Category Archives: Inspiration

How to describe your personal art style using Pinterest as a tool

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Lyn Belisle, “Corwin,” Assemblage 2015

“Oh, you’re an artist? What kind of art do you do?” I get that question fairly often, and I usually just say, “Mixed media.” But if you need to think in terms of a fuller description (such as when writing an artist’s statement), you might need to come up with adjectives that are more specific to your personal style.

One way to do this is to  start a Pinterest board with images of the kind of art that resonates strongly with you – chances are, these images will reflect your own aesthetic. For example, here’s a recent selection from my own Pinterest “Stealboard” (as in “Steal Like an Artist”):

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From this small selection, I can see that I gravitate toward a neutral palette of grays and rusts. I like organic shapes, twig-like lines, and odd and mysterious iconic faces.Not surprisingly, these elements show up consistently in my own work.

Now compare my favorite images to the Pinterest board of North Carolina artist Eileen Ross:

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I don’t know Eileen, but from her selections, I’d say she likes elliptical shapes, whimsical impressionist content, deep pastel colors, washes of paint, and calligraphic elements. When you look at her own work, you can see the strong relationship between what she likes and what she creates. Interesting!

What if you don’t have a Pinterest favorite art board, or even a Pinterest account? It’s easy and free to set one up. Just go to Pinterest and follow the simple directions. I would also suggest that you install the Pinterest browser button – here’s how. This little tool allows you to click on your browser’s tool bar to add a picture from the Internet to your Pinterest favorites board instantly. Be warned, though – once you start collecting, pinning, and analyzing the kind of art work that you love, you can get addicted!

Musings about mud and more

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I’m packing for Boston, eager to see Ellen Rolli again and to paint with her. I’ll send an update during the five days I’m there, but meanwhile, your homework is to watch this nine-minute film about Paulus Berenson, craftsman, pottery maker, environmentalist. This is what poet Mary Oliver says about him:

“Paulus Berensohn, whether he’s speaking, slowly and thoughtfully as he does, or just smiling, is a gift. With his presence, life takes on a new radiance and energy. He teaches. He shines.”

     —-Mary Oliver


Paulus and Clay from TOTM Film on Vimeo.

After you’ve seen the film, treat yourself to some inspirational “dessert” by looking through India Flint’s blog. I think you’ll see a visual and philosophical connection. Art is life. Life is good. 🙂

Fiber Artists of San Antonio Style Show 2015

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fasaWhen I joined FASA, the Fiber Artists of San Antonio, I knew they did more than quilting and knitting, but I didn’t realize that “fiber art” includes basketry, beadwork, braiding, clothing design, crochet, dyeing, embroidery, felting, hooking, knitting, lacework, mixed media, needlework, paper, quilting, sculpture, sewing, spinning, surface design, textile design and weaving. As a mixed media artist, I’ve discovered a lot to learn and love in this group!

Many FASA members create one-of-a-kind garments for the juried Fashion Show, an annual event that is wildly popular and usually a sell-out. I was lucky enough to get a ticket by the stage this year, and happily present to you a sampler of the artistic fashions.  The theme was In Harmony With Nature – and these talented designers combined nature, art, imagination and fashion in their creations. Take a look!      

One last note – the winner of the Walnut Ink Friday Freebie is Jo Etta Jupe – congrats, Jo Etta! Let me know how you’d like to receive your fabulous freebie 🙂
 

 

Junanne Peck rolls out printmaking fun with FASA

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The Fiber Artists of San Antonio sponsored a workshop yesterday afternoon with printmaker Junanne Peck, whose printmaking techniques include collagraphs, drypoint, polyester plate lithography, etching and monotypes. I had taught printmaking in public school, but it was a long time ago and I learned some new things from Junanne that I thought I’d share with you.

First, she is a demonstrator artist for Akua printing inks, a division of Speedball. We used this ink for monotype printing and I was impressed with the texture and pigmentation. They also make fabric printing inks that are permanent once dried. Check it out.

DSCN6690But the item that really intrigued me was the PinPress – a hand operated roller-type system that produces beautiful monotypes.

DSCN6703It’s made by Akua – here’s what they say about it: The PinPress was designed specifically for monotype printmaking. The roller is precisely machined to an incredibly even and smooth surface for uniform contact between the roller, paper and plate. Durable all metal construction made of aluminum and brass bushings insures long lasting, trouble-free printing.

