Offering a new workshop is a risk, both for the teacher and the students who are the first “test drivers.” That was the case with the Wednesday Exploring Textures in Collage. I knew that I wanted to offer a workshop that pared down collage to very simple textural elements layered with white paint and touches of walnut ink tints, but would the lack of color bore students? Would the project take too long to dry? Would it be deceptively complicated or not make sense or . . .? But once again, my amazing students pulled off a spectacular triumph of artistic exploration.
I started the session by demonstrating how to draw a visual classic cruciform framework with pencil lines on a 9×12″ canvas. Then we built thin layers of torn paper across that flat framework. I showed several techniques using both created and found textures, and combined these with mark-making through wet paint.
After that, they were on their own to select textures using their own intuition and style. The hard part was layering white over everything, like watching a blanket of snow fall on carefully arranged objects.
I mentored and suggested, but let them work independently for the most part, and their finished works were professional and evocative – yay!! You should see the work they produced in just three hours! Actually, you can if you take a look at the video, below. Stunning results, be sure to watch until the end to see them.
Lynn has the remarkable ability to bring out the inner artist in her students. What an amazing experience to be in her classes and discover what ‘s inside, waiting to be expressed.
Thank you, Cecelia – it is such a pleasure to work with you. You are so open and free in sharing your insights – I am so grateful.
I love the white on white. A San Antonio artist, Elizabeth Ridenhower, used to do large paintings like this around the 1970s and 80s. She taught at Trinity.
She was my art professor – she had amazing style. She also drove a white Jaguar and wore burlap dresses 🙂