A workshop and visit with Julie and Greg from Australia – wow!

How often have I had an Australian come to Texas for a workshop with me? Well, never – until now.

Greg is amazed by Julie's talent!!

Greg is amazed by Julie’s extraordinary talent – of course!

Australians Julie (Julz) Dandelyon and her husband Greg Dodge had been in touch with me for a while about a possible get-together when they visited the States, but I never thought their visit would become a reality.

It did! We’ve just finished the most amazing two days together at my new house working in mixed media, making molds, firing earthenware, and creating collages on canvas. We also ate, drank, visited, talked for hours about their extensive world travels and plans for the future. Total bonding!

Julie was such a quick study with clay – it was her first time working with the shard face process, and she quickly developed her own unique style, making her own molds and embellishments. Take a look at the video of some of Julie’s work over the past two days – beautiful stuff.

Of course, she did everything upside down . . only kidding. I hope to get to Australia next year to work with Julie on several projects that we discussed – what a dream that would be! Thanks, Greg and Julz!

 

Santa Fe, Round Two

My workshop on Saturday at the Artisan Exp in Santa Fe once again proved to me that starting with a good grasp of composition works magic in any collage-based process. I discussed my Composition AB3’s ( Alignment, Breathing Room and Thirds) and demonstrated how easy it is to master these guidelines.

Voila! Every person produced a really good encaustic collage, all different, but all strong in subject, vision, and composition. Below are some of the pieces in process, and some that are completed. (If you can’t see the images, click here to view them in your browser.)

One of the participants, artist, author and tarot reader Arwen Lynch-Poe, documented her process and with her permission, I’ll use her photos to show you how she put her piece together. (If you can’t see the images, click here to view them in your browser.)

So between Encaustic Bling with Michelle Belto on Friday and Engraven Images on Saturday, the Santa Fe workshops were super fun and successful!

And if you want to take this workshop, you still can. I’m teaching the all-day version, plus a Wax, Earthenware and Fiber Talisman class at ViVi Magoo in Round Top in three weeks.

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Update note: Since I returned from Santa Fe on Monday, I’ve looked at a couple of places for new workshop venues – and there are several good possibilities.. . .more soon.

But the good ol’ Studio isn’t closed yet! We still have a fantastic event coming up a week from today. It’s Monika Astara’s popular trunk show and sale of exquisite, artistic fashions!  Here’s more info – hope to see you there.

monika

Right now I’m off to the Trinity Alumni Art Showcase where I’ll be showing and selling my Encanto earthenware and sari ribbon mixed-media pieces. Wish me luck!

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My Thursday Shareables – Billy Keen and other charming things

Billy Keen, “Becoming Human in the Morning”

Sometimes I get excited about a couple of artful things that are totally unrelated, but very shareable. Such is the case today.

The first item is artist Billy Keen’s comprehensive one-person show which opens at the San Antonio Art League and Museum this Sunday from 3-5.

In a word, it is stunning.

Billy’s work is best described in his own words:

“The works are about transcendence. They explore the tension between beauty and fragility, between our reptilian brain and our higher thinking, between fate, faith and free will. They combine the representational, the abstract and the sculptural. Objects are created, painted, or found. Combined, they become parts of a visual vocabulary exploring the life journey or spiritual pathway.”

I was at the Art League yesterday for a meeting and the show had just been installed. It was an overwhelming experience to walk the galleries alone surrounded by Billy’s work, much of it quite large and looming and magnificent.

Here are some photos that I took, none of which do justice to the work:

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Can you tell I’ve always been a huge fan of Billy Keen and his work? I’m lucky enough to call him a friend and a huge inspiration (and, yes, Billy, I do rip you off, every chance I get!)


The second shareable is little and all mine . . . Thai Buddha Talisman Charms.

talisman

 I recently found a source for these little Thai Buddha prayer charms and decided to incorporate some into portable amulet “shrine charms” that can be clipped on a bag or worn on a scarf. (They have a small steel caribiner clip as well as a split ring on the top for attaching the amulet charms to whatever you choose.) Hmm. they’d even clip to your doggie’s collar to protect him.

Here are the first four prototypes – I’ll have more at the Earthworks show that Linda Rael and I are opening tomorrow at my Studio (see bottom of post for your invitation!)

an1 an2 an3 an4

Hope your Thursday is great – hope to see you at the Studio tomorrow from 6-9, and I hope that you’ll share something nice with someone else today!

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Pale and painterly papers

A collection of pale papers by Lyn and Lesta

A collection of pale papers by Lyn and Lesta

Lesta Frank and I are teaching a workshop this month called Whiter Shades of Pale. Recently we got together at my studio to play with surface design of all kinds and create papers that have subtle painterly textures and intriguing variations of the palest tints.

