Thank goodness it’s over – NOW what??

I have been working on writing a major grant request for the San Antonio Art League for two weeks – and that means no art for TOO LONG! But it’s finished and submitted and fingers are crossed. Hopefully, this will all be worth it, but I’m feeling rusty and stale and need some inspiration, a kick in the creative backside.

Coincidentally, an email just came in from Stampington publications about their upcoming challenges. My friends Lesta Frank and Lisa Stamper Meyer are often published in those magazines, and I am so proud of them! But I don’t want to jump back in to work too fast by trying to come up with an article. This challenge, however, caught my eye:

  • Miscellany
    Sometimes, an image of something lovely is all we need to feel inspired. Have you taken a photo of something that makes you feel inspired? Perhaps it is a photo of your collection of vintage handkerchiefs. Or an old stack of books. Or your treasured stash of ribbons. Please submit your favorite digital images (5″ x 7″ @ 300 dpi) to be considered for Somerset Life’s special Miscellany department to the Editor-in-Chief at somersetlife@stampington.com.
    Deadline: Ongoing.

So this morning on my first day of freedom from grant writing, I took my phone and went around the house finding little shards of collections, tools, ideas – well, “miscellany.” Not sure whether I’ll submit any of these photos to Somerset, but it sure was fun reaffirming the things that make me feel creative. Here’s a photocollage of nine of the pictures I took while wandering around my spaces.

Little shards of stuff around my house and studio

I found this to be a really good exercise for several reasons:

  • It makes you really look at stuff you walk by every day and take for granted
  • It makes you think about what you like – and why
  • It helps you revisit old ideas that have new potential
  • You don’t actually have to make something – you’re curating what you have with a fresh eye.
  • You can think of it as homework, and you feel like you’re accomplishing something –  plus, it’s fun

I encourage you (especially if something has kept you away from your creative self for a while) to try this. Heck, go ahead and submit those photos to Somerset – what’s to lose?! A kick in the creative backside is a good thing.

Some other challenges from Somerset:

Somerset Life aims to demonstrate how easy it is to add a touch of beauty to our daily lives, whether it is through a simple craft project, or an inspiring essay that shares how to find the beauty that already exists. Our mission is simple: make the ordinary extraordinary. For those looking to be a part of this bestselling publication, we have a number of ways to do so. We are currently looking for artwork submissions in the following categories:

  • Life Creative Spaces
    Where do you create? Whether it’s a small table or breakfast nook, cleared-out closet, or an actual room dedicated as your creative studio, we want to peek inside. If you think your creative space is something that Somerset Life readers would like to learn more about, please submit digital images of your space with a brief written query to the Editor-in-Chief at somersetlife@stampington.com. If the submission is accepted, you will be asked to furnish professional hi-resolution images (300 dpi at 8″ x 10″).
    Deadline: Ongoing.
  • Artful Kits
    We all love to collect papers, ribbons, embellishments, and other bits and bobs. More fun than collecting specific elements is finding creative ways to juxtapose the pieces together to create unique kits. Whether you create them to give away or to sell or offer to students in a workshop setting, we’d like to see your favorite kits. Please send in kit samples directly to the Editor-in-Chief as outlined in the Submission Guidelines.
    Deadline: Ongoing.
  • Creative Living Ideas
    In each issue of Somerset Life we share 10 Creative Living Ideas, and we show quick and easy ways to add a touch of beauty or creativity to your life, or perhaps someone else’s. Maybe you have a clever way of packing a sack lunch, or you have a developed a creative way of saying “Thank You” to a friend. Please send in samples directly to the Editor-in-Chief as outlined in the Submission Guidelines.
    Deadline: Ongoing.

Click here to download our guide for submitting photographs. It will also show you how to convert images to the correct size and resolution for this publication.

 

 

Another road trip – Hill Country spirit dolls with orchid-cousin hair

The Hill country Arts Foundation in Ingram, Texas is a magical place. Located at the  crossroads where Johnson Creek merges with the Guadalupe River, it’s a venue for the education of the arts, visual art exhibitions and  theatrical performances.

On Saturday, I went to HCAF to teach a Spirit Doll workshop. My friend Lynn Luukinen who lives in nearby Kerrville, helped me set up by gathering sticks and twigs from the riverbank – and also ball moss (which almost became the star of the show).

Choosing and assembling spirit doll body parts 🙂

Ball moss has a bad rep, but in fact, it’s not a parasite. It’s an an epiphyte (non-parasitic plant living on other plants) and is a cousin to bromeliads and orchids.

A spirit doll in her underwear with a ball moss hairdo

Besides using the native branches and moss, participating artists brought their own stash of great materials to add to their mystical spirit dolls, and they wrote a purposeful intention to wrap inside each one.

