Category Archives: thoughts and opinions

Wrapping it up with love

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lynjoanna

Lyn Belisle and Joanna Powell Colbert and assorted Dia de Los Muertos amigos

. . . .and then she woke up and it was all a beautiful dream. Hey, no – wait, it wasn’t! The Unfolding Myth weekend with Joanna Powell Colbert really happened, and it was amazing! Two days of work and fun and creating and discovering passed much too quickly. My heartfelt thanks to all who participated. The artwork that came out of this experience speaks eloquently. Joanna gently guided us through discoveries about ourselves that were reflected in our collages.

I’m still processing my own lessons from the weekend, but if you’d like to see some of the work that went on at the Studio, take a look at our video (below). And then visit Joanna’s website to see how you can experience some of the magic that she does through her Gaian tarot. Thank you, Joanna, from all of us!

Mysterious FiberShards

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Two things collided: one, the deadline for the Fiber Artists of San Antonio fall exhibition is fast approaching, and, two, I discovered MeinkeToy Fiber Art Supplies and its owner, Eleanor Love. Result: Mysterious FiberShards. You’ll hear more from Eleanor in October – I’ve asked her to be a guest blogger – yay!  So I wanted to show you what I’m discovering about fibers while experimenting for the FASA show.

Shards and fragments of artifacts have always fascinated me, and I’m building little re-imagined ones from various fibers (paper counts – and a few of these are papier-mâché). Some of the other materials include felt, cheesecloth, and silk – take a look.

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One of the mysterious objects is part of a silk cocoon – guess what you get when you cut open a silk cocoon? Yep – a big ol’ fat dead silkworm. He’s not in there. . .he, er, went away.

Working with fibers is a lot more than knitting, y’all – it’s almost unlimited in its possibilities. Check out Eleanor’s MeinkeToy website and see what I mean.I have a feeling that I’ll be doing a lot more FiberShards in the near future. Thoughts?

Juried art shows – and how to make a crane (the bird kind)

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Good news yesterday – one of my pieces was accepted for the International Encaustic Artists “Poetry Bleeds Rust” exhibit in at the NAWA Gallery in New York. Boy, am I surprised, first of all, because encaustic is a stretch for me, and secondly, the piece that was selected was not the one I expected to be, if any were. Here are the three pieces – which one do you think juror Jenn Dierdorf choose?

She chose the third piece, Rune and Relic – that’s the one I had to re-do because the first version didn’t fit the size retirement. I liked the one called Campfire Poems better, but there ya have it. If you decide enter a juried show, remember these things (I try to):

1. If you are rejected, don’t take it personally – put yourself in the juror’s place – it’s a tough job and opinions about art are extremely subjective and subject to one’s own taste. After all, you don’t like every piece you see in a gallery or museum, maybe not *any* of them.

2. If you are accepted, be grateful! But don’t start making every piece of art you do from then on just like the accepted piece – be true to yourself and continue on your own intuitive path, even if it veers off in another direction. Don’t let acceptance of one piece by a juror determine your limits.

3. Keep entering shows even if you don’t get in – it gives you a free critique, a new perspective, and a sense of professionalism. Both of my entries in this year’s San Antonio Art League show were rejected, but I figure they didn’t resonate with the juror. I liked them though, and I’ll keep working and submitting. So there! Neener neener 🙂

And now, for your weekend folding pleasure, here’s one from the vault, a video tutorial I did for a friend two years ago before I had the big Studio. It’s a five-minute origami crane – can you do it in five minutes? Ready – GO! And have a great weekend.

Simple altars and luminous objects

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The completed piece

“The Guardian of the Golden Bough” – Altar Assemblage, Lyn Belisie, 2013

Celebration Circle’s “One People, Many Paths: Sacred Art of Altars” exhibit opens on September 1st, and I am ready! Last year, when I was invited to participate in this wonderful event, I struggled with several ideas, including putting a Spirit Doll inside the box, which, unfortunately, made it look like a coffin. Yikes. My (finally) finished altar from last year was called The Guardian of the Golden Bough (left). It was a good solution and popular with the silent auction bidders.

This year’s altar, “Luminosity,” came together almost all by itself – I found a small branch in the driveway as I was bringing in the bare altar box and propped it against the side. Perfect – and after that, everything just came together, including the quote mounted on plexiglass which says, “It is when the ordinary becomes luminous that we are transformed.” The altar is white, simple and luminous, made from ordinary objects.  Simple is good. I am happy!

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“Luminosity” – Altar Assemblage, Lyn Belisle 2014

But I often wonder why some pieces, such as last year’s altar, are such a struggle to make, and others, like this year’s, seem to fly into your hands as if they knew they were supposed to be there. It’s a mystery. Let me know if you have the answer.

