Citra-solv for artsy effects

I had so many comments on the painting I did that incorporated papers treated with Citra-solv that I thought I’d share the process with you if you didn’t already know about it (I didn’t until I saw Bonnie and Rosemary’s Show and Tell at the Studio). Here’s the painting – it’s a mixed media piece with altered paper, acrylic, and encaustic on a 16×20′ stretched canvas. Do you see the door in the middle? That’s a weird Citra-solv effect, very strange:

fieldofcitrasolv

I used torn strips of paper created by slathering Citra-solv cleaning solution all over the pages of an old National Geographic magazine. The results can be fascinating. I’m especially interested in how you can sort of control the dissolution of the images by the amount of the solution you put on the pages. Here you can see that portions of the original image show through the distortion.

Citra-solv effects and result

Citra-solv effects and result

Page with small amount of Citra-solv

Page with small amount of Citra-solv

Here’s a page done by artist Eva Macie that uses a lot of Citra-solv.

Christopher Staples has a great tutorial on his blog! Finally, here’s a link to a tutorial on the Cirta-Solv website – they are now selling their product at art stores like Jerry’s Artarama. It’s a fun process to play around with if you are into unpredictable results and eerie effects!

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Steal like an artist . . . .

From time to time, I’m going to post other artists’ tutorials for my own reference (I know I can always find them if I put them on my own blog!) and also to share with you if you are interested. This one has a nice technique for using a Titan Buff glaze. It’s at the end of the video and gave me an idea for a painting series that I’m working on called Badger Dancers – here are a couple of my own first paintings in that series, and right below these is the demo video by Chris Cozen whose ideas I am happy to steal – with gratitude :).

Ironroot Dancer

Lyn Belisle, Ironroot Dancer 30×30″, Acrylic 2014

 

Lyn Belisle, Badger Dancer, 30x30", Acrylic 2014

Lyn Belisle, Badger Dancer, 30×30″, Acrylic 2014

They came, they showed, they telled

My brain is overflowing with all of the tips I learned and the notes I took at Studio Show-and-Tell Saturday – wow! It was so cool. I hope you were there – if you couldn’t make it, we will definitely be doing it again, probably in early May, so stay tuned. Thanks to everyone who came and especially the wonderful artists who shared. Here’s a video – sorry that the sound isn’t better but I was using my phone camera for the video segments – next time I’ll be better prepared for the spectacular demos!

Show-and-Tell Saturday

Citra-solv art paper

Tomorrow afternoon from 3-5 at the Studio is the time to show all and tell all (art-wise, of course). This is the first time I’ve asked you all to teach me how you work – what new techniques and ideas do you have to share with the rest of us? Most of us, including me, will be watchers and note takers. It’s a very informal set-up – we’ll just decide who wants to do what, and there’s no “official” schedule. It’s going to be so much fun!

I know that one of the “shows” will be using Citra-solv to create altered art paper from National Geographic magazines. The results look amazing. Even though I’ve never tried it, I did find a very cool video (below) on how to use these papers in collage, so if you want to learn how to DIY, drop by the Studio between 3:00 and 5:00. There will be refreshments and libations as well, of course. Hope you’ll join us tomorrow to show, tell, listen, sit, chat, steal ideas, give suggestions and hang out in a place of creative belonging!

Shhhhh . . fabric and hand sanitizer transfer secret for Shards subscribers only

OK, so I’m not posting this to FaceBook or any other site – just to you blog subscribers (yay for you!). Here’s how the hand sanitizer transfer process works. This technique and a bunch of other cool ones will be featured in my Collage on Canvas class at Artful Gathering this summer. (Hint hint).

You’ll need some inkjet transparency sheets (be sure to get inkjet, not laser) and a color inkjet printer. Here’s a source for some very affordable ones at Amazon. Print your image onto the transparency using the grainy textured side as the printing surface (usually face down in the tray). Set it aside while you cut or tear a piece of white cotton sheeting to approximately the size of the transparency. Tape the fabric piece down to one of those flexible chopping boards boards at all four corners, stretching it taut but not overly tight.

So now you need a small bottle of clear hand sanitizer. I used one of the little travel sizes that I got for 89 cents at Walgreens. Run a strip of the stuff across the top of the fabric, and pull it down evenly with an old credit card 6or small piece of mat board. Once the fabric has been smoothly coated, place your printed transparency, ink side down, on the fabric and rub it in to adhere it. You can use the other side of the old credit card or mat board to do this. Set it aside for ten minutes or so, then rub it again before testing a corner by pulling it up. It should have transferred the ink from the transparency to the sheeting. Optional – take a hair dryer and slip it between the fabric and the cutting board to dry the fabric before you peel the film off – this will set it and hopefully keep it from smearing (although I have never had a problem with the ink smearing). Peel off the transparency film. That’s it! let me know how it works. Even if it doesn’t work perfectly, you’ll be germ free – LOL.

