Juried Shows and Oracle Cards

When I started developing the Enso Oracle Cards as a tool, I realized that they they can be a very practical resource. Beyond intuitive revelation, these cards offer metaphors that help us navigate the day-to-day challenges of studio practice. They remind us, in a humanistic and positive way, that perspective matters as much as process.

Just last week, I was accepted into the Fiber Artists annual Juried Show with my piece called Woolgatheringwonderful news, because this piece was unconventional enough that I wasn’t sure it would be understood.

Lyn Belisle. 2025

So I also know the outcome could just as easily have been a polite “not this time.” That is the nature of juried competition. When the stakes feel high, reading an oracle card can provide a way to step back, breathe, and reframe the experience.

For example, The Pendulum card offers exactly this kind of perspective: a reminder that acceptance and rejection are simply two ends of the same swing, part of the rhythm of creative life.

When we draw this card—or choose it intentionally in a moment of reflection—it reminds us that the back-and-forth is not personal, it’s part of the rhythm of being an artist in the world. The swing of the pendulum is natural, inevitable, and temporary.

Juried shows are not a verdict on the value of your art. You know this.They are a reflection of one juror’s perspective, shaped by their own experiences, tastes, and the constraints of the exhibition. Just as a pendulum does not stop at either extreme, the outcome of any one competition does not define your entire creative practice.

In fact, The Pendulum asks us to look at where we stand in relation to those swings. Are we letting a rejection pull us too far into self-doubt? Are we letting an acceptance push us into overconfidence? The wisdom of the card is found in the center—the still point at the bottom of the swing—where we can observe both movements without being carried away by them.

As a practical exercise, if you’re entering a show or waiting on results, you might place The Pendulum card on your studio table. Sit quietly with it and ask:

  • What am I letting swing me off balance?

  • Where is the calm center I can return to, regardless of outcome?

  • What steady rhythm of making can I trust more than the verdict of a juror?

This practice shifts the experience of competition from one of judgment to one of balance. The card becomes less about predicting success or failure and more about anchoring yourself in the ongoing rhythm of your creative life.

What matters most is not the swing itself, but your ability to find stillness at the center and keep creating with steadiness and joy. It’s all perspective.

Now if only an actual pendulum could give me a positive yes or no answer about whether the piece will be accepted . . . .or maybe the waiting is part of the game 🙂


If you live in the San Antonio area and wold like to know more about the Fiber Artists of San Antonio Exhibit, here you go! Hope to see you there!

4 thoughts on “Juried Shows and Oracle Cards

  1. I love your newsletters and wish I had had this one last week. My sister in CA submitted a piece in a juried show for the first time. As the notification period came to an end she was SO disappointed that she had not been selected until she received a late night email that she was in when she became SO thrilled. Your posting really describes why we should look for that center space. I’m going to forward this to her. Thank you, Lyn for always having a thoughtful useful message!

  2. Congratulations, Lyn!! I recently went to an artists’ talk at an exhibition, and the juror gave a short talk about what she had looked for when reviewing submissions. I was genuinely surprised at what she wanted because it was not at all what I expected from reading up on the exhibit. Although I hadn’t submitted an entry, it was a good experience to know that sometimes the decision to accept or reject is based on the juror’s very personal perspective.

  3. Thank you, Lyn, and congratulations! Wonderful piece. Revisiting the late Aviva Gold’s book, “Painting From Source,” has been a kind of pendulum reading for me recently. Your words and hers are a perfect reminder to “swing back” to what my art practice has always been about, being in touch with my inner truth. Just love the insights of the Enso cards. Be well.

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