What the heck IS an “Interactive eBook,” anyway ???

I’m happy-dancing about the reviews for my bestselling interactive eBook, Postcards to Myself.  It’s the perfect way to practice your art when in-person workshops aren’t possible.

But what the heck is an “Interactive eBook” and how does it work??

Basically, you purchase a PDF file of the book here, download it to your own computer, read it at your own pace, and follow the embedded links to see the workshop videos in whatever order and how ever many times that you want.. Watch this short explanation!

Video Link – What is an Interactive eBook?

Here’s how the online purchase process works. It’s super-safe and super-easy – watch this.

Video Link – Buying and Downloading an Interactive eBook

Now, let’s say that the worst happens – you pay for the book, but it somehow gets lost in the download or you can’t find the file. Just email me, and I will send you a new copy as an attachment. But I seriously doubt you’ll run into trouble with the download.

Click here for more about Postcards to Myself, including the purchase link

If you’ve never used an Interactive eBook, I’d love to have you start with Postcards to Myself, of course 🙂 Here are reviews from artists who are trying this “postcard” method of mixed-media compositions just so you’ll know it’s working for people who are downloading it:

  • Great idea, wonderful instructor. This is more than an eBook, it’s a class! (Eva Macie)
  • Lyn, you are an incredibly generous teacher! I felt like I was getting a front row seat as you shared your various processes and let me even watch how you fixed a piece that didn’t work out like you had planned. I just loved this class.  (Linda Harris)
  • If you enjoy making collages and if you have time to work on some collage projects, my friend Lyn Belisle is a wonderful artist who wrote an e-book on making collages. It is called “Postcards to Myself” — https://www.lynbelisle.com/ebooks.html I have gone through the first part of her e-book and here is a photo of my first collage. I used photos of my mother in the 1920’s. (Linda Moody)

Linda Moody, Tulsa, OK

As a life-long teacher, I think this “postcard method” is a fun way to discover your potential for doing your best work. You don’t need fancy materials, and you’ll find lots of “right answers” in your creative experimentation.

So that’s how Interactive eBooks work. I think they are a great way to learn because they are a combination of words and videos that you can return to time and time again.

Thanks for making Postcards to Myself so successful. I’d love to hear from you! Stay safe, trust yourself, and trust the process.

♥Lyn

Workshop Update – Meow

THE MYSTICAL CAT SHAMAN IS BACK!

The Mystical Cat Shaman Workshop was first offered in 2016 as part of the Artful Gathering summer class program. When the Artful Gathering group scattered, I decided to bring this popular class back to a new audience.

The NEW Cat Shaman workshop will be available until August 1, 2020 for $39 tuition, which is about half of its previous cost. In this new version, I have updated the handouts and added to them. The videos, for the most part, are the original ones, almost three hours of detailed instruction.

You can read more about it on my website. There is a free lesson from the workshop available that might help you decide if you want to create some feline magic. Ask your cat if she wants to help. Yeah, right 🙂

Click here for the CAT SHAMAN WORKSHOP info.

And there are new Cat Face Shards in my Etsy Shop!

If you decide to take the workshop, I will show you how to make your own cat faces, step-by-step, using about four or five different techniques. That’s always the best way to do it, learning for yourself.

But if you want to purchase some Cat Shaman from my Etsy shop, great!

I’ve added some new cat faces using the mold I made in the the original workshop. They are kiln-fired earthenware and they come in three finishes. They’re $9 each and there is a limit of 2 (I have only 30 right now).

You may find that they are sold out when you go to the Etsy shop. I sent an advance notice to my private email list last night, and the cats are going like hotcakes. 🙂

However, I’m making more earthenware cat faces today and they should be fired and  ready to go by Saturday. I’ll re-list them ASAP. (And if you’d like to be on my email list for previews and updates, you’re welcome to sign up).

Last note – I’m finally internalizing the reality of these times. Sigh. It’s going to be a long summer and fall without in-person interaction.

As a social creature and an artist who cherishes the company of my circle of friends and co-creators, I miss the times we could really look at each other’s work, touch the textures, laugh and hug in person.

But if there was ever a time to count our blessings, this is it. Be safe, trust yourself and trust the process, and take good care!

Mexican Folk Art to Color – have fun!!

A long, long time ago (1987) I worked with Dr, Marion Oettinger at the San Antonio Museum of Art to produce a coloring book of some of the engaging pieces of art in the brand new Latin American Folk Art collection given to SAMA by Vice President Nelson A. Rockefeller. The Museum itself was only a few years old then.

