The early bird trickles like sand through the hourglass —

I just finished filming my first lesson for the extraordinary “everything you never knew you wanted to learn about encaustic” course called Painting With Fire:Essence of Mulranny. I am one of 26 international teachers invited to teach at Painting With Fire. The scope and content of the lessons is amazing – yes, even if you are a beginner.

Conceived by Ireland-based artist Lora Murphy, the year-long program’s early bird cost of $199 is the bargain of the century for anyone who wants to learn more about painting with wax or using it as a stellar component in mixed media work. Seriously. The sands are trickling through the hourglass, though – early bird tuition ends on Thursday. After that, the price goes to $249 (which is still a bargain, but $50 can buy a lot of encaustic supplies).

So this is a preview of what I am doing for my first Painting With Fire lesson – it will be released really soon, on Wednesday, May 26th. It’s called Surface Sampler, and it’s super-fun, if I do say so myself. Just click on the image or the link below:

Link to Preview

Here are some FAQs about Painting With Fire

  • Class starts on Friday, April 30th
  • Every class after this is on Wednesday (from May 5th onwards).
  • There are 52 weeks of lessons, often several in one week. All you need is an internet connection to view them. You can go back to previous lessons during the year.
  • All classes are prerecorded (with one exception) and will be available from approximately 12 noon EST each Wednesday.
  • Lifetime access to the videos.
  • There is a Facebook group which is private for PWF students.

And here’s my invitational link to join – please make sure that if you want to take part, join today or tomorrow before the Early Bird tuition goes away.

You’ll be joining a wonderful community of talented teachers and students!

 

 

 

 

Painting with Fire

The title sounds like something my mother would have warned me against, but it’s actually one of the best things that could happened to an artist/teacher!

I’ve been invited to join a group of the Best Encaustic Teachers in the World (yes, they let me in!!) to participate in a year-long learning experience called Painting with Fire.

Click here to visit Painting with Fire Essence of Mulranny .

Would you like to meet these artists and see what their work looks like? It’s pretty awesome – check out the video.

Painting with Fire Online Workshop A Year of Encaustic from Lyn Belisle on Vimeo.

The program was founded by Lora Murphy, an encaustic artist who was born in Ireland and has a school there in County Mayo called Essence of Mulranny. Lora sent out an invitation to us, scattered all over the world, and brought us together to teach this Masterclass. And it’s for beginners, too!

My pals Michelle Belto and Clare O’Neill are teaching in Painting with Fire, as well. I’ve learned so much from both of them. And when you sign up, you can take every single class offered by every single teacher over the course of a year, including mine and Michelle’s and Clare’s. Oooh, and Crystal Neubauer and Trish Seggebruch and Shary Bartlett and so many more of my favorite encaustic aritsts are in this, too!

The class that I am teaching is called MYTH AND MIST: Fusing Image and Imagination in Wax. It’s a combination of all the things I love about encaustic – pale translucent layers, mysterious photos and objects, fragrant beeswax – well, take a look for yourself. Here are some details from one of the first pieces I’ve been working on::

I honestly can’t wait to participate in Painting with Fire. Maybe Lora will invite me to Ireland to teach in person next year!!

I almost hesitate to say this, because I feel like I might jinx it, but there’s this new stirring amongst us creative creatures – a cautious optimism that’s reminding us that spring is coming and we can start reaching out again rather than just hanging on in survival mode.

By the way, The Enso Circle is certainly stirring! Michelle Belto and I have had a number of incredible applicants who want to join us in virtual residency. If you didn’t get a chance to read about it, here’s my last post that will explain it. It’s a program for the long-term, and when you are ready to consider it, we will be around! Applications are still open until February 21st, which is a week from this Sunday. Applicants will be notified of acceptance on February 23rd.

I hope to see you at Painting with Fire — it opens today!! Warm your hands with us at the encaustic griddle!

Click here to visit Painting with Fire Essence of Mulranny .

