munch.

 

A Walk-in-the-Woods Workshop?

2020 was surely The Plague Year (and we’re still being extra-cautious), but it did get a lot of us outside, walking and exploring nature. That’s a good thing. Decades ago I discovered that walking worked well for me as meditative thinking time – plus I find lots of cool stuff along the way. And sometimes it seemed that the cool stuff was left there especially for me to find.

You may remember the wonderful photo collection of composed found objects that artist friends contributed to my website in 2019. Here’s that link, and here’s one of my favorite compositions (this one is by Marilyn Jones)

Marilyn Jones, Found Objects

This kind of collecting is nothing new for me. One of my signature techniques is embedding sticks and other natural objects into my assemblages – there’s just something mythical about material found outdoors “by accident”.

Sometimes, I even construct pieces almost totally from found objects and natural material, such as this piece called Bone Tea.

Lyn Belisle, “Bone Tea”

It was influenced by my friend Shannon Weber, whose work with natural materials makes me swoon.

Shannon Weber

So all of this leads up to a new workshop that I’ve just posted on my Teachable Studio site. It’s called Sacred Serendipity:Nature Shrines and Assemblages.

Collecting things from nature and assembling them as art is a long and honorable practice.

If you’ve ever read Ann Morrow Lindbergh’s Gift from the Sea, you know how she describes different seashells as stages in a woman’s life – the oyster shell, covered bumps and lumps but still smooth and beautiful on the inside.

This is a workshop for anyone who has ever found a pine cone, a smooth rock, or a red and gold leaf and brought it home in gratitude and wonder.

There are several free preview videos, including one of me being very goofy in the woods across the street from my house, pretending to “find” objects. But I think the real beauty of this workshop lies in the techniques about arranging and attaching natural objects to a small canvas. This gives you so much leeway to create your own small Shrine to Nature.

I also show you step-by-step how to make a mold from a natural object and then cast it with paper clay – you can do faces this way, as well. The class fee is a mere $29, and you can start and stop whenever you like. The lessons are yours forever – or at least as long as the Internet lasts. Think of this as the cost of a bag of groceries but with more lasting results!

Workshop Preview Link

So here’s to a walk on the wild side – and the natural treasures that we “accidentally” find there. 🙂