Understanding – the Friday Freebie

  und3Today’s Friday Freebie is a wonderful little metal “chop” – a steel stamp of the Chinese ideogram for the word “understanding.” When I ordered several of these little chops because I liked the design, I took the concept for granted, figuring I totally understood what understanding means. But it got me to thinking – what is “understanding,” anyway?

The first definition of understanding is “a mental grasp, a comprehension.” Easy. But, whoa, read on – understanding is also defined as, “a willingness to understand people’s behavior and forgive them.” That’s HUGE. First you have to be willing to “understand” a person’s behavior (which sometimes seems quite impossible), and then you have to be able to empathize enough to forgive them. Yikes.

I always equated understanding with comprehension – like, “I understand some Spanish but I can’t speak it”. Understanding someone’s actions and why they do what they do is a lot more complicated. From now on, when I use this little “understanding” chop on a clay piece or in an encaustic collage, it will remind me of that deeper, more compassionate meaning of the word. And I’ll try to be more understanding.

If you are a SHARDS subscriber by midnight on Sunday, you will have a chance to win this little chop – and if all this rambling seems a little too philosophical, I hope you will understand and forgive me. 🙂 TGIF, Y’all.

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Curious evolution of a work on canvas

dissofmem2Where do art ideas come from? Darned if I know – Here’s a piece that invented itself from 12 clay face slabs I made last week just because I didn’t want to throw away too-dry clay. The piece is called “Dissolution of Remembrance” because forgetting the names of objects and misplacing small items worries me, and I know I’m not alone in that.

I used these unplanned clay pieces to address this worry through an art piece. I arranged the fired earthenware slabs in an almost irregular pattern on a 24×30″ canvas, then sewed and adhered them in place. First came a wash of walnut ink (of course). Then I added some red oxide acrylic paint – here’s what it looked like at that stage – kinda disjointed.

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I tried to make it more cohesive with various colors of paint, attempting to suggest a progression of memory loss, and finally got the idea of putting rusted wire inside each head – it didn’t really work. Suddenly, I remembered talking about cheesecloth in my last post, and added a layer of cheesecloth over the whole composition to unite the elements. That was a good decision.

After that, there was lots of action going on with matte medium and fabric stiffener. Next came a thin coat of encaustic wax. Finally I added branches to allude to the branching dendrites in the brain. Science occasionally comes in handy 🙂

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The last element, silk cocoons, was another accident – the plastic bag of cocoons was open on the table nearby and the silk kept catching on the branches – well, duh – how obvious was that? So, on they went. Symbols of hatching new thoughts?

I’m not sure “The Dissolution of Remembrance” is completely finished, but it’s been amazing to watch the process as both the maker and the observer. Now if I could just remember where I put it –  – – only kidding. I think.  dissofmem1

Susie Monday at UPC

My friend Susie Monday is an amazing artist. She inspires me, and so many other people, in our work and in our lives. Here is part of her Artists Statement – see if it doesn’t resonate with you, as well:

“My textile paintings tell the spiritual and metaphysical stories that  unfold in my life and in the lives I observe of women around me. My goddesses, saints and angels are less about religion than they are about everyday occurrences: our hopes, dreams, frustrations, foundations and the resources we call upon in the secret spaces of the heart.”

Yesterday, I stopped by the University Presbyterian Church near Trinity University where Susie’s  textile collages grace the gallery in the Education Center. It is a visual treat to see so much of her richly symbolic color-splashed work in one place – here are some photos from the exhibition. I hope you get by to see it this month. The show will be up until the first of March. Thanks, Susie, for the joy your bring to our lives!

Leonardo da Vinci’s ‘to do’ list

8I shoulda posted yesterday’s Friday Freebie (the Shish-ka-barbie dolls, which you can win if you’re a subscriber by midnight Sunday) but I forgot – darn. OK, yet *another* New Year’s Resolution: start keeping a daily a “To-Do” list and follow it!!

While looking for ways to remember stuff better, I found out that Leonardo da Vinci wrote To-Do lists! And they are very cool – nothing like “post to blog” or “stop by HEB.”

Nope, his were more like, “obtain a skull, to get books on anatomy bound, observe the holes in the substance of the brain, describe the tongue of the woodpecker and the jaw of a crocodile, and give the measurement of a dead man using his finger as a unit.” And he illustrated his To-Do lists, meticulously and beautifully:

You can read more about his To-Do lists on Open Culture. I love this site – it’s so worth exploring, lots of free courses and images and ideas,  but make sure you don’t go down the Rabbit Hole of fascinating links and end up like I did, watching a free 1934 B Western John Wayne movie from their archives called The Lawless Frontier. (Don’t click that link – you’ve been warned).

I’ll announce the Friday Freebie winner on MondayI’m putting it on my To-Do list.  Happy 2105, everyone!

(Note to self – rewrite resume . . . . . . . . . . .)

 

Hiss and myth

OK, so I’m rather taken with cats. Or taken by cats. Whatever. But some of the most enjoyable small art pieces I’ve done lately are cat spirit figures – sorta like Spirit Dolls with cat heads. As part of this, I’ve been informally researching cats in mythology – they have been around a long time and have always been considered pretty weird and magical. For example, did you know that Ceridwen, the Welsh goddess of wisdom, was attended by white cats who carried out her orders on Earth? Or that, in Islam tradition, dogs are considered unclean, but cats – who frequently bury their own waste and rarely eat another animal’s feces – are not. I like that “rarely” part – I mean, a cat’s gonna do what a cat’s gonna do.

