TOP TEN STUDIO ESSENTIALS

Lyn Belisle Studio: TOP TEN NON-ART Studio Essentials That I Can’t Live Without

Here’s my list – what’s yours? Share these with a friend 🙂 Next week I’ll have a list of the 10 ART PRODUCTS that I can’t live without.

1. Baby powder

babypowderI use this to dust the inside of air-dry clay molds to keep them from sticking, to “de-stick” my hands temporarily when I’ve been using spray adhesive, to dull down a shiny gel acrylic surface, among other things – Johnson’s smells the best to me – makes me all nostalgic

2. Blue Painter’s tape

blueMasks the edges of watercolor paper, makes irregular stencils for stamping and painting, use to tape around unfolder paperclip to make a handle for a quick cutting tool, put strips sticky-side-up on work table to keep cat from stepping on work in progress (sorta works as a distraction when they try to shake it off their feet) – and so much more – available in bulk from Uline

3. Canvas clay cloth

clothI can turn my painting worktable into an earthenware clay workspace in an instant with this – it unrolls and has a great canvas non-stick surface for rolling out clay slabs. It also makes an instant “clean” surface for projects of any kind of you keep the back side un-clay-y – available at ClayWorld

4. Cheap white washcloths

wahclothsI really could not do without these – clean-up, texturing, wiping walnut ink off clay – it goes on and on. I wash them and use them over and over, and they are cheaper than paper towels and more ecologically responsible – $4 buys a bundle of 18 at Walmart

5. Drinking straws

strawsLet me count the ways I use these – hmm, ok, to poke holes in clay face shards and adornments, to cut into 2” sections and use as channels for cord backing on pendants, as cores for paper beads, drinking Diet Dr. Pepper – and so on. Get both sizes, the standard ones for big holes and the little coffee ones for smaller holes. Available at delis and coffee shops everywhere. If you happen to need 900 of them, get ‘em at Uline for less than $4.

6. E6000 adhesive

e600A sculptor in Colorado Springs told me about this, and the stuff can stick metal to glass and glass to rock, paper and scissors – you get the idea. It’s good stuff, kinda looks like silicone gel. Most artists and jewelers know about it, but just in case you didn’t, you can get it many places, including Michaels.

7. Heavy-duty hole punch

holepunchThis is the only semi-specialty item on the list. I use it for punching holes for stringing beads, for book binding thread, for tags – it’s great. It will punch through thin metal and heavy mat board easily. Mine is from EK Tools. Worth the $15 price tag over and over, and you can get it in two different hole sizes. I have both.

8. Lavender Essential Oil

lavYou guys know that I’ve studied aromatherapy since the 80’s – and lavender oil is great for balancing your frantic mood when things aren’t going well in the studio – just a sniff will calm and refocus. But it’s also the best thing for burns, and I keep a bottle right next to my hot-glue gun. It’s saved me from having more than a few blisters. It works for mosquito bites, too, and can take off gummy residue better than goo-gone. You should have lavender essential oil just as a general principle in your life – great stuff! I recommend Aura Cacia, and you can read about it here.

9. Nashua Clear Duct Tape

nashuaThe perfect tape for book-binding, labelling, tape transfer – it tears cleanly and is super strong. I must go through a roll a week at the Studio. I used it to attach the covers for my custom e-reader covers and have been using it and recommending it ever since. It’s made by Nashua and is available at Home Depot.

10. Quart Mason jars

masonI hear my ancestors might have drunk whiskey out of these – now *that* would be an instant tranquilizer and work-stopper – but I use these for water jars, bead storage, feather storage (the cats paw at the sides trying to get to the feathers), brush storage, clay slip, glazes, spools of thread – chances are I don’t have to tell you how useful these big jars are – and they are recyclable and reusable and work as a nice vase for just-picked bunches of herbs and flowers for the Studio table. I have a friend who uses a meditation jar – she cuts strips of paper with favorite quotes and thoughts on them and keeps them in a clear Mason jar to pull out when she needs inspiration.  Better even than whiskey? I imagine so.

