Lighter look for SHARDS?

What do you think? Do you like the lighter look? Everything else is the same except the color scheme. I think it’s easier to read. Maybe it was because I was working with so much white during Wednesday’s workshop, but this seems to be a nice change. Let me know.

OK, back to work — have a wonderful weekend, and stay dry in those predicted thunderstorms!

strawhatdetail

 

 

Textured white collage – new workshop exploration

whiteOffering a new workshop is a risk, both for the teacher and the students who are the firstĀ  “test drivers.” That was the case with the Wednesday Exploring Textures in Collage. I knew that I wanted to offer a workshop that pared down collage to very simple textural elements layered with white paint and touches of walnut ink tints, but would the lack of color bore students? Would the project take too long to dry? Would it be deceptively complicated or not make sense or . . .? But once again, my amazing students pulled off a spectacular triumph of artistic exploration.

white2I started the session by demonstrating how to draw a visual classic cruciform framework with pencil lines on a 9×12″ canvas. Then we built thin layers of torn paper across that flat framework. I showed several techniques using both created and found textures, and combined these with mark-making through wet paint.

After that, they were on their own to select textures using their own intuition and style. The hard part was layering white over everything, like watching a blanket of snow fall on carefully arranged objects.

I mentored and suggested, but let them work independently for the most part, and their finished works were professional and evocative – yay!! You should see the work they produced in just three hours! Actually, you can if you take a look at the video, below. Stunning results, be sure to watch until the end to see them.