Copying Gwen Fox with unpredictable results

Gloria Hill and I have been painting together on Wednesdays at the Studio for a year and a half, and we always like to find inspiration from interesting sources. Today I said, “Let’s try to paint like Gwen and see what happens.” Gwen Fox is our beloved Taos-based painting teacher – she’s awesome. So I picked out one of her abstracts for us to copy, and off we went. Here’s the painting that we were attempting to forge (all in the spirit of artful emulation, of course). Scroll down for our results.

gwen

We got as far as the layout and background before we realized that copying wasn’t working for us. So Gloria went her way and I went mine – how can two artists who start with exactly the same idea and example end up with such different results?? Take a look (and rest easy, dear Gwen – you are an original, and while we have learned so much from you, we won’t be competition for your glowing abstract style!) Here’s Gloria’s:

glogwen2
And here’s mine – not only do they look like they came from two different artists, they look like they came from two different planets! Go figure –  but it was fun and very insight-full.

lyngwen_edited-1

Studio notes – including a remarkable student

shard2Studio note 1: Congrats to Yvonne Baca, lucky subscriber #54, who won the Friday Freebie Scent Shard

Studio note #2: The video from Sunday’s Explorations in Air-Dry Clay is up on YouTube – we had a great time!

Studio note #3: Most of you know that I teach at Trinity University in the Computer Science Department (part time now since I opened the Studio) . My class focuses on basic concepts such as networking and Internet ethics as well as graphic applications and web design. All of my students this semester have been smart and funny and ready to learn, particularly Will Lin from China. Here’s a link to the introduction he wrote at the first of the semester (it’s wonderful), and here’s his final project, a built-from-scratch website – I have his permission to share it with you (click on the graphic) – thanks, Will:

will

Art Show report and poetry gig

Here’s a short video from the Art Show and Sale at the Studio yesterday – it was one of those soft, gray fall afternoons that makes ya feel all cozy inside. Lots of people came by (and shopped – yay). As usual, I was delighted to see what goodies Alison and Jan and Lesta brought with them. Take a look – so much talent and diversity!

twigYou want more? Well, check this out – Tuesday night at The Twig Book Shop, there will be a gaggle of poets and wannabees (including me) reading poems and short fiction and  words of all kinds to an assembled audience of brave folks. Jo LeCoer, who read at my first Studio poetry event is the amazingly-talended guest host/poet for the evening. Jo sez, “Readers include artists, poetry performers, song lyricists, fiction writers (one has a new book just out), journalists, current and former UIW faculty/students/alumni, and a couple of reluctant guitarist/extortionists holding out for bigger bribes.” Sounds like a literati fun fest. See you there?

Finally, Twigs remind me of Shrubs, and that reminds me of my friend Kathy Tarasovic and her new foodie venture, Well Seasoned Cuisine. They make Shrubs, an artisan beverage syrup blend of mellow vinegars and fruits. I saw her and her partners at the Quarry Farmer’s Market today – you should have a look at their web site – they have perfect foodie gifts for hard-to-shop-for people. Their business is a partnership with Good Samaritan Community Services, a highly respected community-based outreach organization – what’s not to love? Try a Shrub! It’s good in protein shakes, too.shrubs

 

 

TOP TEN STUDIO ESSENTIALS

Lyn Belisle Studio: TOP TEN NON-ART Studio Essentials That I Can’t Live Without

Here’s my list – what’s yours? Share these with a friend 🙂 Next week I’ll have a list of the 10 ART PRODUCTS that I can’t live without.

1. Baby powder

babypowderI use this to dust the inside of air-dry clay molds to keep them from sticking, to “de-stick” my hands temporarily when I’ve been using spray adhesive, to dull down a shiny gel acrylic surface, among other things – Johnson’s smells the best to me – makes me all nostalgic

2. Blue Painter’s tape

blueMasks the edges of watercolor paper, makes irregular stencils for stamping and painting, use to tape around unfolder paperclip to make a handle for a quick cutting tool, put strips sticky-side-up on work table to keep cat from stepping on work in progress (sorta works as a distraction when they try to shake it off their feet) – and so much more – available in bulk from Uline

3. Canvas clay cloth

clothI can turn my painting worktable into an earthenware clay workspace in an instant with this – it unrolls and has a great canvas non-stick surface for rolling out clay slabs. It also makes an instant “clean” surface for projects of any kind of you keep the back side un-clay-y – available at ClayWorld

4. Cheap white washcloths

wahclothsI really could not do without these – clean-up, texturing, wiping walnut ink off clay – it goes on and on. I wash them and use them over and over, and they are cheaper than paper towels and more ecologically responsible – $4 buys a bundle of 18 at Walmart

5. Drinking straws

strawsLet me count the ways I use these – hmm, ok, to poke holes in clay face shards and adornments, to cut into 2” sections and use as channels for cord backing on pendants, as cores for paper beads, drinking Diet Dr. Pepper – and so on. Get both sizes, the standard ones for big holes and the little coffee ones for smaller holes. Available at delis and coffee shops everywhere. If you happen to need 900 of them, get ‘em at Uline for less than $4.

6. E6000 adhesive

e600A sculptor in Colorado Springs told me about this, and the stuff can stick metal to glass and glass to rock, paper and scissors – you get the idea. It’s good stuff, kinda looks like silicone gel. Most artists and jewelers know about it, but just in case you didn’t, you can get it many places, including Michaels.

