Wax and Clay Talisman mini-workshop

Last week my friend, fiber artist Mary Ann Johnson, arranged a workshop for a small group of four, including her sister Rosalie who was visiting from out of town. The other two participants were artists whose work I have long admired – so it was a very creative afternoon!

This is a workshop that I’ve taught before, but always love, because of the variety of techniques. We worked with clay, paper, wax and fiber to make personal talismans. One of the most amazing parts of the process is rolling paper into beads, then (optionally) adding fiber for texture before painting them with beeswax.

Jean Dahlgren, one of the participants, brought some of her fabric beads (top right in the photo above), and they also took the beeswax beautifully.

One of the nice things about these beads is that you can write a secret message along the inside of the paper before tightly rolling the strip. Rosalie chose to make her beads very simple, without fiber embellishment, so she can see the structure better.

When we started working on the clay faces, some of us chose to add only walnut ink to emphasize the contours, and others added beeswax and metallic finished – bling. The formula for a raku-like effect is a bottom coat of silver, another of blue metallic, then red metallic, then gold metallic to blend all of the layers together randomly.

The handmade beads were strung on strands of Sari silk and sinew.

As an added attraction, we made simple paper origami boxes to hold our beads and our clay faces.

Besides making wax and paper beads for their talismans, workshoppers brought meaningful objects to tie into the silk and sinew strands. Rosalie added charms symbolizing each of her children and family members.

See how her Family Blessing Talisman turned out, filled with magic!

Speaking of blessings, there’s nothing more wonderful than creating meaningful work with a group of like-minded friends. Thanks, Mary Ann, for requesting this workshop!

Email me if you’d like to suggest a small-group workshop at my studio, and if you’d like to play with your own clay talisman faces, you know where to find them! Yep, my Etsy shop, Earthshards.

Stay cool and creative!

 

 

 

 

 

 

 

 

 

Screens and shelters as art

archaeological excavation shelter

screen panels of heavy paper and sticks

As part of my work with the “Unearthed” series, I’ve been working with panels of paper, wax, sticks and silk to construct three-dimensional sculptural objects that can be configured in different ways.

This has become a very exciting project for me, informed and inspired by shelters and screens for archaeological excavations as well as the idea of versatile art panels that can be viewed from many perspectives to conceal and reveal.

Here’s one that is almost finished. It is large, about four feet long and two feet high.

Lyn Belisle, Shelter Screen #1, 48″ x 36″ Paper, wax, silk, pigment, and sticks

This is a close-up of the surface of one of the panels – torn silk is adhered with beeswax to squares of archeological symbols printed on paper. It’s multilayered and complex. The surface is meant to suggest ancient shards and scraps that have been collected and stuck to experimental surfaces for further study.

Detail, “Shelter Screen #2”

Another great thing about working with these kinds of panels is that each panel has two sides. Here is the reverse side of that piece.

“Shelter Screen #2”, reverse side

The artwork can be displayed on a wall as a four-panel work, or it can be configured on a pedestal or table as a three-dimensional object.

Here is another Shelter Screen in the series that also has two different-sided surfaces. This one is slightly smaller, about 3.5′ long.

Lyn Belisle, “Shelter Screen #3”, Paper, wax, sticks, acrylic, pigment

The back of this screen features photos of one of my earthenware face shards in a series of altered photographs.

“Shelter Screen #3”, reverse side

And it can be hung, or folded or tied into a square with either side out!

Because I have very limited studio time these days with all of the Art League duties, I find that working with these shelter panels is like meditation. Each one that I construct is slightly different, and when they are stitched or hinged together, their possibilities are endless.

I love the way this process grounds me back to the basics of building. And the fact that they are inspired by archeological screen and shelters gives them a deeper meaning.

Here is my second “Unearthed” sculpture displayed in front of a Shelter Screen – they were obviously meant to be together!

It’s as if the past is reaching out into the present, giving me guidance. Maybe “Nine Antlers” has a hand in all of this!

“I held my breath as we do sometimes to stop time when something wonderful has touched us…” ~ Mary Oliver

RIP

 

Marfa – and wax on black exploration

In the 1970s, minimalist artist Donald Judd moved to Marfa, Texas, where he created giant works of art beneath vast desert skies

I’m back from a week in West Texas and the beautiful Davis Mountains. One of the best parts of the trip was visiting Marfa and connecting with minimalist artist Donald Judd’s vision. There’s a great NPR article about this – click here. I love the quote by sculptor Campbell Bosworth“You just come out here and you feel like, I want to make something; I want to do something!”

Maybe it’s the minimalist influence, but it must be true. The Marfa getaway ignited my creative curiosity, and as soon as I got back, I went into the studio and started working in black and white on an experiment with black substrates and beeswax.

I wondered what would happen to the translucent layers of beeswax when they were applied over a dark background.

I used an absorbent black paper and added some white markings with different kinds of media – crayon, stamps, paint:

I added a layer of beeswax – it made it kind of glossy, and did penetrate into the paper, which had been a concern. You don’t want it to just sit on the surface of the substrate:

More experiments – black and white (and a bit of walnut ink):

Like all experiments, some of the techniques worked well, and some were definitely “learning opportunities.” But there is a certain potential for interesting effects that are both chalk-like and smokey. I am going to push these ideas a little further and see what develops (like old black and white film).

