Category Archives: Inspiration

Workshop with Clare O’Neill – transforming photographs with pigment and wax

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I am now the proud owner of one of those Clare O'Neill brought one of her iconic works as a gift for me - I am thrilled! His name is Pasta, and he is a wild mustang - wow!

Clare O’Neill brought one of her iconic works as a gift for me – I am thrilled! His name is Pasta, and he is a wild mustang.

It’s been an exciting two days at the Studio – nationally-acclaimed photographer and photoencaustic artist Clare O’Neill has been sharing her techniques with a very fortunate group of us who wanted to learn how she produces those luminous beeswax-enhanced fine art photographic works.

Clare did not disappoint – one of her great skills is encouraging students to take the techniques she demonstrates and adapt them to their own personal styles. You can see in the video (below) how many different approaches and experimental works came out of the two-day workshop. It was really fascinating to watch the creative paths diverge into wonderfully finished works.

Tomorrow we start the second two-day session – I can’t wait to see how this group of students responds to Clare’s teaching. Stay tuned . . . .

Encaustic excitement and fiber – Maggie Ayers’ mixed media work

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Maggie Ayers – Cocoon, 2008

 

 

 

 

 

 

Clare O’Neill’s visit to my studio is just days away, and I’ve been immersed in encaustic excitement! I just can’t wait to work with her since many mixed-media artists like me are incorporating the seductiveness of beeswax into their work, and Clare’s expertise is impressive – we are so lucky to have her here.

Maggie Ayers, Flourish (detail) 2009

Maggie Ayers, Flourish (detail) 2009

Coincidentally, I just discovered this morning that one of my fiber artist heroes, Maggie Ayers, has also turned to encaustic, and wow! What she’s doing with wax and silk is gorgeous! Maggie Ayers’ work prompted my interest in fiber art about ten years ago – her work is unique and organic.

She’s brought those qualities to wax – you’ll love the new work that she demonstrates in the video below.

Maggie writes, “Central to all my work is the notion of mark making. Whether it is a trailed line of ink from a delightfully scratchy bamboo nib, a rusted metal print on paper or torn reclaimed cloth, or quickly cut scalpel lines on a beeswax and resin ground, these are my working beginnings.” Beautiful.

Maggie Ayers, Small encaustic panel, 2015

The big lesson for me is not just about wax or silk or collage or any particular medium, but about expressing one’s own ideas in many ways. Not everyone who comes to Clare’s workshop this weekend will become a photoencaustic artist, but each of us will experience a new method of communicating through our art as Clare instructs us, and as Maggie Ayers has done. I love it!

Maggie Ayers, small panel, 2015

If you’re a mixed-media artist, and you’re new to encaustics, here’s a great list of resources compiled by Rhonda Raulston that will introduce you to the seductiveness of wax – but be careful – it’s contagious.

Pegboard studio storage spiff-up

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I love these new pegboard walls that I copied from Lisa Stamper Meyer‘s studio! They have made a huge difference in the storage space by providing hanging places and supply screening. Here is a side view and back view – you can see how well the pegboard walls hide a multitude of stuff!

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And here’s what you need if you, too, want to make a storage wall shelf like these.

A metal shelf, 4’x8’x18″ – I bought mine from Costco – here’s a link. These shelves are on casters so you can roll them around easily if you need to. When I bought them, they were $98 each, very sturdy – I think they hold 1200 pounds.

A sheet of 4×8′ pegboard, primed white. I bought mine from Home Depot. Here’s a link for those. They are a little bit unwieldy to manage but if you have access to a truck, you can just lay them in the back. You will probably need a helper – Mike helped a lot with this project.

A bag of 8″ cable ties – here’s a link. This is the neatest trick. You just thread the cable ties through the pegboard holes and pull them tight to the shelf posts. We used eight ties per shelf, three on the sides (top, middle, bottom) and two in the center to hold them steady.

Lisa even attached brush holder to her pegboards using cable ties – she’s an organizing genius! If you have any questions about this easy project, send me an email.

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Decayed Daguerreotypes and The Public Domain Review

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Portrait of Emma Gillingham Bostwick [between 1851 and 1860], by Mathew Brady’s studio

Part of having some leisure time over the holidays is discovering new Good Stuff, which, of course, I’m passing along to you guys. Look at that wonderful portrait, above – it’s an old daguerreotype that has been naturally distressed over time by scratches, dust, hair, etc, and particularly the rubbing of its glass cover. Isn’t it beautiful?? Artists strive to achieve those distressed effects in wax and paint – age and natural process has done it for us here.

It’s part of a collection from a site called The Public Domain Review: a project of the Open Knowledge Foundation. You can read more about these daguerreotypes and see many more fantastic examples here.

Reading the Public Domain Review’s mission statement makes me smile:

images“In particular, as our name suggests, the focus is on works which have now fallen into the public domain, that vast commons of out-of-copyright material that everyone is free to enjoy, share, and build upon without restriction. Our aim is to promote and celebrate the public domain in all its abundance and variety, and help our readers explore its rich terrain – like a small exhibition gallery at the entrance to an immense network of archives and storage rooms that lie beyond.”

 

The Public Domain Review has unbelievable treasures, and my personal favorites are in the images collections. Here are a few of the non-copyright images I came across in my first visit – it won’t be my last. I hope you have fun with this great resource. I plan to donate to their site (just as soon as I climb out of this rabbit-hole of digital discovery)!

