Category Archives: art

Painting with friends, part two

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sherryTwo of the best art teachers I’ve ever worked with are Sherry Christensen (left) and Linda McLaughlin. For several decades, we taught art in North East ISD and saw each other often at meetings and student art shows. Now retired, they are joining me at the Studio on Thursday afternoons to explore some of the new media that’s available, and to paint together for a couple of hours.

I had great plans for doing some mid-tone painting on canvas this past Thursday, but we started playing with some scribble crayon drawings on Bristol board while we waited for our canvases to dry. Then we painted over everything with white, like artist Jane Davies often does. We lifted some paint with paper, then added a wash of Quinacridone gold. But wait, there was more! I had the beeswax out from a previous workshop, so on went a layer of beeswax, which we incised. Then came walnut ink (of course) and Shiva oil paint sticks. Then some gold foil and stamping. Man, did we have fun! The canvases will have to wait until next time – this kind of  spontaneous exploration is good for an artist’s soul 🙂

Painting with Gloria

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gloI love painting with Gloria Hill – we’ve been doing it long enough (on Wednesdays for several years) that we’re comfortable with critiquing each other’s work and giving suggestions without judgment.

Pretty cool – and what’s also cool is that we learned today that both of us had our paintings accepted into the juried San Antonio Art League Annual Exhibit. It’s notoriously competitive, but I had two of my three pieces accepted and Gloria – tah dah – had all three of her paintings accepted! That’s rare. I am so proud of her! You just never know with jurors, but we couldn’t be happier with this one (Michael David Leslie, who is the Curator of the National Cowboy and Western Heritage Museum in Oklahoma City, Oklahoma). The opening reception is on April 12th, so come see the Lyn and Glo show 🙂

So besides congratulating ourselves until we got silly, we had a great painting session this afternoon. For once, I remembered to take photos, and I put them together in a little video. It’s always interesting to me to see how paintings develop – here’s how our work went this afternoon. Both Gloria and I were pretty pleased with the end results (although they may not be totally finished – ya never know).

Curious evolution of a work on canvas

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dissofmem2Where do art ideas come from? Darned if I know – Here’s a piece that invented itself from 12 clay face slabs I made last week just because I didn’t want to throw away too-dry clay. The piece is called “Dissolution of Remembrance” because forgetting the names of objects and misplacing small items worries me, and I know I’m not alone in that.

I used these unplanned clay pieces to address this worry through an art piece. I arranged the fired earthenware slabs in an almost irregular pattern on a 24×30″ canvas, then sewed and adhered them in place. First came a wash of walnut ink (of course). Then I added some red oxide acrylic paint – here’s what it looked like at that stage – kinda disjointed.

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I tried to make it more cohesive with various colors of paint, attempting to suggest a progression of memory loss, and finally got the idea of putting rusted wire inside each head – it didn’t really work. Suddenly, I remembered talking about cheesecloth in my last post, and added a layer of cheesecloth over the whole composition to unite the elements. That was a good decision.

After that, there was lots of action going on with matte medium and fabric stiffener. Next came a thin coat of encaustic wax. Finally I added branches to allude to the branching dendrites in the brain. Science occasionally comes in handy 🙂

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The last element, silk cocoons, was another accident – the plastic bag of cocoons was open on the table nearby and the silk kept catching on the branches – well, duh – how obvious was that? So, on they went. Symbols of hatching new thoughts?

I’m not sure “The Dissolution of Remembrance” is completely finished, but it’s been amazing to watch the process as both the maker and the observer. Now if I could just remember where I put it –  – – only kidding. I think.  dissofmem1

Susie Monday at UPC

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My friend Susie Monday is an amazing artist. She inspires me, and so many other people, in our work and in our lives. Here is part of her Artists Statement – see if it doesn’t resonate with you, as well:

“My textile paintings tell the spiritual and metaphysical stories that  unfold in my life and in the lives I observe of women around me. My goddesses, saints and angels are less about religion than they are about everyday occurrences: our hopes, dreams, frustrations, foundations and the resources we call upon in the secret spaces of the heart.”

Yesterday, I stopped by the University Presbyterian Church near Trinity University where Susie’s  textile collages grace the gallery in the Education Center. It is a visual treat to see so much of her richly symbolic color-splashed work in one place – here are some photos from the exhibition. I hope you get by to see it this month. The show will be up until the first of March. Thanks, Susie, for the joy your bring to our lives!

Living and learning

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learning copySchool starts for me this week – as a teacher and a student! I go back to Trinity to teach my course in Essential Information Technology, and I’m taking an online photo-encaustic class from Clare O’Neill. The tuition for that one is rather steep, but I expect to learn a lot of new skills in both photography and encaustic that I can pass along to my own workshop participants. (Did somebody say “Old dog, new tricks?” – arf.)

If you’d like to experience an online class, do I have a deal for you! Michelle Belto, encaustic artist extraordinaine, and I have teamed up in an online offering called “Wax and Tissue.” You can see details here at Roses On My Table. It’s a good way to gently discover the encaustic process, and if you take a look at the materials list, you can see it’s not all that complicated. It’s a lot of fun, too – we had a great time making this video.

Online classes are easy to access and view (you get specific easy-to-follow directions) and you can look at them as often as you need to or want to. I like to watch the ones I take in sections so I can have “think breaks” in between.

