Seth Apter, master of mixed media and a darn nice guy

Seth Apter had been an Art Hero of mine long before I heard he was coming to Texas from NYC. His work is a fusion of fine art, accessible craft and  mixed media exploration that I so often try to achieve. Only he does it consistently, and seemingly effortlessly. Check out his work and you’ll see what I mean.

On Thursday I got a chance to  work with him in person (woohoo) at his all-day Collage Camp workshop sponsored by Roadhouse Arts. I learned a lot about collage techniques, and even more about approaches to teaching. Seth is a master at constructive critique. All of us appreciated his feedback. I only wish I could have taken the next thresethe days of classes with Seth, but, alas, I needed to be in Bulverde for the opening of my encaustic show, Coeur Samples, with Michelle Belto.

But guess who showed up at our opening at Dan Pfeiffer’s Gallery yesterday evening – Seth! He came with Bulverde friends Lisa and John Meyer. What a treat! I told him that having him there definitely added to the show’s mojo!

One of the things that makes Seth such a fine teacher is the way he organizes his classes, step by step, and in a logical way that helps you internalize the steps and elements. In the Collage Camp, we started with a series of eight small collages, each of which demonstrated one of Seth’s design principals.  These will serve as an informal reference book for future work. Here are some photos from our day together – what a fantastic group with an unforgettable teacher.

You’ll enjoy looking around Seth Apter’s website – he told us that he’s getting ready to launch a new line of mixed media tools and products that will enhance anyone’s mixed media work, info at the link below – I am grateful to have met him – isn’t learning new stuff fun?

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Dyeing to Show and Tell

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New painting by Lesta Frank, from Sunday’s Show and Tell

From dyeing on Saturday to Show and Tell on Sunday, this weekend rocked. It started with an afternoon of small-space dyeing with Rosemary Uchniat and ended with a Show and Tell with the usual suspects and some new ones, as well. Part of Show and Tell is always sharing upcoming shows, so here are two to pass along:

Small-Space Dyeing has become one of the fastest sold-out workshops at the Studio. Rosemary’s unique formula for fabric dyeing success produces fun, no fail results every time, even for novices. Take a look at the video from Saturday.

Sunday’s Show and Tell photo gallery gives you a clue to the diversity and talent of the participants – everything from Acrylics to Zentangle – I am grateful to the generous and highly creative people who share their ideas with all of us at  these get-togethers.

milagroLast but not least, the winner of the Friday Freebie heart milagro is lucky SHARDS subscriber #134, Arwen Lynch Poe, a friend who has just moved from Texas to New Mexico. Arwen, send me your new address and I’ll send you this little gift to remind you of how much we miss you!

I had lots of requests for info about this piece, and I plan to have some for sale at the Black Saturday Studio sale on November 28th with Lesta Frank and Alison Schockner! Happy Monday, everyone, and thanks, as always, for reading SHARDS.

I HEART Friday Freebies

Here’s a little love charm for you – I’ve made a few of these earthenware pieces from a press mold of a large sacred heart milagro. This one is about 4″ high and has been adorned with some silver straw stars and rainbow ribbon. If you are a SHARDS subscriber by midnight on Sunday (old or new) you will be in a random drawing for this little guy.

milagro

Also, if you are in San Antonio, please come by the Studio for Show and Tell on Sunday from 2-4 – and have a wonderful weekend!

Beeswax collage workshop – personal and inspired

The beautiful visual stories seemed almost to create themselves in Sunday’s Beeswax Collage workshop at the Studio. Participants were given a limited choice of vintage images, some basic collage and texture materials, and some beeswax, walnut ink, and gold leaf. Then, as one person said, “The magic is happening!”

Sunday’s workshop was a delightful combination of the perfect medium paired with the perfect group – everyone had a chance to take risks, make decisions, and turn “mistakes” into assets in their work. And they did it! Take a look at some photos from the workshop.

Congratulations to all of the artist and bravo for the great work – and now, for a commercial break. If you want to see how this beeswax collage process works, I have written an e-book called Behind the Veil that explains this process step-by-step, including where to find free vintage images. It can be yours to download for a mere $5.99 heck, a fancy latte costs more than that!

