A workshop and visit with Julie and Greg from Australia – wow!

How often have I had an Australian come to Texas for a workshop with me? Well, never – until now.

Greg is amazed by Julie's talent!!

Greg is amazed by Julie’s extraordinary talent – of course!

Australians Julie (Julz) Dandelyon and her husband Greg Dodge had been in touch with me for a while about a possible get-together when they visited the States, but I never thought their visit would become a reality.

It did! We’ve just finished the most amazing two days together at my new house working in mixed media, making molds, firing earthenware, and creating collages on canvas. We also ate, drank, visited, talked for hours about their extensive world travels and plans for the future. Total bonding!

Julie was such a quick study with clay – it was her first time working with the shard face process, and she quickly developed her own unique style, making her own molds and embellishments. Take a look at the video of some of Julie’s work over the past two days – beautiful stuff.

Of course, she did everything upside down . . only kidding. I hope to get to Australia next year to work with Julie on several projects that we discussed – what a dream that would be! Thanks, Greg and Julz!

 

Monika Astara delights fashionistas with her magical wares

Monika Astara and her friend Jenika drove in from Austin yesterday and parked in front of the Studio in a regular old car. Why is that notable? Because concealed inside the car trunk were racks and racks of designer clothing. It gave a whole new meaning to “Trunk Sale”.

Serious magic happened when the car trunk opened, the racks were put together, and over 400 pieces of gorgeous designer clothing were wheeled into the Studio.

We had an amazing day – Monika is a joy, always transforming her clients with the flip of a scarf or a tweak of a top. Take a look. (If you can’t see the photos, click here)

Photos by Jenika!  And if you missed the sale, and are curious about Monika’s creations, you can visit her website and order online.

I had the pleasure of visiting her Austin studio last year – here’s a replay of that awesome visit! Thanks, Monika – the next trunk show will be announced soon – guess where??

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Talented pals showcase their work in upcoming events – most free, all priceless

Coming attractions – be there!

Happily and often, I get email notices from friends who are very talented in very diverse ways – I love to pass along these opportunities so that we may support our arts and letters community.

Here are just a few for your calendar – and don’t forget to read all the way to the bottom of the post for an event from one of my favorite creative women!!


Carol Coffee Reposa, Poet

Featured this evening at Lyn Belisle Studio at 6:00

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Barbara Dean Hendricks: Author

Book Signing and Reception at the Twig

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Susanna Morrow: Collagists

“Now I Become Myself: Explorations in Collage”

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Susanna Morrow began exploring collage as a complement to her daily journal writing practice a decade ago. She has a developed a body of work that is dream-like and deeply personal, revealing what she is becoming as she moves through life’s changes. There are three series of collages in this exhibit: larger “portraits” of self and others, journal cover designs (“self studies”), and a visual discernment process about stepping into the second half of life.

Exhibit is at the Church of Reconciliation, Brown Hall, 8900 Starcrest. Exhibit hours are Sundays through October 30, 8AM-1PM, and weekdays by appointment. Contact susannacreates@gmail.com

All are welcome to wine and cheese reception Saturday, October 15, 6-8PM
Please visit susannamorrow.com for more information.


Alison Schockner, Lesta Frank, Jan Longfellow

Artist’s Garden Party

Saturday & Sunday,
Oct. 15th and 16th
11:00-4:00
at Alison’s studio
Come through the garden gate
by the carport on Flores St.

ali

 Join us for a multi-media exhibition.
 Alison’s garden art totems and plate flowers
 Carrie Bye’s printmaking magic
 Amy Jones’s felted critters
 Jan Longfellow’s cast silver clay jewelry
 Lesta’s mini abstract paintings,
bookmarks and cards

Bryce Milligan, Poet, Picker and Publisher

(click the image for details)

bryce

Every year Gemini Ink honors a great San Antonio writer with the Award of Literary Excellence at our annual gala, Inkstravaganza. This year our honoree is the beloved journalist and distinguished author…

Jan Jarboe Russell

October 13, 2016

Pearl Stable

6PM

Click on the image for details!

