Tag Archives: shards

Clay Soup and Alan Watts

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Riddle: You have 60 small clay faces drying in the sun, almost ready to be fired. What do they turn into after an expected thunderstorm?

Answer: Clay Soup!

If only I had loaded the kiln before we left for the afternoon! But noooooo – the sky was clear, so who would have thought that a gully-washer was coming?

Seeing all of those dissolved clay faces when I got home made me feel sad, but also a bit philosophical. After all, they were still clay. Only their shapes had changed. They were returned back to their primordial soup!

This experience got me thinking about Alan Watts, whose writings have been a huge influence and comfort to me all of my adult life.

Alan Watts often spoke about the nature of life and death in terms that demystify and de-dramatize the transition. The concept that when you die, you go back to being what you were before you were born, is a profound reflection on the nature of existence. From clay to clay? From soup to soup?

He encourages us to view life as a temporary journey through a realm of awareness, much like a bird’s fleeting passage through a lighted house. By understanding and accepting the cyclical nature of life and death, we can alleviate the fear of death and appreciate the transient beauty of our existence. (Alan Watts Organization)​.

If you haven’t read Alan Watts before, I encourage you to start with THE BOOK
On the Taboo Against Knowing Who You Are. If you’re interested in The Book, there’s a PDF version available here.

This is all kind kind of a heavy-duty metaphor about something simple as melted clay, right? But there are lessons in everything. Living an artful life means looking at things through a different lens.

And the other HUGE bonus from this experience was the rain! Because I live in South Texas, I will willingly trade a couple of hours work for some welcome rain! I can make more clay faces but I sure can’t make it rain!

Thanks for reading – back to the clay studio 🙂

Lyn

 

 

 

 

Shards and Stories – Lessons from Greece (continued)

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Taken at the National Archaeological Museum in Athens

Examining shards of pottery in Greece, especially in historical museums, is a fascinating and often deeply meaningful experience. These fragments, bearing partial symbols and images, are remnants of ancient lives and cultures, offering glimpses into the past. Each shard is a piece of a larger narrative, a fragment of a story that once was whole.

Taken at the National Archaeological Museum in Athens

The symbols and images on these shards might depict scenes from daily life, mythological tales, or intricate patterns that were significant to the culture that produced them. Even in their broken state, these fragments can tell us a great deal about the artistic styles, technological advancements, and social practices of ancient Greece.

One of the most compelling aspects of these shards is their ability to be reassembled with other pieces, even those from different pots. This process is akin to piecing together a complex jigsaw puzzle where the final image represents a broader cultural or historical narrative. When these shards are put together, they often reveal a more comprehensive picture, connecting disparate elements to form a richer, more detailed story.

Humans have always told stories with symbols and pictures and objects.Even a small scrap of of pottery gives a rich clue that inspires us to infer more of the story.

My personal artwork has  been strongly influenced by the idea of “shards” as a metaphor for human communication across time. A shard can be a found fragment of clay, a rusty nail, a scrap of handwriting – any little clue that becomes a “secret handshake” between the maker and the discoverer.

Lyn Belisle, Encanto Assemblage, 2011

Have you ever wondered whether fragments of the artwork that you create today might one day be discovered and displayed in a museum, offering clues to the creative expressions of the 21st century? Imagine a future archeologist unearthing remnants of our contemporary art, much like how we now marvel at the fragments of ancient Greek artifacts. Each piece, though incomplete, tells a story of its time, revealing insights into the culture, technology, and aesthetics that defined an era.

In ancient Greece, even the smallest fragment of a vase, statue, or fresco can speak volumes. These pieces provide invaluable glimpses into the past, allowing us to reconstruct the visual and cultural landscape of a civilization long gone. The intricate designs on a pottery shard or the delicate chiseling on a broken statue reflect the artistic prowess and thematic concerns of their creators.

Reconstructed Lion, National Archaeological Museum

Similarly, future generations might uncover fragments of our current artworks—perhaps a piece of a digital print, a shard of a ceramic sculpture, or a remnant of a mixed-media installation. These fragments would serve as tangible connections to our present, helping future historians and art enthusiasts understand the themes, materials, and techniques that shape our creative output.

Lyn Belisle, Shard Components

As artists, the possibility that our work could one day be part of an archeological discovery adds a layer of legacy to our practice. It encourages us to think about the durability and impact of our creations. What messages are we embedding in our work? How do our materials and methods reflect the values and technologies of our time? In contemplating these questions, we become part of a continuum, linking our contemporary expressions to the vast tapestry of human artistic endeavor.