 

Photography vs. snapshotting (and a cool dove)

Before he left San Antonio this afternoon, my friend Ramesh wanted to go looking for birds to shoot – with his camera. We went to the Judson Nature Trails, the place that Whiltley Streiber said he saw aliens. No aliens, and actually, not many birds, although we heard a bunch of them. I took a picture of some trees. Zowee. Here we are heading for the trail.

Check out Ramesh’s camera – he didn’t need to go on a trail to take a great bird shot. When we got home, he took a fantastic photo of a dove outside the kitchen window. Now that’s the difference between a photographer and a snapshotter like me – you can even see the dang dove’s eyelid, and look at those feathers! I love this photo. Thanks, Ramesh, and happy trails home!

dove

Tonight’s opening and a poem

It’s  Fotoseptiembre  – and I’m especially delighted that my friend Ramesh arrives today for the opening of his photography show, TERROIR. His Oregon wines arrived before he did, and are waiting to be opened and shared with tonight’s guests. I’ve already purchased one of his spectacular orchid photographs. This one – wow.

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Each photo is printed on stretched canvas and other forms of prints will be available by special order. I love Ramesh’s work (and I hear those Oregon wines of his are pretty good, too!). Please come to the opening.

Anyone who creates anything know that it takes work, imagination and most of all, tenacity and optimism – so here’s a Friday poem to remind us all of that.

Optimism

More and more I have come to admire resilience.
Not the simple resistance of a pillow, whose foam
returns over and over to the same shape, but the sinuous
tenacity of a tree: finding the light newly blocked on one side,
it turns in another. A blind intelligence, true.
But out of such persistence arose turtles, rivers,
mitochondria, figs — all this resinous, unretractable earth.

 ~ Jane Hirshfield ~

Thanks to Joe Riley and Panhala for sending this along today. Hooray for figs and turtles and friends and art!

 

 

Art teachers and adornments

I don’t know where Sherrill Kahn gets her energy – after two full days of teaching workshops at the Studio, she lectured to a full house of North East ISD art teachers this morning at the McNay Museum of Art as part of their in-service for back-to-school. My painting pal, Gloria Hill, is the NEISD Visual Arts Director and she arranged for Sherrill to come from California for the occasion. Sherrill shared images of her intricate, colorful work and she gave lots of hints to teachers on how to inspire students even on a teacher’s budget. Did you know, for example, that cheap hair gel from the Dollar Store works beautifully as an extender for acrylic paint? Check our her newest book for lots more cool ideas.

Afterwards, Gloria, Sherrill and I went to my Studio to work on face shard jewelry, but not before several of the art teachers showed up just to visit with Sherrill on a one-on-one basis. We did get back to work on our shard faces, and we spent the rest of the afternoon with Ann Pearce creating our necklaces with her help. If you’d like to make your own clay faces, I have a workshop this Sunday, August 25, on clay adornments, so sign up and join the fun! There’s still space.

neck2 neck4 necklaceanns

 

Blogging from the Watergate

Hi from DC – I’m visiting my dear friend Victoria (who has a wonderful place at the Watergate on the Potomac) and taking a few days off to fill my artistic well with new inspiration. This city is amazing – so many things to see and do – and eat. One of my favorite places to visit is the Textile Museum – FASA friends, if you want some inspiration, too, check out the pages of the artisans who do work for the gift shop there. Personal favorites are Chris Triola’s Cloud Shawls, which are textile paintings as well as wearable art. Another inspiration – the delightful and super-accomplished Jean Effron, whom I met at dinner last night. She’s the founder of Jean Efron Art Consultants LLC, a Washington, DC, based art advisory firm that provides comprehensive fine art services. Jean finds artists whose work compliments the needs of her corporate clients. I really enjoyed taking with her about what she does, and the some times tough job of finding the right match for both the artist and the client.

Finally, here are some San Antonio connections at the Watergate – ahem. One of my paintings hangs in Victoria’s living room, looking pretty spiffy, if I do say so myself.

cp

And on another wall hangs a wonderfully mysterious figurative painting by Laura Mijangos – if you haven’t seen her work before, there’s an opening tonight at AnArte Gallery featuring her paintings – I’d be there if I weren’t here!

But I will definitely be in San Antonio next Friday for the Shared Spaces opening – hope you can be there too!

 

 

Meanwhile, back at the altar . . .