Now that I’ve been “Marfa-ized” and infected with some new ideas, it looks like I may be spending more time at the studio, perhaps even developing a wax on black workshop!

 

Wax & Words workshop worked wonders :)

The Wax & Words Workshop was a winner. We all had a great time, and the new Semmes Studio at the Art League worked well as a venue.

As usual, the participants were the stars, pulling out creativity and originality and taking the process their own way with grace and wonder – thanks, y’all!

I’ll let the video speak for itself – if you can’t see the video window, click on the Vimeo link below.

Lyn Belisle Workshop: Wax & Words from Lyn Belisle on Vimeo.

There will be lots more in the Wax & Words eBook – hopefully by the end of July. What fun!

Workshop time: WAX & WORDS

A quick note . . Just wanted to let SHARDS readers know that I’m offering a workshop on Sunday, June 24th at the newly refurbished Semmes Studio on the grounds of the San Antonio Art League & Museum. I’m so excited to be teaching again, especially since this will be the first workshop since the new studio has been upgraded with a skylight and bathroom!

You can read about the workshop, WAX & WORDS, by clicking on the image, below. It’s a great way for beginners to learn about mark-making and encaustic techniques.

Hopefully, this will be the first of many creative workshops there. Here’s another link for details.

A portion of the tuition will go to the Art League – it’s a 501(c)(3) – and by the way, it’s membership time if you’d like to join. Art League members always get discounts in my workshops! Join here.

PS – and yes, the Semmes Studio is air-conditioned!

New critters on the block . .

Oh, boy – the First Friday Art Walk in Marble Falls is this week (February 2nd, 5-8 pm), and as part of it Marta Stafford’s gallery is having a bee-youtiful celebration featuring jazz, honey wine, valentine-inspired jewelry, and my beeswax photocollages and B Beautiful dishes.

I wanted to do something extra and different for this show, something that uses beeswax in a new way for me, and I came up with these five fun wall sculptures using earthenware, gauze, sticks, wire and beeswax and Secret Sauce (aka walnut ink).

Here’s the first one, called “Sacred Sentry”.

I’m calling this series “Earthen Wax & Wings,” and I have a feeling that I’ll be doing more of these. This one’s called “Cloudhopper” – a very happy creature.

Each piece has a tag with its name – and each one has a story that you can read in the faces if you use your imagination. Here’s “Icebound Angel” – so what’s HER story? You might not want to mess with her.

And here’s the “Messenger” – kind of androgynous? I guess they all are. Wings are non-gender specific!

Finally, here’s my fave – “Peacemaker.” Simple and serene – I may keep this one.

It’s funny how things work – I made the little earthenware “blanket” faces weeks ago  without knowing exactly what I was going to do with them. Then I got an idea from Linda Rael that turned out to be the perfect extension for the earthenware.

And when Marta announced her “bee and honey” theme, I tried beeswax and walnut ink on the exterior and it all works together beautifully. Trust the process!

PS – the cataract surgery went very very well! Thanks for the good wishes – I practically have X-ray vision now!

 

 

Back from a week in the wilds of Washington

DSCN6941

I woke up Sunday morning to a temperature of 38F and a herd of elk lurking around the cluster of farm building where I was staying. It was the last day of the Spring 2017 Gaian Soul retreat, held this time at Cedar Springs Lodge and Farm, Skagit County, Washington, just south of the Canadian border.

The theme of the retreat was Tarot and Talismans. I taught talisman-making techniques, including beeswax applications on clay and fiber, and rolled paper/fiber/wax bead techniques. My dear friend, Joanna Powell Colbert, infused these techniques with mystery, magic and spiritual intent through her teaching of the Tarot. It was a perfect fit. We were all thrilled with the results.

I kept wanting to post pictures to SHARDS all of last week, but the internet connection was slow out there, so I just put a bunch of them into this video to share with you:

Tarot and Talismans from Lyn Belisle on Vimeo.

I also put up a page on my website for the retreat participants with links to the supplies that we used in the workshop, and you are welcome to take a look, too!

Click this Tarot and Talisman link.

Making the beads was such a success that I want to offer it as a separate workshop at my studio later this summer. The talismans took quite a while to complete – three days of fairly steady work, but you can make several dozen spectacular beeswax, fiber and paper beads in an afternoon. Stay tuned.

beadsbanner

I hitched a ride with my friend Lisa Sanger Blinn from SeaTac airport to the Cedar Springs Farm, which is about a two hour drive. We visited the town of LaConner both coming and going. It has great galleries, restaurants and shops. The Calico Cupboard Cafe and Bakery is fantastic. And all around La Conner, we saw acres of daffodils that are being harvested for commercial florists. Most were not in bloom yet, but some were – spectacular!

And, yes, they grow in boggy soil. There were also fields of swans and snow geese.

Thanks to Lisa for showing me the sights – for a Houston girl who works at Rice University, she sure knows her way around the Pacific Northwest!