Here are some of our spirit dolls – we had a whole day to play and create at HCAF!

Some people call ball moss, which is rampant everywhere in South Texas, a &%$$%##!! nuisance and pay a fortune to get rid of it. We call it “Spirit Doll Hair” 🙂

If you want to create your own Hill Country spirit doll, here’s a link to the materials list we used. Don’t forget the ball moss!

The amazing Shannon Weber: an authentic life in art

Shannon Weber

When I met Shannon Weber in Santa Fe last fall, I gushed shamelessly,proclaiming that I was her biggest fan and that images of her work had been on my computer desktop for a decade. I said that her three-dimensional assemblages resonated so deeply within my artistic soul that it was almost scary. Poor Shannon, she probably thought I was slightly nuts.

After spending five days with her, I am even more in awe of her work and her process. Shannon was invited by the Fiber Artists of San Antonio to come to San Antonio for a workshop and a presentation. And she stayed with me for the five-day visit! We had a really good time taking about art and creativity. Here’s a wonderful quote about her relationship with her materials:

“Intellectually, humans own this genetic history, “we are makers”, and are known to use what we have.  My choice in materials would be Pacific sea kelps, and coastal debris of which I have a long lasting affair and bring their own mythologies of place. The benefits of working with raw organic materials, is that they provide a rich dialog to every design.”

Shannon Weber

For our two-day workshop, Shannon shipped three huge boxes of found materials and dried sea kelp to San Antonio for us to experience in our pieces. She is a tireless teacher, and we all worked without downtime for two days.

I was so frustrated at first because I could not random-weave a long piece of reed into a structure that would hold together. Shannon patiently went over the process again and again until I finally got it.

This was one of my structures – actually, both of the main ones I completed looked remarkably like teapots!

Please watch the workshop video, below – it is an amazing thing to see the variety of structures that emerged from essentially the same materials over a two-day period. Shannon encouraged us to go our own way.

SHANNON WEBER Workshop for the Fiber Artists of San Antonio from Lyn Belisle on Vimeo.

Shannon lives in an isolated region near the coast of Oregon without television or technology. She and her husband ran a fishing lodge for many years when she was first beginning to make things for found materials. Her stories are priceless. She is astonishingly down-to-earth for an artist whose works are found in museums and galleries from California to New York and beyond.

The last afternoon that she stayed with me, she went for a walk in the woods near my house and came back with a gift – three beautifully arranged found objects – twine and rusty bits, just what I love – I now have my very own Shannon Weber work!

Found object altar – Shannon Weber

Shannon says, “It’s all the in magic and mystery of talking to rocks, rusty bits, and piles of gathered sticks that keeps me inspired.” And the magic and mystery in her work keeps us ALL inspired.

Indigo + paper + beeswax = kimono construction

For a while now, I’ve wanted to go back to basics with some of my favorite simple materials:  paper, beeswax, indigo and walnut ink in new ways and combinations.

And I’ve wanted to revisit my beloved kimono format that brought me such joy and success in the past. Here’s one of those pieces, a large-scale origami construction called “Luna,” done in about 2003.

But I didn’t want to revert to exactly the same process. So I am experimenting with natural indigo and mulberry paper which I’ve painted and stamped with pure beeswax, much like the traditional batik technique, but on paper rather than fabric. As far as I know, no one is working quite this way, but I thought it would be a great material to fashion into small kimono constructions.

The new kimonos pieces are not completed yet – I’m still working on them for an exhibit in August (Susie Monday, this is the process I was describing to you) – but I thought I’d share what I’m doing with the indigo paper and beeswax surface design.

This is the indigo dye vat. I chose a rectangular container instead of a round bucket because I wanted to submerge the mulberry paper without crumpling it. (Mixing indigo is a whole ‘nother subject. Jacquard has a pre-reduced indigo that makes it easier.)

I used a heavily-textured white mulberry paper, and painted it with natural beeswax. Sometimes I stamped on the wax with random found objects. Here’s what it looks like before the dye.

And here’s what it looks like after the indigo dye bath process.

The varied blues are wonderful, and the wax gives the paper a very different feel. Here are some other samples, some with terra cotta walnut ink added.

One of the neat things about working with mulberry paper rather than fabric is that you can control how the paper “frays.” If you run a stream of water on the edges, the fibers fall apart, giving a wonderfully organic look.

I’ve sketched the kimono forms and have decided to add some of the paper and wax beads that I used in the Talisman Workshop. It will be a great combination – I hope!

Once the pieces are finished, I’ll post them here on SHARDS. In the meantime, this kind of creative play with paper and indigo is such fun! It’s even red, white and blue! Sorta.

Happy 4th, everyone!! Thanks for reading SHARDS.

 

 

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They found their wings. . .

