Monday two-fer – beautiful bones and beeswax

You get two art reviews for the price of one (yeah, I know, they are all free) but still –  I wanted to post Part Two of my Colorado Trip while it was still fresh in my mind, and I couldn’t wait to show you the video of yesterday’s Beeswax Collage workshop at my Studio (see the amazing video, below)!

Colorado Trip Part Two –  Georgia O’Keeffe at the Colorado Springs Art Center

Horse’s Skull on Blue – Georgia O’Keeffe 1931; Oil on canvas

Georgia O’Keeffe and the Southwestern Still Life is not strictly a “Georgia O’Keeffe show”, (which I should have known had I done my homework before we visited the exhibit). And thank goodness it isn’t, because when her work is placed beside that of her contemporaries – including modernists like Stuart Davis and Marsden Hartley as well as more traditional painters who were also lured by the Taos light –  O’Keefe’s cutting-edge brilliance shines.

One of her quotes that ran across a bright orange wall at the CSAC gallery read, “I had to create an equivalent for what I felt about what I was looking at – not copy it.” That, to me, was huge – and her work showed this journey into interpretation and abstraction through the loose structure of “still life.”.

I was so impressed by the juxtapositions and inclusions that I searched to see who had curated the exhibit. It was Charles C. Eldredge, former director of the Smithsonian American Art Museum, who placed O’Keeffe’s work in the context of other artists who were influenced by the Southwest at the same time she was. The exhibit raised thought-provoking questions such as “What is a still life, really?” and “How does an artist chose represent an observation?”

I loved the show – my favorite painting was this one (below) – and my friend Carol Mylar and I talked for a very long time about why it was included as a still life, and why its powerful simplicity is so mesmerizing. For a much more educated and detailed review of Georgia O’Keeffe and the Southwestern Still Life, read Gayle Cement’s enlightening, enjoyable discussion of the works.

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Georgia O’Keeffe Black Patio Door 1955

22And now . . . . .Fabulous Sunday Workshop – Wax and Layers and in Beeswax Collage

The smell of the beeswax, the roar of the crowd – what a workshop! Every single participant took the notion of wax enhancement on monochromatic collage and ran with it, creating evocative personal statements. I’ve recently added another hour to my workshop format, and three hours instead of two makes a huge difference. We have more time to critique and discuss – it obviously worked yesterday. Take a look at some of the inspired pieces the students created. Nice work, Y’all!

Friday night’s opening – the art and the chef

Art and food – what a combination. Both were in abundance Friday night at Pablo Solomon’s opening. It was a huge success – lots of conversation, an amazing spontaneous yoga demonstration, and good sales and feedback from the guests – thanks, everyone. And the food – well, read on.

Michael Belisle, the Studio Chef, outdid himself as usual for this event. Here are a few of his culinary creations:

Chef Mike is an integral part of the Studio events – workshop participants and art patrons alike know that they will be well-fed when they visit. He spares no effort to obtain the best and freshest ingredients – here he is “procuring” eggs from the neighbor’s chicken coop. Don’t tell.

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Thanks, Chef Mike, for all you do to make Lyn Belisle Studio a place of creative belonging – and creative eating!

Here’s the recipe for Chef Mike’s  herby cheesy crackers. Warning – they really are addictive.

Herbed Cheese Crackers

2 (10 1/2-ounce) boxes cheese crackers (Cheezits)
1/2 cup vegetable oil
1 (1-ounce) package salad dressing mix (recommended: Hidden Valley Original Ranch)
1 heaping tablespoon dried dill
1 teaspoon garlic powdeR
1 teaspoon celery salt

Place the crackers in a large sealable freezer container. In a bowl, mix the oil, salad dressing mix, dill, garlic powder, and celery salt. Pour this mixture over the crackers, cover the container, and invert it to coat the crackers with seasoning. Refrigerate for at least 24 hours, turning the container every so often to keep the crackers coated. Let the mixture come to room temperature before serving. Store in the covered container in refrigerator.

 

 

 

Pablo and photo ops . . .

Tomorrow! You are invited!! This should be fun.

INVIT

Pablo Solomon at Lyn Belisle Studio

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Lyn Belisle by Kevin Dome, Boring Tuna Studio

Right before the opening at six, my photographer/web designer friend Kevin Dome of Boring Tuna will take photos of Pablo in my Studio. I love Kevin’s work – delighted that he’ll be “shooting” Pablo.

And you’ll love Pablo’s work – he’s a consummate conversationalist, and his wife Beverly is beautiful and charming. Meet them both tomorrow at the Studio from 6-9 and enjoy some wine and munchies.