When last we saw our altar box for Celebration Circle’s Silent Auction, it had a not-too-happy Spirit Doll lying in it, and it looked pretty creepy. Sigh. But I *knew* the moss was the right thing – so I kept thinking and working, and then I remembered a graduation gift I made for my grandson. It was a wall sculpture of the Celtic god, Cernunnos. I liked him because he was kind of a mystery, open to possibilities (actually, that goes for my grandson, too :)). Using Cernunnos as an inspiration, I am working on my Altar gift to Celebration Circle. It’s not quite finished, but here he is – The Guardian of the Sacred Grove with his little bird buddy, still a work in progress.

grove

If you want to see it finished, come to the Bijou Theatre Gallery between Sept.1 and Sept 30th and view all 50 of these wonderful Altars. The closing reception and Silent Auction is on September 30th at 6:00. With any luck, you can take home the Guardian of the Sacred Grove or another cool altar to grace your own place of creative belonging!

U

Hot Tip and a Friday Freebie on Saturday

I’ll make this quick – I’ve been working on my website and if I spend any more time at this dang computer, well . .it won’t be pretty. But the site looks better. You can actually find workshop info (and I scheduled another Earthshard session by request on August 25th). Anyway, here’s the Hot Tip from my friend Barb at Ann Pearce’s. If you use Altoid tins for stuff, like I do for Spirit Boxes, you can fire up the barbie and put them on the grill. It burns off the paint and leaves them nice and shiny, kind of a patina black. Works great! Thanks, Barb. Now . . . look carefully at that fine golden rooster pendant on the newly-blackened box – he’s the Friday Freebie! If you are a subscriber to this blog, SHARDS, you’ll be in the drawing for him. Sunday night’s the deadline.

Whoopee – off to the Studio – happiness is this computer in my rear view mirror!

altoids

The empty altar

Last week, I received this really nice letter from a group that I admire tremendously – Celebration Circle.

Dear Lyn: At the recommendation of many mutual friends, we are writing to invite you to create a hand-made altar for the Celebration Circle’s annual art exhibit, One People, Many Paths: The Sacred Art of Altars and our tenth year of presenting this exhibit and silent auction at the Bijou Theater September 1 – 30. You will be one of 50 artists to receive a handcrafted wooden box to use as the basis for creating a small “altar” focused on whatever matters to you – personally, artistically and/or spiritually – employing whatever media and/or embellishments your vision requires. The completed piece is due no later than Sunday, August 11th. 

the empty altar box

the empty altar box

What could I say, but “of course!” Now comes the challenge. I looked at the empty altar box for a while and remembered that I had some sheets of weathered moss that came off a wall planter.

. . . .lined with moss

. . . .lined with moss

On they went to line the altar – glue, glue. So far, so good – then I thought “Aha, a Spirit Doll! – I love making those” So I popped one in from the last workshop. Oops – the whole thing instantly turned into a moss lined coffin. Not good. Back to the drawing board – will keep you updated :). All suggestions gracefully accepted!

. . .oh, no! She looks dead! Oops. Bad idea.

. . .oh, no! She looks dead! Oops. Bad idea.

Transfer and acrylic workshop report

Workshop Report Card Grade is A+++! New workshops are tricky, and this one especially so because we were using a heat transfer on paper and then working with acrylics, which were unfamiliar to some of the participants – but should I have worried? Nah! Great results, great times, lots of learning and laughing. If you’d like to see the process itself, I demonstrate it here on YouTube, and if you’d like to see the participants’ spectacular results, just look at the photos (which, taken on my phone cause I forgot my cool new camera, don’t begin to justify the work). I also did a tutorial on another process we tried using Golden Fluid Acrylic Medium for transfers, here.

 

An Artful Weekend with the Solomons

Things are so quiet here – our house guests, Pablo and Beverly Solomon are safely home, the Studio is back to its usual self, ready for workshops, and I just finished posting the video from the weekend (below). What great memories we’ll all have! These photos are from both evenings, and include some really great shots of guests posing with their original Pablo Solomon drawings, with Pablo and with his pet monster lizard creature, Diablo. Thanks to everyone who came and helped make this an artful and art-filled weekend!