“Wax and Tissue” has a lot of information (and a certain amount of goofiness – you know Michelle and me) and you can email us questions through the forum with the other students. The course costs $55, which is a *lot* less than the encaustic class I’m taking with Clare O’Neill – and definitely less than my Trinity students are paying for *their* tuition! Lifelong learning in the arts is truly priceless, especially when you can do it in your jammies. Think about joining us – OK, I”m off – gotta head to class!

Hiss and myth

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OK, so I’m rather taken with cats. Or taken by cats. Whatever. But some of the most enjoyable small art pieces I’ve done lately are cat spirit figures – sorta like Spirit Dolls with cat heads. As part of this, I’ve been informally researching cats in mythology – they have been around a long time and have always been considered pretty weird and magical. For example, did you know that Ceridwen, the Welsh goddess of wisdom, was attended by white cats who carried out her orders on Earth? Or that, in Islam tradition, dogs are considered unclean, but cats – who frequently bury their own waste and rarely eat another animal’s feces – are not. I like that “rarely” part – I mean, a cat’s gonna do what a cat’s gonna do.

My new favorite cat story is about Freya, the Norse goddess of love and fertility and the wife of Odr (who disappeared right after they got married, but that’s another story). She rode in a chariot pulled by two Norwegian Forest Cats or Skogkatts. Here’s the photo to prove it, taken on the spot – Freyja_riding_with_her_cats_(1874)and the cats look pretty happy about the whole idea. No wonder it’s a myth.

I loved the idea of Freya’s cats, though, and my latest piece is called just that, Freya’s Cat. This is a powerful cat, rough-and-ready, able to pull chariots, leap tall buildings, or row boats (should Freya want to travel across a Fjord). This guy carries around a bunch of protective charms, just in case. I think he’s a pretty cool cat. Nice kitty!

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“Freya’s Cat” – Mixed Media Assemblage – Lyn Belisle – 2014

 

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“Freya’s Cat” (detail)

You light up my life?

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When I returned from my short trip to Colorado, Michael presented me with an early Christmas gift that he found at El Mercado, San Antonio’s Mexican Market. He said there was only one like it, and It’s definitely unique! It’s a mini-shrine to the Virgin Mary (I’m assuming) that is a concave image – but when the Christmas light bulb underneath the face is turned on, it appears three-dimensional. Check it out:vir2

When you look at the lighted image from the side, the eyes kind of follow you – it really does look rather eerie, but cool.vir1

But the *very* coolest part is that I can use it as a Face Shard mold. Strangely enough, the face that results from pressing into the shrine (below) doesn’t look a lot like the lighted image!vir4 Spooky.

Too bad, though, if you wanted a similar gift – I seem to have gotten the only Light-Up 3-D Illusion Virgin in the whole Mexican Market. You can, however, have a face made from this amazing object if you play your cards right.

 

FASA fun and face shard fabrications

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Friday night was the opening of the FASA Juried show – I felt darn lucky to get accepted, but never in my wildest dreams expected to win an award – and for People’s Choice! Here are my pals Sidney and Mary Beth getting ready to fill out their orange voting slips for my piece, “Rune and Relic Bundles.” Thanks, guys (and to everyone else who voted)! And congrats to Susie Monday, Dian Lamb, Linda Rael, and Lisa Kerpoe who won awards from the Juror. It was an absolutely fantastic show. Look below for the video – amazing work from these fiber artists, and SAY SI! was the perfect venue.

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After all that, I was so inspired that I got to work on some new pieces for the Studio show on December 6th. Here are some work-in-progress pieces and one that I just finished from that bunch. I love making these little Shard beings! Every one of them has its own personality.

It was a busy weekend, but not too busy to draw a name for the Friday Freebie, a small Guatemalan purse from Friendship Bridge with a Shard Face inside. And the winner is . . Zet Baer! I saw Zet at the Fiber Art show – how nice to draw her name. So congratulations! Let me know how you’d like to receive your FF, Zet, and thanks to everyone for subscribing and reading and commenting.

Now, on to thoughts of turkey, dressing, mmmmmm . . . .

 

 

 

Creating with invisible directions

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It’s hard to explain how it feels when the parts take over and show you where they need to go – sounds kind of weird. But I just finished a Shardian assemblage that did just that. This figurative piece had never existed before, so there were no directions, but the pieces fit together so smoothly that every piece that was put in place felt exactly right. I love it when that happens! Hmmm . . .this piece started right after my visit to Papa Jim’s . . . (hearing theme from Twilight Zone) . . .

 

Huipiles and votives and shards – oh, my!

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Studio update – it was a busy, creative, rewarding weekend in a zillion ways. Our show and sale of Guatemalan artisan goods for Friendship Bridge was a huge success – both money and awareness were raised! Thanks for all who came to shop and learn – here are some photos:

Sunday was a day of rest – well, not exactly, but I had a wonderful time at our relaxing Votive Workshop. Seven of us sat around the table creating these little candle screens. It was the perfect way to spend a cold and drizzly afternoon. The Studio is a magical place sometimes.

Finally, last night, this girl realized she need to get to work and get her hands in some clay! These little faces will go into the kiln today and perhaps turn into Spirit Dolls, assemblages or Etsy send-outs to someone else for their own creations. Have a happy week, Y’all, and stay warm.