The workshop has been sold out for a while, but I thought you might like to see some of the results from our pre-workshop experiments.

The first idea, below, is so simple – you just do a reverse stamp onto tan kraft paper (like a shopping bag) using a white stamp pad or white acrylic paint soaked into a damp piece of felt. Another variation we did was to roll white acrylic paint onto a textured placemat and print the design onto the tan paper.

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Below, tissue paper has been painted with clear acrylic matte medium, which causes the paper to wrinkle a bit, and then it was sprayed with walnut ink. It’s almost like tinted glass!

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This is one of my favorites. Lesta stenciled white acrylic paint onto deli paper using a small paint roller, and after it was dry, soaked it briefly in strong coffee to “age” it.

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This is an easy “cheater-ly” way (below) to make multiples of subtle designs for ready-made custom collage paper. We just lay various pale papers on a scanner, scanned them in to the computer, and then printed out 8.5″x11″ composite-designed papers. Lesta tinted the face on the example below with Portfolio oil pastels.

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Cheesecloth can be used in so many ways to add interest to collages with pale papers. You can Gesso it and let is dry, then cut it into fragments. You can use Gold Gesso as well. You can also add it as a layer over textures, then paint over it with light tints of acrylic paint.

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Finally, don’t forget that you can lighten images with your printer using MS Word – here’s a Renaissance face with its contrast decreased, printed on a plain piece of inkjet paper and mounted to matboard. I punched holes and will attach this to a collage as one of the final layers – hmm, and maybe cover it partially with tissue?

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If you want to play around with pale papers, here are some materials you might want to try.

I hope you have a chance to use some of these ideas – you can make just a few pale papers and collage little 3×5″ creations for cards. Or whatever – pale is pretty!

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Wax and Words – no worries, everything worked!

After a month away from teaching workshops, I was a little fearful about starting off the new sessions with something I hadn’t done before, a class called Words and Wax. It was inspired by some of Nancy Crawfords beautiful Love and Gratitude encaustic series pieces.

Nancy Crawford, 4x4", Even More Love and Gratitude

Nancy Crawford, 4×4″, Even More Love and Gratitude

I wanted to emphasize the mark-making within the words, so I designed a four-layer process that involved ink, stencils, graphite and stamping as the initial approach,followed by the addition of beeswax, and incising into that. The results were wonderful, thoughtful, accidental but purposeful. Please see what the students did in the video below.

I’m happy to share with you the general outline of the class in case you want to play around with this idea. You can find the steps here.


Postscript:

Ironically, just as I was writing this post about words, I received some sad news about the death of an old friend and consummate man of words, Professor John Igo. John was a San Antonio educator, writer, artist, photographer, producer, and critic. He kept us all on the straight and narrow path with our word usage in his delightful radio program called Grammar Gripes.

John leaves a legacy that is wide and deep across the arts and letters community – he will be greatly missed.

John Igo

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The fiber world of Jude Hill – Feel Free

Jude Hill’s introduction photo to her Spirit Cloth 101 free and open tutorial

One of the best aspects of the “gift of fire” that is the Internet is the generosity of artists who share their passion. For free. As a wannabe fiber artist, I happily discovered Jude Hill – she freely gives her expertise, her thoughts and vision, and her extensive library of online lessons about creating personal statements in fiber.

Jude Hill – completed study

Her blog itself is called Spirit Cloth and the free lesson site within it is – Feel Free! It’s perfect for people who want to experience the idea of fiber art by working on small pieces and learning techniques while incorporating interesting concepts. Like cats! Like magic! Like magic cats!

Jude Hill “Conjure”

And . . . she grows her own Indigo!

Samples of indigo – Jude Hill

Take a look around Jude’s blog site – it’s packed with ideas and inspiration, and not just for fiber artists. I found myself sketching some nifty ideas for cat spirit dolls after I looked at some of her creations. There’s a place on her site to donate if you feel so inclined. I did. This is what she wrote about her teaching and sharing:

Here, at THIS place I call Feel Free, I intend to share something beyond the “thing”. Feel Free to look around and use what I share.  Feel free to share this place with others. THIS is my gift. THIS is not a business.

With Trust and Peace.
jude

Isn’t that perfect for a day when we think about the concept of freedom? Free to share, free to learn. Happy Independence Day, everyone.

Color sketch by Jude Hill

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Lessons in metal from a master teacher

I will never again underestimate the artistry that goes into a pair of earrings designed by nationally-known artist Dale Jenssen – her skills are impressive. She taught two days of detailed metal jewelry techniques at the Studio this weekend, and her students produced some amazing work (see the video, below).

