The Spirit Doll hits the road to Austin

It’s been approximately four years and twenty five days since I last got to teach an in-person Spirit Doll workshop (but who’s counting??). That one was at the Hill Country Arts Foundation in Ingram, Texas – it seems like forever ago. Like a whole pandemic ago . . .

I have said often that when times get uncertain, I return to clay and figurative sculpture as the “comfort practice” in my studio. There’s something about making a tribe of small figures from natural materials that creates a sense of optimism, particularly since humans have been doing this for millenia.

Lately, I’ve been working on a new series of Spirit Dolls that are so much fun and fulfilling – here’s a look at those. Remember what the base is made from? Yep, recycled TP cardboard rolls.

Use what you have, right?? And pretty soon, you have a bunch of these little figures marching along in their underwear on the way to Austin.

Why Austin?? Well might you ask – because I’m finally finally teaching an in-person Spirit Doll class there at the Austin School of Fiber Arts!! HOORAY!!

On the first day of the two-day workshop, we will explore the simplest form of a spirit doll, a figure crafted from twigs and twine adorned with scraps of fabric and fiber.

On the 2nd day, we’ll work with a paper and plaster armature to create a small Spirit Doll sculpture which will be wrapped and adorned with fiber, fabric ribbon, beads, bone – any materials that reflects your aesthetic and spiritual intention. These figures can be free-standing, or wall hung.

These art dolls will become a beloved part of your body of work in fiber and mixed media. Well, of course!

The cost for the two-day workshop is just $150, which is pretty reasonable these days, and each day we will work from 10-4. I hope you’ll consider coming to this class – I’m excited about it, and I like the facility a lot.

There is a limit if EIGHT students – so if you’re considering it, register early. I will be providing three Earthshard faces for each participant. You’ll bring your own sticks and fabric and we can play to our heat’s content.

 

Here’s the link to information and registration – 

ENROLL

I hope to see you in May. Now, I need to get some clothes on those spirit dolls before they hit the road.

 

 

 

 

 

 

 

 

 

 

Painting with Fire

The title sounds like something my mother would have warned me against, but it’s actually one of the best things that could happened to an artist/teacher!

I’ve been invited to join a group of the Best Encaustic Teachers in the World (yes, they let me in!!) to participate in a year-long learning experience called Painting with Fire.

Click here to visit Painting with Fire Essence of Mulranny .

Would you like to meet these artists and see what their work looks like? It’s pretty awesome – check out the video.

Painting with Fire Online Workshop A Year of Encaustic from Lyn Belisle on Vimeo.

The program was founded by Lora Murphy, an encaustic artist who was born in Ireland and has a school there in County Mayo called Essence of Mulranny. Lora sent out an invitation to us, scattered all over the world, and brought us together to teach this Masterclass. And it’s for beginners, too!

My pals Michelle Belto and Clare O’Neill are teaching in Painting with Fire, as well. I’ve learned so much from both of them. And when you sign up, you can take every single class offered by every single teacher over the course of a year, including mine and Michelle’s and Clare’s. Oooh, and Crystal Neubauer and Trish Seggebruch and Shary Bartlett and so many more of my favorite encaustic aritsts are in this, too!

The class that I am teaching is called MYTH AND MIST: Fusing Image and Imagination in Wax. It’s a combination of all the things I love about encaustic – pale translucent layers, mysterious photos and objects, fragrant beeswax – well, take a look for yourself. Here are some details from one of the first pieces I’ve been working on::

I honestly can’t wait to participate in Painting with Fire. Maybe Lora will invite me to Ireland to teach in person next year!!

I almost hesitate to say this, because I feel like I might jinx it, but there’s this new stirring amongst us creative creatures – a cautious optimism that’s reminding us that spring is coming and we can start reaching out again rather than just hanging on in survival mode.

By the way, The Enso Circle is certainly stirring! Michelle Belto and I have had a number of incredible applicants who want to join us in virtual residency. If you didn’t get a chance to read about it, here’s my last post that will explain it. It’s a program for the long-term, and when you are ready to consider it, we will be around! Applications are still open until February 21st, which is a week from this Sunday. Applicants will be notified of acceptance on February 23rd.