And more special thanks to Joanna Colbert Powell and the Gaian Soul circle of women for inviting me back to teach the talisman workshop – it was a wonderful week!

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Little collages, lots of possibilities

I’m so excited! Studio C Gallery at the Art Center of Corpus Christi invited me to show my work there. They requested some of my journals, which makes me happy because those are truly mixed-media work, plus I love hand-made books. It occurred to me that a 5×7′ journal is the perfect size for the 5×7″ collages that I routinely demonstrate in my workshops. So it was natural to create small collages for the journal covers.

I used a combination of tissue, wax, ribbon, beads, wombats (actually no wombats) and I was pleased with the results. Here are some photos of six of these. I am creating the journals in a numbered series of ten, each with a title.

Journal inside front cover with title and number

Journal inside front cover with title and number

"Elizabeth"

“Elizabeth”

"Pearl Reflection"

“Pearl Reflection”

"Pensive Mercy"

“Pensive Mercy”

"Renaissance Dreams"

“Renaissance Dreams”

"Shell Spinner"

“Shell Spinner”

"Winter Bay"

“Winter Bay”

It’s kinda cool that you get an original collage and a journal in the same little package! Functional art, for sure.

This past Sunday, I had a Wax and Tissue workshop at the little studio, and we created more of these 5×7″ mixed media/beeswax collages.

As always, the work was fantastic. Jo Etta Jupe, who teaches papermaking at the Southwest School of Art,  commented that everyone’s pieces were authentic reflections of their personal style and vision. How true – take a look!

If you find yourself in need of an enjoyable small project, try some of these 5×7″ mixed-media collages. They lend themselves to all kinds of possibilities, including journal covers!

The weekend approaches – get out there and enjoy it. Oh, and if you’re in San Antonio, drop by the San Antonio Art League & Museum on Sunday afternoon for the opening of the Collegiate student exhibit. I got a sneak preview yesterday, and it is a strong show that will generate a lot of lively conversation!!

collegiate copy

 

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What do you have to say to yourself?

That was the question in yesterday’s workshop at the studio called “Postcards to Myself.”

It’s a new workshop, one that I designed to see if we, as artists, create unconscious messages to ourselves as we work on art pieces that combine random images and text. The small works that were produced were amazingly lyrical, and many did seem to have meaningful messages.

The project itself was done in seven stages on an 11×14″ sheet of archival matboard.

  • Stage One – images and objects
  • Stage Two – veiling
  • Stage Three – vintage text chosen randomly
  • Stage four – enhancement and alteration
  • Stage five – selection
  • Stage six – wax or acrylic medium
  • Stage Seven – interpretation

When the collage layers were complete, 4×6″ post-card size areas were selected with transparent plexiglass rectangles. Those were cut out, and then finished either with beeswax or acrylic mat medium. We even wrote notes to ourselves on the backs of our “postcards.”

postcard

In the example above, this postcard-size section from the larger work shows faces from two different cultures and contains words such as “separate,” “restrain,” and “ruin.” It sounds like a trailer for a mini-drama! And yet it’s a completely coincidental juxtaposition within the larger collage.

We had such fun and learned so much from this project. I’ll definitely repeat it, and will probably create an eBook with with a list of materials and instructions. In the meantime, please enjoy the video from “Postcards to Myself.”

By the way, the first prototype postcard I did included text that said “eat one’s words” – so I was very careful about what I said during our critique!

proto

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New year, new workshops, new adventures . . yay!

“For last year’s words belong to last year’s language
And next year’s words await another voice.
And to make an end is to make a beginning.”
           (Little Gidding)”― T.S. Eliot

It’s not quite the new year, but I’m already planning new workshops for the new studio. Some things will be changing. As I said in an earlier post,  the space is different, more like a home than a storefront, so our workshops will be limited to six instead of eight.

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Intuitive Collage workshop in the new studio on December 11th

When we work together, I want to concentrate on the incredibly satisfying Practice of Art (more about that later) and to bring you ideas that you’ll get excited about and use as catalysts to do more personal art on your own.

It’s fun to bring home a finished piece (and we will always do that) but that piece should be a springboard for you to use, change and claim as your own inspiration for something new. In other words, Steal Like an Artist!

Here’s the first of the new year’s workshops – it’s called Postcards to Myself, and it’s designed to send a message to yourself without knowing what you’re going to write in advance. All will be revealed through the process of layering collage and beeswax. Sounds like fun? I hope so! It’s also a good way to learn about using beeswax as a mixed-media tool.

And its hidden agenda is to get you excited about your own art. Click on the image below to go to the sign-up page.

postcards-copy

By the way, did you know today is Boxing Day? It’s celebrated in the UK and other places the day after Christmas. Here’s an entertaining article about its origins and somewhat goofy modern-day activities.

Six Color Christmas Bows isolated on white

My personal take on Boxing Day is to celebrate the old year by mentally “boxing up” last year’s memories, tying a silver bow around them, and packing them away in a special cupboard at back of my mind, clearing the boards for new adventures! What a year it was, what a year it will be! Thanks so much for being a part of it all.

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