Category Archives: thoughts and opinions

Hiss and myth

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OK, so I’m rather taken with cats. Or taken by cats. Whatever. But some of the most enjoyable small art pieces I’ve done lately are cat spirit figures – sorta like Spirit Dolls with cat heads. As part of this, I’ve been informally researching cats in mythology – they have been around a long time and have always been considered pretty weird and magical. For example, did you know that Ceridwen, the Welsh goddess of wisdom, was attended by white cats who carried out her orders on Earth? Or that, in Islam tradition, dogs are considered unclean, but cats – who frequently bury their own waste and rarely eat another animal’s feces – are not. I like that “rarely” part – I mean, a cat’s gonna do what a cat’s gonna do.

My new favorite cat story is about Freya, the Norse goddess of love and fertility and the wife of Odr (who disappeared right after they got married, but that’s another story). She rode in a chariot pulled by two Norwegian Forest Cats or Skogkatts. Here’s the photo to prove it, taken on the spot – Freyja_riding_with_her_cats_(1874)and the cats look pretty happy about the whole idea. No wonder it’s a myth.

I loved the idea of Freya’s cats, though, and my latest piece is called just that, Freya’s Cat. This is a powerful cat, rough-and-ready, able to pull chariots, leap tall buildings, or row boats (should Freya want to travel across a Fjord). This guy carries around a bunch of protective charms, just in case. I think he’s a pretty cool cat. Nice kitty!

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“Freya’s Cat” – Mixed Media Assemblage – Lyn Belisle – 2014

 

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“Freya’s Cat” (detail)

Creating with invisible directions

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It’s hard to explain how it feels when the parts take over and show you where they need to go – sounds kind of weird. But I just finished a Shardian assemblage that did just that. This figurative piece had never existed before, so there were no directions, but the pieces fit together so smoothly that every piece that was put in place felt exactly right. I love it when that happens! Hmmm . . .this piece started right after my visit to Papa Jim’s . . . (hearing theme from Twilight Zone) . . .

 

Sunday at the Art League

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I am one lucky artist – yesterday’s opening at the SA Art League was exciting. Miguel Cortinas, fellow painter in the exhibit, did a beautiful job of hanging the show, and the pottery pieces by Eloise Stoker and Nancy Pawel complimented the paintings and mixed media works. The whole occasion made me feel like a real grown-up painter! Thanks to everyone who came out – and here’s a video of me trying to explain some of the work. There seem to be a lot more questions than answers. I guess that’s how the old art game works sometimes.

PS – Congrats to Dinah Robinson, winner of the Friendship Bridge Friday Freebie!

That’s my story

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Making art for an audience is tricky, and it brings out my Creeping Cowardly Conformity. I’m discovering that as I finish up a series of small collages on canvas that will be included in the San Antonio Art League show which opens Sunday, Nov. 2nd. The Art League is a venerable organization with lots of Real Painters, and being invited to participate is rather intimidating. Here is one of my pieces in a five-part series called “Copper Koan.” Like a lot of my work, it deals with the concept of shards and fragments of incomplete stories. A “koan” is a paradox to be meditated upon, and it seemed like a fine concept for this series (the series title is also a take-off on “copper coin.”)

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“Copper Koan: Wand” Lyn Belisle 2014

 

This is what it looked like yesterday (below) – I didn’t want to add a little face or any text because I thought that would make it look “too crafty” and “not sophisticated-ly abstract enough.” Arg . . .Creeping Cowardly Conformity makes us compromise. You make like this one better, and that’s super OK, but I kept thinking it looked incomplete and anonymous.

koan-reSo what the heck – I added the distressed earthenware face and the text fragment on my little Copper Koan, and now that they are there, I’m much happier with the piece. I hope my audience likes it, but we, as artists, gotta remember that we’re driving this Art Bus and if we take directions from our passengers, we’ll get everybody hopelessly lost. That’s MY story and I’m sticking to it!

PS. If you’d like to see the exhibit for yourself, please know that I’d love to have you there to discuss all of this and to see the work of my fellow artists – here’s your invitation! Feel free to share 🙂

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Wrapping it up with love

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Lyn Belisle and Joanna Powell Colbert and assorted Dia de Los Muertos amigos

. . . .and then she woke up and it was all a beautiful dream. Hey, no – wait, it wasn’t! The Unfolding Myth weekend with Joanna Powell Colbert really happened, and it was amazing! Two days of work and fun and creating and discovering passed much too quickly. My heartfelt thanks to all who participated. The artwork that came out of this experience speaks eloquently. Joanna gently guided us through discoveries about ourselves that were reflected in our collages.

I’m still processing my own lessons from the weekend, but if you’d like to see some of the work that went on at the Studio, take a look at our video (below). And then visit Joanna’s website to see how you can experience some of the magic that she does through her Gaian tarot. Thank you, Joanna, from all of us!

Mysterious FiberShards

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Two things collided: one, the deadline for the Fiber Artists of San Antonio fall exhibition is fast approaching, and, two, I discovered MeinkeToy Fiber Art Supplies and its owner, Eleanor Love. Result: Mysterious FiberShards. You’ll hear more from Eleanor in October – I’ve asked her to be a guest blogger – yay!  So I wanted to show you what I’m discovering about fibers while experimenting for the FASA show.

Shards and fragments of artifacts have always fascinated me, and I’m building little re-imagined ones from various fibers (paper counts – and a few of these are papier-mâché). Some of the other materials include felt, cheesecloth, and silk – take a look.