I have been a fan of Dale’s for years and have collected some of her work – earrings and a treasured mirror – but working with her gave me new insights into her talent and experience as a designer and craftsperson. She provided an array of materials for students to choose from, then led them through the process of cutting, finishing, and assembling their pieces using tools like the drill press, grinders, punches, and wire brushes. It was cool!

Dale’s metalwork is featured in Artful Home as well an  in galleries and public and private spaces through the United States. Here are some of her iconic sconces. She also does custom work and special commissions. I am profoundly grateful to her for sharing her skills with us!

Sconces by Dale Jensses in Artful Home

Sconces by Dale Jensses in Artful Home

Wasp Sconce by Dale Jenssen

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Five friends learn composition, collage and beeswax

My friend Mary James organized a great private workshop for five friends at the Studio yesterday afternoon. We worked with vintage photos and beeswax. I really hadn’t worked with anyone but Mary before, but I loved every one of the participants! They were enthusiastic risk-takers – some first-time artists, some  with art backgrounds – all great students!

We followed my usual teaching sequence – explaining the AB3’s of composition, arranging the visual elements accordingly, layering and fusing wax and stamps and foil and – of course– spraying walnut ink to accent the incised lines. Some people brought photos of their grandmothers and mothers to work with – beautiful.

They got it all! You can see the incredibly individualistic results in this short video. Fun! Thanks, everyone, stellar work!

Kintsugi and Boro – fusion and inspiration

Celebrating the imperfect, the time-worn, and the re-invented resonates deeply with me, probably because I am a combination of all of those things. That’s why the Japanese arts of Boro and Kintsugi are so appealing. Boro, a Japanese word meaning “tattered rags,” describes lovingly patched and repaired cotton bedding and clothing used much longer than the normal expected life cycle.

Boro is enjoying a revival among fiber artists who treasure its indigo blue color and melange of textures and subtle patterns. In fact, the Fiber Artists of San Antonio are offering a Boro workshop taught by Mary Ruth Smith in July.

A Japanese houshold Boro textile

Linked to Boro by concept is Kintsugi, meaning “mended with gold.” It refers particularly to the Japanese method for repairing broken ceramics with a special lacquer mixed with gold, silver, or platinum.

The Kintsugi process usually results in something more beautiful than the original.

The Kintsugi process usually results in something more beautiful than the original.

Both Boro and Kintsugi are interwoven with the philosophy of wabi-sabi, which means “to find beauty in broken things or old things. ” See why I like this stuff so much?

So today at the Studio, I was putting away materials from our Citrasolve and altered paper collage workshop, and I started thinking about torn paper scraps (Boro) mended with gold (Kintsugi). I printed out the word “kintsugi” and began arranging Boro-like tatters of paper (they would probably have been dumped in the trash) onto 8×10″ pieces of archival mat board.

Then, inspired by the gold veins of Kintsugi, I “mended” the spaces between the scraps with gold leaf. It was amazing how fast time flew – I created five of these collages in about four hours. They almost pieced themselves together.

Here are the five collages – #3 is my favorite because it looks most “Boro-like.” These pieces are destined for the Beacon Hill Art Walk this Sunday, but when I come home from Boston, I’m going to continue to explore the idea of gold-mended tatters and the beauty of imperfection and re-invention.

Mended with Gold #1 Lyn Belisle 2016

Mended with Gold #1
Lyn Belisle 2016

Mended with Gold #2 Lyn Belisle 2016

Mended with Gold #2
Lyn Belisle 2016

Mended with Gold #3 Lyn Belisle 2016

Mended with Gold #3
Lyn Belisle 2016

Mended with Gold #4 Lyn Belisle 2016

Mended with Gold #4
Lyn Belisle 2016

Mended with Gold #5 Lyn Belisle 2016

Mended with Gold #5
Lyn Belisle 2016

 

 

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Glittering banner celebration on Mothers Day

“Everything in nature bespeaks the mother. The sun is the mother of earth and gives it its nourishment of heart; it never leaves the universe at night until it has put the earth to sleep to the song of the sea and the hymn of birds and brooks.” ~Kahlil Gibran

Yesterday’s Goddess Banner/Prayer Flag workshop was a different kind of Mothers Day celebration. We created personal statements in fiber with dyeing, surface design, phototransfer, handwritten quotes and personal iconography. It was a celebration of the idea of nurturing the spirit of Mother Earth – and we had a really fantastic time!

OK, so I don’t usually use glitter in my workshopstoo darn frivolous, right?not this time! We glittered our banners, our gloves, our faces (inadvertently) – it looked like a Tinkerbell convention. And every single work was beautiful and heartfelt.

Even though some of us had kids who were far away, the Studio was a real place of creative belonging yesterday. What an experience! Take a look at our video: