How to describe your personal art style using Pinterest as a tool

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Lyn Belisle, “Corwin,” Assemblage 2015

“Oh, you’re an artist? What kind of art do you do?” I get that question fairly often, and I usually just say, “Mixed media.” But if you need to think in terms of a fuller description (such as when writing an artist’s statement), you might need to come up with adjectives that are more specific to your personal style.

One way to do this is to  start a Pinterest board with images of the kind of art that resonates strongly with you – chances are, these images will reflect your own aesthetic. For example, here’s a recent selection from my own Pinterest “Stealboard” (as in “Steal Like an Artist”):

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From this small selection, I can see that I gravitate toward a neutral palette of grays and rusts. I like organic shapes, twig-like lines, and odd and mysterious iconic faces.Not surprisingly, these elements show up consistently in my own work.

Now compare my favorite images to the Pinterest board of North Carolina artist Eileen Ross:

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I don’t know Eileen, but from her selections, I’d say she likes elliptical shapes, whimsical impressionist content, deep pastel colors, washes of paint, and calligraphic elements. When you look at her own work, you can see the strong relationship between what she likes and what she creates. Interesting!

What if you don’t have a Pinterest favorite art board, or even a Pinterest account? It’s easy and free to set one up. Just go to Pinterest and follow the simple directions. I would also suggest that you install the Pinterest browser button – here’s how. This little tool allows you to click on your browser’s tool bar to add a picture from the Internet to your Pinterest favorites board instantly. Be warned, though – once you start collecting, pinning, and analyzing the kind of art work that you love, you can get addicted!

Photo sources, collage and copyright

doorwaySome of you have asked about sources for old photographs like the ones I’ve been using in my encaustic photocollage series. My favorite place to look is Flickr Commons, particularly the Library of Congress albums. Be warned: perusing these photos is addictive – you can get lost in history! It’s wonderful.

So what about copyright? The photos I  use are all categorized as “no known copyright exists” or “no known restriction on publication.” This means that either there was a copyright and it was not renewed, or, more likely in my case, the image is from a late 19th or early 20th century collection for which there is no evidence of any rights holder. It’s extremely important to read about copyright before you choose an image to use in your artwork – here’s the Library of Congress link, and it’s written in fairly simple terms (explaining copyright in the digital age is like trying to nail Jell-o to a wall).

humongYou’re probably going to transform the photograph in some way. Most of them are already black and white or sepia toned, but you will most likely want to enhance the lighting and contrast to provide the most dramatic effect for your artwork. Even if you don’t have Photoshop or other industry-standard photoediting software, you can still have fun working with iPiccy or PicMonkey. These allow you to upload a saved photograph that you’ve found and edit it online, then save it back to your computer.

You’ll find that when you’re going through the old photos, one or two will just reach out to you as subjects, almost as if they are saying across time, “Choose me!“. That’s the amazing part. And once you have your special  photo edited and printed, you’re ready to start your collage!

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“Sheltered” Lyn Belisle 2015

 

 

I got to be a student, and just about dyed :)

jarsI got to play  at the Studio today as a student of fiber artists and friend Rosemary Uchniat! Rosemary will be presenting a special workshop at my Studio in July that teaches us how to dye artful fabric the easy way with spectacular results.  I’ll let you know as soon as it’s scheduled, but in the meantime, here’s a sneak preview (see pics). Sidney Burnette, Nita Hazel and I learned three techniques that just blew us away because they were simple to do (with Rosemary’s help)  and produced results that looked as if we knew what we were doing! It was very cool.

This was a trial  run for the upcoming July workshop with Rosemary as a guest artist/teacher, and based on our experiences today, I know you’re gonna love it – so stay tuned for date and time. This workshop and all of the others for late summer and fall will be announced before the end of April.

Artful Gathering 2015 – amazing!

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We just got our first look at the Artful Gathering Catalog for 2015, and I am blown away.
This is my second year on the faculty – lucky me! When you click through the classes, the pages make a cool whooshing sound, and every page has tons of beautiful photos of all the workshops that will be offered during this hugely-popular online Summer Art Retreat.  C’mon, take a look – click on the image below to check it out, and then come back for a little more info:agcat15

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Did you come back? Hope so, because, here’s something new at Artful Gathering – it’s the very first Two-Person Collaboration, and Michelle Belto and I are teaching it! Mask, Robe and Rune is an online version of the full-day workshop we taught at the Studio in 2014. If you couldn’t join us then, join us in cyberspace! There are lots of extras (see p. 17 in the catalog).

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I’m teaching two classes by myself, both of which I’ve done many times at the Studio – one is The Magic of Spirit Dolls, and the other is called Small Worlds, fantasy landscapes with Citra-solv paper and another altered collage papers.

So many of you who live far away have said you wish you could take workshops here at the Studio – well, now you can! They’re filmed right here at Lyn Belisle Studio, and include my usual goofiness and user-friendly teaching style. I’ve been taking online classes myself for a couple of years, and I have to say that it’s a great way to learn. Hope to see you  at Artful Gathering! Early Bird Registration is OPEN!

Beeswax + Imagery = Fusion Collage

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Workshop prototype – Lyn Belisle

Sometimes you commit to an idea but you have no clue about how (or even IF) it will work. That was the case when I scheduled a “Beeswax Collage” workshop as part of my 2015 calendar, . But two serendipitous things came together to help me. The first was the online workshop that  Michelle Belto and I designed and filmed called Wax and Tissue (available at Roses on my Table website) The second was the PhotoEncaustic class I just finished with Clare O’Neill – both were invaluable learning experiences.

The premise for yesterday’s hugely successful workshop (whew!) was to combine collage elements, rigorous composition guidelines (my AB3 System), inkjet printed tissue, and elementary encaustic techniques to produce a fusion piece that was more than the sum of the parts. To develop the prototype (above), I started with gesso and walnut ink on board, adhered paper and photos, layered inkjet-printed tissue, painted beeswax over everything, scraped and distressed the surface, added more walnut ink and wax – well, it was just plain fun – I’ll play and refine, but it has lots of possibilities.

The participants thought so too, and produced an amazing assortment of beeswax collages, two pieces each, in just over two hours. I always tell my students that there is more than one right answer to a art assignment, and every one of these was a winner – take a look!

PS – Congrats to Rhonda Austin, winner of the little steel Asian chop that represents “understanding.” Rhonda, if you’ll send me a mailing address, I’ll get this to you right away.

Have a good week, everyone!

Curious evolution of a work on canvas

dissofmem2Where do art ideas come from? Darned if I know – Here’s a piece that invented itself from 12 clay face slabs I made last week just because I didn’t want to throw away too-dry clay. The piece is called “Dissolution of Remembrance” because forgetting the names of objects and misplacing small items worries me, and I know I’m not alone in that.

I used these unplanned clay pieces to address this worry through an art piece. I arranged the fired earthenware slabs in an almost irregular pattern on a 24×30″ canvas, then sewed and adhered them in place. First came a wash of walnut ink (of course). Then I added some red oxide acrylic paint – here’s what it looked like at that stage – kinda disjointed.

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I tried to make it more cohesive with various colors of paint, attempting to suggest a progression of memory loss, and finally got the idea of putting rusted wire inside each head – it didn’t really work. Suddenly, I remembered talking about cheesecloth in my last post, and added a layer of cheesecloth over the whole composition to unite the elements. That was a good decision.

After that, there was lots of action going on with matte medium and fabric stiffener. Next came a thin coat of encaustic wax. Finally I added branches to allude to the branching dendrites in the brain. Science occasionally comes in handy 🙂

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The last element, silk cocoons, was another accident – the plastic bag of cocoons was open on the table nearby and the silk kept catching on the branches – well, duh – how obvious was that? So, on they went. Symbols of hatching new thoughts?

I’m not sure “The Dissolution of Remembrance” is completely finished, but it’s been amazing to watch the process as both the maker and the observer. Now if I could just remember where I put it –  – – only kidding. I think.  dissofmem1

Drawing nuts – and feathers and roses

nutpist copyI had the loveliest Valentine’s Day – two sisters asked if I would give a private drawing workshop at the Studio for their mother as a birthday gift for her. We had a great time! In two hours, we covered several drawing media from Prismacolor to pencil to vine charcoal, and we drew lots of small objects from observation, paying careful attention to detail. The idea of Contour Drawing (which is still one of the best drawing disciplines ever) is to look at the object as you draw rather than the paper itself.  You  pretend that your pencil is touching its actual contours, as if it were an ant crawling around the edges, recording every bump and irregularity.

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Workshop participants drawing studies of feathers, roses and pistachio nuts for practice and discipline

Our favorite subject of the afternoon lesson was a pistachio nut. We got to know our own nut intimately as we drew its every detail – it’s a challenge, for sure. But the drawings turned out beautifully – and at the end of the lesson, we mixed the pistachios up and had to pick out our own from the pile – everyone recognized their nut! Then we ate our models.

Note to self – do more drawing! It’s a wonderful way to observe, to meditate – and to snack.