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A holiday wish for you

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Happy holidays, everyone! In the spirit of the Season, I’m giving you a couple of links to fun things

First, if you want to make origami crane ornaments to symbolize the hope for peace in the new year, here’s a link to a video I did a couple of years ago – you’ll just need some square paper and a tiny bit of patience. (I just checked the video and realized that I made it in 2012,  right before I opened the Studio! I was still working from home in the little studio lab – seems so long ago!)

Next, here’s a link to five collage sheets with some of my favorite images from my earlier work – print ’em out, tear ’em up, and play. I’m happy to share these with you guys.

Finally, here’s a recipe that I’ve posted before for a yummy fresh cranberry relish. It’s beautiful to look at, easy to make, and delicious with ham or turkey or just about anything else – even vanilla ice cream!

Thank you for all you do to make the world a kinder and more beautiful place!

 

A Gift from Joanna

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joannamadonnaDear friend Joanna Powell Colbert sent me a beautiful gift, a limited edition print of her newest artwork, Dark Madonna and Daughter. I found the perfect home for this lovely work in an old tin retablo frame from the early 1900’s. It’s hanging in my study on the wall above my computer. I love the serenity of this piece – it reminds me to slow down and take a breath when I get too rushed. You can order this print for yourself from her site, Gaian Soul.

I would encourage you to read Joanna’s blog post on how this piece came about. It speaks to the creative process in all of us. She also has a wonderful online series which has just started called 30 Days of Yuletide: A Daily Sacred Pause to Welcome the Return of the Sun. Just reading it each day helps keep me grounded to the season and the earth. And, boy, don’t we all need some grounding this time of year! Thank you, Joanna!

A quick reminder to San Antonio folks, Linda Lucretia Shuler will be signing her novel, Hidden Shadows, at my Studio this evening from 5-7. Her book (which I am thoroughly enjoying) explores how we ground ourselves to a homeplace – in this case, the beautiful Texas Hill Country. I hope you can join us for some informal literary conversation with Linda and share some refreshments.

Seek serenity, y’all – and celebrate the season!

 

Encaustic inspiration – free!

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eaicoverHooray! The new FREE issue of ENCAUSTIC ARTS MAGAZINE is online and ready to drool over. If you’ve ever wondered why “encaustic” (incorporating and exploring wax as an art form) is so fascinating, this will give you the answer, big time. You are strongly encourage to subscribe for free if you haven’t already.

Some of the ideas that I stole – er, I mean, was inspired by – in this issue were these intriguing orbs by Jamie Lee Hoffer. The artists says, “The encaustic medium has all the elements that inspire my creativity and push my boundaries.” eaiorbs

Another artist’s works that I found thought-provoking were the books constructed by Erin Keane from Asheville, NC. She writes, “I’m very deliberate in my image making;It’s an odd combination of precision and frenzy. I will construct and contemplate, arrange and re-arrange, until finally pieces fall into place and I am overwhelmed with a visceral response.” Wow.

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There are many pages and photographs of beautiful art in this free online publication. Even if you have no intention of ever melting a block of beeswax, check this out. Read the artists’ statements for a valuable lesson in how to write about your art. ENCAUSTIC ARTS MAGAZINE is published by the Encaustic Art Institute, a national organization headquartered in Santa Fe.

Finally, I would be remiss without once again thanking dear friend Michelle Belto who introduced me to this wonderful world of wax. Here is her national teaching schedule for next year (found on p.130 in the EA magazine) – if you are lucky enough to be able to sign up for one of her classes, do it! Happy reading, happy inspirations!

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A gift from Lorri Scott –

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Lorri Scott, wonderful fiber artist and new-found friend

Lorri Scott is a fantastic fiber artist who teaches all over the country. She’s a weaver, a dyer of cloth, creator of altered cloth books and art, and a designer of garments and accessories. When I found out that I had a chance to teach for her at Vivi Magoo because she was facing surgery, I was petrified because she is so stellar and well-known for her fiber art. But we talked, and she reassured me, and all was well – Lorri’s recovering nicely, and I had a wonderful time at the retreat teaching the dyeing classes. I am forever grateful to her for her help.

Imagine my surprise when she send ME a thank you present! Holy posole – there she was, recovering from surgery out there in California, and she took the time to send me a gift for doing something I should be thanking HER for. Lorri hand-felted the cover of the beautiful little cloth book, and her sister fitted it out on the inside as a sewing kit – what a treasure!

Now I can’t wait to take a workshop from her! Lorri, many thanks – hope you’re feeling tons better – you are amazing!

Tortoise-shelter architecture by a brilliant contractor

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You know Dudley, right? Our 90 pound Sulcada tortoise who was the size of a chalupa just five years ago?

Dudley's baby picture with Chico the kitten

Dudley’s baby picture with Chico the kitten

She spent the winter last year on the deck, but she’s just too darn big now and needed a backyard shelter to keep her warm when temperatures drop below 50F. She is, after all, a desert tortoise.

I suppose we cold have just spread thirty or forty sleeping bags over her 4×6′ crate, but that seemed kind of tacky, so we called our long-time friend and contractor, Kurt Wahrmund, to see what he could come up with. After all, he built her first condo. The brilliant result? A cedar-clad shelter that matches the architecture of the house. It has three wall panels that can be stored in the summer, and it features a plexiglass roof and a plenum system that directs the heat from a space heater down into Dud’s straw-lined crate. Check this out!

I am so grateful to Kurt for figuring out a beautiful solution that works aesthetically and practically for human and tortoise both – if you ever need a contractor/designer with a great solution to a building dilemma, call Kurt Wahrmund!