7. Heavy-duty hole punch

holepunchThis is the only semi-specialty item on the list. I use it for punching holes for stringing beads, for book binding thread, for tags – it’s great. It will punch through thin metal and heavy mat board easily. Mine is from EK Tools. Worth the $15 price tag over and over, and you can get it in two different hole sizes. I have both.

8. Lavender Essential Oil

lavYou guys know that I’ve studied aromatherapy since the 80’s – and lavender oil is great for balancing your frantic mood when things aren’t going well in the studio – just a sniff will calm and refocus. But it’s also the best thing for burns, and I keep a bottle right next to my hot-glue gun. It’s saved me from having more than a few blisters. It works for mosquito bites, too, and can take off gummy residue better than goo-gone. You should have lavender essential oil just as a general principle in your life – great stuff! I recommend Aura Cacia, and you can read about it here.

9. Nashua Clear Duct Tape

nashuaThe perfect tape for book-binding, labelling, tape transfer – it tears cleanly and is super strong. I must go through a roll a week at the Studio. I used it to attach the covers for my custom e-reader covers and have been using it and recommending it ever since. It’s made by Nashua and is available at Home Depot.

10. Quart Mason jars

masonI hear my ancestors might have drunk whiskey out of these – now *that* would be an instant tranquilizer and work-stopper – but I use these for water jars, bead storage, feather storage (the cats paw at the sides trying to get to the feathers), brush storage, clay slip, glazes, spools of thread – chances are I don’t have to tell you how useful these big jars are – and they are recyclable and reusable and work as a nice vase for just-picked bunches of herbs and flowers for the Studio table. I have a friend who uses a meditation jar – she cuts strips of paper with favorite quotes and thoughts on them and keeps them in a clear Mason jar to pull out when she needs inspiration.  Better even than whiskey? I imagine so.

 

“Everybody is creative – it comes with the kit”

I love this interview with Sir Ken Robinson – he shares a lot of insight packed into a one-minute time frame.

Cooler weather contemplations

This first really cool morning truly felt like fall – and I think a lot of us feel a pull toward thoughts like those Mary Oliver expresses in the poem Fall Song:

Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,
the uneaten fruits crumbling damply
in the shadows . . .

I started a little construction yesterday and worked on it again early this morning – it seems to fit. Bones and seeds and clay and cactus skeleton – there is something so poignant about fall.

ledgedwellers

 

Altar Update: The Guardian of the Golden Bough

Done and delivered to Celebration Circle! Here is the finished altar for their silent auction during the month of September, and now I know why I needed to use the moss. The figure represents The King of the Wood from Sir James Frazer’s book, The Golden Bough (pub. 1890), which seeks to explain the roots of human religion, science and magic. Being an eccentric spiritual eclectic, it made sense to me to reflect my own private musings through this guy, The Guardian of the Golden Bough.

The completed piece

The completed piece

I had fun constructing him, and when I took him down to the collection place in Blue Star Art Complex, I got to see some of the other altars. They’ll all be photographed soon, so you can see them, too. Hope you can come to the fundraising event on Sept. 30th! Here are some other photos of Mr. Guardian (or maybe it’s Ms. Guardian?) And here’s a tip – if you have a Kindle and want to read The Golden Bough, it’s on Amazon for a free download!

 

Meanwhile, back at the altar . . .

When last we saw our altar box for Celebration Circle’s Silent Auction, it had a not-too-happy Spirit Doll lying in it, and it looked pretty creepy. Sigh. But I *knew* the moss was the right thing – so I kept thinking and working, and then I remembered a graduation gift I made for my grandson. It was a wall sculpture of the Celtic god, Cernunnos. I liked him because he was kind of a mystery, open to possibilities (actually, that goes for my grandson, too :)). Using Cernunnos as an inspiration, I am working on my Altar gift to Celebration Circle. It’s not quite finished, but here he is – The Guardian of the Sacred Grove with his little bird buddy, still a work in progress.

grove

If you want to see it finished, come to the Bijou Theatre Gallery between Sept.1 and Sept 30th and view all 50 of these wonderful Altars. The closing reception and Silent Auction is on September 30th at 6:00. With any luck, you can take home the Guardian of the Sacred Grove or another cool altar to grace your own place of creative belonging!

U

Experimenting . . .

I’m doing some experimenting with mixed-media collage for a series of lessons I’m developing for CraftArtEdu, a pretty cool online teaching site for artists and students. It occurs to me that one of my favorite things is to put weird images together . . whether they want it or not. Here’s an acrylic-based collage I finished today called “Sweet Upon the Golden Child.” The doll’s face is a photograph that I took when my friend Ellen called me and said, “Come take pictures of my creepy dolls!” I think the face looks fascinating in the context of the collage. The large stone is an Ammonite. It has wonderful shape and texture. ArtPlay is FUN!

child copy

Provincetown

We had a great time exploring Provincetown today. The ferry ride took about an hour and a half from Boston Harbor. P-Town is a charming, quirky, arty, touristy, colorful place with a crazy assortment of architecture. My favorite gallery was the Tao Water Gallery on Commercial Street. The current exhibit there was The Calligraphic Gesture which included  some amazing encaustic works on paper. Here are a few photos with The New Camera, which did a good job (even though i kept turning it on and forgetting to take off the lens cap – oops, glad I bought that warranty).