DSCN3240PS – No Friday Freebie this week, but if you are around, don’t miss tomorrow’s Show and Tell at the Studio from 2-4 – it’s definitely free, and you’ll get all kinds of free tips and techniques from the participating artists. The resident chef will be there, too, to show you a cool culinary trick. Hope to see you at Show and Tell!

The Book of Serendipity: Belto and Belisle – Saturday, June 28th

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I spent some fine creative time with encaustic guru, author and good buddy Michelle Belto yesterday at her Hot Wax Studio. We experimented in various media with a small group of intrepid explorers. And now – tah-dah– Michelle and I ready to give you the exclusive final details on our June 28th collaborative workshop called The Book of Serendipity: A Celebration of Unexpected Gifts from the Universe! Click on the photo below to read the description – it really has something for everyone – and then sign up to spend a cool (in all ways) Saturday with us at my Studio. All materials and a yummy lunch are included – the day will be a memorable one (you’ll see what I mean when you read the description.) Limit eight participants, absolutely no art experience necessary. Please join us (and invite a friend).

 

A hanging at Cathedral House

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Check out this new piece that I finished this morning for the Illumination exhibit at Cathedral House Gallery – I love it! (she said, modestly) I had forgotten how much fun it is to add found objects and sculptural details to a collage on a wood substrate. It’s called The Lottery and there’s a story involved about that girl and the lottery for her hand, etc. etc – artsy minds work in mysterious ways. But it was cool to use sticks and wood and clay and paint and all that good stuff.

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Lyn Belisle: The Lottery, mixed media on wood panel

Gloria Hill, my hanging partner, and I met at the gallery this afternoon to put up our work for Sunday’s opening. Here are some photos – it was interesting because we were hanging paintings against a strong back-lighted window. You can also see the other pieces that I’m putting in the show, below.  Here’s a map to the gallery – it’s in a beautiful building owned by the West Texas Episcopal Diocese on spacious grounds near the headwaters of the San Antonio River, definitely worth a visit. Thanks to Patsy Sasek for inviting us to participate!

Copying Gwen Fox with unpredictable results

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Gloria Hill and I have been painting together on Wednesdays at the Studio for a year and a half, and we always like to find inspiration from interesting sources. Today I said, “Let’s try to paint like Gwen and see what happens.” Gwen Fox is our beloved Taos-based painting teacher – she’s awesome. So I picked out one of her abstracts for us to copy, and off we went. Here’s the painting that we were attempting to forge (all in the spirit of artful emulation, of course). Scroll down for our results.

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We got as far as the layout and background before we realized that copying wasn’t working for us. So Gloria went her way and I went mine – how can two artists who start with exactly the same idea and example end up with such different results?? Take a look (and rest easy, dear Gwen – you are an original, and while we have learned so much from you, we won’t be competition for your glowing abstract style!) Here’s Gloria’s:

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And here’s mine – not only do they look like they came from two different artists, they look like they came from two different planets! Go figure –  but it was fun and very insight-full.

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Studio notes – including a remarkable student

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shard2Studio note 1: Congrats to Yvonne Baca, lucky subscriber #54, who won the Friday Freebie Scent Shard

Studio note #2: The video from Sunday’s Explorations in Air-Dry Clay is up on YouTube – we had a great time!

Studio note #3: Most of you know that I teach at Trinity University in the Computer Science Department (part time now since I opened the Studio) . My class focuses on basic concepts such as networking and Internet ethics as well as graphic applications and web design. All of my students this semester have been smart and funny and ready to learn, particularly Will Lin from China. Here’s a link to the introduction he wrote at the first of the semester (it’s wonderful), and here’s his final project, a built-from-scratch website – I have his permission to share it with you (click on the graphic) – thanks, Will:

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Art Show report and poetry gig

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Here’s a short video from the Art Show and Sale at the Studio yesterday – it was one of those soft, gray fall afternoons that makes ya feel all cozy inside. Lots of people came by (and shopped – yay). As usual, I was delighted to see what goodies Alison and Jan and Lesta brought with them. Take a look – so much talent and diversity!

twigYou want more? Well, check this out – Tuesday night at The Twig Book Shop, there will be a gaggle of poets and wannabees (including me) reading poems and short fiction and  words of all kinds to an assembled audience of brave folks. Jo LeCoer, who read at my first Studio poetry event is the amazingly-talended guest host/poet for the evening. Jo sez, “Readers include artists, poetry performers, song lyricists, fiction writers (one has a new book just out), journalists, current and former UIW faculty/students/alumni, and a couple of reluctant guitarist/extortionists holding out for bigger bribes.” Sounds like a literati fun fest. See you there?