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Ugur

And speaking of photography, so many artists would like to be able to work confidently with digital images for reference or content. Here’s a great workshop opportunity from artist pals Susan Carlin and Ugur Kilic  at Whistle Stop Corner Art Studio:whistle

 

 

You can even stay at Whistle Stop during the workshop – they have charming rooms in a historic compound/studio/B&B – check it out!

Hope to see you tomorrow at Pablo Solomon’s opening party.

Yes, you do have homework this weekend

I’m outta here, headed to Boston, but you guys have homework. I want you to go see two shows, one tonight, one Sunday.

Tonight’s show is at La Vida Gallery at 1110 S. Alamo in Southtown. It’s the gallery where my work is shown, too, but the fabulous Yvette Shadrock has an opening tonight. I told Yvette that it kills me to miss this – she is amazing.

The second MUST-SEE show is at the San Antonio Art League at 130 King William Street on Sunday from 3-5. Five contemporary artists are represented: Richard Conn, Elizabeth Elequin, Linda Hammond, Stefani Spears, and Jim Stoker. Here are some pics I took when I got a sneak preview on Wednesday. Go!

OK, no excuses, do your homework – I want a report when I get back. Get out there and see these shows!

A must-read poem from Maripat

maripatLucky me to have dear friends who share their creative insights. Maripat Munley is one of these. Maripat is an RN with a masters in Art Therapy who has made art all her life. She studied oriental brush painting while living in Seoul, Korea, and her life reflects a balance of eastern serenity and western practicality.

Currently, she’s working on a poetry project with incarcerated women – she practices the healing power of art every day in every way – pretty cool. Maripat was a joy to work with in the recent workshop I did with Lesta Frank. Afterwards, I sent out the video to the participants, saying how proud I was of their beautiful folding handmade books. Maripat wrote back with this heartfelt poem, which I have permission to share with you. Thank you, Maripat, for all you do and all you are!

How to Be an Artist

Be still; silently breathe in my studio
wherever that studio is.
Use simple tools and colors that draw me.
Remember, making art is my spiritual practice.

Begin by releasing attachment to outcome or product
Bless eyes, hands, tools, paint and mixes.
See, touch, hear, smell everything I use.
Become one with the materials.
Remember, making art is my spiritual practice.

Immerse myself in the art process.
Let it be my prayer and my calling.
Draw and paint for the joy of it.
Be patient, able to stand back and gaze.
Remember, making art is my spiritual practice.

Get up early to walk, to meditate, to create
Draw EVERY day.
Spend time in the company of other artists.
Learn from them.
Remember, making art is my spiritual practice.

Let my quiet breathing prayer
mirror images beckoned from that silence.
Accept these images from the depth of my soul.
Remember, making art is my spiritual practice.

Maripat Munley

Sumi-e painting by Maripat Munley

Sumi-e painting by Maripat Munley

 

Mixing it up with Lesta

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Art Book: Lyn Belisle

I love teaching with Lesta Frank. She’s imaginative, patient, talented and funny, and she has a huge following of devoted students, some of whom met us at the Studio yesterday for a special workshop. Our idea was to create mixed media accordion books that would function as a little showcase for 6×6″ collages. The collages feature hand-decorated paper and digitally copied faces enhanced with oil pastel. You can see the prototype I made, above.

1The workshop was scheduled for half a day, but as soon as Lesta got into demonstrating surface design on paper, I could tell that we should have scheduled a full day because everyone was having so much fun.

We did manage to make a bunch of gorgeous paper, construct several small collages, put our gallery books together, and have time for a critique. We’ve invited the participants back for an extra two hour bonus session following Show and Tell this coming Saturday (more about that soon).

I think you can tell from the video below what an enjoyable mixed media afternoon this was – and you can be sure that we will schedule another one soon. Thanks, Lesta!

PS – congrats to artgirl3313@gmail.com who won the Friday Freebie Beeswax and Collage download – I’ll send you the download link right away, and thanks for subscribing.

Painting with Ellen Rolli in Boston

Gloria Hill and I just got back from Boston last night. It was a journey that involved a lot more than miles – it was a painting adventure and self-exploration of artistic motives and direction. Thanks to the incredible Ellen Rolli for being our guide and mentor. Here’s a video of some of the work we did during the two-day workshop.

When we weren’t in the studio, Gloria and I were lucky enough to experience a few spectacular spring days in Boston. The Public Garden was ablaze with tulips, and all the trees were in bloom. ACHOO!

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It was a fantastic trip. We even got to see the newly installed arial sculpture by Janet Echelman in downtown Boston – you’d think it would be easy to find a one-ton floating construction, but it took us a while to track it down. Well worth the effort, though!

