First, the Studio — then the Alamodome!

stIf the Saturday Show and Tell gets any bigger, I’m gonna need to rent out the Alamodome! More than 40 people came to the Studio on Saturday to share creative ideas, show recent projects, and brainstorm solutions to works in progress. Many thanks!

One of the favorite “shows” was David Chidgey and his amazingly informative presentation regarding his work in mosaics. He brought examples of his work in glass and tile and described his course of mosaic study in Chicago.

David’s website, Art Glass Mosaics, is an excellent resource for information about his work and the art of mosaics in general.  I was quick to ask him if he would consider doing a mosaic workshop for us at the Studio – and he said yes! We are working on a possible November date, so stay tuned.

Another fascinating share was from Lynn Maverick Denzer – she brought an oil painting she is restoring that was done by her grandmother, artist and conservationist  Lucy Maverick.

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Lynn teaches at Inspire Community Fine Arts Center, another great art education resource.

Other presruenters showed fiber art, including this mixed-media piece by Rosemary Uchniat (left). Questions and answers were flying around the table – lots of creative buzz going on. That’s why I love these Saturday Show and Tell get-togethers – there’s a wealth of talent in our community, and such generous people willing to share.

So I’m either going to buy more folding chairs or rent the Alamodome, because this informal Show and Tell event is a keeper! Hey, maybe next month we can expand out into the parking lot! Surely the first cool front will be here by then. Right?

Have a great week, everyone. And come to the next show and tell – date to be announced soon!

Small worlds, big talent

I had a blast at summer Art Camp – I taught an online class at Artful Gathering called Small Worlds: Creating Fantastic Landscapes with Altered Pages. The session just ended today and the student work (many are practicing artists) was phenomenal. Some of you have taken this workshop with me at the Studio, and you will especially appreciate these collages. Wowzers!

The majority of these altered papers were created with Citra-Solv cleaner, which I’ve mentioned often. If the idea intrigues you, you can get a good introduction to the process at this link on the Citra-Solv artists’ page. Heck, after seeing all of this good work, I need to schedule another workshop! I’m inspired – and I’m grateful to these fantastic workshop participants who allowed me to share their work.

I can’t show you photos from the art-filled week, but I did do my homework. . .

It’s a foggy morning here in Boston, and I am still processing all of the incredible art I’ve seen this past week, here, and in New York. You are temporarily off the hook for having to see my zillions of photos of art, though, because of some “saving errors” on my little Mac. But I will definitely post them when I get home later this week.

The most spectacular art museum I saw was the Whitney Museum of American Art – I hope you get to visit sometime. Their new location is breathtaking, and the exhibit, America is Hard to See, is like walking in person through the most exciting decades of American art. What an experience!!

The IMG_7381best new-to-me artist I discovered was Arlene Shechet. Here’s a photo from a video of her working on one of her large clay sculptures. If you visit her site, you can see the work I saw at Boston’s Institute of Contemporary Art. I was especially fond of the indigo and white mandalas that she did between 2002-2005. She is amazingly versatile, eclectic and visionary.

I did do my homework for Jane Davies‘ class while I’ve been here in Boston – Jane is an amazing teacher and painter – hope she doesn’t mind my sharing this approach to composing a painting study. It’s very worthwhile – it involves concentrating on two separate areas at a time within a randomly executed beginning. Take a look – I didn’t produce a “finished” painting, but I learned a lot and had fun doing it. And I did it on the dining room table with limited supplies – shows that you can do your art anywhere.

Home soon!! Can’t wait to be back to the Studio.

Monday morning roundup

fabricGoddesses were out in force at the Goddess Banner workshop yesterday. It was a gorgeous afternoon for drying colorful, glittery fabric on the rack outside the Studio. Among the participants were Monika Astara (my favorite fashion designer) and Lisa Stamper Meyer from Roadhouse Arts, as well as several talented FASA members who specialize in surface design. So, even though we used the some of the same images, the results were totally diverse and eclectically spectacular. Take a look at the video, and then I’ll tell you about some of the techniques.

Aren’t those wonderful? We did a combination of Small Space Dyeing that Rosemary Uchniat teaches in her workshop and digital image transfer that’s done with hand sanitizer (yep!). I learned about this technique from an artist in Rehoboth, Delaware, and it works great on fabric. Basically, you print your image on an inkjet overhead transparency, spread a layer of hand sanitizer gel on your fabric, place the image face down, pat gently and leave for 15 minutes. You’ll get different results based on how much gel is on the fabric, but it works great. We protected the digital transfer by taping freezer paper on the back.

And speaking of Rosemary Uchniat, guess who won the Friday Freebie Mermaid Shard? Yep, Rosemary – congrats – it was totally random. Now she’ll have to make a mermaid!

Have a great Monday, y’all – I’m headed to NYC and Boston for a few days to see the family. Will send art reports along the way!