I was working as a free-lance Illustrator for the San Antonio Express News at the time, and this was a fantastic chance to go behind the scenes at the museum to get a first-hand look at this comprehensive collection. Fun!

Long story short, earlier this week while I was doing my hunkered-down-at-home book organizing routine, I came across a copy of the coloring book we did. It’s called, appropriately enough, “Coloring the Folk Art of Mexico” and it was published by my dear friend David Bowen, whom so many of us still remember.

There are lots of folk art coloring books these days, but back then it was a novelty. We did a second printing with a different cover, but here’s the original version.

And here are a few original images from that coloring book for you to download and color (oh, boy!!) – you’ll be enhancing a little bit of San Antonio history with every mark you make!

Click on the download link below the small images to open and print the page-sized versions. The Devil Biker is my favorite. The Siesta one is the easiest to color. Staying in the lines is NOT required.

Download the Blouse

Download the Delivery Man

Download the Devil Biker

Download the Jar

Download SiestaTime

HAVE FUN COLORING . . .  AND TAKE GOOD CARE in your safe shelters !!

 

Small Comforts

Don’t know abut you, but I have felt pretty disheartened and non-productive during the last two weeks. I look at all of those articles and posts about what to do when you’re at home, and yet, somehow, my energy has shifted to hibernate mode (“Wahhhh . .just leave me alone!”). But knowing in my heart that it’s important to keep busy and creative, I started cleaning out my studio shelves. That’s always a recipe for inspiration.

I found lots of duplicates of things I thought I’d lost, and then bought more of – right? Every happen to you? Case in point – a bunch of bar magnets. I must have three dozen of these guys!

Why? Back in 2014, I taught an online class with Artful Gathering that featured little clip-on art-to-wear pieces that also function as displayed artwork. These pieces were one-of-a kind mixed media collages designed with a super-heavy-duty bar magnet on the back so they can also be displayed in a frame. I called them “Magnetic Adornments”.

Here are some examples from an old class worksheet:

Those re-discovered magnets were the kick-start for me, and I decided to play with that project again. I needed something small to work with, something that I could use as art therapy, something that was fun and had no real rules.

The base of the little collage is archival matboard. You choose a focal piece and just start building a miniature assemblage. I used my clay faces, but you could use an old piece of jewelry, a shell – whatever!

Once the magnet is glued on the back, you can wear the assemblage on a scarf or a hatband. You can also clip them into a frame by putting the back piece of the magnet on the back of the frame. Here’s one that I just finished:

A few more of the “Magnet Adornments” I’ve put together the past couple of days:

Here’s that last piece taken out of its fame and clipped onto a scarf:

Small magnetic assemblage clipped on a linen scarf

OK, that’s it for today. I may go hibernate for a bit – I hope you’re well, staying inside and still staying in touch with friends in whatever way is best for you. I’ve been Zooming a lot with my family. Who even knew what that meant last year??

Please find some small comforts to work on today in your own creative space. It really is good for you. Better than Cheetos. Maybe.

 

 

 

 

Gray Friday – sorta like Black Friday, but with a reward after the commercial

It’s the day after Thanksgiving, and instead of running around shopping, I’m enjoying a gray rainy Friday just writing and rambling.

In this SHARDS post, you’ll find:

  • 1. An idea for my next eBook
  • 2. A Black Friday commercial (well, a Gray Friday one)
  • 3. A reward of a free air-dry clay technique demo

1. I’m thinking about air-dry clay. I started a book on this topic a couple of years ago and somehow let it lapse, but now I believe it’s time to make it into an eBook with videos, coming early next year.

I even have a cover and a title for the air-dry clay book (subject to change – like I said, this idea started a couple of years ago)!

What do you think? Would it make a good eBook with videos? It has unlimited possibilities for mixed media and fiber artists.The good thing about air-dry clay is that you don’t need a kiln, and many of the newer paper clays and polymer clays are very permanent and durable. And they even take beeswax!

So with all of this in mind, I’m going to give you a FREE SAMPLE of an easy air-dry clay process – a downloadable handout on how to transfer an image to a thin slab of air-dry clay. 