Take good care, trust the process – ♥

Lyn

 

 

The Story of The Enso Circle

Creative work is rarely done by a lone genius. Artists, writers, scientists and other professionals often do their most creative work when collaborating within a circle of like-minded friends. Experimenting together and challenging one another, they develop the courage to rebel against the established traditions in their field. Working alone or in pairs, then meeting as a group to discuss their emerging ideas, they forge a new, shared vision that guides their work. When circles work well, the unusual interactions that occur in them draw out creativity in each of the members.

Michael Farrell, Collaborative Circles: Friendship Dynamics and Creative Work (2001)

After six years of hatching, percolating, and polishing this concept, Michelle Belto and I are (at last) introducing you to The Enso Circle, our Invitational Online Artists’ Residency program. When we previewed the new website to several artist friends, here were their reactions:

  • “I just read your note on the class/residency that you and Michelle will be teaching and just wanted to let you know that this sounds truly amazing. Love both of your artwork and this sounds perfect! I have been creating art for over 50 years so I think it’s time I joined your tribe.” Bosha S.
  • “Brilliant idea. Brava!” Jean D.
  • “What a fabulous idea!!! Love this! This is a BRILLIANT venture!” Christine S.

When we began talking about what has ultimately become The Enso Circle, we wanted to create a structured, collaborative community that we ourselves would want to belong to.

This community would offer a supportive space in which to both expand and focus our present art practice, and to offer us a safe place for sharing ideas with like-minded creatives. It would have a starting time and an ending time, and be long enough to be meaningful but short enough to keep the energy going.

We knew from experience that we both need certain guidelines to make this work for us. Among those are:

  • A time-defined goal to motivate us (an art show submission, an article deadline, a workshop design, a group exhibit)
  • Private time to generate or refine a creative concept
  • A concrete plan to reach our goal with focus but flexibility
  • Group time to get feedback on where we are, where we were, and where we are going with our project
  • A collection of resources, always available, that can give us both technical and aesthetic advice and answers
  • Input from mentors outside the community who have expertise and objectivity
  • Small-group opportunities to brainstorm and problem solve the small steps in the process that sometimes get us stuck

Why did we name our community The Enso Circle? Because the Enso is a manifestation of the artist at the moment of creation and the acceptance of our innermost self. It symbolizes strength, elegance, and one-mindedness.

The very imperfections and hand-created contours are exactly what makes the Enso beautiful.

If you want to cut to the chase and learn more right this moment, just click here.

(And here’s what I know that you’re wondering up front . . .the program costs $325, it’s 12-weeks long, only 12 people can be accepted, and yes, it’s absolutely worth it)

But there’s more, and it’s important – and unusual – read on:

The Enso Circle is based on the idea of an Artist’s Residency – a twelve-week commitment that results in a personal body of work, large or small, conceived and completed through goals that you set with the support of the community throughout the process. You do need to apply and have a goal in mind, although that can change over the course of the term.

The Enso Circle is a unique experience for several reasons.

  • It has all the advantages of an in-depth workshop: resources, technique videos, handouts and printables.
  • Like an academic residency, it allows you to select your individual goal and work toward it with peer and mentor support.
  • It has the power of a critique group through frequent informal Zoom meetings and discussions in our private Slack space.
  • It is led by nationally known teacher/artists Michelle Belto and Lyn Belisle, who will model the process by working toward their own goals right along with you during the three-month program.
  • And it culminates in an online exhibition.
  • Lyn and Michelle plan to offer three twelve-week Residency terms throughout the year. The first one will start on March 2nd, 2021.

Here’s an up-close and personal invitation from both of us, via our Zoom recording. Just click on the video image.

VIMEO LINK

We hope you choose to apply to be one of the first twelve residents of The Enso Circle!

HERE’S THE LINK TO THE ENSO CIRCLE CLASSROOM./RESIDENCY WEBSITE WITH ALL THE INFORMATION AND THE APPLICATION FORM FOR YOUR CONSIDERATION

Thanks for reading – you’ll know if it’s right for you, and if it’s not, thanks for learning about our Enso Circle story!