Lyn Belisle, Icon, 2020

So, next time you create, consider the enduring journey your art might undertake. Perhaps, centuries from now, a fragment of your work will be unearthed, sparking curiosity and admiration in a future museum, much like the ancient Greek artifacts do for us today. Through these fragments, our stories will continue to be told, and our creative legacy will persist, connecting us to future generations in a timeless dialogue.

Birds on columns, Heraklion Archaeological Museum

Learning from the past enriches our understanding and inspires us to create meaningful, lasting art for future generations to cherish. Or maybe just to wonder about . . . .

End of lesson from Greece !!

Lyn

 

 

 

Finding answers in your own work-stash Shards

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It seems fitting to start the new year with a post on the whole idea of Shards.

My work has always been strongly influenced by the idea of “shards” as a metaphor for human communication across time. A shard can be a found fragment of clay, a rusty nail, a scrap of handwriting – any little clue that becomes a “secret handshake” between the maker and the discoverer.

But sometimes the maker and the discoverer are the same person. Have you ever gone through work you’ve done earlier and found the answer to something you are doing right now? Perhaps it was a sketch, or a scrap of dyed fiber, or an unfinished collage. These are your shards, fragments of creations that were waiting for re-discovery to be put to good use in the place they had been waiting for.

Such was the case with this sculptural piece which garnered many comments when I posted it on Facebook.

Child of the Universe. Lyn Belisle 2022

I had completed the main body and really liked it, but there was something in this piece that wanted more. I envisioned him as a pilgrim coming home. He needed to be bringing something with him, but pilgrims bring only what they can carry.

I searched through my own older clay shards for answers and found four pieces that fit perfectly and answered the question of what he is carrying – he is carrying memories on his back.

Child of the Universe, back view

 

The four shards I found in the “shard stash pile” fit so perfectly on the back of the pilgrim that you cannot see them from the front. One piece even has the word “Memory” on it. Who are these people carried in the pilgrim’s memories? We don’t know, but we want to.

All of this reminds us that sometimes our own burdens are not visible to the people we encounter in our face to face dealings. It is only when we take the time to look behind the facade that we can discover and empathize.

It’s amazing to me that when we look to our own work for “shards” in our past stash pile, we often find and answer to a story that is deeper than we could have imagined if we had started out all fresh and new.

Nicholas Wilton had a great quote this morning that inspired this post – it really resonated with me, especially with this earthenware piece I’d just completed.

“Even in the mess we make, there’s hope! Beautiful clues emerge, like certain colors together or how a line relates to a shape, to inform your way forward and keep you progressing. Rather than looking at others’ work, staying immersed and attentive in your art-making will provide the solutions. It’s a self-generating process that comes from within.” – Nicholas Wilton

Now go through your own stash pile this morning for clues from your earlier self that will shape and inform your work!

Three of a zillion stash piles in my studio

 

 

 

 

Fire up the pot(s) – a festive gathering

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Last Friday, we got to participate in an amazing experience at Andy and Virginia Bally’s Studio near Canyon Lake. We had talked about planning a pottery pit fire for several months, and thanks to the Ballys’ hard work, it actually happened!

A pit fire is the oldest known method of firing pottery, dating back to 29,000 BC. It works as a kiln using a hole in the ground as insulation and fuel to reach temperatures around 2000 degrees farenheit.

British potter Jane White says, “The process of pit firing has endless possibilities, the pieces seem to have been created by nature itself, by the organic material, and the fire, which transforms the surface of the clay into a myriad of different patterns and colours, and each piece that is unearthed from the ashes is totally unique.”

A motley crew of potters and friends gathered outside the Bally Studio to watch the spectacle.

The pit was impressive. It was almost two feet deep and covered on the bottom with a deep layer of sawdust.

Here, I’m taking a photo of just the first third of the pit as it is being loaded with clay objects. The pieces are covered in all sorts of crazy, experimental stuff, including tamale shucks.

We also experimented with different colorants and chemicals on the surface of our bisque clay before adding them to the pit.Here, Julie and I are painting on Mason Stains (powdered pigments made of a combination of oxides and frits) and spraying on various chemicals including insect repellent and organic weed killer (!) to see how they would react with the flames.

Everyone kept a close eye on the fire – Andy was the Fire Pit Master and added oak in a steady, slow controlled process.

There is something about a communal fire that is exciting and sort of ancient. And we were all anxious to see how our clay would turn out, even though we knew it would take several days to cool and we wouldn’t get to see the results any time soon.

When the flames died down after several hours, the pit was covered with metal to keep in the heat and allow the pieces to cool slowly.

