New Work, Old Concept

Old retablo frame, late 1800’s

THE ENCANTO SERIES

Lyn Belisle, Crow’s Companion, 2021

My work has always been strongly influenced by the idea of “shards” as a metaphor for human communication across time. A shard can be a found fragment of clay, a rusty nail, a scrap of handwriting – any little clue that becomes a “secret handshake” between the maker and the discoverer.

Shards, clues, and other stuff

As an assemblage artist, I collect bits of meaning from various cultures and times. This series, called Encantos (charms), respectfully combine contemporary historic images, then veil them with beeswax, a material which has been used in art-making for over 2000 years. This encaustic process seals and enhances the images. The metal adornments on these pieces honor the traditional centuries-old Retablos, painted tin icons that show the significant rust and fading consistent with their age.

Lyn Belisle, Spiral Crows, 2021

For decades I’ve worked with clay, fiber, and paper in assemblage and collage to express this non-verbal time-circle connection. When my friend Michelle Belto introduced me to the encaustic process in 2009, This new-to-me medium seemed a perfect companion for my most-loved materials.

Lyn Belisle, Crow’s Talisman, 2021

I’d briefly tried encaustic medium on collage, but I began to understand that beeswax is a metaphoric material in itself, ancient as clay, versatile as paper, compelling as ivory and bone. Now beeswax and encaustic are integral parts of my process.

Lyn Belisle, Nest, 2021

This series feels just right, a synthesis of digital, ancient, and contemporary process and content. Work for this series is available at the Members Gallery (San Antonio Art League) and soon at Marta Stafford Fine Art in Marble Falls, Texas.

Take good care, hope to see you soon – Lyn

Santa Fe, Round Two

My workshop on Saturday at the Artisan Exp in Santa Fe once again proved to me that starting with a good grasp of composition works magic in any collage-based process. I discussed my Composition AB3’s ( Alignment, Breathing Room and Thirds) and demonstrated how easy it is to master these guidelines.

Voila! Every person produced a really good encaustic collage, all different, but all strong in subject, vision, and composition. Below are some of the pieces in process, and some that are completed. (If you can’t see the images, click here to view them in your browser.)

One of the participants, artist, author and tarot reader Arwen Lynch-Poe, documented her process and with her permission, I’ll use her photos to show you how she put her piece together. (If you can’t see the images, click here to view them in your browser.)

So between Encaustic Bling with Michelle Belto on Friday and Engraven Images on Saturday, the Santa Fe workshops were super fun and successful!

And if you want to take this workshop, you still can. I’m teaching the all-day version, plus a Wax, Earthenware and Fiber Talisman class at ViVi Magoo in Round Top in three weeks.

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Update note: Since I returned from Santa Fe on Monday, I’ve looked at a couple of places for new workshop venues – and there are several good possibilities.. . .more soon.

But the good ol’ Studio isn’t closed yet! We still have a fantastic event coming up a week from today. It’s Monika Astara’s popular trunk show and sale of exquisite, artistic fashions!  Here’s more info – hope to see you there.

monika

Right now I’m off to the Trinity Alumni Art Showcase where I’ll be showing and selling my Encanto earthenware and sari ribbon mixed-media pieces. Wish me luck!

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Making stuff – a LOT o’ stuff

Hope your Thanksgiving was super – mine was blessedly relaxing – a real day off from work. For some reason, I had forgotten what it’s like to get ready for a studio sale since encaustic exhibits and guests artists have been my focus lately, but I was hard at work all day in the Studio Tuesday and Wednesday getting ready for Saturday’s Big Ol’ Sale with Lesta, Michelle, and Alison.

This morning I’m finishing up some earthenware pieces.  I’m especially excited about the new little “B Beautiful” dishes because a portion will go to The Honeybee Conservancy for research to combat Colony Collapse and ensure that the bees will continue to thrive and produce honey and beeswax. Can’t do encaustic without beeswax. Can’t enjoy a sopaipilla without honey! Here’s a preview of the B Beautiful dishes. They are a perfect size for rings, paper clips, cough drops, hearing aids (what?), jelly beans – and at just $10 each, they make lovely hostess gifts for a cause:

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Other pieces I’ve been making are be-ribboned Encantos (charms) and HeartShard Blessing holders (larger wall-hung clay pockets). All are made from fired clay and enhanced with sari silk ribbon. Here are some of those – I especially like the new ivory ones from white clay……

Finally, I’ve created some new pendants and face shards – some are strung as necklaces and some are loose, ready for you to play with.

home2 pendants

If you’re in San Antonio, don’t let the predicted cold weather keep you away from the Big Ol’ Art Sale – it will be cozy in the Studio and there will be lots of beautiful art and tasty refreshments. OK, back to work!! See you tomorrow, 10-4 at the Studio!