“Untitled” © Kathryn Oliver

Clare O’Neill has pulled together a fascinating and eclectic exhibit that goes a long way in defining the relatively new art genre, “Photo Encaustic.”

As juror of  the 2016 National Juried Photo Encaustic Exhibition, Clare writes, “This newest exhibition of photo encaustic work beautifully blurs the lines between photography and painting; melding together what the camera captures with the vision of the what the artists sees.”

The show opens on June 2 at the Sage Gallery in Portland, Oregon.

D is for Dragonfly © Darren Terpstra

Michelle Belto introduced me to encaustic painting several years ago (thanks, Michelle!). And then I worked with Clare in her online class in January of 2015. With her guidance, I was able to craft a personal encaustic style that worked well for me. Clare and I became friends, and her sold-out classes at my Studio this past January were hugely inspiring to all of us. It’s an exciting medium with unlimited possibilities for both the photographer and the painter.

“No Good Outcome” © Lyn Belisle

I’m delighted to be included in the 2016 National Juried Photo Encaustic Exhibition Michelle Belto’s work is included as well. You can see all of the selected works on this page. It’s obvious that the old chicken-and-egg question applies – “which came first?’ – did the medium inspire the image or did the image call out for the medium? Fun stuff.

“Soul Boxes” © Michelle Belto

If you’d like to know more about Clare’s photoencaustic workshops, here’s a link. I’m also teaching three encaustic workshops in August which have sold out, but I’ll be added a second session of Vintage Veils: Encaustic Photocollage on Saturday, August 13th. It isn’t listed yet on my Workshop Calendar, but if you’d like a spot, email me and I’ll put you on the list.

Now  get out your camera and melt some sweet-smelling warm beeswax to enhance your images!