Take good care,

Lyn

Pretty Paper Pendant Pockets

In the spirit of keeping calm, carrying on, and surviving all this together, I’ve created a new online workshop for you. It’s called Pretty Paper Pendant Pockets, and if you enjoyed the Lotus Book class, you’ll love this one.

And, yes, it’s free. This is another mixed-media/paper project from me to you that makes a beautiful gift for friends.

PS – there’s a bonus lesson on aromatherapy and creativity!

Here’s where to enroll

And here are more pictures –

Please be safe, and have a happy, creative weekend!

♥Lyn

 

Lifting spirits with little gifts of art

Have you noticed that little gifts mean even more in tough times? I’m not sure I ever realized that before the “Age of COVID” smacked us all around and left everybody’s crystal balls all fogged up. But some things never change, like creative thoughtfulness.
When I published my new eBook, Postcards to Myself, I wrote it primarily for individual artists (beginners and seasoned) who needed an engaging method to discover, curate, and record their best techniques.

But those artists have taken the “postcard” idea and run with it.
I just got this note from one of them:
Just wanted to let you know that I really got caught up in your class “Postcards to Myself”.  I never really understood how to do collage until I took this class.  I was gathering quite the stack of them and finally decided to share them. 
I wrote words of inspiration on the Mat board before I started the collage.  I put them in envelopes and sent them out to friends and those who might be needing a little bit of encouragement during this pandemic. 
Creating the art helped me immensely!  I probably send out between 75 and 100 of them.  What fun I’ve had! Thanks for teaching the class!
Niki W.
Here’s Niki’s work table with postcards in progress:
This email was totally unexpected – and frankly, pretty exciting! Who wouldn’t want an actual piece of art in the mail? Niki, you are the best!
Another “giving” idea (from me to you) is my free workshop called The Lotus Book. Currently, there are 111 artists enrolled in that class, watching the instructional videos, and creating these art books. In the Lotus Book workshop, I encourage you to make these little journals a gifts for others.
Here are some emails and examples that artists have sent to show me what they’re doing:
Hi, Lyn,
I just finished my first lotus book! Thank you so much for a wonderful time, for sharing your creativity with all of us. Here are the pics.  Not the greatest, had to use a cat snoozie for a background and the light wasn’t quite right, but you’ll get the idea.Seems like a win-win during this Pandemic time. Stay safe! ~ Kate 
This book, from Anna, has such great pattern coordination – lucky someone, whoever gets this one!
And this note, from Carolyn, combines the Postcard book techniques with the Lotus Book! Brilliant!

 

Hi Lyn,
I’m having so much fun watching your classes and then working on the projects.  The first two photos are of the Lotus book.  I had cut out some 4×4 pieces from some scrap from the Postcards to Myself class and decided they would look great applied to a Lotus book.  The third photo is from the Postcards to Myself class but without the wax. They’re just the inspiration and distraction l needed. ~ Carolyn

 

My job in all of this is to encourage you to create with a purpose – creative thoughtfulness is a win-win.

 

Here’s the ink to the free Lotus Book workshop.

And here’s the link to the Postcard book – it’s not free but it’s  very affordable and will reward you will much gratitude fro your friends who are graced with your mail art!

 

Trust yourself, trust the process, and take good care this week –

 

Lyn

 

What the heck IS an “Interactive eBook,” anyway ???

I’m happy-dancing about the reviews for my bestselling interactive eBook, Postcards to Myself.  It’s the perfect way to practice your art when in-person workshops aren’t possible.

But what the heck is an “Interactive eBook” and how does it work??

Basically, you purchase a PDF file of the book here, download it to your own computer, read it at your own pace, and follow the embedded links to see the workshop videos in whatever order and how ever many times that you want.. Watch this short explanation!

Video Link – What is an Interactive eBook?

Here’s how the online purchase process works. It’s super-safe and super-easy – watch this.