 

Mermaids, fiber arts and Friday freebie

1First things first – the Friday Freebie – I was amazed at the response to the Mermaid Shard Faces that I posted on Etsy this past week. They flew (or swam?) out of the shop and are now sold out, but I’ll be making more of them as a regular item in my EarthShards gallery.

Did I forget to save you one for the Friday Freebie? No! Here’s your chance to get a Mermaid Shard Face of your own to tie to a branch and add mermaid-like elements (See mermaidkaren copymy friend Karen’s wonderful example, left). These faces come from press molds I make from old cemeteries and sculpture gardens, so they have good mojo. Be a SHARDS subscriber by Sunday at midnight and you’ll be in the drawing.

Now, onto the fascinating subject of fiber arts – if you work in paper or mixed media or fabric or felt or anything string-like or woven – listen up! The Call for Entries from the Fiber Artists of San Antonio for their Juried 41st Exhibition at the swanky Plaza Club in November opens next week. If you’re accepted, your work will be seen by zillions of Plaza Club members and guests who appreciate – and purchase – art. So here are your instructions:

  1. Read the info poster (below) to see three great reasons to enter this show with any of your fiber-related work
  2. Then, if you need inspiration, watch the video at the end of this SHARDS post. You’ll see six fiber artists demonstrating easy, eclectic techniques from the FASA Artists Buffet meeting last Monday.
  3. Enter the FASA juried show – the deadline’s not till October, but time flashes by like a mermaid’s tail!16exhibitflyer

And here’s your Inspiration Video! Good luck with the FASA entries AND the Friday Freebie!

Monika Astara – a visit to her studio

When I first met Monika Astara at a FASA Runway Show several years ago, I was almost tongue-tied by the beauty and originality of her designer clothing. She was swamped with customers, but I managed to ask her rather tentatively if she ever did trunk shows – she said that she did! Six months later, she brought her wearable art to my Studio, and it was a huge success. We became fast friends and she’s had several more fantastic shows with me – her clothes are comfortable, casually elegant, yet very distinctive. If you are a Monika fan, you know what I mean.

Hoverer, I had never been to HER studio until this weekend, and what a treat it was to see where all of the Monika Magic originates. I got to see her long cutting table where she paints and constructs her garments, the stacks of patterns, and most of all, the fabrics! Her signature fabrics are chosen for their unusual textures and colors and for their practicality – not an easy task.

I took some photos during my visit to share with you, and I hope you will be at her next show and sale at Lyn Belisle Studio in October, date coming soon!

Circles of connection

Saturday’s Show & Tell was the best kind of connected circle – it seemed as if everyone had a story or an idea that made the collective group smile and even applaud. When you begin with Vicki Siptak’s beautiful necklaces made from socks (1) and end with thoughts from a poet about imagery, words, and art, what’s not to love? Join us for the next one if you can on Saturday, August 29th (2-4 pm), and connect with this creative circle at my Studio. Here’s a video from Saturday.

kimAnother connected circle is getting really huge, as in International – that’s the Spirit Doll connection. It started for me with Joanna Powell Colbert in 2012 and her order for faces from my Etsy site. She and I both started teaching Spirit Doll classes, and the word spread. I’ve sent shard faces to many countries and  just got these photos from Jo Rockendorfer, who recently taught a Spirit Doll class in Sydney, Australia – here’s here description: “The red doll is Hummingbird Medicine, the green/blue was for a friend after she did a healing ritual and the last and most recent is Sophia Goddess of Wisdom”

I love the fact that Texas clay enhances Jo’s beautiful work from Australia – and if you’re reading this, you’re connected, too, in our circle – lucky me! Circles unify, art connects –  life is good. Have a great week.

 

It takes a few eggs to hatch an altar

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My altar from last year titled “Illumination”

Celebration Circle’s annual invitational event, One People, Many Paths: The Sacred Art of Altars, is a personal favorite. It’s a challenge to take one of 50 plain wooden boxes and transform it into a personal artistic statement with meaning, maybe some humor, and a visual appeal that will encourage people to bid on it to benefit this very cool group of spiritual creatives. Last year’s altars show the amazing variety of artful offerings.

My altar for this year started with some eggs from the next-door neighbor’s chickens. I loved their shape and texture, plus there’s always the notion of what will hatch. When my friend Zippy found a nest that seemed made for the altar box, it started to come together. Want to see? Here’s how I made my altar titled “Brood, Hatch, Fly.”

Lyn Belisle "Brood, Hatch, Fly - wood, earthenware, plexiglass, found objects

Lyn Belisle “Brood, Hatch, Fly – wood, earthenware, plexiglass, found objects

Here is the quote that inspired “Brood, Hatch, Fly”:

“It may be hard for an egg to turn into a bird: it would be a jolly sight harder for it to learn to fly while remaining an egg. We are like eggs at present. And you cannot go on indefinitely being just an ordinary, decent egg. We must be hatched or go bad.” C.S. Lewis

You can see all of the Celebration Circle altars (and bid on them) at the Santikos Bijou Theater in Wonderland Mall from September 1 – 30, 2015. Now go hatch and fly.