AND FINALLY . . .

monika

Get out and support our beloved creative friends at any or all of these events!

♥Lyn

 

 

 

 

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Santa Fe, Round Two

My workshop on Saturday at the Artisan Exp in Santa Fe once again proved to me that starting with a good grasp of composition works magic in any collage-based process. I discussed my Composition AB3’s ( Alignment, Breathing Room and Thirds) and demonstrated how easy it is to master these guidelines.

Voila! Every person produced a really good encaustic collage, all different, but all strong in subject, vision, and composition. Below are some of the pieces in process, and some that are completed. (If you can’t see the images, click here to view them in your browser.)

One of the participants, artist, author and tarot reader Arwen Lynch-Poe, documented her process and with her permission, I’ll use her photos to show you how she put her piece together. (If you can’t see the images, click here to view them in your browser.)

So between Encaustic Bling with Michelle Belto on Friday and Engraven Images on Saturday, the Santa Fe workshops were super fun and successful!

And if you want to take this workshop, you still can. I’m teaching the all-day version, plus a Wax, Earthenware and Fiber Talisman class at ViVi Magoo in Round Top in three weeks.

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Update note: Since I returned from Santa Fe on Monday, I’ve looked at a couple of places for new workshop venues – and there are several good possibilities.. . .more soon.

But the good ol’ Studio isn’t closed yet! We still have a fantastic event coming up a week from today. It’s Monika Astara’s popular trunk show and sale of exquisite, artistic fashions!  Here’s more info – hope to see you there.

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Right now I’m off to the Trinity Alumni Art Showcase where I’ll be showing and selling my Encanto earthenware and sari ribbon mixed-media pieces. Wish me luck!

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Whiter Shades of Pale – playing in the no-color zone

Lesta Frank has a ray gun – she brought it to our all-day Whiter Shades of Pale workshop yesterday, and when anyone “called color” on another person (like, they were reaching for some red paint), they got blasted with flashing lights and wild beeps. It was pretty funny!

The whole day was a delight, as a matter of fact. In the morning, we made beautiful pale papers under Lesta’s expert tutelage – ecru, ivory, palest gold and silver – all breathtaking. A favorite was the string-embedded paper.

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In the afternoon, we used those papers to create stunning assemblage/collages with the hand-embellished paper and found objects tied into our canvases.

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Lesta’s collage

The video from the workshop is just pure eye-candy. It’s astonishing how much richness and variety can come from such a a limited color palette. Limiting the color choices allows you to concentrate on texture and composition.

Pale colors and textures are so wonderfully nostalgic that I thought I’d treat you to the original inspiration, the song called “A Whiter Shade of Pale” which won a Grammy for Procol Harum in (gulp) 1967. The video looks so sweet and goofy – very non-MTV. But boy, does it bring back memories!

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My Thursday Shareables – Billy Keen and other charming things

Billy Keen, “Becoming Human in the Morning”

Sometimes I get excited about a couple of artful things that are totally unrelated, but very shareable. Such is the case today.

The first item is artist Billy Keen’s comprehensive one-person show which opens at the San Antonio Art League and Museum this Sunday from 3-5.

In a word, it is stunning.

Billy’s work is best described in his own words:

“The works are about transcendence. They explore the tension between beauty and fragility, between our reptilian brain and our higher thinking, between fate, faith and free will. They combine the representational, the abstract and the sculptural. Objects are created, painted, or found. Combined, they become parts of a visual vocabulary exploring the life journey or spiritual pathway.”

I was at the Art League yesterday for a meeting and the show had just been installed. It was an overwhelming experience to walk the galleries alone surrounded by Billy’s work, much of it quite large and looming and magnificent.

