The pie is out of the oven

Just this afternoon, Michelle Belto and I finished our first collaborative workshop on Teachable. I say “collaborative,” but it has been the weirdest collaboration I ever was a part of!

Apparently, we were both insane from quarantine, because we agreed to do an experiment in which each of us made a serious artwork based on the theme of “Apple Pie.” The catch was that neither of us would share what we were doing until the bitter end. We would never see each each other in person, and we would film the whole thing in lesson format for a workshop.

Here’s my studio where I filmed the Apple Pie collaboration – notice the real apple for inspiration . . .

It was an amazing experience. We had our final Zoom call this afternoon, and both of us commented that it felt like we were working blind, filming alone in our studios, trying to figure out our next moves and having to talk about it to our invisible audience. There are many funny, teachable moments.

Here’s part of a lesson that I did, not having any idea how this apple print would turn out. It was, indeed, “less than thrilling,” but it gave me a great new idea that you’ll see in the next lesson if you take the workshop.

We ended up with a total of six hours of video lessons between us – not just the “technique” kinds of lessons, but lessons in what it’s like to truly “trust the process” and hope the right decision comes along fast.

I invite you to look at the free lessons on the Cooking Up a Collaboration workshop page. While I’d love for you to sign up, you’ll get to see the final results in the lessons called “The Goddess of Apple Pie” and “Family Recipe” from the free previews. Here’s the link.

I’ll be sending out a newsletter in the next day or so with more workshop and studio news, and a give-away, but in the meantime, I’m gonna go have a piece of apple pie.

Take good care,

Lyn

From frustration to fruition, blobs and all

Do you have a “frustration pile”?  It’s a stack of artwork that isn’t bad enough to trash or paint over completely, but it isn’t going anywhere, and maybe never will.

While I was working on my Lotus Book workshop, I found several 11×14″ encaustic and mixed media collages in that pile that had never quite come together for me and were just sitting there. It occurred to me that I could make cover-sized (4.5″ x 4.5″) squares for Lotus Books from the work.

Here’s one of those collages. It’s not terrible, but it lacks focus and purpose. I remember that I was trying six or seven techniques, and I learned a lot, but the piece already looks as if it’s begging to be  cut into squares. Right?

I whacked it mercilessly (but carefully) with my trusty Ingento paper cutter. Here are the resulting six book covers.

If you’ve taken my free Lotus Book workshop, you know that the back side of a cover doesn’t have to be waxed because the pages stick directly to it.

But there is one more important step to make these more suitable for Lotus Book covers. Because the paper cutter leaves a clean, but unfinished edge, it’s best to dip each of the four edges into the wax medium to smooth and seal them.

You can see, below, that the wax-dip barely noticeable, but it makes a big difference in helping the newly-cut covers feel finished.

Here’s a tip – let the dipped edges cool a bit before you turn it to dip the next edge. Otherwise, you will end up with a blob.

Oops. The blob can be scraped off, but best to do it right and be patient (which is NOT one of my best virtues).

And, Voila! A new Lotus Book arises like the Phoenix from the Pile of Frustration!

Now, if you have sharp eyes, you’ll see that I left the Blob on that cover. Blobs add character, and don’t let anybody talk you out of your blobs, personal or artistic! Perfection is boring.

A couple of notes:

The free Lotus Book workshop is going strong, and I encourage you to check out my workshop studio on Teachable. You’ll be joining a group of almost 200 satisfied lotus-bookies. Here’s the link.

If you want to see a fun, short video on a related subject, check out my buddy Michelle Belto‘s take on reusing her encaustic collages – it will inspire you to start cutting! Here’s the link.

Be safe, trust the process, and celebrate your blobs today!

Lyn

 

 

 

 

 

Imaginary friends, bossy inspirations

Human faces and figures, ancient or contemporary, fascinate me as summaries of life stories in the moment. The longer I work as an artist, the more focused my work seems to be on interpretations of those themes.

Clay, paper, beeswax, and fiber are my instinctive, beloved media, all of which lend themselves to representations of faces and figures as small sculptures, spirit dolls, and earthenware faces.