But wait, there’s more – no, actually, that’s all for now. It was a great workshop and I thank everyone who participated! Have a lovely  Monday, everyone.

Mood indigo

Part of the fun of teaching a new workshop is the research (aka play) that goes into developing a curriculum and a process. Michelle Belto and I have a chance to teach a class in indigo, shibori and rust dyeing for Vivi Magoo at The Prairie in early November, and we jumped at the chance. I had done shibori and rust dying, but had not worked much with indigo (OK, I so had never worked with indigo, but don’t tell anybody).

Like learning most new things, learning indigo dye techniques was a combination of asking people how to do it and practicing on my own. It’s an amazing substance – this plant has been used for dyeing since 2400 BC, and maybe earlier. Cakes of indigo were used as currency in the Revolutionary War. Once dyed, indigo is so colorfast that it can last for centuries or even millennia. Here’s a video of my first indigo adventure.

I have a lot more to learn about creating color with indigo, but yesterday I worked on learning some basic techniques, mixing the indigo properly, and experimenting using paper and fabric. The deep blue-greenish color is a natural partner for the terra-cotta shades of rust dyeing. I really can’t wait to teach these classes at the retreat and share this wonderful process! Hope you’ll think about joining us at Vivi Magoo at The Prairie on November 3rd. I promise that it won’t make you bluewell, maybe it will.

Miro at the McNay – prepare to be astonished

The Miro exhibit, currently on view at the McNay Art Museum until January 10, 2016, is full of surprises. We went yesterday with our friends, artist Pablo Solomon and his wife, Beverly (their cat is named Miro, so you know they are huge fans of the Spanish painter).

The first surprise was the astonishing scale of the paintings. These things are huge! Pablo and I both said that we expected “normal sized” painting from the photos we had seen in catalogs, but these works were six, eight, ten feet tall, some in gigantic frames with glass as big as skyscraper windows. Miro’s colorful shape-figures of birds and women dance around within these huge canvases like playful giants. It’s so much fun!

The second surprise, at least for me, were the delightful sculptures, each with a rich industrial-like patina on bronze, and all constructed from sand-cast assortments of goofy objects that worked to form creatures with vast appeal. I felt like applauding!

The final surprise was realizing that all of the 50+ works in the show were created in Miro’s later years, the last 20 years of his life. It seems to be a journey back to the celebration and simplicity of a personal artistic language. The catalog says, “In his quest to transcend the idea of easel painting, the pictorial space is enlarged across expanded canvas fields, on which calligraphic signs reach maximum intensity through minimum resources, reflecting the artist’s attempt to reach a square one of painting. . .” I dare you not to get a little teary when you walk into the room with the last three paintings, huge white canvases with a very few spots of color, a star, a dotted line – all seeming to be exiting the playing field. Beautiful.

Good friends Beverly and Pablo Solomon pay homage to the mater, Miro - what an exhibit!

Good friends Beverly and Pablo Solomon pay homage to the master, Miro – what an exhibit!

So do what I tell ya – go have a nice lunch at Twin Sisters with some good friends, and then get yourself over to the McNay just down the block. Pay the special exhibit ticket price – it’s worth every dollar – and prepare to be astonished.

PS The whole city is celebrating Miro – here’s a list of special Miro-inspired treats, from jewelry to decadent chocolate cake that will be on hand during the run of the exhibit.

Super-special-teacher-artist-new-friend Mary Johnston :)

Art One Linocut from one of Mary Johnston’s students

I love serendipity – what are the chances that (a.) a former student of mine (hi, Tyler!) who works at the San Antonio Museum of Art would (b.) start a random conversation with an art teacher from rural New Mexico in (c.) a folk art shop in Port Aransas?

And that (d.) my name would come up? And that (e.) that art teacher would then come to my Studio to meet me? She did, and we had a fantastic conversation!