Here are some photos that I took, none of which do justice to the work:

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Can you tell I’ve always been a huge fan of Billy Keen and his work? I’m lucky enough to call him a friend and a huge inspiration (and, yes, Billy, I do rip you off, every chance I get!)


The second shareable is little and all mine . . . Thai Buddha Talisman Charms.

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 I recently found a source for these little Thai Buddha prayer charms and decided to incorporate some into portable amulet “shrine charms” that can be clipped on a bag or worn on a scarf. (They have a small steel caribiner clip as well as a split ring on the top for attaching the amulet charms to whatever you choose.) Hmm. they’d even clip to your doggie’s collar to protect him.

Here are the first four prototypes – I’ll have more at the Earthworks show that Linda Rael and I are opening tomorrow at my Studio (see bottom of post for your invitation!)

an1 an2 an3 an4

Hope your Thursday is great – hope to see you at the Studio tomorrow from 6-9, and I hope that you’ll share something nice with someone else today!

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Pale and painterly papers

A collection of pale papers by Lyn and Lesta

A collection of pale papers by Lyn and Lesta

Lesta Frank and I are teaching a workshop this month called Whiter Shades of Pale. Recently we got together at my studio to play with surface design of all kinds and create papers that have subtle painterly textures and intriguing variations of the palest tints.

The workshop has been sold out for a while, but I thought you might like to see some of the results from our pre-workshop experiments.

The first idea, below, is so simple – you just do a reverse stamp onto tan kraft paper (like a shopping bag) using a white stamp pad or white acrylic paint soaked into a damp piece of felt. Another variation we did was to roll white acrylic paint onto a textured placemat and print the design onto the tan paper.

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Below, tissue paper has been painted with clear acrylic matte medium, which causes the paper to wrinkle a bit, and then it was sprayed with walnut ink. It’s almost like tinted glass!

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This is one of my favorites. Lesta stenciled white acrylic paint onto deli paper using a small paint roller, and after it was dry, soaked it briefly in strong coffee to “age” it.

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This is an easy “cheater-ly” way (below) to make multiples of subtle designs for ready-made custom collage paper. We just lay various pale papers on a scanner, scanned them in to the computer, and then printed out 8.5″x11″ composite-designed papers. Lesta tinted the face on the example below with Portfolio oil pastels.

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Cheesecloth can be used in so many ways to add interest to collages with pale papers. You can Gesso it and let is dry, then cut it into fragments. You can use Gold Gesso as well. You can also add it as a layer over textures, then paint over it with light tints of acrylic paint.

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Finally, don’t forget that you can lighten images with your printer using MS Word – here’s a Renaissance face with its contrast decreased, printed on a plain piece of inkjet paper and mounted to matboard. I punched holes and will attach this to a collage as one of the final layers – hmm, and maybe cover it partially with tissue?

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If you want to play around with pale papers, here are some materials you might want to try.

I hope you have a chance to use some of these ideas – you can make just a few pale papers and collage little 3×5″ creations for cards. Or whatever – pale is pretty!

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So much to show, so much to tell . . .

Saturday’s Show and Tell was one of the best – everything from Fairy Houses to paper-making to poetry. Michelle Belto‘s demonstration of how easy it is to make your own paper was a real eye-opener for those who’d never tried this process.

Her system is ingenious and can be done in a small space. Michelle will be teaching this method in an upcoming Artful Gathering class, but we got a Sneak Preview yesterday!

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There were lots of other fantastic S&T-ers, including the always-amazing Vicky Siptak, who showed a Fairy House that she had made for her granddaughter. It’s weatherproof to keep the fairies snug and warm in the garden, and it has its own guardian dragon. And our poets, Tom Schall and Harold Rodinsky, graced us with their eloquence. Take a look at the video:

For my own Show and Tell, I needed to share, sadly, that my space in Carousel Court will be closing at the end of October. There are several reasons for this, including the fact that my lease is up.