Below are two of the latest little figures (sticks, clay, found objects) which I just dropped off at Marta Stafford’s gallery in Marble Falls. They are called “StarSeason” (top) and “Pastime” (bottom)

Creating an assembled piece related to human form is different from creating an abstract painting – there’s still a lot of intuition, technique, and trust involved, but these small sculptures seem to function as creative “guides.”

It’s easier to tell what element a figurative assemblage “wants” than it is to tell what color a painting “wants,” at least to me. Yeah, I know, it sounds weird.

I discovered this when I started teaching Spirit Doll workshops a decade or so ago, and then re-learned it in the latest Spirit Doll workshop, now up on Teachable.

If you look at the second lesson in the Spirit Doll workshop (which is a free preview) you’ll see how a bunch of stick almost pull themselves together to become something with strong opinions and a personality! It’s really fun to be involved in that process.

I remember when I was putting this piece (below) together a couple of months ago (it’s kind of a cross between mixed-media sculpture and Spirit Doll), I felt strongly guided on what to do next. For example – when it came time to represent the hair, she wanted horsehair.

I didn’t even know I had any horsehair, but then I remembered that a friend had brought me some a long time ago at my old studio. I finally found a hank of pale, coarse horsehair in a buried Ziploc, and used it. The sculpture/spirit doll was right! Nothing else would have worked!

Then there’s Mojo Woman, who wanted everything but the kitchen sink – I listened to her, too – not sure about this one 🙂 See how smug she looks with all that stuff?

Anyway, join the new Spirit Doll workshop if you need a new imaginary best friend who can be a bit bossy. But if you don’t like having somebody telling you what to do, you may regret it!

Take good care,

Lyn

 

Pretty Paper Pendant Pockets

In the spirit of keeping calm, carrying on, and surviving all this together, I’ve created a new online workshop for you. It’s called Pretty Paper Pendant Pockets, and if you enjoyed the Lotus Book class, you’ll love this one.

And, yes, it’s free. This is another mixed-media/paper project from me to you that makes a beautiful gift for friends.

PS – there’s a bonus lesson on aromatherapy and creativity!

Here’s where to enroll

And here are more pictures –

Please be safe, and have a happy, creative weekend!

♥Lyn

 

Lifting spirits with little gifts of art

Have you noticed that little gifts mean even more in tough times? I’m not sure I ever realized that before the “Age of COVID” smacked us all around and left everybody’s crystal balls all fogged up. But some things never change, like creative thoughtfulness.
When I published my new eBook, Postcards to Myself, I wrote it primarily for individual artists (beginners and seasoned) who needed an engaging method to discover, curate, and record their best techniques.

But those artists have taken the “postcard” idea and run with it.
I just got this note from one of them:
Just wanted to let you know that I really got caught up in your class “Postcards to Myself”.  I never really understood how to do collage until I took this class.  I was gathering quite the stack of them and finally decided to share them. 
I wrote words of inspiration on the Mat board before I started the collage.  I put them in envelopes and sent them out to friends and those who might be needing a little bit of encouragement during this pandemic. 
Creating the art helped me immensely!  I probably send out between 75 and 100 of them.  What fun I’ve had! Thanks for teaching the class!
Niki W.
Here’s Niki’s work table with postcards in progress:
This email was totally unexpected – and frankly, pretty exciting! Who wouldn’t want an actual piece of art in the mail? Niki, you are the best!
Another “giving” idea (from me to you) is my free workshop called The Lotus Book. Currently, there are 111 artists enrolled in that class, watching the instructional videos, and creating these art books. In the Lotus Book workshop, I encourage you to make these little journals a gifts for others.
Here are some emails and examples that artists have sent to show me what they’re doing:
Hi, Lyn,
I just finished my first lotus book! Thank you so much for a wonderful time, for sharing your creativity with all of us. Here are the pics.  Not the greatest, had to use a cat snoozie for a background and the light wasn’t quite right, but you’ll get the idea.Seems like a win-win during this Pandemic time. Stay safe! ~ Kate 
This book, from Anna, has such great pattern coordination – lucky someone, whoever gets this one!
And this note, from Carolyn, combines the Postcard book techniques with the Lotus Book! Brilliant!