Video Link – Buying and Downloading an Interactive eBook

Now, let’s say that the worst happens – you pay for the book, but it somehow gets lost in the download or you can’t find the file. Just email me, and I will send you a new copy as an attachment. But I seriously doubt you’ll run into trouble with the download.

Click here for more about Postcards to Myself, including the purchase link

If you’ve never used an Interactive eBook, I’d love to have you start with Postcards to Myself, of course 🙂 Here are reviews from artists who are trying this “postcard” method of mixed-media compositions just so you’ll know it’s working for people who are downloading it:

  • Great idea, wonderful instructor. This is more than an eBook, it’s a class! (Eva Macie)
  • Lyn, you are an incredibly generous teacher! I felt like I was getting a front row seat as you shared your various processes and let me even watch how you fixed a piece that didn’t work out like you had planned. I just loved this class.  (Linda Harris)
  • If you enjoy making collages and if you have time to work on some collage projects, my friend Lyn Belisle is a wonderful artist who wrote an e-book on making collages. It is called “Postcards to Myself” — https://www.lynbelisle.com/ebooks.html I have gone through the first part of her e-book and here is a photo of my first collage. I used photos of my mother in the 1920’s. (Linda Moody)

Linda Moody, Tulsa, OK

As a life-long teacher, I think this “postcard method” is a fun way to discover your potential for doing your best work. You don’t need fancy materials, and you’ll find lots of “right answers” in your creative experimentation.

So that’s how Interactive eBooks work. I think they are a great way to learn because they are a combination of words and videos that you can return to time and time again.

Thanks for making Postcards to Myself so successful. I’d love to hear from you! Stay safe, trust yourself, and trust the process.

♥Lyn

Workshop Update – Meow

THE MYSTICAL CAT SHAMAN IS BACK!

The Mystical Cat Shaman Workshop was first offered in 2016 as part of the Artful Gathering summer class program. When the Artful Gathering group scattered, I decided to bring this popular class back to a new audience.

The NEW Cat Shaman workshop will be available until August 1, 2020 for $39 tuition, which is about half of its previous cost. In this new version, I have updated the handouts and added to them. The videos, for the most part, are the original ones, almost three hours of detailed instruction.

You can read more about it on my website. There is a free lesson from the workshop available that might help you decide if you want to create some feline magic. Ask your cat if she wants to help. Yeah, right 🙂

Click here for the CAT SHAMAN WORKSHOP info.

And there are new Cat Face Shards in my Etsy Shop!

If you decide to take the workshop, I will show you how to make your own cat faces, step-by-step, using about four or five different techniques. That’s always the best way to do it, learning for yourself.

But if you want to purchase some Cat Shaman from my Etsy shop, great!

I’ve added some new cat faces using the mold I made in the the original workshop. They are kiln-fired earthenware and they come in three finishes. They’re $9 each and there is a limit of 2 (I have only 30 right now).

You may find that they are sold out when you go to the Etsy shop. I sent an advance notice to my private email list last night, and the cats are going like hotcakes. 🙂

However, I’m making more earthenware cat faces today and they should be fired and  ready to go by Saturday. I’ll re-list them ASAP. (And if you’d like to be on my email list for previews and updates, you’re welcome to sign up).

Last note – I’m finally internalizing the reality of these times. Sigh. It’s going to be a long summer and fall without in-person interaction.

As a social creature and an artist who cherishes the company of my circle of friends and co-creators, I miss the times we could really look at each other’s work, touch the textures, laugh and hug in person.

But if there was ever a time to count our blessings, this is it. Be safe, trust yourself and trust the process, and take good care!

Here’s to YOU, Old Chap . . .

Sorry about the corny title, but I wanted to share a little tutorial with you about how to make a chapbook journal.

Chapbooks by Lyn

I made the video for my friend Alexandria van de Kamp, Executive Director of Gemini Ink, San Antonio’s Literary Arts Center. She loved it and thought it might be a fun project for poets and writers. I thought that most artists could always use another small journal, too.

This one requires nothing more than 20 minutes and uses materials that you have already: paper, string, scissors, a glue stick, magazines or other collage stuff.