I used this press during the workshop to make a monotype print with the Akua inks and liked the feel of it a lot. It costs $235, so it is a bit pricey for a small studio, but if you are into monoprinting, the PinPress is a great solution and produces nice prints with good embossed edges. And it’s definitely cheaper than a conventional heavy flat-bed press!

All of us enjoyed the afternoon with Junanne – she’s a great teacher. Here are some photos from the workshop.

Last but not least, congrats to the Friday Freebie winner of the texture tool set whose email address is “justakid@sbcglobal.net.” I like that! Send me your contact info and I’ll get these to you right away – you can scratch and texture to your heart’s content.

A HUGE wake-up call – thanks to my fellow art educators!

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If you read my recent post, you know how excited I am about working with beeswax and digital photos (thanks again, Clare O’Neill). Friday evening I got a wake-up call – literally – validating my artistic intuition. Thanks to two super friends, Gloria Hill and Melissa Wittman, I made a last-minute entry in the Artists Who Teach show at Blue Star which opened Friday. I chose a wax and tissue photocollage titled – guess what – “Wake-Up Call.” And it won Best of Show!! I was stunned and incredibly grateful, both for the astonishing award and the validation of a new direction.

It is an especially meaningful honor because it came from one of the most talented group of friends and peers that I know – art educators. Take time to thank an art teacher today – what gifts they give. And support the San Antonio Art Education Association. They rock!

Special thanks also to juror Jim LaVilla-Havelin, artist and poet and mentor, for the conversation we shared after the awards. He is so wise! I’ll share his piece of wonderful advice with everyone – Jim said, “Never paint for a specific juror – it will backfire. Paint your heart, paint you best without compromise.” . . . . Wow. Life is good.

Three-minute “big question” video

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I was upgrading my Vimeo account this morning and came across this Staff Pick called “What Comes After Religion” by Jonathan Hodgson. It’s thought-provoking and beautifully made and addresses (in just three minutes) questions about the human need for spirituality in the absence of formal religion – and the way art plays an integral part. I thought it was worth sharing. Comments?

WHAT COMES AFTER RELIGION from Jonathan Hodgson on Vimeo.

OK, back to work – is it Friday yet?

Minding my own beeswax

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beacon-hill-art-walkEvery June I look forward to participating in the Beacon Hill Art Walk in Boston – the venerable old red-brick and cobblestone neighborhood opens its courtyards and gardens to over 100 artists for a unique event that includes music and food.

This year, inspired by Clare O’Neill and  the work that my students did in our first Beeswax Collage workshop, I’m including some of my own encaustP1100506ic beeswax collages for show & sale. I’m also developing a new eBook about the process called Behind the Veil – it’s almost ready for publication. And I’ll offer a new workshop on this Beeswax Collage process on July 12th, and another one in the fall, so stay tuned for those things. The new eBook will give you several tips on working successfully with this process, including:

  • Limit your palette, both in imagery and in wax color
  • Work small scale at first
  • Use a good substrate such as Arches #300 watercolor paper

Taking any art to Boston is kind of a challenge because it has to be lightweight, packable, and easy to set up. These collages fit the bill – I’m hoping they will be popular with Boston patrons. Two years ago, my work won a third place ribbon, last year I took home a second place ribbon – maybe these little pieces will snag a first place at the show on June 7th! Here are a few of the new beeswax & collage pieces that are completed. Do you think they will be a hit on Beacon Hill? Fingers crossed 🙂

 

 

She’s baaack . . . in the swing of things – with Monika Astara this Saturday

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I just returned an hour ago from beautiful Whidbey Island near Seattle, WA, where I spent a week teaching and learning with Joanna Powell Colbert at the Gaian Soul Retreat – thank you, Joanna , from the bottom of my heart for this reflective time in such an incredible space at Aldermarsh Retreat Center. There was virtually no Internet or email and I was totally awed by huge trees, twenty amazing women, and the singing of frogs in the marsh.

I’ll have more to say about it as last week gets processed in my overwhelmed brain, but one of the most amazing experiences was walking along the beach on Useless Bay on Friday morning. There were crows and gulls and wind and chill and solitude, and in the not-so-far distance was Canada.

There’s so much more to talk about and think about, but right now I’m excited about being home and back at the Studio.

