Five things that make a really great workshop

All five things were in place yesterday at the San Antonio Art League Studio where seven of us gathered to construct little folding candle screens.

On the practical side, these make wonderful adornments for a table or mantle, and they are perfect gifts.

On the creative side, the process allowed us to experiment with many different techniques. And we got to practice our measuring skills!

Here’s the list of elements that made the workshop great:

  1. Focus and limits – we focused on mixed media collage strips that were 4″x12″ to construct small folding three-dimensional screen for electronic votive lights
  2.  An engaging process with an end in mind – we worked toward the specific construction of an object while paying attention to the process of surface alteration
  3. Limited materials, unlimited possibilities – we began with two methods – one included altered magazine paper with metal leaf, and the other included torn paper images. Each method has hundreds of possibilities and combinations
  4. Generous participants – everyone was willing to share both ideas and materials. When something wasn’t working (e.g., the paper was too wet to cut) we helped each other solve the problem
  5. Reflection and practical anticipation – we celebrated when we saw our candles lighted. Each one was different. We talked about how the process could be improved, expanded, and altered, but agreed that what we had done was absolutely perfect!

When you look at the video, try to see how each of the participants found different solutions to the concept of constructing these folding collage cards. It was indeed a great workshop!

Lyn Belisle Workshop at the San Antonio Art League: Votive Candle Collage from Lyn Belisle on Vimeo.

Here’s a list of the materials we used – very simple (I don’t believe in requiring expensive specialty craft products):

  • 9×12″ construction paper or other medium weight paper
  • Two 4×12″ pieces of decorative paper
  • 4 2.5” square pieces of translucent vellum or translucent rice paper
  • Two ½” bands of contrasting paper for side trim
  • Compass or large round hole punch
  • Craft glue or double-sided tape
  • Stamps, stickers, metallic pens – whatever “de-lights” your heart
  • Small twigs, reeds or sticks (optional)
  • A battery votive tea light
  • and – voila!!

Mary Ann Johnson’s work in progress

I’ll be scheduling more workshops soon, both at the Art League Studio and at my own studio! Stay tuned, and happy fall weather in San Antonio – at last.

 

 

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Art openings this weekend – gotta love the San Antonio art scene!

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OK, all you local art lovers – we’ve got some gallery hopping to do this weekend. Friday night there are at least two don’t-miss openings.

The first one is at Blue Star (Studio Building B) , sponsored by the San Antonio Art Educators Association. Called “Artists Who Teach 2016,” this exhibit showcases the best art educators in the region. I got a sneak preview when I dropped off my work there.

It’s going to an excellent show – I particularly loved Deborah Keller-Rihn’s illuminated photographs. This is one of the pieces I submitted, a photoencaustic assemblage titled “Loving Virginia Woolf” which was constructed inside a vintage drawer. Opening hours for Artists Who Teach reception are 6-9 pm.

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Loving Virginia Wolff – encaustic and found objects – Lyn Belisle

 

Not far away at 1800 Fredericksburg Road, Centro Cultural Aztlan present an exhibit of new paintings by Andy A. Villarreal called Indigenous Jaguar Spirits from the Yucatan. Opening Reception is also Friday April 8, 2016 from 6-9. Andy’s work is powerful, colorful, and magical.

On Saturday, fiber art stars at the Fiber Artists of San Antonio Runway Show at Oak Hills Country Club. The luncheon has been sold our for weeks, but the vendors tables’ open at 10:00 and are always exciting. I know that Monika Astara will be there – if you miss her at the FASA event, she’ll be at my Studio on April 24th – more about that soon.

Bryce Milligan constructs hand-sewn chapbooks

Saturday evening is a must-see event – Bryce Milligan’s World of Words and Design opens April 9, 6-9 pm, at Bihl Haus Arts. Bryce (above) is a  Renaissance Man – poet, publisher, artist, designer, musician and all-around iconic fellow. The show opens with a reception, which is free and open to the public, on Saturday, April 9, from 6 to 9 pm. The evening includes poolside jazz by George & Aaron Prado, libations and light hors d’oeuvres. More on the exhibit and related special events here.