Here’s how to do it, Old Chap:

Video Link

And if you missed it on Facebook, here’s another helpful video (OK, so it’s a commercial for my eBook, Wax & Words) that will give you some composition tips that you can use on the cover of your chapbook.

Video Link

As I say in the chapbook tutorial, these little journals are so easy to make for yourself and for friends. Make several and record your cheery thoughts about quarantine, plague. . . . .oh, wait, never mind. We are artists! We create joy!

HERE ARE SOME QUOTES TO INSPIRE YOUR CHAPBOOK MUSINGS:

  • “Because most artists are ‘sensitive’ in every sense of the word, if you don’t take charge, negative emotion can ruin you.” (Gaye Adams)
  • “I am an optimist. It does not seem too much use being anything else.” (Winston Churchill)
  • “When asked if my cup is half-full or half-empty my only response is that I am thankful I have a cup.” (Sam Lefkowitz)

Stay safe, everyone – hope to see you soon! And dare I say, “May the Fourth be with you” ? ♥♥♥

Abstraction/Non-Objective: the emancipation of the mind ?

I had the great pleasure of working with five friends, all whom create artwork that I admire, in an abstract painting workshop at my Studio last Friday.

From left: Pamela Ferguson, Bibi Saidi, Carolyn Royall, Robin Gara – not pictured: Nancy Vandenburg

Part of the fun was sharing thoughts about abstraction and non-objective painting. Here’s one of my favorite quotes written by Arshile Gorky:

“Abstraction allows man to see with his mind
what he cannot physically see with his eyes…
Abstract art enables the artist to perceive beyond the tangible,
to extract the infinite out of the finite.
It is the emancipation of the mind.
It is an explosion into unknown areas.” 

Emancipating one’s mind is a tough assignment. It’s human nature to try to direct the outcome of our work, and it’s difficult to let go of that control. We followed a “map” of steps to an unknown outcome. You can download the workshop outline here to see how we painted our abstract studies.

I try to develop a slightly different plan of attack for each painting workshop. Individual students react in different ways to techniques that get them to break the ice on a blank canvas. But we almost always start with mark-making, usually asemic writing.

It’s super-important to agree at the beginning that we will not create a masterpiece in three hours, but we might learn some new approaches to making meaningful paintings. Here are some of the first stages or our warmup:

And here are some in the second stage:

When you watch the video, you can see what some of our results were – all interesting! Several of the artists said that they were out of their comfort zone, but pleased with the final outcome, which may be the whole point!

Video Link

For further study, you can read a good explanation of Abstraction in Art from the Tate Museum.

Thanks for reading SHARDS – and remember, if you and a group of four or five friends  would like to organize a workshop at my studio, just send me an email!

Art Walk Alchemy 2020 and The Enduring Kimono

Teaching online workshops is a joy. But preparation is time-consuming. So when Anne Marie Fowler asked me to develop a lesson for Art Walk Alchemy 2020, I almost said that I was too over-scheduled with my work at the Art League.

But then I remembered a project that had been a signature of my work in the 80’s and 90’s – the Origami Kimono!

I had done a version of this for the Dallas Fiber Artists last year which was super fun. With some additional mixed media lessons and demos, like how to create your own scumble-painted paper, this could be a great online workshop lesson.

Here’s a “scumble sample” video from the lesson for painting a long paper strip that is then folded into a kimono:

There are a ton of other mixed-media techniques in this lesson, including new ways to use gold leaf, walnut ink, and stamps in your work.

I’d never done a lesson like this that is part of a year’s worth of workshops, but it’s neat because you get tons of other lessons from many other really excellent teachers from Art Walk Alchemy. Check out the project highlights!

Woodland Dreams-Art Walk Alchemy 2020 from Mystic Spring Studios on Vimeo.

Registration for Art Walk Alchemy is open right now – including a fantastic four-video lesson on The Enduring Kimono by you-know-who. Take a look at the offerings – 🙂