 

Hi Lyn,
I’m having so much fun watching your classes and then working on the projects.  The first two photos are of the Lotus book.  I had cut out some 4×4 pieces from some scrap from the Postcards to Myself class and decided they would look great applied to a Lotus book.  The third photo is from the Postcards to Myself class but without the wax. They’re just the inspiration and distraction l needed. ~ Carolyn

 

My job in all of this is to encourage you to create with a purpose – creative thoughtfulness is a win-win.

 

Here’s the ink to the free Lotus Book workshop.

And here’s the link to the Postcard book – it’s not free but it’s  very affordable and will reward you will much gratitude fro your friends who are graced with your mail art!

 

Trust yourself, trust the process, and take good care this week –

 

Lyn

 

Workshop Update – Meow

THE MYSTICAL CAT SHAMAN IS BACK!

The Mystical Cat Shaman Workshop was first offered in 2016 as part of the Artful Gathering summer class program. When the Artful Gathering group scattered, I decided to bring this popular class back to a new audience.

The NEW Cat Shaman workshop will be available until August 1, 2020 for $39 tuition, which is about half of its previous cost. In this new version, I have updated the handouts and added to them. The videos, for the most part, are the original ones, almost three hours of detailed instruction.

You can read more about it on my website. There is a free lesson from the workshop available that might help you decide if you want to create some feline magic. Ask your cat if she wants to help. Yeah, right 🙂

Click here for the CAT SHAMAN WORKSHOP info.

And there are new Cat Face Shards in my Etsy Shop!

If you decide to take the workshop, I will show you how to make your own cat faces, step-by-step, using about four or five different techniques. That’s always the best way to do it, learning for yourself.

But if you want to purchase some Cat Shaman from my Etsy shop, great!

I’ve added some new cat faces using the mold I made in the the original workshop. They are kiln-fired earthenware and they come in three finishes. They’re $9 each and there is a limit of 2 (I have only 30 right now).

You may find that they are sold out when you go to the Etsy shop. I sent an advance notice to my private email list last night, and the cats are going like hotcakes. 🙂

However, I’m making more earthenware cat faces today and they should be fired and  ready to go by Saturday. I’ll re-list them ASAP. (And if you’d like to be on my email list for previews and updates, you’re welcome to sign up).

Last note – I’m finally internalizing the reality of these times. Sigh. It’s going to be a long summer and fall without in-person interaction.

As a social creature and an artist who cherishes the company of my circle of friends and co-creators, I miss the times we could really look at each other’s work, touch the textures, laugh and hug in person.

But if there was ever a time to count our blessings, this is it. Be safe, trust yourself and trust the process, and take good care!

Sign up for Small Worlds – and last chance to enter Postcards drawing

Happy weekend! I wanted to send out a couple of reminders before tomorrow.

cove

If you haven’t signed up for the drawing for a free copy of my new interactive video eBook, Postcards to Myself, time runs out at midnight tonight. I’ll draw three names tomorrow for three free downloads of the book.

It’s getting  great response, which pleases me to no end, because it’s a book I wish I’d had when I started working in mixed media years ago.

ALSO —

My second Artful Gathering mixed-media class, “Small Worlds,” is up on Teachable and attracting good sign-ups – if you haven’t looked at the workshop, it’s a useful one, especially for people with small work spaces.

Here’s a sneak preview of Video Four from that workshop:

Video Link

As I was watching the Small World videos and remembering how much fun it was to work with Citra-Solv, it occurred to me that the product might not be available because of the pandemic. But Citra-Solv is still is readily available in health food stores, online, and at Amazon.

This is a user-friendly class for every level of experience and  and has techniques that will serve you well in almost any medium.

Finally, Here’s an inspirational graphic for you to download if you like – I’ve been trying to learn new versions of Adobe Photoshop and InDesign, and this little poster is my latest experiment. The quote appealed to me.  Robert Henri was an early 20th-Century American Painter who wrote a book called The Art Spirit (1923) which I have and highly recommend.