PhotoEncaustic – what I’m learning in school

To get prepared for my Beeswax Collage workshops, I’m taking a fairly intensive online course with PhotoEncaustic artist Clare O’Neill. There are about 24 people in the class, and we meet both on Facebook and in the online classroom to watch Clare’s videos and to question and critique our work. I love the flexibility of the class. We’re in our third week right now. Here’s a video of Clare’s work – you can see why I was attracted to it. She’s passionate about what she does and she’s a good teacher, too.

Here are three practice pieces that I’ve competed so far. The first and second ones are my own still-life photos and the third one is a vintage photo from Flickr Commons. I have a long way to go, but have already learned soooooo much from Clare and the other people in the class. (There are still some spaces in the second Beexwax Collage workshop on May 17th at my Studio if you want to sign up and see what I’ve learned) –

PhotoEncaustic 1 - Lyn Belisle - mounted on wood

PhotoEncaustic 1 – Lyn Belisle – mounted on wood

Tissue and wax PhotoEncaustic

 

 

 

 

Encaustic and vintage photo - Lyn Belisle

Encaustic and vintage photo – Lyn Belisle

NOTE: A great source for all things encaustic is my friend Michelle Belto’s book, Wax and Paper Workshop. All of her techniques and tips can be used with PhotoEncaustic, and it’s a perfect book for beginners who want to explore the possibilities of working with wax as an art form.

If you’d like a gentle introduction to the technique, Michelle and I have collaborated in an online class about Wax and Tissue if you’d like to check it out. Here’s the link – it’s at Roses on my Table art community. Online classes are really fun, particularly since you can learn at your own pace.

Back to the Wax!!

Newsy week and Friday Freebie

Roll the newsreel – it was an eventful week!

  • MONDAY: At the Fiber Artists of San Antonio Meeting, plans were announced for the 19th Annual Fashion Show – it’s always a sell-out! Get your tickets early cause they go fast.
  • TUESDAY: Whoopee – my friend Sherrill Kahn, the super-talented mixed-media artist, emailed me to confirm she’d be at the Studio in late May for two workshops! Stay tuned for details.
  • WEDNESDAY: Had an amazing painting session at the Studio with pal Gloria Hill – here’s her latest large abstract – great work, Glo!
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  • THURSDAY: Got a call from Pablo Solomon, sculptor and designer, whose annual Solstice Show at my Studio will coincide International Yoga Day! We’re planning a YogaArt Celebration the weekend of June 20th. Also on Thursday, my classes started at Trinity University looks like a super-bright and friendly group of students.
  • FRIDAY – hey, that’s today! Monika Astara, fashion designer and dear friend, is coming down from Austin for a visit to brainstorm some new ideas with me – and to shop the Niche Warehouse Sale, of course.

OK, enough about MY week – how about a Friday Freebie for YOU! I found these little Kantha cloth bags at Ten Thousand Villages right before Christmas, and I’m adding one of my Florentine Face Shards to it as this week’s Friday Freebie. If you are a SHARDS subscriber before midnight on Sunday, you will be in the drawing. These Florentine Shards are available in my Etsy Shop in case you want to see more of them. Good luck and happy weekend!!

Kantha Cloth Bag with Florentine Shard Face

Kantha Cloth Bag with Florentine Shard Face

Leonardo da Vinci’s ‘to do’ list

8I shoulda posted yesterday’s Friday Freebie (the Shish-ka-barbie dolls, which you can win if you’re a subscriber by midnight Sunday) but I forgot – darn. OK, yet *another* New Year’s Resolution: start keeping a daily a “To-Do” list and follow it!!

While looking for ways to remember stuff better, I found out that Leonardo da Vinci wrote To-Do lists! And they are very cool – nothing like “post to blog” or “stop by HEB.”

Nope, his were more like, “obtain a skull, to get books on anatomy bound, observe the holes in the substance of the brain, describe the tongue of the woodpecker and the jaw of a crocodile, and give the measurement of a dead man using his finger as a unit.” And he illustrated his To-Do lists, meticulously and beautifully:

You can read more about his To-Do lists on Open Culture. I love this site – it’s so worth exploring, lots of free courses and images and ideas,  but make sure you don’t go down the Rabbit Hole of fascinating links and end up like I did, watching a free 1934 B Western John Wayne movie from their archives called The Lawless Frontier. (Don’t click that link – you’ve been warned).

I’ll announce the Friday Freebie winner on MondayI’m putting it on my To-Do list.  Happy 2105, everyone!

(Note to self – rewrite resume . . . . . . . . . . .)