 

Spirit Box showcase and a fresh breath bonus

spboxWaaa-aaay back in October of 2013, I wrote an article for Cloth Paper Scissors Magazine about Spirit Boxes. This is from the intro:  “Spirit Boxes take their roots from art dolls, kachinas, and other meaningful handcrafted figures. They make beautiful gifts, especially if a personal note or small object is tucked inside the box. To make your own Spirit Box, you will need just a few simple materials, and most or all of those can be recyclables.”

Six participants got together at the Studio yesterday to give it at try at our Spirit Box workshop. The results (below) are beautiful, personal, and heartfelt.

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So what’s the “box” part of this construction? It’s a recycled Altoids tin (how ubiquitous – they are used from everything from mini-shrines to sewing kits). But by gluing this on to the back of a flat wall piece, you can both lift it out from the wall to “float” it, and also have a secret compartment for life’s little pleasures like Hershey’s kisses, silver dollars, and secret messages! See?

Punch holes and fashion a "handle" out of wire, then glue on with E6000

Punch holes and fashion a “handle” out of wire, then glue on with E6000

Voila! A secret compartment!

Voila! A secret compartment!

FUN LINKS for ALTOIDS TINS:

22 Manly Ways to use an Altoids tin

Top 50 Ways to Recycle Altoids tins

Ten Things You Can Build Inside of an Altoids Tin (including a lie detector)

Altered Altoids and Other Tins

My personal favorite – an Altoids tin grill that can cook two hotdogs and one marshmallow – seriously?

Discharge fabric design – a cheap flashy bleach job

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Mike went to a garage sale on Saturday and found some brass Asian calligraphy characters that were used as wall decorations. The more I looked at them, the more I knew I didn’t want them on the wall.

But the designs were cool. So I took an old black shirt and used some diluted bleach to create a reverse stencil design in what’s called Discharge Dyeing. Discharging is the process of removing dye (by destroying or altering the dye “chromophores”) with various chemicals or bleach, often in pleasing patterns or designs through Shibori or Tie Dye methods, or by stamping, stenciling or block printing (definition from Dharma Trading Company).

brass copy Here’s what you needa black shirt (cotton, already washed), some chlorine bleach (Clorox), diluted 50/50 with water and put in a small spray bottle (label it!! Work outside!!), a non porous board like foam core to put between the front and back of the shirt to keep the bleach from bleeding through, scrap paper to mask off your bleaching area, masking tape to stick the paper to the shirt, and some INTERESTING OBJECTS to use as reverse stencils. I used the brass calligraphy symbols, but you could use anything – doilies, leaves stick-on letters, shells, twine and sticks – be creative.

Step One: Assemble your stuff on your work surface. Make sure that any stray bleach mist won’t damage the surface.

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Step Two: Put your non-porous board between the layers of the shirt and smooth out the fabric This protects the back of the shirt and also makes the process easier by giving the surface some support.

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Step Three: Lay out your objects in a pleasing pattern – center them if you like. You can use anything – stencils, lace, metal washers – and you can test your designs by trying them on black construction paper first – it “discharges” like black fabric.

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Step four: Mask off everything except the area you’re going to mist with the bleach solution. Here, you can see I’m taping scrap paper around the edges of the area using blue painter’s tape.

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Step Five: Once the masking is complete, you’re ready to spraybe careful of the fumes. Even diluted, bleach can be strong, but you are using just a small amount and working quickly. I used a little spritzer bottle and mixed about half a cup of the 50.50 water-bleach solution.

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Step Six: Spritz the bleach solution over the exposed area of the shirt. working quickly and just misting the surface. There’s no need to soak the fabric. Pay special attention to edges of the shapes.

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Step Seven: Watch in amazement as the color changes in seconds. Every black fabric has a distinct undercolor, some greenish, some rust. This shirt turns almost orange in the areas that are discharged with bleach.

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Step 8 – Remove the objects(s) to test the progress. Looking good! This was a small wooden disk with a hole drilled in it – not sure where it came from, but I like the pattern it left.

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Step Nine: Remove all of the objects carefully – no drips unless you want that effect – and make sure you like the resulting color, which usually takes less than a minute to develop), The bleach action stops automatically since you just misted the surface.

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Step Ten blot-dry the front of the shirt with a paper towel – otherwise, you will get damp bleach on other parts of the shirt when you move it. You can use a hair dryer after you blot it, or you can just let it dry in place.

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Step Eleven: Voila! Step back and congratulate yourself on your arty shirt – you should wash it before you wear it. This particular shirt is an “easy tee” by JJill that is much enhanced by its new design!

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Step Twelve: Hire a cat to arrange itself artfully on your new garment – if you spread the shirt out after it comes out of the dryer, the cat may arrange itself for free whether you want it to or not.

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There are tons of ways to do discharge dyeing on black fabric, but a diluted bleach mist will give you fine lines around a stencil. Be careful, though, don’t get bleach solution on unwanted surfaces! Or cats.