So glad to be home, re-inspired and ready to go to work in my own Studio!

What a show – and tell!

Yesterday’s Show and Tell at the Studio was a mixed-media extravaganza! Each presentation was unique, informative, and fun – and everyone there bounced ideas around like popcorn in a microwave (how’s that for a simile?).

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Some of the highlights:

  • J’Cil Horn’s use of a fiber product called Warm and Natural, which is a cotton batting used by quilters that adapts itself to so many possibilities, including acrylic paint and fabric embellishments.
  • Paige Ramsey-Palmer’s fascinating introduction to healthy probiotic foods  – it is a culinary art that had us asking tons of questions as we sipped the lemon and ginger drinks she’d made for us.
  • Christie Smith’s show-and-tell on Gyotaku (fish printing) that she was introduced to the fish printing during the TP&W BOW (Becoming and Outdoor Woman) weekend this spring which was held at the Texas Baptist Encampment in Palacios, and, yes, the fish were real (but frozen). Christie’s shrimp prints were a crowd favorite.
  • Gloria Hill’s insightful presentation on two important mindsets for artists – recycling and stealing. The recycling part means transforming you less successful work into new creations through collage, and the stealing part is the good kind of theft – finding artists’ work you love and being inspired by their techniques. See Austin Kleon’s book, Steal Like an Artist, and read Gloria’s blog, Open Doors.
  • Rosemary Uchniat’s sneak preview of the Small-Space Dyeing workshop she’ll be giving at my Studio on July 18th from 1-5. I posted a rave about this technique recently. Rosemary previewed the technique and results in about a square foot of space. One show-and-teller signer up on the spot. FYI, there are two spaces left.

So now that you’ve read the trailer, see the film! Here’s a short video of some of the great demos from yesterday, and the people who came, learned, ate, sipped and enjoyed the afternoon at Lyn Belisle Studio. Our next Show and Tell is May 30th from 2-4. Be there or be square and creatively unaware! 🙂

Junanne Peck rolls out printmaking fun with FASA

The Fiber Artists of San Antonio sponsored a workshop yesterday afternoon with printmaker Junanne Peck, whose printmaking techniques include collagraphs, drypoint, polyester plate lithography, etching and monotypes. I had taught printmaking in public school, but it was a long time ago and I learned some new things from Junanne that I thought I’d share with you.

First, she is a demonstrator artist for Akua printing inks, a division of Speedball. We used this ink for monotype printing and I was impressed with the texture and pigmentation. They also make fabric printing inks that are permanent once dried. Check it out.

DSCN6690But the item that really intrigued me was the PinPress – a hand operated roller-type system that produces beautiful monotypes.

DSCN6703It’s made by Akua – here’s what they say about it: The PinPress was designed specifically for monotype printmaking. The roller is precisely machined to an incredibly even and smooth surface for uniform contact between the roller, paper and plate. Durable all metal construction made of aluminum and brass bushings insures long lasting, trouble-free printing.

I used this press during the workshop to make a monotype print with the Akua inks and liked the feel of it a lot. It costs $235, so it is a bit pricey for a small studio, but if you are into monoprinting, the PinPress is a great solution and produces nice prints with good embossed edges. And it’s definitely cheaper than a conventional heavy flat-bed press!

All of us enjoyed the afternoon with Junanne – she’s a great teacher. Here are some photos from the workshop.

Last but not least, congrats to the Friday Freebie winner of the texture tool set whose email address is “justakid@sbcglobal.net.” I like that! Send me your contact info and I’ll get these to you right away – you can scratch and texture to your heart’s content.

Tina Karagulian at Intermezzo Gallery in Boerne

 Tina Karagulian is a storyteller, writer, poet, artist and friend. I was lucky enough to see her recent work at Intermezzo Gallery and Studios on Saturday afternoon in Boerne, Texas. Intermezzo is an amazing art-filled space. Owner Cathy Galloway‘s mission isto bring together people and creativity, color and sounds, textures and poetry, ideas and hope, surprises and beauty.”

All of these were in evidence as Tina read her poetry and discussed her work while jazz guitarist John Lind played interpretive music to the audience’s suggested descriptive words for each of the paintings. Here’s a short video of Tina’s paintings and poetry, John’s music, and the Intermezzo Gallery.

It was, alas, the closing day of her Inner and Outer Space exhibit, but you can learn more about Tina and her work on her website. And do go visit Intermezzo Gallery and Studios when you’re in Boerne. It’s a serene and sacred space. Thank you, Tina, for your gifts and for sharing them with all of us!