Download Poster (8.5 x 11″)

I hope you’re keeping your OWN spirits up, keeping safe,and keeping busy!

♥Lyn

 

 

The results are in . . . thank you so much!

What a great response to my plea for help in my last post! We must trust and rely on each other in times like this, for sure, and your input on what online workshops should look like was invaluable.

Here are two charts from your responses (my geek side took over while I was compiling these stats). The first one shows suggested workshop topics by most votes – #5, Mixed Media on Paper, had the most, but everyone liked pretty much everything.

This shows preferred method of deliveryonline classes with several videos and eBooks with videos tied for favorites. Excellent. Those are my faves, too.

These results mirror the topics and methods I love in my own teaching and learning. The new Postcards to Myself eBook with Videos is coming out in just five days. –

And you can sign up for one of my online classes with several videos today if you want to help give more feedback.

Here’s the deal:

I have been researching a platform called Teachable, like it a lot, and have put up a new “school” there called Lyn Belisle Studio. And — as a first move, I’ve decided to add the mixed-media workshops I made from my Artful Gathering classes from the last four or five years to the new “school.”
Artful Gathering, as some of you may remember, was a wonderful organization (thanks, Zinnia!) that subscribers purchased every summer. The faculty, including me, taught various intensive mixed-media online workshops for a period of about six weeks for each class.
While Artful Gathering sponsored and managed the events, the content remains the property of the instructors. It seemed a shame to me that more people couldn’t see those classes now that the Artful Gathering instructors have scattered.
So, I am going to make the classes I designed for AG available again on the Teachable platform all year round and at a lower price. Makes sense? I’ll also be developing new courses but this will get us off to a fast start with fun video workshops.
The first workshop that I’ve made available is called Story in a Story, and it has been reworked to fit the Teachable platform. What a learning experience that was!
There are ten videos totaling a little over two hours which show all kinds of techniques for creating portfolio covers for your kindle or iPad – or for whatever you want! I’ll put a link for the promo at the bottom. So . . . .
  • I’m asking some of you to help me test-drive this new workshop platform
  • I’m currently using the trial version of Teachable, which allows me to have just 10 students – later on, I can have an unlimited number
  • Before I pay the monthly fee for Teachable, I want to make sure you like it – I need your feedback
  • The Story in a Story course is available for registration right now, but again, registration is limited to ten students
  • The workshop price will normally be $39, but right now it’s $10 just to see how the payment process works and all of that – again, limit 10
  • If you would like to register, I will pass on your $10 tuition  to the San Antonio Food Bank (later, the tuition will be $39 and will go toward paying the Teachable platform fee).
  • If you are one of the ten students, please help me with comments on how you think it works, how easy it is to access the videos – all of that stuff.
  • You will help me immensely with my decision to go with the paid version of Teachable going forward. Oh, and I can have classes by other instructors there too – like Lesta Frank and Michelle Belto! It’s exciting.

Here are the relevant links:

If you’d like to register for the Story in a Story Workshop on Teachable for $10 (which will then go to the Food Bank) follow this link and scroll to the bottom for Featured Courses (there’s just one so far):
If you’d like to see the original class promo before you consider signing up to test drive the workshop, go here to Vimeo:
I’ll get notifications from Teachable when you sign up and will make a class email list for your feedback. No pressure, just thanks for considering this. I need your help to know how best to bring you new workshops.
Oh, and the next two Artful Gathering workshops to go up on Teachable if all this works will be the Citra-solv collage class and the Mystical Cat Shaman class! Those should be up in the next week or two, tuition $39.

One more thing- from all the names that submitted suggestions and data, Rosemary Uchniat is the randomly chosen winner of the lovely Johnny Was mask! Rosemary, decide whether you like the blue one or the green one, and I will get it in the mail to you.

Thanks for listening to all of this. There are important things going on in our world.  We are all learning – together.

 

♥Lyn

 

 

Abstraction/Non-Objective: the emancipation of the mind ?

I had the great pleasure of working with five friends, all whom create artwork that I admire, in an abstract painting workshop at my Studio last Friday.

