Pale and painterly papers

A collection of pale papers by Lyn and Lesta

A collection of pale papers by Lyn and Lesta

Lesta Frank and I are teaching a workshop this month called Whiter Shades of Pale. Recently we got together at my studio to play with surface design of all kinds and create papers that have subtle painterly textures and intriguing variations of the palest tints.

The workshop has been sold out for a while, but I thought you might like to see some of the results from our pre-workshop experiments.

The first idea, below, is so simple – you just do a reverse stamp onto tan kraft paper (like a shopping bag) using a white stamp pad or white acrylic paint soaked into a damp piece of felt. Another variation we did was to roll white acrylic paint onto a textured placemat and print the design onto the tan paper.

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Below, tissue paper has been painted with clear acrylic matte medium, which causes the paper to wrinkle a bit, and then it was sprayed with walnut ink. It’s almost like tinted glass!

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This is one of my favorites. Lesta stenciled white acrylic paint onto deli paper using a small paint roller, and after it was dry, soaked it briefly in strong coffee to “age” it.

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This is an easy “cheater-ly” way (below) to make multiples of subtle designs for ready-made custom collage paper. We just lay various pale papers on a scanner, scanned them in to the computer, and then printed out 8.5″x11″ composite-designed papers. Lesta tinted the face on the example below with Portfolio oil pastels.

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Cheesecloth can be used in so many ways to add interest to collages with pale papers. You can Gesso it and let is dry, then cut it into fragments. You can use Gold Gesso as well. You can also add it as a layer over textures, then paint over it with light tints of acrylic paint.

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Finally, don’t forget that you can lighten images with your printer using MS Word – here’s a Renaissance face with its contrast decreased, printed on a plain piece of inkjet paper and mounted to matboard. I punched holes and will attach this to a collage as one of the final layers – hmm, and maybe cover it partially with tissue?

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If you want to play around with pale papers, here are some materials you might want to try.

I hope you have a chance to use some of these ideas – you can make just a few pale papers and collage little 3×5″ creations for cards. Or whatever – pale is pretty!

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Five friends learn composition, collage and beeswax

My friend Mary James organized a great private workshop for five friends at the Studio yesterday afternoon. We worked with vintage photos and beeswax. I really hadn’t worked with anyone but Mary before, but I loved every one of the participants! They were enthusiastic risk-takers – some first-time artists, some  with art backgrounds – all great students!

We followed my usual teaching sequence – explaining the AB3’s of composition, arranging the visual elements accordingly, layering and fusing wax and stamps and foil and – of course– spraying walnut ink to accent the incised lines. Some people brought photos of their grandmothers and mothers to work with – beautiful.

They got it all! You can see the incredibly individualistic results in this short video. Fun! Thanks, everyone, stellar work!

Kintsugi and Boro – fusion and inspiration

Celebrating the imperfect, the time-worn, and the re-invented resonates deeply with me, probably because I am a combination of all of those things. That’s why the Japanese arts of Boro and Kintsugi are so appealing. Boro, a Japanese word meaning “tattered rags,” describes lovingly patched and repaired cotton bedding and clothing used much longer than the normal expected life cycle.

Boro is enjoying a revival among fiber artists who treasure its indigo blue color and melange of textures and subtle patterns. In fact, the Fiber Artists of San Antonio are offering a Boro workshop taught by Mary Ruth Smith in July.

A Japanese houshold Boro textile

Linked to Boro by concept is Kintsugi, meaning “mended with gold.” It refers particularly to the Japanese method for repairing broken ceramics with a special lacquer mixed with gold, silver, or platinum.

The Kintsugi process usually results in something more beautiful than the original.

The Kintsugi process usually results in something more beautiful than the original.

Both Boro and Kintsugi are interwoven with the philosophy of wabi-sabi, which means “to find beauty in broken things or old things. ” See why I like this stuff so much?