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2. But first, you have to promise to read the following commercial and not just skip to the end. Here goes:

I’m teaching a brand new online workshop about Origami Kimono construction with a group called Mystic Springs Studios in their year-long Artwalk Alchemy 2020. The kimono workshop is cool. You will love it. And when you buy the Artwalk Alchemy 2020 subscription, you get my workshop plus 23 others that look good too. I know some of the other artists, including Anne Marie Fowler who heads the program, and the projects look intriguing.

Anyway, for this weekend only, you can get a discount on the ArtWalk Alchemy 2020 classes.

You can click on the image above to go to the class description, or just click HERE.

I’ll be around when the Art Walk classes start to answer your questions and give feedback, as well as post photos of your work – so save $10 and sign up now!

And while I am in commercial mode, you can shop for my three existing eBooks (the first two with videos) just to see how they work. All have great reviews, if I do say so my own self 🙂  Here they are:

WAX & WORDS: An exploration of asemic writing, words, mark making and images enhanced with beeswax encaustic layers and gold foil – with nine videos

Beeswax, Clay, Paper and Fiber Talismans – with videos!

Behind the Veil: Beeswax and Collage

The upcoming air-dry clay eBook should be a good addition to this collection.

END OF COMMERCIALS – START OF FREEBIE!

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3.  Your free technique demo from the upcoming eBook – the photos below show an inkjet image printed on plain copier paper that has been transferred onto a thin slab of air-dry clay.

The second photo show the complete sample with more clay and mixed-media elements added.

Acrylic transfer on air-dry clay in progress

Completed sample – inkjet image transfer on air-dry clay with cold finishes

Here is all you need to do this image transfer technique – acrylic medium and air-dry clay (and an image, of course). I’ve given you two links to the products, but the materials are available at more than these two places. I have found that these two brands work best, but you can certainly experiment.

Delight Air Dry Clay

Golden Fluid Matte Medium

And here’s how:

4. BUT WAIT – THERE’S MORE!

If you’re interested in air-dry clay, regular clay, photos of clay, collages about clay, etc., etc., don’t forget to enter the Texas Clay 20/20 Vision juried show at the San Antonio Art League!! It’s the best entry fee on the planet – only $10. Here are the details:

The deadline is December 12th, so shake a leg if you want to win that $500 first place award!!

 

 

 

Want to explore encaustic portraits? Use your phone to email photos to yourself!

Another enthusiastic workshop group met at my studio on Wednesday afternoon to explore collage, composition, and beeswax. Thanks to Marcia Roberts for organizing this great gathering. They were fantastic.

It’s my custom at the beginning of the workshop to give everyone a large packet of images that have been printed on regular letter paper with an inkjet printer. This insures that the paper is absorbent and will be “beeswax friendly.” I ask everyone to choose only from these images for their first collage.

This gives everyone choices within the same range of images, and it’s amazing to see how different each resulting artwork is. Here are a few of the images being arranged and veiled with white paint and asemic writing.

Then I showed them a tip that I want to share with you as well – how to use your own photos in an encaustic collage. I took a photo of Veronica while she was working at the table, then emailed it to myself from my phone. Here she is – great smile, right?

I went right to my studio computer, opened the email and the attachment, and showed everyone how to print out the photo in sepia tone. Then I adhered it to my demo collage and added some graphic elements such as veiling, asemic writing and stamps.

I continued the demo and showed how to apply a layer of beeswax, to incise, and to add pan pastels and book foil to the composition. It was fun playing with a photo of someone who was actually in the workshop, and Veronica got a collage portrait to take home!

I encourage you to take photos with your phone and email them to yourselves to print out and use in your work. It doesn’t even have to be a person – think orchids, cats, and spider webs!

Everyone in Wednesday’s workshop was really inspired – here are some of their encaustic collages. They paid attention to the composition lesson, and even though some of the packet images were similar, the results are beautifully original.

Veronica Miller

Maggie Fitch

Maggi Peachy

Catherine Danner

Marcia Roberts

I think these encaustic collage workshop are so useful and popular because the lessons on composition and layering can be used in any medium, from acrylic painting to fiber to journaling. And using your own phone photos gives a personal touch that makes this kind of art practice a unique statement of who you are.

Thanks for reading SHARDS!

 

TRY IT! 7-Day Found Object Challenge for Composition Competence

Say THAT three times fast – anyway, this is fun! And it takes practically no time at all each day. It will sharpen your observation skills and boost your composition fluency.

HOW THIS STARTED (you probably do the same sort of thing):

So, I take walks every morning and most afternoons and often find a small object along the way  – like a rock or dried leaf –  that intrigues me. Sometime I put it in my pocket, sometimes I just look at it and leave it.

Last week, I challenged myself to choose one found object a day, bring it home, and see how the daily objects might fit together at the end of the week.

There’s a table inside my front door where I often drop stuff, and here was where I put the first object. (You’ll need a designated spot, too, for your daily objects.)

Monday’s object was a piece of thick layered cardboard, which I first thought was a little book. I found it in the street by my sidewalk and it had been run over a few times and flattened nicely.

Monday – flattened cardboard fragment

Tuesday’s object was a dried leaf that had the most gorgeous rust-patina colors and was curved like an umbrella.

Tuesday – interesting dried leaf

On Wednesday, I thought I had found a bird’s egg by the driveway of a neighbor’s house, but it turned out to be a seed pod of some kind. I brought it home to add to the collection.

Thursday’s find was a slightly grubby bird feather, which is always a nice touch.

Thursday – bird feather, probably a dove?

On Friday, I brought home another seed pod thingy – this one look kind of like a bird.

Seed pod, probably Magnolia

Saturday’s and Sunday’s finds were rather similar for no particular reason – a rolled leaf, and a stick with no bark on either end.

Then came Sunday, which was Composition Practice Day – I  started arranging the seven objects in different configurations on a black piece of paper, then photographing the experimental arrangements with my phone camera.

Important point – there is more than one right answer! This is the great fun of solving art problems versus math problems!

This one may have been my favorite, but that could change depending on how the composition was going to be used:

I also tried the objects on a white background.

It’s instructive to note what works for you balance? Scale? Horizontal versus vertical? symmetrical versus asymmetrical? Stacked versus separate?

You can save your favorite photographs and use them as inspiration for paintings (you already know that the composition works!) or as backgrounds for digital art – here’s one example that I did from the photo on the right, above.

I would love to see examples from all of you who want to play with this idea.

You don’t have to wait until a Monday to start! You just need to choose one object a day without thinking about how it will go with anything else. Choose it just because you like it. When you start your arrangements, document them with photos, and send your favorites to me.

Go to my website (CLICK BELOW) to submit photos of your own 7-Day Found Object Challenge for Composition Competence. I’ll put together an online gallery on September 1st.

FOUND OBJECTS CHALLENGE LINK

I can’t wait to see what you find!

 

 

 

 

 

 

 

 

 

 

 

Reindeer really know how to fly . . .

Rare Reindeer Feather ornament

Of course, reindeer have feathers – how else could they fly? Occasionally, you will find a few of these feathers stuck in trees or in a corner by your back door after Christmas. Collect them, and save them in a lucky ornament for your tree.

OK, well, that’s my story and I’m sticking to it. I’m always thinking up artistic projects to share with you (and any assorted kids). Here’s one that just (*eureka*) came to me when I saw some clear plastic ornament with removable tops that were on sale yesterday at Michaels. Get a few of these:

Top is removable, globe is unbreakable

The only other thing you will need is a feather duster (with reindeer feathers, of course – ahem), and a pair of small, sharp scissors. Dusters are available at most home stores.

Carefully take the top off the ornament. With small scissors, snip a 2-3″ feather tip.

Insert it into the top of the ornament. The natural curve of the feather will help it conform to the side of the ornament.

Keep adding feathers, turning the ornament so all sides have a bit of feather showing. You can use a toothpick to help poke them down if you need to.

Don’t overfill – there should be some clear airy space between the feathers.

This is such a pretty object – you don’t have to make these just for a Christmas tree. They would look lovely hanging in a window all year around.

During the holiday season, however,  they prove that “reindeer really know how to fly.” Right? <wink>

 

 

 

20-minute tune-up kit for busy artists

Have you ever felt guilty about not doing any art for a while? Do you buy cool art materials and never seen to have time to actually open and use them? Do you get all sorts of ideas from Pinterest, then think about all the stuff it would take, so you just forget it?

Auntie Lyn has a solution!  Put together a little creativity tune-up kit with simple materials and pre-cut 5×7″ substrates for mixed-media collages to kick-start your ideas and quell the non-productive guilt – you’ll have some finished artwork in 20 minutes.

There’s something magic about a 5×7″ blank surface – not too big to be intimidating, not too small to be insignificant. And you can do so much with work this size (see the journal cover video, below). Plus, you can put together a pretty cool collage in about 20 minutes, including getting out the stuff out and putting it back.