. . . and, boy, did they soar! The women in yesterday’s class surpassed every expectation I had for our NeoSanto workshop, creating beautiful symbol-filled personal icons on canvas. And, as Robin said during our critique, “This is much more than just a canvas.”

I showed you the construction process in my last post, but what the students brought to it was the intangible sense of self. The idea of the NeoSanto is to interpret the traditional “santo” figure from the Southwest into a personal guardian. What resulted was one of the most meaningful art-making sessions and discussions that I can remember. I was honored to be there!

Take a look at their work in the video, below.

This may be the subject of the next workshop eBook! Many thanks to DeeDee, Pam, Robin, Marilyn and Lily for the amazing workshop synergy and generosity of spirit.

Up next – on to Artful Gathering! Meet me there in our virtual classroom – registration is open.

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Behind the scenes for today’s workshop

It’s true – I usually show you workshops videos after the fact, but I thought it would be fun to check in BEFORE the workshop to show you how I work up a prototype.

Today’s upcoming workshop is called NeoSantos, and yesterday I played around in the studio with some ideas for construction.

Here’s the workshop description:

NEOSANTOS are small persomal icons that hang in your sacred space to bring you blessings.
“Santos” are found throughout many cultures. Some are primitive, some are very sophisticated, but all are sacred.

The Project – create a personal Neo (‘new”) Santo with your own intuitive creativity for yourself or as a blessing for another person.

The Process – Construct a neosanto sculpture on canvas using found objects, shard faces, paint and mixed media.

The Goal – Learn the secrets of 3-D construction on canvas while exploring your own sacred symbols.

I consulted my written outline, then I assembled some simple materials.

First step – painting an 8×10″ canvas that has writing and scribbles and scumbled acrylic paint for the background. This is set aside.

Second step – wrapping two small pieces of archival mat board in handmade mulberry paper using glue sticks.

Next step – attaching the two wrapped shapes together with gool ol’ hot glue.

Next Step – playing around with collage elements – in this case, narrow strips of paper.

Next – adding some unusual textures – in this case, a torn strip of a prayer flag from Tibet.

Next step – more stuff!! More acrylic paint to veil the collage elements, trying out different materials – you know, all the fun things.

  Next – lay a small earthenware face onto the construction to see where it’s headed – do I like it? Not completely, but I’m not finished. And the face isn’t attached yet so I can change it any way I like.

At this point, I’m going to stop with this prototype and when the workshop participants arrive this afternoon, I’ll show it to them, explain  how I did it so far, then ask for suggestions. It’s a great way to work collaboratively.

I’ll take pictures during today’s workshop and make a little video for you to see the results. Stay tuned!

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PS – The response to the Talisman Workshop eBook has been overwhelming! I’m making little talisman faces as fast as I can – thank you thank you!!

 

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In praise of nature

I’m lucky enough to live across the street from a woodland area, and when I go walking in the morning, my pockets are often filled with rocks or sticks or even little critter bones that I’ve picked up along the way.

These natural objects are like mysterious sentences in a story or lines in a poem without words. You do that, too – right?

Sometimes, these things end up in a big jar on my bookshelf, looking kinda creepy cool:

Jars of found nature objects on my bookshelves

Jars of found nature objects on my bookshelves – ok, so the face didn’t actually appear like that in nature 🙂

And sometimes, they end up in assemblages and little shrines.

Lyn Belisle: Nature Shrine

Lyn Belisle: Nature Shrine

So when Zinnia at Artful Gathering told our faculty that we would be teaching nature-themed classes this summer, I was ecstatic!! Artful Gathering is my favorite “summer camp” and online creative community. Here’s the description of my Nature Shrine class:

Session Two: July 16 – August 26

Lyn Belisle will show you how to make small shrine-like assemblages created from serendipitous finds in natural settings. Through the power of storytelling with symbols, Lyn will show you how to construct natural elements enhanced with her iconic air-dry faces. You’ll combine rocks and shards, twigs, leaves to create a meaningful non-verbal story.Then, using unconventional construction methods such as knotting, wiring and wrapping, you will create diverse surfaces on little 6 x 6 canvases that can be displayed in a variety of ways.

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As part of the Artful Gathering fun, we’re having a Blog Hop. That means that somewhere on my blog page, there’s a secret word for you to collect. It’s not too far, and when you collect all of the words, you can win truly nifty prizes. The secret word is right around here, AND it’s easy ( wink). Click here for more about the Blog Hop.

But wait, there’s more! In the first AG session, I’m teaching an encaustic portrait class called Natural Expressions – here’s the info:

LYN BELISLE_edited-1

Session One: June 6 – July 17
Lyn Belisle guides you through the steps for creating mixed media portraits with natural materials, including layered beeswax. You’ll learn how to enhance digital images, tinting, preparing small stretched canvas substrates for layered collage, assembling a wrapped mat around a canvas substrate as well as attaching natural objects to a mat and integrating them into the mixed media composition.

Obviously, I’d love to work with you in one or the other of these classes. We have an online classroom for questions and critiques and extra resources.

So here’s your homework:

1. See if you can find the “cleverly hidden” secret word to collect for the Blog Hop

2. Check out the Artful Gathering catalog to see the class offerings. Besides mine, there are some great classes by pals Debby Anderson, Michelle Belto, Monika Astara and Luthien Tye, among others.

3. Get out there in nature and collect a little object that calls to you and write a one-line poem about it!


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Whiter Shades of Pale – playing in the no-color zone

Lesta Frank has a ray gun – she brought it to our all-day Whiter Shades of Pale workshop yesterday, and when anyone “called color” on another person (like, they were reaching for some red paint), they got blasted with flashing lights and wild beeps. It was pretty funny!

The whole day was a delight, as a matter of fact. In the morning, we made beautiful pale papers under Lesta’s expert tutelage – ecru, ivory, palest gold and silver – all breathtaking. A favorite was the string-embedded paper.

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In the afternoon, we used those papers to create stunning assemblage/collages with the hand-embellished paper and found objects tied into our canvases.

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Lesta’s collage

The video from the workshop is just pure eye-candy. It’s astonishing how much richness and variety can come from such a a limited color palette. Limiting the color choices allows you to concentrate on texture and composition.

Pale colors and textures are so wonderfully nostalgic that I thought I’d treat you to the original inspiration, the song called “A Whiter Shade of Pale” which won a Grammy for Procol Harum in (gulp) 1967. The video looks so sweet and goofy – very non-MTV. But boy, does it bring back memories!

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September Spirit Dolls

Lyn's workshop demo spirit doll

Lyn’s workshop demo spirit doll, “Leafwing”

There’s something about a Spirit Doll workshop that gives me goosebumps. I think it’s because in just three hours, a group of willing people trust their creative instincts to combine some sticks and clay and cloth and build the most amazing mysterious little beings. It’s really magical!

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You’ve seen my Spirit Doll workshop videos before, and every group is special – this one was particularly memorable. It may have been because of the mix of people, several of whom had come from far away and had never been to the Studio before. There was a lot of welcoming and bonding before the three hours was over.

So this time, I have two videos to share with you. The first one shows the magic of the group pulling together their Spirit Dolls one by one.

And the second one is for YOU. It shows you step-by-step photos of how I made the prototype for yesterday’s workshop just in case you get inspired and want to try this for yourself. I hope you enjoy them both.

Ready to make your own? Here are the basics (especially if you’re a visual learner)!

Finally, if you want all of the Spirit Doll tips and techniques and variations that I have ever tried, I have a DVD called The Magic of Spirit Dolls from my two-hour Artful Gathering class. Just sayin’ – if you missed the workshop, you can capture the “spirit” of it on video! Just click on the image for the link. End of commercial break – have a happy Labor Day!

 

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Rainy day re-discovered books, and FF winner

Does this sound familiar? You’re looking for a particular book in your overcrowded art book stash, and you find one or two that you forgot you even bought. You check them out – hey, wow! These are good! Just what you were looking for and didn’t even know it! Serendipity strikes again.

That just happened to me on this rainy stay-in morning, so I’m sharing these with you – the first one is Mixed Media Books by Gabe Cyr. It is a treasury of mixed media ideas, and not just for re-imagined books.

The Tools and Material section alone is worth the price of the book, including a great page on adhesives with a chart comparing and contrasting different ways to stick stuff to other stuff. And the photos are drool-y.

Mixed Media Books by Gabe Cyr

Mixed Media Books by Gabe Cyr

 

It's about more than just altered books

It’s about more than just altered books

 

There's a nice section on collaboration

There’s a nice section on collaboration

 

The second is a book published in 2010 by Annie Lockhart called Objects of Reflection: A Soulful Journey through Assemblage. Annie Lockhart’s recent work is based on Soulful Painting, but this is all about collections and construction.

This book is wonderful for anyone doing assemblage because it has maps and legends of the components. And it has another invaluable section on joining things together. The book is printed on tan paper with monochromatic photos – interesting.

Prompts and inspirations

Prompts and inspirations

A legend of components

A legend of components

Objects of Reflectin by Annie Lockhart

Objects of Reflectin by Annie Lockhart

One big fat request: I’m giving you the Amazon links so you can “look inside” but if you want to order these books, please PLEASE check first with your independent book store and see if they have them or can get them for you!!  If you’re in San Antonio, here’s a link to The Twig Book Shop.

And now – tah dah – the winner of the Cat Starter Kit Friday Freebie is – – – – – Carlos Haun. Carlos, email me about how to collect your Shaman Kitty kit.

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