I have always loved Vikki Fields’ work. She is perhaps the only painter I know who works exclusively from life, never from photographs, and her En Plein Aire landscapes are stunning. She sometimes spends hours in the outdoors at the same time every day capturing the light on a particular tree or mountain.
I own this small painting that she did of Arroyo Seco near Taos – it’s a treasure.
Taos by Vikki fields
So when the Witte Museum asked the Art League to partner with them in teaching a Plein Aire painting class to celebrate to opening of their new exhibition, Vikki was the first person I asked to teach it. She agreed!
Fifteen of us signed up and met at the Witte last Sunday afternoon (hot, hot!) as Vikki guided us through the plein aire preparation process.
Vikki Fields discusses choices and vistas
Most of us painted from the shady balcony overlooking the San Antonio River.
The view was beautiful — but, where do you start?? It’s sort of a green blur to me.
Some people used watercolors, some painted with oils, others, like me, started with a pencil sketch.
I hadn’t painted from life in about 20 years, so I had to try and remember how to “look” at the subject in a different way. For me, it works if I can flatten it out in my imagination, like an illustration. For a painter like Vikki and some of the others, it’s a process of starting with values and underpainting.
Three hours went by remarkably quickly. If it hadn’t been so hot, we probably would have stayed on, but we went inside the (air-conditioned!) museum to look at our work and discuss it.
The differences in approach were fascinating – take a look at some of the paintings. We weren’t expected to finish, nor to create a masterpiece since we were just working on studies, but I loved seeing the results.
So here’s mine – remember when I said I thought like an illustrator rather than a painter? Good thing we weren’t supposed to paint a masterpiece!
The huge lessons I learned were PATIENCE and OBSERVATION. It was really hard for me to slow down and truly look at what was going on with the rocks and the water since I don’t have a painter’s eye for suggesting many details with one brush stroke. It was also a relief to know that I could still draw – whew! But painting? Not so much.
Here’s my friend Lara Hye Coh – now this girl can paint!
A million thanks to Vikki for her encouragement and teaching skills. And many thanks to Mary Margret McAllen, Director of Special Projects at the Witte Museum, who cooked up this great collaborative workshop!
This Plein Aire Workshop was designed to compliment the wonderful exhibit now at the Witte called James Ferdinand McCan: A Texas Artist Rediscovered. It features more than fifty of McCan’s paintings—most of which are rarely displayed to the public. And we in the class got to see them even before the exhibit opened.
McCan was a plein aire painter, friends with Julian Onderdonk, and he captured the incredible change in animals and landscapes that occurred in the 30 short years (between 1895-1925) he was painting in Texas. Please go see the exhibit! It’s open until October 2nd at the Witte.
Here’s an example of one of McCan’s remarkable paintings.
Mossy Oak and Bluebonnets, James Ferdinand McCan
Want to give plein aire painting a try? One of the things I did before the workshop was to set up a suggested materials list for those who signed up. For those of you who would like some guidance with materials, here is a link to a list of suggested supplies to purchase online. They are portable and not very expensive. Go for it!
I am so glad I had this learning experience!! It was humbling and exhilarating, all at the same time.
There was so much to learn and to experience. We all took lots of pictures. After Andy and Virginia opened the pit two days later, they pulled the pots from the ashes and cleaned them. Then they sent photos of our work.