Finally, Twigs remind me of Shrubs, and that reminds me of my friend Kathy Tarasovic and her new foodie venture, Well Seasoned Cuisine. They make Shrubs, an artisan beverage syrup blend of mellow vinegars and fruits. I saw her and her partners at the Quarry Farmer’s Market today – you should have a look at their web site – they have perfect foodie gifts for hard-to-shop-for people. Their business is a partnership with Good Samaritan Community Services, a highly respected community-based outreach organization – what’s not to love? Try a Shrub! It’s good in protein shakes, too.shrubs

 

 

TOP TEN STUDIO ESSENTIALS

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Lyn Belisle Studio: TOP TEN NON-ART Studio Essentials That I Can’t Live Without

Here’s my list – what’s yours? Share these with a friend 🙂 Next week I’ll have a list of the 10 ART PRODUCTS that I can’t live without.

1. Baby powder

babypowderI use this to dust the inside of air-dry clay molds to keep them from sticking, to “de-stick” my hands temporarily when I’ve been using spray adhesive, to dull down a shiny gel acrylic surface, among other things – Johnson’s smells the best to me – makes me all nostalgic

2. Blue Painter’s tape

blueMasks the edges of watercolor paper, makes irregular stencils for stamping and painting, use to tape around unfolder paperclip to make a handle for a quick cutting tool, put strips sticky-side-up on work table to keep cat from stepping on work in progress (sorta works as a distraction when they try to shake it off their feet) – and so much more – available in bulk from Uline

3. Canvas clay cloth

clothI can turn my painting worktable into an earthenware clay workspace in an instant with this – it unrolls and has a great canvas non-stick surface for rolling out clay slabs. It also makes an instant “clean” surface for projects of any kind of you keep the back side un-clay-y – available at ClayWorld

4. Cheap white washcloths

wahclothsI really could not do without these – clean-up, texturing, wiping walnut ink off clay – it goes on and on. I wash them and use them over and over, and they are cheaper than paper towels and more ecologically responsible – $4 buys a bundle of 18 at Walmart

5. Drinking straws

strawsLet me count the ways I use these – hmm, ok, to poke holes in clay face shards and adornments, to cut into 2” sections and use as channels for cord backing on pendants, as cores for paper beads, drinking Diet Dr. Pepper – and so on. Get both sizes, the standard ones for big holes and the little coffee ones for smaller holes. Available at delis and coffee shops everywhere. If you happen to need 900 of them, get ‘em at Uline for less than $4.

6. E6000 adhesive

e600A sculptor in Colorado Springs told me about this, and the stuff can stick metal to glass and glass to rock, paper and scissors – you get the idea. It’s good stuff, kinda looks like silicone gel. Most artists and jewelers know about it, but just in case you didn’t, you can get it many places, including Michaels.

7. Heavy-duty hole punch

holepunchThis is the only semi-specialty item on the list. I use it for punching holes for stringing beads, for book binding thread, for tags – it’s great. It will punch through thin metal and heavy mat board easily. Mine is from EK Tools. Worth the $15 price tag over and over, and you can get it in two different hole sizes. I have both.

8. Lavender Essential Oil

lavYou guys know that I’ve studied aromatherapy since the 80’s – and lavender oil is great for balancing your frantic mood when things aren’t going well in the studio – just a sniff will calm and refocus. But it’s also the best thing for burns, and I keep a bottle right next to my hot-glue gun. It’s saved me from having more than a few blisters. It works for mosquito bites, too, and can take off gummy residue better than goo-gone. You should have lavender essential oil just as a general principle in your life – great stuff! I recommend Aura Cacia, and you can read about it here.

9. Nashua Clear Duct Tape

nashuaThe perfect tape for book-binding, labelling, tape transfer – it tears cleanly and is super strong. I must go through a roll a week at the Studio. I used it to attach the covers for my custom e-reader covers and have been using it and recommending it ever since. It’s made by Nashua and is available at Home Depot.

10. Quart Mason jars

masonI hear my ancestors might have drunk whiskey out of these – now *that* would be an instant tranquilizer and work-stopper – but I use these for water jars, bead storage, feather storage (the cats paw at the sides trying to get to the feathers), brush storage, clay slip, glazes, spools of thread – chances are I don’t have to tell you how useful these big jars are – and they are recyclable and reusable and work as a nice vase for just-picked bunches of herbs and flowers for the Studio table. I have a friend who uses a meditation jar – she cuts strips of paper with favorite quotes and thoughts on them and keeps them in a clear Mason jar to pull out when she needs inspiration.  Better even than whiskey? I imagine so.