Trusting the process is HARD

My last post was about William Eiland, the juror for the upcoming exhibit at the San Antonio Art League. When I wrote it, I had no idea whether any of my three submitted pieces would be selected, but was delighted when I just learned by postcard that one, “Homage to Ellen,” was chosen.

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So here’s the story on the piece that was selected. It started out as a semi-figurative piece on a very dark background – I posted it on Facebook because I liked the way it was going.

Off to a pretty good start — but wait . . .

Then I started to fuss with it, playing with the faces, drawing little hands, and generally getting “precious” and looking at details and not the whole painting. I started getting frustrated and fiddley. Ever been there? The whole thing started collapsing. HELP!

So in desperation, I remembered what my friend Ellen Rolli, the Boston abstract expressionist, told me when we painted together at her studio – if you get too attached to it, paint it out. Trust the process. Argh!!

It was scary, but I started paining over parts of it. Then more, then more – it took on a new life, but with the black figures still underneath as part of the history.

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“Homage to Ellen,” almost completed

Can you believe it? It wanted to be an entirely different painting, and I can always go back to painting figures if I want to. But this was the one the juror chose. He saw something in it that he liked.

It’s titled “Homage to Ellen” because I listened to Ellen Rolli‘s advice and painted over a preliminary work I sorta loved for one that was more authentic and energetic, one that wanted to be selected. And you and I know what’s underneath those layers!

 Trust the process . . .Ain’t art fun??

PS Congrats to my other friends whose work was also chosen for the show which will open on April 9th, and if yours wasn’t, neither were two of mine!

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Juried art shows – and how to make a crane (the bird kind)

Good news yesterday – one of my pieces was accepted for the International Encaustic Artists “Poetry Bleeds Rust” exhibit in at the NAWA Gallery in New York. Boy, am I surprised, first of all, because encaustic is a stretch for me, and secondly, the piece that was selected was not the one I expected to be, if any were. Here are the three pieces – which one do you think juror Jenn Dierdorf choose?

She chose the third piece, Rune and Relic – that’s the one I had to re-do because the first version didn’t fit the size retirement. I liked the one called Campfire Poems better, but there ya have it. If you decide enter a juried show, remember these things (I try to):

1. If you are rejected, don’t take it personally – put yourself in the juror’s place – it’s a tough job and opinions about art are extremely subjective and subject to one’s own taste. After all, you don’t like every piece you see in a gallery or museum, maybe not *any* of them.

2. If you are accepted, be grateful! But don’t start making every piece of art you do from then on just like the accepted piece – be true to yourself and continue on your own intuitive path, even if it veers off in another direction. Don’t let acceptance of one piece by a juror determine your limits.

3. Keep entering shows even if you don’t get in – it gives you a free critique, a new perspective, and a sense of professionalism. Both of my entries in this year’s San Antonio Art League show were rejected, but I figure they didn’t resonate with the juror. I liked them though, and I’ll keep working and submitting. So there! Neener neener 🙂

And now, for your weekend folding pleasure, here’s one from the vault, a video tutorial I did for a friend two years ago before I had the big Studio. It’s a five-minute origami crane – can you do it in five minutes? Ready – GO! And have a great weekend.