So today at the Studio, I was putting away materials from our Citrasolve and altered paper collage workshop, and I started thinking about torn paper scraps (Boro) mended with gold (Kintsugi). I printed out the word “kintsugi” and began arranging Boro-like tatters of paper (they would probably have been dumped in the trash) onto 8×10″ pieces of archival mat board.

Then, inspired by the gold veins of Kintsugi, I “mended” the spaces between the scraps with gold leaf. It was amazing how fast time flew – I created five of these collages in about four hours. They almost pieced themselves together.

Here are the five collages – #3 is my favorite because it looks most “Boro-like.” These pieces are destined for the Beacon Hill Art Walk this Sunday, but when I come home from Boston, I’m going to continue to explore the idea of gold-mended tatters and the beauty of imperfection and re-invention.

Mended with Gold #1 Lyn Belisle 2016

Mended with Gold #1
Lyn Belisle 2016

Mended with Gold #2 Lyn Belisle 2016

Mended with Gold #2
Lyn Belisle 2016

Mended with Gold #3 Lyn Belisle 2016

Mended with Gold #3
Lyn Belisle 2016

Mended with Gold #4 Lyn Belisle 2016

Mended with Gold #4
Lyn Belisle 2016

Mended with Gold #5 Lyn Belisle 2016

Mended with Gold #5
Lyn Belisle 2016

 

 

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The serendipitous landscape of fantasy

Landscape collages in progress

Landscape collages in progress

Now THIS is one of my all-time favorite workshops – perfect for any level, full of serendipity, with absolutely gorgeous results. Here’s how I described the workshop online:

Using the technique of DÉCHIRAGE (day-shur-ah j’) – distressed paper collage –  students will gain a solid grasp on composing little landscapes using a variety of altered papers, natural elements, and mixed media special effects. Lyn will also share art-enhancing framing suggestions that compliment your finished work so that your final display is both appealing and professional looking. Even a total beginner can create a stunning artwork with these fun distressed paper techniques.

Yesterday’s participants in the Altered Paper Landscape Abstractions class rose to the occasion with some stunning work. Some people created several collages, some just one, but all were beautiful and individual. The hardest part was choosing which piece to mat for display.

I loved this comment from Ellen, “I got frustrated because couldn’t make it do what I wanted it to do, but when I let it do what it wanted, I loved it!!” Talk about trusting the creative process – when you let go and accept the beautiful, unpredictable results, magic happens.

Take a look at the video, below, and then I’ll give you the list of materials for this project.

Lyn Belisle’s Altered Paper Landscape Collages: Materials List and Source Notes

For the basic collage:

  • A 5×7” piece of matboard, illustration board, or very heavy card stock
  • Glue sticks
  • Scissors
  • Walnut Ink from
    Tsukineko
  • Altered paper (see below)
  • Metal leaf
  • Stamps and inkpad, your choice
  • Lightweight paper to rub down elements as they are glued
  • Metallic felt tip pens and ultrafine Sharpie (optional)

For the altered paper:

  • Citrasolv orange oil-based cleaning solvent
  • National Geographic magazines or other clay-base ink photos – I encourage you to experiment

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Sources of materials:

  • Mat board scraps can be purchased or requested for free at most frame and craft shops. Look for ones that are dark colored with white on the back for the most versatile design options
  • Citrasolv is becoming widely available in art stores because of this popular altered paper method. You can usually find it at organic grocery stores such as Whole Foods, as well. Online: Citra Solv is now being sold through Cheap Joes, Jerry’s Artarama, Stampington, and DickBlick
  • Tsukineko Walnut Ink is very versatile for many projects and can be ordered from Imagine Crafts, the Tsukineko distributor:
  • I use Scotch permanent glue sticks, but most good brands will do nicely
  • Metal leaf is available in craft stores or can be ordered here on Amazon.com

If you want a very in-depth look at this process, including other altered papers such as “ghost paper” with bleach on black construction paper, I have a DVD called Small Worlds, published by Artful Gathering, that offers an intense discussion of how-to-do-it instructions, videos and demos. Happy new week, All!

