Much of my new work is influenced by the Archaeological Investigations report which describes the 1979-80 research and discovery of 13 Archaic period human burials removed from a prehistoric cemetery by Olmos Dam. The investigation provided important information on the cultural practices during that period among people who lived almost exactly where I live now.
I call this new sculpture “Unearthed“ because I deliberately followed a process by which the clay shards that I created were fired in pieces that would be assembled like an unearthed archaeological puzzle – I did not have a plan about how they would go together, but rather worked on instinct. I let the piece “tell” me how it wanted to be built.
It was harder than I thought. First of all, engineering a stable form from diverse clay pieces was a challenge. I used a combination of wood, plaster gauze (a gift from Shannon Weber) and a product called Platinum Patch in a few places where stability was critical.
Creating in three dimensions means paying as much attention to the sides and back as the front. The back of the piece shows the intricate textures pressed into the clay shard.
Here’s a detail of the texture on the front. I really like the way the plaster gauze looks like aged fabric remains.
I actually created two heads for this piece and ended up using the larger one.
A large head suggests child-like proportions, while this body suggests armor, so the whole piece resembles an ancient child warrior. Again, when I started out, I had no idea what this creature wanted or how to get there, but — trust the process!
You’ll be able to see this guy (and more of my brand new 3-D work) at St Mary’s University Library in February as part of the exhibition called “Naturally Inspired: works by Sabra Booth, Lyn Belisle, Jesus Toro Martinez, and Tim McMeans.”
It’s gonna be a creative new year!