The teacher is Mary Johnston, and she’s one of those art teachers who knows that art is more than drawing a realistic apple. It’s the heart of human culture, and that’s what she teaches. I received an email from her yesterday with photos of what her students have been up to – and these are students who had never had art before Mary arrived on the scene!

Look at the totems they constructed and the other work they created (below) and then read what Mary has to say about her approach to teaching.

From Mary: “Last year  (Fall 2014) was the first time any of my students had had art classes.  Because of this, I kept lessons fairly traditional and strove to stay in sync with the Northern NM rural community. I worked at nurturing what the students already knew and were comfortable with.

Art 1 . Georgia O’Keeffe Unit. Horse skull.Graduated painting technique. Oil paint on canvas .Mesa Vista High School in Ojo Caliente, NM. Teacher Mary Johnston

The ceramic totems were a grades 8- 12 collaboration and represented 12 NM Pueblos and their styles of pottery . The students chose a pueblo and used that specific pueblo style to inspire their ceramic creations. They studied and wrote about their chosen pueblo’s history and its contribution to NM history. The students  also researched  potters from that pueblo and their contributions to the art world and their pueblo heritage.

As well as being near many pueblos, the school is near Abiquiu, Georgia O’Keeffe Country .Almost all my students know of O’Keeffe and share wonderful  (never before heard)stories of their great grandparents and grandparents working for Georgia. Many of my students have interned  in  Georgia’s home at Ghost Ranch or  at Georgia’s Abiquiu home and garden. “

Isn’t this work fantastic? Mary concludes her note by saying, “My time teaching in Northern New Mexico has been a rich, rewarding and fulfilling experience .I will be forever grateful for this opportunity. However , I  need to get back to my Texas. I love the Hill Country and the San Antonio region and my goal is to reside in the direction of Boerne and teach in the  San Antonio area. My mother, almost 90 years old, is in Austin and needs me much closer than New Mexico.”
I would love for you all meet Mary and I have my fingers crossed that she can find a teaching job here next year – any school would be lucky to have her on their team. If you’d like to contact here about a teaching question or a teaching job, you can email her by clicking here. And you can see more of her students’ amazing work on their Pinterest Board.

 

 

 

 

Rust dyeing – multiple pieces, multiple materials, magical results

Book cover made with experimental rust-dyed paper - Lyn Belisle

Book cover made with experimental rust-dyed paper – Lyn Belisle

Ever since I learned that I’ll be teaching dyeing and surface design at Vivi Magoo art retreat, I’ve had little else on my mind. Did you see the newsletter about this event? If not, click here – it’s going to be SO much fun, and it’s coming up in just a month, November 3-5.

One of the techniques I’m teaching with Michelle Belto is dyeing with rust. I’ve done a bit of that, but wanted to tackle it on a Big Scale. And it worked! I dyed a yard of linen (thanks for that old white linen skirt, Gloria), some scrap cotton pieces, and two types of watercolor paper – a heavy 300# cold press and a lighter #140 hot press. I did it all at one time with the same process just to see how the different materials would take the rust. All were slightly different but all turned out beautifully.

Here’s a short version of how I did it. I collected some rusty objects in a plastic bucket and poured a solution of bleach and vinegar over them to sit overnight. Do this outside! I got this recipe from the Internet (there are many rust-making solutions if you want to test other ones). There was about two inches of yucky rusty foamy gunk in the bottom of he bucket the next morning. Stinky yucky. But rusty.

I spread a plastic drop-cloth in the yard (away from plants) and put a layer of fabric and watercolor paper on the plastic – some of it overlapped a bit, but I wasn’t concerned, I just wanted to see what happened on the different materials. The whole area was about three by four feet. I dumped the contents of the bucket over the whole thing and spread it out, wearing gloves. . .very very random. Then I covered it with black plastic and weighted it down with some old outdoor cushions and some flower pots to keep good contact – also to keep Dudley the Tortoise out of the pile of stuff.