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Home as Collage

Casa Belisle

Casa Belisle

Knock knock. Who’s there. Oh, it’s YOU!

C’mon in! I was just rearranging stuff in the chaotic collage that’s the house I live in. Calling all of this a “collection” dignifies it with more organization than it deserves. But I do like to find little objects that enhance the art from friends which graces my home. As artists (and really, we all are) we notice and respond to our surroundings. I love the concept of home as collage – ever-changing and shifting, always a new composition to inspire us..

Recently I brought home a beautiful armoire that had been at the Studio. It belonged to my stepmother, and I cherish it, but the construction on the wall next door (right behind it) made me nervous. I found a perfect place for it here at home, and that inspired me to mix up other things, old stuff new configuration.

Since you’re here, look around at some of my motley assortment. I love folk art, friends art, funky art. It’s definitely not about price tags, but it is about curated choices. (If you can’t see the photos, click on the title of this post).

Some of my tips on arranging small collages throughout your environment are based on the AB3s of Composition that I developed and teach;

  • A=Alignment – have objects face each other within a group. For example if you have a wall-hanging with a crescent moon on it that you’re hanging next to a portrait, have the crescent and the face looking at each other. Makes sense? Then add a smaller object underneath that faces out.
  • B=Breathing Room – yeah, I know. When you look at my stuff, there’s not much of that. But there are spaces between groupings so that you concentrate on one group at a time. And there are lots of clear, uncluttered surfaces. You can put up as much stuff as you want, but keep some breathing room, however small, between groups of stuff. Mirrors help, because they provide an illusion of depth and space.
  • #3s = Three and Thirds – Groups of threes are so wonderful – if you add a fourth object, it ceases to be a group and looks like four separate things next to each other. But three object create a dialog. Try it. Here’s a link to a post that expands that idea.

I just got a fantastic book called STYLED by Emily Henderson that has a ton of examples on how to build groupings in your “home collage.”  It’s a treat to look at the photos. Not everything is going to be your style, but I did enjoy the book. It’s a guide to another kind of collage – the kind we live in. Happy weekend rearranging stuff!

Textured white collage – new workshop exploration

whiteOffering a new workshop is a risk, both for the teacher and the students who are the first  “test drivers.” That was the case with the Wednesday Exploring Textures in Collage. I knew that I wanted to offer a workshop that pared down collage to very simple textural elements layered with white paint and touches of walnut ink tints, but would the lack of color bore students? Would the project take too long to dry? Would it be deceptively complicated or not make sense or . . .? But once again, my amazing students pulled off a spectacular triumph of artistic exploration.

white2I started the session by demonstrating how to draw a visual classic cruciform framework with pencil lines on a 9×12″ canvas. Then we built thin layers of torn paper across that flat framework. I showed several techniques using both created and found textures, and combined these with mark-making through wet paint.

After that, they were on their own to select textures using their own intuition and style. The hard part was layering white over everything, like watching a blanket of snow fall on carefully arranged objects.

I mentored and suggested, but let them work independently for the most part, and their finished works were professional and evocative – yay!! You should see the work they produced in just three hours! Actually, you can if you take a look at the video, below. Stunning results, be sure to watch until the end to see them.

Composition Campers win merit badges for bravery in collage!

The Composition Camp workshop yesterday was very, very cool – every single participant found a “right answer” to the assignment, and each answer was both unique and excellent.

First, we reviewed a slide show of composition examples like the one below based on my AB3 system  – the AB3s are Alignment, Breathing room , and Threes or thirds.:

"Three" Lyn Belisle, mixed media collage

“Three” Lyn Belisle, mixed media collage

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Then, the first assignment started with a pear – everyone got a 5×7″ substrate of watercolor paper  and a printed inkjet photograph of a green pear.

Instructions were to demonstrate great composition while building  a collage that started with identical images  – and they did!

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For their second assignment, students were encouraged to choose their own images from a National Geographic magazine, and that went just as well as the first challenge.

Both projects started with water media and images and ended with layers of textured beeswax.