There was so much to learn and to experience. We all took lots of pictures. After Andy and Virginia opened the pit two days later, they pulled the pots from the ashes and cleaned them. Then they sent photos of our work.

I had fired some face shards in the pit, thinking they would come out looking like ancient relics, and the did! Here are several of my pieces.

The face on the bottom left had Mason Stain applied before firing, and the face on the bottom right has traces of smoke “clouds.” All of us wish we had taken better notes so we could duplicate the results next time!

You can see the whole process and many more of the pieces in the video below.

VIDEO: A PIT FIRING AT BALLY STUDIOS

There is also a You tube video of a Masterclass in Pit Firing by Jane White at this link. You’ll learn more about the process and be amazed by the results.

Jane White’s Masterclass Video on Pit Firing

No matter what our age or circumstances, we can resolve to keep on learning new things in the New Year. Participating in the Pit Fire experiment reminded me that creative learning and seeking out new experiences makes life rich and meaningful. It connects us to our past and makes us more resilient for the future.

Wishing you a wonderful Christmas-time and looking forward to being with you in 2022!

♥Lyn

Unearthed

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“Unearthed”- Lyn Belisle – Mixed Media Sculpture – 18″x 8″x 6″- 2019

Much of my new work is influenced by the Archaeological Investigations report which describes the 1979-80 research and discovery of 13 Archaic period human burials removed from a prehistoric cemetery by Olmos Dam. The investigation provided important information on the cultural practices during that period among people who lived almost exactly where I live now.

I call this new sculpture “Unearthed“ because I deliberately followed a process by which the clay shards that I created were fired in pieces that would be assembled like an unearthed archaeological puzzle – I did not have a plan about how they would go together, but rather worked on instinct. I let the piece “tell” me how it wanted to be built.

Clay shard pieces at the bottom of the kiln

It was harder than I thought. First of all, engineering a stable form from diverse clay pieces was a challenge. I used a combination of wood, plaster gauze (a gift from Shannon Weber) and a product called Platinum Patch in a few places where stability was critical.

Creating in three dimensions means paying as much attention to the sides and back as the front. The back of the piece shows the intricate textures pressed into the clay shard.

Here’s a detail of the texture on the front. I really like the way the plaster gauze looks like aged fabric remains.

I actually created two heads for this piece and ended up using the larger one.

A large head suggests child-like proportions, while this body suggests armor, so the whole piece resembles an ancient child warrior. Again, when I started out, I had no idea what this creature wanted or how to get there, but — trust the process!

You’ll be able to see this guy (and more of my brand new 3-D work) at  St Mary’s University Library in February as part of the exhibition called  “Naturally Inspired: works by Sabra Booth, Lyn Belisle, Jesus Toro Martinez, and Tim McMeans.” 

It’s gonna be a creative new year!

Making stuff – a LOT o’ stuff

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Hope your Thanksgiving was super – mine was blessedly relaxing – a real day off from work. For some reason, I had forgotten what it’s like to get ready for a studio sale since encaustic exhibits and guests artists have been my focus lately, but I was hard at work all day in the Studio Tuesday and Wednesday getting ready for Saturday’s Big Ol’ Sale with Lesta, Michelle, and Alison.

This morning I’m finishing up some earthenware pieces.  I’m especially excited about the new little “B Beautiful” dishes because a portion will go to The Honeybee Conservancy for research to combat Colony Collapse and ensure that the bees will continue to thrive and produce honey and beeswax. Can’t do encaustic without beeswax. Can’t enjoy a sopaipilla without honey! Here’s a preview of the B Beautiful dishes. They are a perfect size for rings, paper clips, cough drops, hearing aids (what?), jelly beans – and at just $10 each, they make lovely hostess gifts for a cause:

bdozen1

Other pieces I’ve been making are be-ribboned Encantos (charms) and HeartShard Blessing holders (larger wall-hung clay pockets). All are made from fired clay and enhanced with sari silk ribbon. Here are some of those – I especially like the new ivory ones from white clay……

Finally, I’ve created some new pendants and face shards – some are strung as necklaces and some are loose, ready for you to play with.

home2 pendants

If you’re in San Antonio, don’t let the predicted cold weather keep you away from the Big Ol’ Art Sale – it will be cozy in the Studio and there will be lots of beautiful art and tasty refreshments. OK, back to work!! See you tomorrow, 10-4 at the Studio!

 

 

 

Huipiles and votives and shards – oh, my!