It sat covered in the sun for about six hours, then I took of the cushions and peeled back the black plastic – zowee! What great rust colors! It was exciting – take a look at the pictures below, and then I’ll tell you my observations. (If you can’t see the pictures, click this link)

Here are my observations and caveats – first, I haven’t washed the fabric thoroughly so I’m not sure how color fast the rust is, but since I won’t be wearing it, just using it for fiber art, that doesn’t concern me. You may want to try a small piece and see how it works for you if you’re going to make a garment.

Secondly, I wish I had dampened the 300# watercolor paper because it’s very thick and I think it would have taken the rust better if it had been wet. The thinner 140# watercolor paper was the most successful of the four materials. It had strong prints from the objects and lots of color variations.

After the process was done, it occurred to me that the formula that I got from the Internet included bleach, but that didn’t seem to affect the fabric – it still dyed a rich rust. Next time I’ll try it with salt and vinegar just to see. But whatever method you use, research it and try it on a small sample first. That’s what I did before I mixed up this huge batch. Work outside, wear gloves, keep your tortoises away from it!

In the Viva Magoo all-day class, we will be doing a version of this that uses lighter fabrics and papers and we’ll include some over-dyeing using the Shibori method (yep, you can do Shibori on paper as well as fabric) – I hope you’ll consider signing up for one of the workshops. If it’s half as interesting as this rusty experiment was today, it’ll be worth the price of admission!

It’s almost showtime . . .

coeur

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William Henke’s Uptown Henke Meat Market, now a contemporary art gallery

Michelle Belto and I went to Fredericksburg, Texas yesterday to check out the space for our upcoming duo exhibit at  Dan Pfeiffer’s gallery. The space is an architectural wonder, a 120-year-old meat market which Dan converted into a stunning art gallery.

Dan’s architectural background gave him a reverence for the original structure, and you can see lots of the original trappings of the market, such as the huge meat grinder, which looks kind of like a contemporary metal art object. Dan’s own work is fantastic – carved wood sculptures and furniture that are an amazing blend of artistic form and practical function.

_DSC3746_300ppiOur show is called “Coeur Samples,” and I thought of the name when Michelle first showed me her new sculptural pieces. They resemble blocks of iridescent material that could have come from the heart of a mysterious planet –  and they fit well with my PhotoEncaustic work which samples a moment in time through vintage photographs. “Coeur” is French for “heart” – so, voila – the show became Coeur Samples: Encaustic Explorations. Although Michelle and I have taught together many times, we have never exhibited together, so I hope you can get yourself to Fredericksburg to see our first-time duo show next month. Here are a few photos from yesterday’s visit with Dan at the gallery – we’re excited, and grateful to Dan for hosting our work in this amazing space.

 

You can do it, Kid . . .

Have you ever wanted to get your work out there in public – and help people at the same time? Yeah? So why not apply to become an Artist in Residence at Imagine Crafts? There’s an open call right now and they are looking for DIYers, Card Makers, Memory Keepers, Mixed Media and more.

You can go here to see all of the requirements and benefits, but basically, they send you their crafting supplies for free and you come up with three small projects a month to show creative ways to use them

These guys are near and dear to my heart because they represent Tsukineko, the Walnut Ink makers.And it’s a friendly group, too – I’m not affiliated with them other than that I buy my weight in Walnut Ink from them every month or so, but when I need advice about orders or products, they are right there.

Here are some of the kinds of projects that the Artists in Residence come up with:

Classy Halloween Art Journal Page by Jowilna Nolte

Must Have My Creative Medium! by Renee Zarate

You guys can do this, and it would be fun!! Think of the mixed media things you’ve done in Studio workshops or tried on your own, and then come up with a catchy project and name. OK, here are some goofy ideas to get you started – I’ll make up the names and you can make the projects for your application –

  • Catchy Cactus Coasters
  • Mini-billboard Pet Portraits
  • Rocks that Rock
  • Starry Night Sleep Tee
  • Jazz-Score Journal

See? That took me about five seconds to think of a few ideas – you can do better, Kid – get out there and be famous, and you can thank me when you have your own international design line. Here’s where to apply. (And tell ’em Lyn sent you 🙂