Everyone shared ideas and inspired each other, but no two finished works were remotely the same. Some went completely toward abstraction and some retained the imagery. Take a look at the video – what amazing surface design and variety!

This session of Composition Camp was a huge success – yay!

Oh, and before I say goodbye for now, we have TWO Friday Freebie winners of the two Paper Pocket Purses – one winner is Quinn Jennings of Washington DC and the other  is d.price@satx.rr.com ! Y’all email me your mailing addresses, and your freebies will be on their way to you!

Thanks to everyone for subscribing to SHARDS.

Saturday catch-up: collages, challenges and show&tell

It’s been a busy week – I taught a beeswax workshop with the San Antonio Art Education Association at a workshop on Tuesday, and then spent Thursday at the Studio with Gloria Hill and Lisa Stamper Meyer.Here are our collages from that art playdate – can you believe that three artists with the same challenge could come up with such different results? Fascinating.

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And speaking of collages and challenges, congrats to Rosemary Uchniat who won the random stuff challenge with this powerful collage. I saw her “before” pile of stuff and am in awe of the way she pulled it together – it belongs in a gallery!

Rosemary, your prize is an Artist Sampler of Three Face Shards to use as you like. What will you come up with this time? It’s always interesting.

toni copyToni Curtis from LA also sent in her wonderful collage which morphed into a journal cover – nice, Toni!  Check out Toni’s Heart of the Gypsy Facebook page. It’s fun to challenge yourself to an out-of-the box diversion – try it.

And finally, today is the first Show and Tell of 2016 – my favorite Studio event!

In the lineup today are painters, poets, authors, card makers, fiber artists – and Chef Mikey himself, who will share the Studio’s signature dessert recipe of Sopaipilla Cheesecake. Hope to see you there from 2-4!

Composition Camp commences with collages

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My demo collage created during Sunday’s Composition Camp workshop – 8×10″, mixed media, titled “Again?”

First workshop of the year taught by ME (yay!- I love teaching workshops) was Part One of Composition Camp. So what is Composition Camp?? It’s an intensive three-hour workshop directed toward planning and starting your artwork with strong composition bones, no matter in what medium. And it’s super easy.

I’ve developed a composition system called the AB3’s, which stands for

  • Alignment
  • Breathing Room
  • Threes and Thirds

It’s kind of like a simple kick-start for your artwork because it lets you know in advance where your main elements will be most effective. The students in yesterday’s Composition Camp: Collage workshop were given a folder with photos of a random person and a random cat along with some scraps of paper – they had to make a narrative collage using only those elements.  Everyone  took the challenge and ran with it. Take a look!

Before we began our work yesterday, we talked about painterly influences on collage imagery, particularly the works of Larry Rivers and Robert Rauschenberg, two of my favorite artists ever. Rauschenberg said that he works “in the gap between art and life,”  that he wanted to question the distinction between everyday objects and art objects. I like that!

Robert Rauschenberg, Buffalo II, 1964

Larry Rivers, French Money, 1962

It’s always good to go to the Masters for inspiration! There are two more sessions of Composition Camp to come, and there will be more in the summer and fall.

A holiday wish for you

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Happy holidays, everyone! In the spirit of the Season, I’m giving you a couple of links to fun things

First, if you want to make origami crane ornaments to symbolize the hope for peace in the new year, here’s a link to a video I did a couple of years ago – you’ll just need some square paper and a tiny bit of patience. (I just checked the video and realized that I made it in 2012,  right before I opened the Studio! I was still working from home in the little studio lab – seems so long ago!)

Next, here’s a link to five collage sheets with some of my favorite images from my earlier work – print ’em out, tear ’em up, and play. I’m happy to share these with you guys.

Finally, here’s a recipe that I’ve posted before for a yummy fresh cranberry relish. It’s beautiful to look at, easy to make, and delicious with ham or turkey or just about anything else – even vanilla ice cream!

Thank you for all you do to make the world a kinder and more beautiful place!