Here’s what’s in your 20- Minute Tune-up kit (and it fits in one box):

IMPORTANT – SET A TIMER FOR 20 MINUTES

You don’t have to limit yourself to 20 minutes (or force yourself to work for 20 minutes if you want to stop before that), but you’ll be surprised at what you can accomplish if you set  a 20-minute deadline and go for it.

My process:

I keep a stack of 5×7″ archival mat board handy for my own personal kick-start “meditations.”  I grab one, find a central image from a magazine that I like, tear or cut it out, see what it tells me to add, then just build quickly and intuitively using glue stick to adhere.

I sometimes add white paint to veil and coalesce the images, and sometimes add matte medium to seal the surface. I scribble with graphite, make lines with Sharpie, and often add a bit of color with the water-soluble oil pastels. DING!! (that’s the timer going off).

Example of 20-minute 5×7″ collage

So now I’ll share a personal story about how I know this works. When I started teaching in the Computer Science Department at Trinity University fifteen years ago, it was an impossibly steep learning curve for me and I had no time for anything, much less art. After three or four years, I started making “therapeutic” 5×7″ collages in a very limited time just to save my sanity.

These morphed into journal covers, which morphed into my first Etsy shop. I sold over 200 hand-made journals in that shop, some with rather weird custom requests! Making those small collages turned things around for me as an artist and gave me a much-needed tune-up and kick start.

Here is a video of 200 of those 5×7″ covers from that first Etsy shop. From that small-format beginning, I learned about composition, about marketing, and about how much you can get done in 20-minute segments, even if you have a challenging life. Click on the image below to see the video.

Now gather your 20-Minute Tune Up kit together and get busy – a cold front is coming and you can certainly find 20 minutes to hunker down and create!

Thanks, as always, for reading SHARDS.

 

Serapes, Sunsets – and Schenck

In a earlier SHARDS post I introduced one of my new summer online workshops for Artful Gathering ( an art “camp” for artists, teachers and students) called Southwestern Stripes: Serapes and Sunsets.

In the workshop, I teach the AG students how to use classic stripes and geometrics inspired by Navajo weavings and Pendleton blankets as inspiration in their paintings and mixed-media art.

This is a 90 second outtake showing one of the things we talk about in the four-hour class. (If you can’t see the video screen, click the “Outtake 2” link)

Outtake 2 – Southwest Stripes for Artful Gathering from Lyn Belisle on Vimeo.

As usual, the students are exceeding my expectations. The class still has almost three weeks to go, and they are already producing some impressive work.

Here are three pieces by workshop participant Christine Luchini showing several ways she uses these techniques:

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Lee Ann Lilly did these three, including the collage spirit doll and two beautiful small card paintings:

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Here are three more student works, two by Ronda Miller and one by Paulanne Sorenson:

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Just day before yesterday, Ronda wrote in our discussion forum, “I live in the Phoenix area so I see A LOT of serape art and Native American art. My awareness has been lifted to new heights since I have taken this workshop…kind of like you buy a blue VW because you didn’t see many of them – until AFTER you buy one, then, WHAM, they are everywhere! haha.” Ronda also said “I am an abstract artist so I want to find a way to add a tad bit of serape design to my art and still have people know it is still my work.” 

Boy, is that true about seeing serape patterns everywhere – I am paying a lot more attention to serape designs since I started teaching this class. Wouldn’t you know it, the new Warhol/Schenck Exhibit at the Briscoe Museum here in San Antonio has a ton of them!

I was there last week, and fell in love with Billy Schenck’s use of serape patterns:

Bill Schenck

Bill Schenck, 2014

Bill Schenck, oil on canvas

Here’s the info about the exhibit if you’re in San Antonio and want to see this and some fine Warhol prints as well.

And to add more stripes to the serape story, I just found this beautiful book for $1.00 at the Central Library BookCellar used book store.

Here’s a selection from the book’s introduction that talks about the Spirit Line in weaving – I love it! It goes right along with, “I meant to do that!”

If you want even more Southwestern inspiration, My second Artful Gathering class, Neo-Santos: Creating Personal Spirit Guardians, opens on July 16th.

What was that old commercial about “Yikes! Stripes!”? – there is, and always will be, something fascinating about woven striped serapes and the Southwest.

Happy summer, happy 4th!