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GAGA

GAGA is the acronym for Gentileschi Aegis Gallery Association, and I’m a new member, jumping in with both feet. The group’s name comes from Artemisia Gentileschi, a painter from the Early Baroque period, and invokes the protection of the Greek goddess Athena’s shield, Aegis, named in “The Iliad.” The upcoming GAGA group show opens on Friday, May 9 at the Southwest School of Art. (Save the date!)

This GAGA exhibit is nicknamed ROYGBIV (colors of the spectrum), and each artist member received two paint chips from a selection of house paint colors which had to comprise at least 70% of their 12″x12″ works. Cool concept! The group’s 120 pieces will be installed in color progression order. So – here are my two pieces, just finished tonight. And, yep, that’s Behr brand house paint you see on the pieces – one lighter chip (“Gumdrops”) and one darker (“Orioles”) of the same hue. Now I get to go clean up all those tiny little glass beads that rolled off onto the studio floor! Art’s a tough game.

gagadark gagalight

 

Jill Scher – sneak preview – wow

I’ve invited award-winning Colorado fiber artist Jill Scher to the Studio for two felting workshops the weekend of February 8th and 9th. She send me an advance box of materials and samples which arrived yesterday, and I was just blown away by her work. I hope you can take advantage of these workshops (one on felted scarves and one on Nuno felting) – here’s the info link. And here are a few photos of some of her work. The felted scarf I’m wearing is a one-of-a-kind art piece, incredibly soft and light. I may have to buy this one and never take it off!

Consider joining us for this unique creative opportunity – a day of working with Jill at the Studio, lunch included, making your own felted one-of-a-kind art to wear. There is a limit of eight participants, and there are five spaces left at this writing. I’m sooooo excited!

jill2

Unpacking the box

 

Hand felted one-of-a-kind scarf, wool, silk mohair

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Hand felted one-of-a-kind scarf, wool, silk mohair

 

A hanging at Cathedral House

Check out this new piece that I finished this morning for the Illumination exhibit at Cathedral House Gallery – I love it! (she said, modestly) I had forgotten how much fun it is to add found objects and sculptural details to a collage on a wood substrate. It’s called The Lottery and there’s a story involved about that girl and the lottery for her hand, etc. etc – artsy minds work in mysterious ways. But it was cool to use sticks and wood and clay and paint and all that good stuff.

LOTTERYKNOBS

Lyn Belisle: The Lottery, mixed media on wood panel

Gloria Hill, my hanging partner, and I met at the gallery this afternoon to put up our work for Sunday’s opening. Here are some photos – it was interesting because we were hanging paintings against a strong back-lighted window. You can also see the other pieces that I’m putting in the show, below.  Here’s a map to the gallery – it’s in a beautiful building owned by the West Texas Episcopal Diocese on spacious grounds near the headwaters of the San Antonio River, definitely worth a visit. Thanks to Patsy Sasek for inviting us to participate!

Freebies

Happy Monday . . .quick, think of something you’re looking forward to today! Even if it’s cold and drizzly out there, remember what that great guru, Dr. Seuss, said, “Oh the places you’ll go! There is fun to be done! There are points to be scored. There are games to be won.” And speaking of winners, the Friday Freebie Scent Shard goes to Terri Reyna – thanks Terri, for subscribing to SHARDS. Let me know how you’d like to claim your prize. Thanks, everyone, for subscribing, and in the spirit of the season, I’ll be giving away another Scent Shard this coming Friday. Yay!

xmaswrapHere’s another Freebie for everyone – remember the gift tags I posted last year? Go to that link if you’d like to print them out for your packages. I’m wrapping gifts in sheets of newsprint (the plain kind) this year. Plain newsprint is cheap and very biodegradable. I get mine from ULine and use it for all kinds of stuff at the Studio. I found some ivory ribbon at Costco, and with the gift tags and some leaves and feathers and such, the packages look great.. Bye for now, there’s fun to be done!

Faux fossils

This is kind of interesting – I’m doing some dimensional paintings for the La Vida show on Dec. 6th and have been experimenting with Activa Super-Light Air Dry Clay as part of the process. Look at these fossil-like shards – they weight about as much as a feather but look really cool, kind of like limestone:faux fossils

These were finished with Tsukineko walnut ink. I’m not sure how I’m going to use them yet, but I know I’ll include this idea in the Exploring Air-Dry Clay workshop on December 15. Scorpion fossil jewelry, anyone?