I hope to see you at Painting with Fire — it opens today!! Warm your hands with us at the encaustic griddle!

Click here to visit Painting with Fire Essence of Mulranny .

Take good care, trust the process – ♥

Lyn

 

 

The Story of The Enso Circle

Creative work is rarely done by a lone genius. Artists, writers, scientists and other professionals often do their most creative work when collaborating within a circle of like-minded friends. Experimenting together and challenging one another, they develop the courage to rebel against the established traditions in their field. Working alone or in pairs, then meeting as a group to discuss their emerging ideas, they forge a new, shared vision that guides their work. When circles work well, the unusual interactions that occur in them draw out creativity in each of the members.

Michael Farrell, Collaborative Circles: Friendship Dynamics and Creative Work (2001)

After six years of hatching, percolating, and polishing this concept, Michelle Belto and I are (at last) introducing you to The Enso Circle, our Invitational Online Artists’ Residency program. When we previewed the new website to several artist friends, here were their reactions:

  • “I just read your note on the class/residency that you and Michelle will be teaching and just wanted to let you know that this sounds truly amazing. Love both of your artwork and this sounds perfect! I have been creating art for over 50 years so I think it’s time I joined your tribe.” Bosha S.
  • “Brilliant idea. Brava!” Jean D.
  • “What a fabulous idea!!! Love this! This is a BRILLIANT venture!” Christine S.

When we began talking about what has ultimately become The Enso Circle, we wanted to create a structured, collaborative community that we ourselves would want to belong to.

This community would offer a supportive space in which to both expand and focus our present art practice, and to offer us a safe place for sharing ideas with like-minded creatives. It would have a starting time and an ending time, and be long enough to be meaningful but short enough to keep the energy going.

We knew from experience that we both need certain guidelines to make this work for us. Among those are:

  • A time-defined goal to motivate us (an art show submission, an article deadline, a workshop design, a group exhibit)
  • Private time to generate or refine a creative concept
  • A concrete plan to reach our goal with focus but flexibility
  • Group time to get feedback on where we are, where we were, and where we are going with our project
  • A collection of resources, always available, that can give us both technical and aesthetic advice and answers
  • Input from mentors outside the community who have expertise and objectivity
  • Small-group opportunities to brainstorm and problem solve the small steps in the process that sometimes get us stuck

Why did we name our community The Enso Circle? Because the Enso is a manifestation of the artist at the moment of creation and the acceptance of our innermost self. It symbolizes strength, elegance, and one-mindedness.

The very imperfections and hand-created contours are exactly what makes the Enso beautiful.

If you want to cut to the chase and learn more right this moment, just click here.

(And here’s what I know that you’re wondering up front . . .the program costs $325, it’s 12-weeks long, only 12 people can be accepted, and yes, it’s absolutely worth it)

But there’s more, and it’s important – and unusual – read on:

The Enso Circle is based on the idea of an Artist’s Residency – a twelve-week commitment that results in a personal body of work, large or small, conceived and completed through goals that you set with the support of the community throughout the process. You do need to apply and have a goal in mind, although that can change over the course of the term.

The Enso Circle is a unique experience for several reasons.

  • It has all the advantages of an in-depth workshop: resources, technique videos, handouts and printables.
  • Like an academic residency, it allows you to select your individual goal and work toward it with peer and mentor support.
  • It has the power of a critique group through frequent informal Zoom meetings and discussions in our private Slack space.
  • It is led by nationally known teacher/artists Michelle Belto and Lyn Belisle, who will model the process by working toward their own goals right along with you during the three-month program.
  • And it culminates in an online exhibition.
  • Lyn and Michelle plan to offer three twelve-week Residency terms throughout the year. The first one will start on March 2nd, 2021.

Here’s an up-close and personal invitation from both of us, via our Zoom recording. Just click on the video image.

VIMEO LINK

We hope you choose to apply to be one of the first twelve residents of The Enso Circle!

HERE’S THE LINK TO THE ENSO CIRCLE CLASSROOM./RESIDENCY WEBSITE WITH ALL THE INFORMATION AND THE APPLICATION FORM FOR YOUR CONSIDERATION

Thanks for reading – you’ll know if it’s right for you, and if it’s not, thanks for learning about our Enso Circle story!

Take good care,

Lyn

Hurricane worries

Yesterday, I was working on a blog post about a new project, and, as all of us here in South Texas, was distracted by worsening news about the hurricane looming off our coast. That blog post is on hold until the storm is over – too hard to think about anything else.

The photo above is the current view of Hurricane Harvey as I write this. It’s a menacing spiral, not the nice kind of spirals we use in design, but spirals come from nature, and this is definitely a natural but blessedly rare example. We have friends and family in the Corpus Christi area, and some have already evacuated here to San Antonio.

What do artists do when they have to wait and worry? Well, one way they cope is to use the event for inspiration and try some creative distractions. It helps with the waiting.

Here’s the first creative distraction – spirals. I found this tutorial on drawing them.

How to draw an Archimedean Spiral

This is an easier method than trying to draw the “Golden Spiral” that you see in ammonites (and hurricanes).

And while I was thinking about tidal surges and monsoon rains, I remembered another project that I used to love (and still do). It’s called “Monsoon Paper,” and it was invented by art and business coach Quinn McDonald.

Quinn McDonald’s “monsoon paper”

It involves literally allowing rain to create natural pattern on paper that has been prepared with water media. Here’s a link to the instructions.

Quinn McDonald Monsoon Paper Tutorial

Now it’s back to watching the Weather Channel and waiting for updates from loved ones – be safe, everyone! Like all storms, this one will eventually pass.

 

On and off Fred

Dale Jenssen

Heads up! One of the best studio tours of the year is coming up this weekend, and six of the best artists I know will be at Dale Jenssen’s studio showing and selling their work. The tour is called On and Off Fredricksburg Road here’s the info.

Dale’s work is gorgeously edgy (you may remember her workshop at my studio), and her 5 guest artists –  Michelle Belto, Lesta Frank, Thelma Muriada, Linda Rael, and Alison Schockner –  represent the best in diverse mixed media.

Alison Schockner

Linda Rael

Dale’s studio at 1651 W. Woodlawn will be open Saturday the 18th, from 11-6, and Sunday from 12-5. Catalogs with directions to all of the studios will be available at the tour.

And be sure to take in the opening Autograph Party at Bihl Haus Arts on Friday night. 6-9 pm, 2803 Fredericksburg Road, across from Tip top Cafe. Music by Los Nahuatlatos, hors d’oeuvres & libations.

Hope to see you on and off Fred! Meanwhile, I’m headed back to the studio to finish a painting in time (hopefully) for the San Antonio Art League’s 87th Annual Artists’ Exhibition.

y painting in progress - 30x40" - who knows what this one will look like when it's finished!

My current painting in progress – 30×40″ acrylic on canvas – who knows what this one will look like when it’s finished!

Hey, and check out the San Antonio Art League’s new website if you have a chance – I designed it – and it’s another work in progress!

 


 

Après-turkey Saturday, out and about

ASmith Gallery 103 N Nugent Ave, Johnson City, TX

I’m headed to Johnson City on this beautiful fall morning to take some work to Amanda Smith’s Gallery. It’s a new gallery for me, and I can’t wait to meet Amanda.

They specialize in photography, but do some amazing workshops with photoencaustic. The show I’m participating in is called, simply, “encaustic” – it opens December 17, 4-8 pm. Click this link to see all the accepted work. I especially like Sandra Carrion’s “Dragonfly.”

Sandra Carrion

Then it’s off to the Pearl for the San Antonio Clay Arts Festival.  I’m hoping that some of my favorite potters will be there, like Marcia Dahlman – love her work.

Marcia Dahlman

Marcia Dahlman

And then — TAH DAH – I’m going over to the new studio to do a little planning and a little art.  It’s so nice to have a comfortable space close to home to hold workshops and explore new directions for my own art. If you missed the newsletter yesterday, here’s a short video preview of the space – not quite settled, but almost.

A new place of creative belonging . . . from Lyn Belisle on Vimeo.

Oh, if you did miss the newsletter, another exciting happening is an invitation-only trunk show and sale with Monika Astara on December 10th from 11am-1pm at my home. If you’d like to be on the list and get details and an invite, just email me.

Monika’s designs are perfect for the holidays – elegant and easy.

The icing on the weekend cake will be a Sunday get-together with uber-talented Michelle Belto – we are planning an exciting collaborative website for 2017 that will be totally unique.

Michelle and I have worked together for several years – here’s a video from one of our first collaborations – always fun to revisit.

I hope YOUR weekend is a happy one – thanks, as always, for keeping up with SHARDS and me!

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Santa Fe, Round Two

My workshop on Saturday at the Artisan Exp in Santa Fe once again proved to me that starting with a good grasp of composition works magic in any collage-based process. I discussed my Composition AB3’s ( Alignment, Breathing Room and Thirds) and demonstrated how easy it is to master these guidelines.

Voila! Every person produced a really good encaustic collage, all different, but all strong in subject, vision, and composition. Below are some of the pieces in process, and some that are completed. (If you can’t see the images, click here to view them in your browser.)

One of the participants, artist, author and tarot reader Arwen Lynch-Poe, documented her process and with her permission, I’ll use her photos to show you how she put her piece together. (If you can’t see the images, click here to view them in your browser.)

So between Encaustic Bling with Michelle Belto on Friday and Engraven Images on Saturday, the Santa Fe workshops were super fun and successful!

And if you want to take this workshop, you still can. I’m teaching the all-day version, plus a Wax, Earthenware and Fiber Talisman class at ViVi Magoo in Round Top in three weeks.

vm

Update note: Since I returned from Santa Fe on Monday, I’ve looked at a couple of places for new workshop venues – and there are several good possibilities.. . .more soon.

But the good ol’ Studio isn’t closed yet! We still have a fantastic event coming up a week from today. It’s Monika Astara’s popular trunk show and sale of exquisite, artistic fashions!  Here’s more info – hope to see you there.

monika

Right now I’m off to the Trinity Alumni Art Showcase where I’ll be showing and selling my Encanto earthenware and sari ribbon mixed-media pieces. Wish me luck!

earth5

 

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Santa Fe Whirlwind

So I went to Santa Fe – yeah, I know, I didn’t call, I didn’t write – I definitely didn’t blog! It was a crazy experience – fun, intense, exciting, exhausting. 

The huge Buffalo Thunder Resort Hotel just outside Santa Fe was the venue for the giant Artisans Materials Expo where I taught two encaustic workshops as part of the Encaustic Art Institute (EAI) and International Encaustic Artists (IEA) conference and retreat. Internet reception was very spotty there (that’s my excuse for not keeping in touch).

However, they did have an astonishingly extensive collection of Native American art pieces throughout the huge hotel – some traditional , some contemporary. It was eye candy for the soul 🙂

Michelle Belto was a great teaching teammate and travel partner. She is also a riot to hang out with. She taught a solo workshop on Thursday, we co-taught on Friday, and I taught a solo workshop on Saturday. Here are some photos from our Friday “Wax and Bling” class. There was glitz everywhere – fun stuff.

Friday night was the opening of  the Making Your Mark juried exhibit at the EAI Gallery in the Santa Fe Railyard art district. Michelle and I both had pieces in the show. The juror, David Limrite, was at the opening and gave a gracious statement about the 57 pieces work he selected for a field of over 200 entries.

The exhibit is a showcase of the many ways in which artists work in wax.

Here is a video presentation I made for the Santa Fe conference. It introduces the finalists for 2016 La Vendéenne Awards which honor excellence in encaustic painting. The awards took place on Saturday night.

This introduction will give you an idea of the depth and breadth of expertise present in artists who practice the versatile and ancient art medium of encaustic.

This ends Part One of the Santa Fe Report – stay tuned for Part Two later in the week which will include a couple of interesting links for you to check out as well as more photos……..

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My Thursday Shareables – Billy Keen and other charming things

Billy Keen, “Becoming Human in the Morning”

Sometimes I get excited about a couple of artful things that are totally unrelated, but very shareable. Such is the case today.

The first item is artist Billy Keen’s comprehensive one-person show which opens at the San Antonio Art League and Museum this Sunday from 3-5.

In a word, it is stunning.

Billy’s work is best described in his own words:

“The works are about transcendence. They explore the tension between beauty and fragility, between our reptilian brain and our higher thinking, between fate, faith and free will. They combine the representational, the abstract and the sculptural. Objects are created, painted, or found. Combined, they become parts of a visual vocabulary exploring the life journey or spiritual pathway.”

I was at the Art League yesterday for a meeting and the show had just been installed. It was an overwhelming experience to walk the galleries alone surrounded by Billy’s work, much of it quite large and looming and magnificent.

Here are some photos that I took, none of which do justice to the work:

01cac983c9d01cdec7696e5bdd65a4eb9c15ae7b22 01fb431ce4d12ef2f3969ac19928cb6c206c2ed50c 014b4d894e9542c43ad3fb8b4b71118e3ad55c9d5e

Can you tell I’ve always been a huge fan of Billy Keen and his work? I’m lucky enough to call him a friend and a huge inspiration (and, yes, Billy, I do rip you off, every chance I get!)


The second shareable is little and all mine . . . Thai Buddha Talisman Charms.

talisman

 I recently found a source for these little Thai Buddha prayer charms and decided to incorporate some into portable amulet “shrine charms” that can be clipped on a bag or worn on a scarf. (They have a small steel caribiner clip as well as a split ring on the top for attaching the amulet charms to whatever you choose.) Hmm. they’d even clip to your doggie’s collar to protect him.

Here are the first four prototypes – I’ll have more at the Earthworks show that Linda Rael and I are opening tomorrow at my Studio (see bottom of post for your invitation!)

an1 an2 an3 an4

Hope your Thursday is great – hope to see you at the Studio tomorrow from 6-9, and I hope that you’ll share something nice with someone else today!

earthworks copy

The week that was and the weekend that will be . . .

It takes a village to make a Studio – and that’s what it felt like this week – all kinds of creative people graced the place – yay!

On Monday, our 3M Writers Group met at the studio for the monthly pot luck. Poets and novelists are also great cooks! And the conversation is always inspired. Special congrats to Bryce Milligan (below, center) whose Wings Press just celebrated its 40th Anniversary – a huge accomplishment for this multicultural, environmentally-aware company. Wings is indeed The Corazón of American Small Press Publishing.

3m2

From left: Anne Alexander, Mary Milligan, Harold Rodinsky, Mike Belisle, Bryce Milligan, Jimmy Adair

3m1

From left: Lou Taylor, Leslie Provence, Craig Donegan, Jay Brandon, Jasmina Wellinghoff

Next came a Wednesday Workshop – this time, it was Encaustic Exploration. We worked with wax and images in a larger format than usual.  The workshop critique was outstanding – thanks to all who waxed and shared!

I found some time on Thursday to play with a large painting called “Domino Theory.” Rosemary Uchniat sent me a heads-up about artist Nancy Reyner’s book on gold leaf and acrylic painting – lord knows, I have plenty of gold leaf around the Studio, This piece still needs glazing, but it’s fun to watch where it’s going. The process may turn into a new workshop – more soon.

domino theory
Today, I’ll be clearing the decks for Monika Astara’s trunk show that goes on from 11-3:30 tomorrow – don’t miss it!

Monikacard copy
Lisa Stamper Meyer‘s Silk Screen workshop is Sunday, and in between all this, I’m going to get over to the Fred Road Studio Tour. 

I hope your week was great, and that your weekend is fun-filled and art-filled and joy-filled – spring is definitely in the air!