But I will continue having workshops (mixed media and pottery) and other gatherings in my new space soon – more to come on that. If you’ve been with me for five years or so, you’ll remember those workshops at my home studio and how much fun they were. Sometimes change is energizing, and the Studio (and SHARDS) will live on!

Wise One (detail) by Linda Rael

In the meantime, September is filled with workshops and shows, including the show that Linda Rael and I are having on September 9th and 10th. It’s called EARTHWORKS, and all of the pieces in this two-day show are inspired by natural materials. Please join us!

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In the next SHARDS post, I’ll show you some techniques that Lesta Frank and I developed last week while we were working on ideas for our Whiter Shades of Pale workshop. The September 17th workshop is full, but there will be another session offered in early October – stay tuned!

light angel

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Philip John Evett: Goodbye, old friend

Phil and Joanne Evett with Lyn Belisle, Blanco, Texas 2010

Phil and Joanne Evett with Lyn Belisle, Blanco, Texas 2010

I met Philip John Evett in the spring of 1962. It was love at first sight – love of his work, his impossibly endearing British accent, and his enthusiasm for those of us lucky enough to be his Trinity art students. We called him “Uncle Philsy.” Sometimes we added “wicked” to it.

He taught us to weld in steel and carve in stone. He taught us a love of lyrical form and a respect for eclectic elegance. Phil was my mentor then and my friend ever after, as he was to so many of us. He died this weekend, 94 years old, a consummate artist and humanist.

Here’s a brief look at the work that friends and I saw several years ago on a visit to his inspiring studio and gallery in Blanco, Texas. Phil tells a funny story about finding the right head for a sculpture, just 20 years after the fact.

In 2012, Phil gave an informal lunchtime lecture at Blue Star Art Complex. I sat next to him and used my phone to record his remarks. Phil’s recollections and philosophy shine through despite my hand-held phone recording and the less-than-idea sound circumstances. This is a rare look at the workings of this incredible artist’s mind.

As I re-watched the video, I was particularly struck by his comments on “the quiet, long-time savoring of the moment” that is so rare these days, and then talked of his love for his peaceful life at his Blanco studio.

So many of us will miss you, Phil – thanks beyond words for gracing us with your inspiring presence, your soaring art and your everlasting friendship.


More about Philip John Evett

 

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EARTHWORKS: September 9-10

She Cat – created by Linda Rael, owned and cherished by Lyn Belisle

I know of no other artist whose works resonate in my heart as much as those of dear friend Linda Rael. Everything she creates makes me think, “Dang, I wish I had done that.” She incorporates animal bones and porcupine quills and rust and earth and tattered linen and other stuff that myths and magic are made of. I purely love her art!

Linda Rael 2016

Linda Rael – Fiber, Rust, Found Objects –  2016

It’s been a dream of mine for several years to collaborate with Linda on a show, and recently, over a long lunch, we decided to go for it! We are calling this show “Earthworks” – it reflects a direction that we’ve both been exploring, going to ground, leaving behind bright color and adding elements one might find along a stream bed or sacred path.

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The works will be on exhibit at my Studio for just two days during the second weekend of September. 

Many of Linda’s new pieces are fiber-based and hand-rusted with the natural patterns adorned and enhanced with hand stitching. My own pieces will be mostly sculptural, much like my neo-santo series, but less refined, more weathered.

Want to see a few sneak preview photos? Please take a look, then mark your calendar now because the availability of these works is limited to September 9-10 only.  You won’t want to miss this event – it’s always fun to visit the Studio, and I am thrilled that Linda is joining me in this amazing two-day exhibit called Earthworks.

Linda Rael 2016

Linda Rael 2016

Linda Rael 2016

Linda Rael 2016

Linda Rael 2016

Linda Rael 2016

Lyn Belisle 2016

Lyn Belisle 2016

Lyn Belisle 2016

Lyn Belisle 2016

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