The San Antonio Art League and Museum

Last but definitely not least, The San Antonio Art League and Museum’s Annual Juried Exhibit opens on Sunday.  This venerable exhibit is highly competitive and was juried this year by Peter Trippi, Editor of Fine Art Connoisseur Magazine. The opening reception is this Sunday, April 10th, 2016 from 3 to 5pm. The SAALM is located at 130 King William Street.

I was thrilled to learn that two Belisle Studio alums (Gloria Hill, Mary Beth Swofford) were not only accepted but had won awards for their work – congrats, you guys!

Here’s a sneak preview piece from this exhibit by one of my favorite artists, Billy Keene, who is the SAALM’s 2016 Artist of the Year. Don’t miss this exhibit and one of the city’s prettiest gallery locations!

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Fall giddiness, art abounding, Friday freebie

This weather just makes ya want to dance – rain last night, sunshine today, temperatures in the 70s – it feels like fall! And I’m just in under the wire with the Friday Freebie and some other giddy observations about all the art that is going on this weekend.

All of my artist friends who are participating in the Uptown Art Stroll this weekend should have fabulous crowds – I’ll be there as an onlooker and idea-stealer :). The array of talent and variety of media in this neighborhood show is impressive. I participated several years ago – so many interesting people come to this event.  If you’ve never been, here’s a link to the map – it’s a lot of fun!

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On Sunday, please stop by the San Antonio Art League Gallery in the King William area for the opening of the exhibit I’m in with Miguel Cortinas. Many thanks to Clarence and Helen Fey for inviting me to participate in this venerable annual exhibit. Here’s one of my favorite new paintings – it’s called “Stroll” (speaking of strolls), and where these guys came from and where they are going, I dunno – I just painted them and didn’t ask questions. My other favorite new piece is “Buddha and the Chocolate Box” – it’s underneath the birds – makes me wonder where these weird inspirations come from! Ain’t art great?

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“Stroll” 36″x40″ Acrylic on canvas Lyn Belisle

 

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“Buddha and the Chocolate Box” 16″x16″, Mixed Media Lyn Belisle

Last but not least, the Friday Freebie for SHARDS subscribers is this lovely little purse from Friendship Bridge, an organization that helps impoverished Guatemalan women find self-reliance and empowerment through their art. My friend Teresa from Friendship Bridge will bring a beautiful assortment of textiles and jewelry to the Studio on November 12th. You can read more about it in the November Studio Newsletter. And if yours is the lucky name drawn from the list of subscribers on Sunday night, you’ll win this little purse (and I’ll even put a Shard Face inside).

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Happy Friday – hope to see you at an art event this beautiful weekend!

That’s my story

Making art for an audience is tricky, and it brings out my Creeping Cowardly Conformity. I’m discovering that as I finish up a series of small collages on canvas that will be included in the San Antonio Art League show which opens Sunday, Nov. 2nd. The Art League is a venerable organization with lots of Real Painters, and being invited to participate is rather intimidating. Here is one of my pieces in a five-part series called “Copper Koan.” Like a lot of my work, it deals with the concept of shards and fragments of incomplete stories. A “koan” is a paradox to be meditated upon, and it seemed like a fine concept for this series (the series title is also a take-off on “copper coin.”)

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“Copper Koan: Wand” Lyn Belisle 2014

 

This is what it looked like yesterday (below) – I didn’t want to add a little face or any text because I thought that would make it look “too crafty” and “not sophisticated-ly abstract enough.” Arg . . .Creeping Cowardly Conformity makes us compromise. You make like this one better, and that’s super OK, but I kept thinking it looked incomplete and anonymous.

koan-reSo what the heck – I added the distressed earthenware face and the text fragment on my little Copper Koan, and now that they are there, I’m much happier with the piece. I hope my audience likes it, but we, as artists, gotta remember that we’re driving this Art Bus and if we take directions from our passengers, we’ll get everybody hopelessly lost. That’s MY story and I’m sticking to it!

PS. If you’d like to see the exhibit for yourself, please know that I’d love to have you there to discuss all of this and to see the work of my fellow artists – here’s your invitation! Feel free to share 🙂

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