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One of the mysterious objects is part of a silk cocoon – guess what you get when you cut open a silk cocoon? Yep – a big ol’ fat dead silkworm. He’s not in there. . .he, er, went away.

Working with fibers is a lot more than knitting, y’all – it’s almost unlimited in its possibilities. Check out Eleanor’s MeinkeToy website and see what I mean.I have a feeling that I’ll be doing a lot more FiberShards in the near future. Thoughts?

Juried art shows – and how to make a crane (the bird kind)

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Good news yesterday – one of my pieces was accepted for the International Encaustic Artists “Poetry Bleeds Rust” exhibit in at the NAWA Gallery in New York. Boy, am I surprised, first of all, because encaustic is a stretch for me, and secondly, the piece that was selected was not the one I expected to be, if any were. Here are the three pieces – which one do you think juror Jenn Dierdorf choose?

She chose the third piece, Rune and Relic – that’s the one I had to re-do because the first version didn’t fit the size retirement. I liked the one called Campfire Poems better, but there ya have it. If you decide enter a juried show, remember these things (I try to):

1. If you are rejected, don’t take it personally – put yourself in the juror’s place – it’s a tough job and opinions about art are extremely subjective and subject to one’s own taste. After all, you don’t like every piece you see in a gallery or museum, maybe not *any* of them.

2. If you are accepted, be grateful! But don’t start making every piece of art you do from then on just like the accepted piece – be true to yourself and continue on your own intuitive path, even if it veers off in another direction. Don’t let acceptance of one piece by a juror determine your limits.

3. Keep entering shows even if you don’t get in – it gives you a free critique, a new perspective, and a sense of professionalism. Both of my entries in this year’s San Antonio Art League show were rejected, but I figure they didn’t resonate with the juror. I liked them though, and I’ll keep working and submitting. So there! Neener neener 🙂

And now, for your weekend folding pleasure, here’s one from the vault, a video tutorial I did for a friend two years ago before I had the big Studio. It’s a five-minute origami crane – can you do it in five minutes? Ready – GO! And have a great weekend.

Simple altars and luminous objects

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The completed piece

“The Guardian of the Golden Bough” – Altar Assemblage, Lyn Belisie, 2013

Celebration Circle’s “One People, Many Paths: Sacred Art of Altars” exhibit opens on September 1st, and I am ready! Last year, when I was invited to participate in this wonderful event, I struggled with several ideas, including putting a Spirit Doll inside the box, which, unfortunately, made it look like a coffin. Yikes. My (finally) finished altar from last year was called The Guardian of the Golden Bough (left). It was a good solution and popular with the silent auction bidders.

This year’s altar, “Luminosity,” came together almost all by itself – I found a small branch in the driveway as I was bringing in the bare altar box and propped it against the side. Perfect – and after that, everything just came together, including the quote mounted on plexiglass which says, “It is when the ordinary becomes luminous that we are transformed.” The altar is white, simple and luminous, made from ordinary objects.  Simple is good. I am happy!

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“Luminosity” – Altar Assemblage, Lyn Belisle 2014

But I often wonder why some pieces, such as last year’s altar, are such a struggle to make, and others, like this year’s, seem to fly into your hands as if they knew they were supposed to be there. It’s a mystery. Let me know if you have the answer.

DSCN3240PS – No Friday Freebie this week, but if you are around, don’t miss tomorrow’s Show and Tell at the Studio from 2-4 – it’s definitely free, and you’ll get all kinds of free tips and techniques from the participating artists. The resident chef will be there, too, to show you a cool culinary trick. Hope to see you at Show and Tell!

The Book of Serendipity: Belto and Belisle – Saturday, June 28th

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I spent some fine creative time with encaustic guru, author and good buddy Michelle Belto yesterday at her Hot Wax Studio. We experimented in various media with a small group of intrepid explorers. And now – tah-dah– Michelle and I ready to give you the exclusive final details on our June 28th collaborative workshop called The Book of Serendipity: A Celebration of Unexpected Gifts from the Universe! Click on the photo below to read the description – it really has something for everyone – and then sign up to spend a cool (in all ways) Saturday with us at my Studio. All materials and a yummy lunch are included – the day will be a memorable one (you’ll see what I mean when you read the description.) Limit eight participants, absolutely no art experience necessary. Please join us (and invite a friend).

 

A hanging at Cathedral House

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Check out this new piece that I finished this morning for the Illumination exhibit at Cathedral House Gallery – I love it! (she said, modestly) I had forgotten how much fun it is to add found objects and sculptural details to a collage on a wood substrate. It’s called The Lottery and there’s a story involved about that girl and the lottery for her hand, etc. etc – artsy minds work in mysterious ways. But it was cool to use sticks and wood and clay and paint and all that good stuff.

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Lyn Belisle: The Lottery, mixed media on wood panel

Gloria Hill, my hanging partner, and I met at the gallery this afternoon to put up our work for Sunday’s opening. Here are some photos – it was interesting because we were hanging paintings against a strong back-lighted window. You can also see the other pieces that I’m putting in the show, below.  Here’s a map to the gallery – it’s in a beautiful building owned by the West Texas Episcopal Diocese on spacious grounds near the headwaters of the San Antonio River, definitely worth a visit. Thanks to Patsy Sasek for inviting us to participate!