I’m especially happy to welcome Monika Astara back this Saturday the 28th! There are spaces left in her Inspired Dressing workshop and I hope you’ll email me to let me know you’ll join us  – here are the details.

SPIRITED DRESSING

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Monika Astara, highly-followed fiber artist and clothing designer from Austin, will be bringing her incredible wearable art to Lyn Belisle Studio for a trunk show on Saturday, March 28th, from 1:30-5:30. Many of you love to wear her designs, and now you can browse in a comfortable environment with friends and refreshments and no crowds.

But there’s more! Monika is teaching a private workshop called “Spirited Dressing” on that Saturday morning from 10:30 until 12:30.  She will work with each attendee personally to show how colors, layers, styles, textures can make our soul sing and give us confidence and joy. Monika has worked for over a decade helping her clients, and says, “If we get supported and strengthened by what we wear, we  stand up straighter, our voice gets stronger, yet more pleasant, we feel good about ourselves and we literally radiate from the inside out. People respond to us differently. Our days are brighter and easier.”

mon2Attendance at the private workshop is limited to ten participants. (note – there are six spots left at this writing) Tuition is $50 a person, and that can be applied as a rebate when you purchase $200 in clothing. You’ll get first pick of Monika’s designs before the sale starts at 1:30. And you will enjoy a light brunch and camaraderie with the group at Lyn’s comfortable studio. To reserve your spot and be among the ten participants, email Lyn: lyn@lynbelisle.com

This sounds especially good – Monika also says, “Prices at private shows are about 25% – 35 % below retail and I will also have a sample sale rack with wholesale prices and below.” Well, yay!

Monika’s looking forward to seeing you all on March 28th. And I’m excited, too! Please forward this to friends who appreciate wearable art.

Curious evolution of a work on canvas

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dissofmem2Where do art ideas come from? Darned if I know – Here’s a piece that invented itself from 12 clay face slabs I made last week just because I didn’t want to throw away too-dry clay. The piece is called “Dissolution of Remembrance” because forgetting the names of objects and misplacing small items worries me, and I know I’m not alone in that.

I used these unplanned clay pieces to address this worry through an art piece. I arranged the fired earthenware slabs in an almost irregular pattern on a 24×30″ canvas, then sewed and adhered them in place. First came a wash of walnut ink (of course). Then I added some red oxide acrylic paint – here’s what it looked like at that stage – kinda disjointed.

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I tried to make it more cohesive with various colors of paint, attempting to suggest a progression of memory loss, and finally got the idea of putting rusted wire inside each head – it didn’t really work. Suddenly, I remembered talking about cheesecloth in my last post, and added a layer of cheesecloth over the whole composition to unite the elements. That was a good decision.

After that, there was lots of action going on with matte medium and fabric stiffener. Next came a thin coat of encaustic wax. Finally I added branches to allude to the branching dendrites in the brain. Science occasionally comes in handy 🙂

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The last element, silk cocoons, was another accident – the plastic bag of cocoons was open on the table nearby and the silk kept catching on the branches – well, duh – how obvious was that? So, on they went. Symbols of hatching new thoughts?

I’m not sure “The Dissolution of Remembrance” is completely finished, but it’s been amazing to watch the process as both the maker and the observer. Now if I could just remember where I put it –  – – only kidding. I think.  dissofmem1

What was shown, what was told

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Silvia shows Otomi paper

Silvia shows Otomi paper

The first Saturday Studio Show and Tell was great – filled with inspiration and ideas. Among the showees were Lesta Frank, who demo’d  a great paper peel and transfer technique, Rosemary Uchniat, whose embossing demo turned metal into unbelievably intricate collage textures, and Bonnie Davis, whose tar paper painting had everyone brainstorming. She learned this method from KenT Youngstrom from North Carolina. His website is fascinating – lucky Bonnie!

Take a look at our video (and pay no attention to the date in the title – it’s not really 2915 – is it? ..arg)

We’ll have another Show and Tell in February, date coming soon.

facesnuevaWinners of the Friday Freebie face shards, one for each, are Susan Calkins, Rosie Rojas, and stitchingalways@gmail.com (familiar email, but darned if I can remember who it belongs to). If you’d like to come to the Studio and pick one out, great! If you need it mailed, send the info and it will be on its way to you!