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Studio update – it was a busy, creative, rewarding weekend in a zillion ways. Our show and sale of Guatemalan artisan goods for Friendship Bridge was a huge success – both money and awareness were raised! Thanks for all who came to shop and learn – here are some photos:

Sunday was a day of rest – well, not exactly, but I had a wonderful time at our relaxing Votive Workshop. Seven of us sat around the table creating these little candle screens. It was the perfect way to spend a cold and drizzly afternoon. The Studio is a magical place sometimes.

Finally, last night, this girl realized she need to get to work and get her hands in some clay! These little faces will go into the kiln today and perhaps turn into Spirit Dolls, assemblages or Etsy send-outs to someone else for their own creations. Have a happy week, Y’all, and stay warm.

My (right-this-minute) Etsy Favorite 5

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You know Etsy, right? If not, I’m gonna get you in a lot of trouble, cause it’s an amazing online global marketplace of creative delights. Look at some of the things you can find today on Etsy. These are my current favorite shops (but it may change with every new discovery :)):

etsy1Tomyres Boutique – Ugur Daskan’s art-to-wear collection. Ugur is from Turkey and has a wonderfully creative way with paper and fiber. This is her Wire Statement Necklace w/ Blooming Flowers. The lovely white cocoon necklace that I showed in my last post came from Ugur. She featured the post on her FB page. 

 

 

 

 

etsy2Casa de Charms Shop from McAllen, Texas is where I order milagros for my own artwork. Amador, the owner, is easy to work with and has fair prices and quick shipping. He also has larger milagros and really funny Day-of-the-Dead shopping bags.

 

 

 

 

 

etsy3House of Ceramics – despite its generic name, this studio site has some beautifully designed work like these fired and glazed apples. Una, the artist/owner, is from Fresno, California.

 

 

 

etsy4Buster Bean Knows – this Etsy shop is pretty unique. Here you can find natural stuff, rusty stuff, kitschy stuff – here’s what the owner says about herself – “I live near Sedona about midway between the Grand Canyon and Phoenix with my 3 dogs, Buster (the namesake of my shop), Duncan & Paloma. Buster knows the meaning of life… be creative and enjoy every moment you can.”  Pretty cool.

 

 

 

etsy5Hoooked Soap, form Peralta, NM. I think I like this shop as much for the names and the colors and textures as I do for the soaps themselves. This one is called Dragon’s Blood Exfoliating Soap with Poppy Seeds. Talk about power to the shower – but I think there is something so appealing about artisan-made personal goods, and this shop has that kind of appeal.

It’s easy to get mesmerized while looking around on Etsy – when I was putting this post together, I went down a lot of rabbit holes checking out other stuff and got lots of ideas an inspiration! But now I need to get to work finishing some faces for my own Etsy shop, EarthShards (sneaky segue). Have a great weekend, everyone!

Personal adornment – shards and cocoons

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How do I adorn me? Let me count the ways . . .well, the participants at Sunday’s workshop created some fabulous art-to-wear magnetic pins. Their challenge was to use small earthenware faces which they custom-finished and combined with papers and ephemera to create a mini-collage on a 2.5″ base that could be framed or worn. Each one was beautiful, each was different – take a look.

For myself, my new favorite adornment is this art-to-wear neck piece by Turkish artist Ugur Daskan. It came in yesterday’s mail – and I loved it the minute I unwrapped it. Light as a feather, it’s made from silkworm cocoons, paper ribbon, and woven cotton/silk. I photographed it against a lamp so you could see the translucency. You can see more of Ugur’s unique work which combines leather, knitted paper, crochet and fiber at her Etsy shop.

necklace

I am so grateful for the many wonderful artists in this world . . . oh, and one of them is Carol Mylar, who won the Friday Freebie book, Warrior Goddess Training! It’s a little late for your birthday, Carol, but it’s on its way.

 

 

 

 

 

Gallery talk and hand sanitizer

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Tonight’s gallery talk at Nueva Street Gallery should be fun. It starts at 5:00 – hope you can be there. My title is “The Face: An Enduring Iconography,” and I’ve done a short slide presentation of how faces inform and inspire my work. I’m giving away little face shards, as well – and this is kind of interesting because I used the same press mold for each one, yet they turned out so varied. They look like they are related, but not identical. Here’s a photo of the freebie faces that I’ll give away at the event:

facesnueva

OK, now about that hand sanitizer. . . yesterday, my friend Gloria Hill helped me do some experimenting with transferring digital images onto fabric for my upcoming online collage-on-canvas class at Artful Gathering (checkout their catalog). We used hand sanitizer to transfer the images, and it worked! See the pics below, and in a future post, probably the next one, I’ll give you the directions. Till then, hope to see you tonight at Nueva Street Gallery!

hs1 hs2 hs3