From left: Pamela Ferguson, Bibi Saidi, Carolyn Royall, Robin Gara – not pictured: Nancy Vandenburg

Part of the fun was sharing thoughts about abstraction and non-objective painting. Here’s one of my favorite quotes written by Arshile Gorky:

“Abstraction allows man to see with his mind
what he cannot physically see with his eyes…
Abstract art enables the artist to perceive beyond the tangible,
to extract the infinite out of the finite.
It is the emancipation of the mind.
It is an explosion into unknown areas.” 

Emancipating one’s mind is a tough assignment. It’s human nature to try to direct the outcome of our work, and it’s difficult to let go of that control. We followed a “map” of steps to an unknown outcome. You can download the workshop outline here to see how we painted our abstract studies.

I try to develop a slightly different plan of attack for each painting workshop. Individual students react in different ways to techniques that get them to break the ice on a blank canvas. But we almost always start with mark-making, usually asemic writing.

It’s super-important to agree at the beginning that we will not create a masterpiece in three hours, but we might learn some new approaches to making meaningful paintings. Here are some of the first stages or our warmup:

And here are some in the second stage:

When you watch the video, you can see what some of our results were – all interesting! Several of the artists said that they were out of their comfort zone, but pleased with the final outcome, which may be the whole point!

Video Link

For further study, you can read a good explanation of Abstraction in Art from the Tate Museum.

Thanks for reading SHARDS – and remember, if you and a group of four or five friends  would like to organize a workshop at my studio, just send me an email!

Two Pamelas and me, scumbling and waxing to our hearts’ content

Wednesday’s Votive Candle Screen get-together was a de-light – I was joined in the studio by Pam B. and Pam F.  and the three of us spent a relaxing afternoon experimenting with surface design on paper for a candle screen project.  I’ve taught workshops on this topic before, but this session had a more intensive focus on hand-enhanced decorative papers.

This project is perfect for the holidays. Paper is folded and slit in a way that allows it to open in the middle for a little battery candle to fit inside. I wrote and article about this for Cloth Paper Scissors magazine a few years ago.

Alas, the magazine is no longer around, but I still have the article. Here’s an example of the folded paper votive screen:

We spent more time working on surface design than we did on decorating the finished votive screens.

First experiment – we covered a sheet of 9×12″ lightweight watercolor paper with three colors of acrylic paint, dry-brushing and “scumbling” the colors together. After that first layer dried, we stenciled over it with gold acrylic paint – here’s what that looked like:

Our next experiment involved Italian decorative paper with gold writing on it. We made loose brushstrokes of melted beeswax over the paper, then sprayed it with various hues of walnut ink. Here’s one of the Pamelas rubbing off some of the walnut ink from the cooled wax:

This paper folded beautifully into the votive screen shape:

Here are some more photos of various stages of the process of assembling the votive screens. I honestly don’t know which treatment I liked better – the scumble and stencil, or the beeswax and walnut ink.

The votive screens turned out well, but all of us decided that the hand-decorated paper surfaces were the real winners. Both of the techniques we used – scumble and stencil and beeswax and walnut ink –  would lend themselves beautifully to abstract painting, which will be my next workshop coming up in February of 2020.

Thanks to the two Pamelas for experimenting with me!

Here’s the list of materials if you want to try this on your own:

Votive Candle Cards Materials

  • 9×12 construction paper or other medium weight crafting paper
  • Two 4.5×11 pieces of decorative paper
  • 4 2.5” square pieces of translucent vellum or translucent rice paper
  • Two ½” bands of contrasting paper for side trim
  • Compass or large round hole punch
  • Craft glue or double sided tape
  • Stamps, stickers, metallic pens – whatever “de-lights” your heart
  • Small twigs, reeds or sticks
  • A battery votive tea light

As a special gift to you, I’m sharing the original article that I wrote for Cloth Paper Scissors with all of the directions and how-to photos for making your own mixed-media votive candle screens. I hope you enjoy it! How about making one for every person at your holiday dinner table?

VotiveArticleCPS

Happy Holidays, and thanks for reading SHARDS!

Photo by Food Photographer | Jennifer Pallian on Unsplash