My new favorite cat story is about Freya, the Norse goddess of love and fertility and the wife of Odr (who disappeared right after they got married, but that’s another story). She rode in a chariot pulled by two Norwegian Forest Cats or Skogkatts. Here’s the photo to prove it, taken on the spot – Freyja_riding_with_her_cats_(1874)and the cats look pretty happy about the whole idea. No wonder it’s a myth.

I loved the idea of Freya’s cats, though, and my latest piece is called just that, Freya’s Cat. This is a powerful cat, rough-and-ready, able to pull chariots, leap tall buildings, or row boats (should Freya want to travel across a Fjord). This guy carries around a bunch of protective charms, just in case. I think he’s a pretty cool cat. Nice kitty!

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“Freya’s Cat” – Mixed Media Assemblage – Lyn Belisle – 2014

 

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“Freya’s Cat” (detail)

Creating with invisible directions

It’s hard to explain how it feels when the parts take over and show you where they need to go – sounds kind of weird. But I just finished a Shardian assemblage that did just that. This figurative piece had never existed before, so there were no directions, but the pieces fit together so smoothly that every piece that was put in place felt exactly right. I love it when that happens! Hmmm . . .this piece started right after my visit to Papa Jim’s . . . (hearing theme from Twilight Zone) . . .

 

Sunday at the Art League

I am one lucky artist – yesterday’s opening at the SA Art League was exciting. Miguel Cortinas, fellow painter in the exhibit, did a beautiful job of hanging the show, and the pottery pieces by Eloise Stoker and Nancy Pawel complimented the paintings and mixed media works. The whole occasion made me feel like a real grown-up painter! Thanks to everyone who came out – and here’s a video of me trying to explain some of the work. There seem to be a lot more questions than answers. I guess that’s how the old art game works sometimes.

PS – Congrats to Dinah Robinson, winner of the Friendship Bridge Friday Freebie!

That’s my story

Making art for an audience is tricky, and it brings out my Creeping Cowardly Conformity. I’m discovering that as I finish up a series of small collages on canvas that will be included in the San Antonio Art League show which opens Sunday, Nov. 2nd. The Art League is a venerable organization with lots of Real Painters, and being invited to participate is rather intimidating. Here is one of my pieces in a five-part series called “Copper Koan.” Like a lot of my work, it deals with the concept of shards and fragments of incomplete stories. A “koan” is a paradox to be meditated upon, and it seemed like a fine concept for this series (the series title is also a take-off on “copper coin.”)

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“Copper Koan: Wand” Lyn Belisle 2014

 

This is what it looked like yesterday (below) – I didn’t want to add a little face or any text because I thought that would make it look “too crafty” and “not sophisticated-ly abstract enough.” Arg . . .Creeping Cowardly Conformity makes us compromise. You make like this one better, and that’s super OK, but I kept thinking it looked incomplete and anonymous.

koan-reSo what the heck – I added the distressed earthenware face and the text fragment on my little Copper Koan, and now that they are there, I’m much happier with the piece. I hope my audience likes it, but we, as artists, gotta remember that we’re driving this Art Bus and if we take directions from our passengers, we’ll get everybody hopelessly lost. That’s MY story and I’m sticking to it!

PS. If you’d like to see the exhibit for yourself, please know that I’d love to have you there to discuss all of this and to see the work of my fellow artists – here’s your invitation! Feel free to share 🙂

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Wrapping it up with love

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Lyn Belisle and Joanna Powell Colbert and assorted Dia de Los Muertos amigos

. . . .and then she woke up and it was all a beautiful dream. Hey, no – wait, it wasn’t! The Unfolding Myth weekend with Joanna Powell Colbert really happened, and it was amazing! Two days of work and fun and creating and discovering passed much too quickly. My heartfelt thanks to all who participated. The artwork that came out of this experience speaks eloquently. Joanna gently guided us through discoveries about ourselves that were reflected in our collages.

I’m still processing my own lessons from the weekend, but if you’d like to see some of the work that went on at the Studio, take a look at our video (below). And then visit Joanna’s website to see how you can experience some of the magic that she does through her Gaian tarot. Thank you, Joanna, from all of us!

Mysterious FiberShards

Two things collided: one, the deadline for the Fiber Artists of San Antonio fall exhibition is fast approaching, and, two, I discovered MeinkeToy Fiber Art Supplies and its owner, Eleanor Love. Result: Mysterious FiberShards. You’ll hear more from Eleanor in October – I’ve asked her to be a guest blogger – yay!  So I wanted to show you what I’m discovering about fibers while experimenting for the FASA show.

Shards and fragments of artifacts have always fascinated me, and I’m building little re-imagined ones from various fibers (paper counts – and a few of these are papier-mâché). Some of the other materials include felt, cheesecloth, and silk – take a look.

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One of the mysterious objects is part of a silk cocoon – guess what you get when you cut open a silk cocoon? Yep – a big ol’ fat dead silkworm. He’s not in there. . .he, er, went away.

Working with fibers is a lot more than knitting, y’all – it’s almost unlimited in its possibilities. Check out Eleanor’s MeinkeToy website and see what I mean.I have a feeling that I’ll be doing a lot more FiberShards in the near future. Thoughts?