Philip John Evett: Goodbye, old friend

Phil and Joanne Evett with Lyn Belisle, Blanco, Texas 2010

Phil and Joanne Evett with Lyn Belisle, Blanco, Texas 2010

I met Philip John Evett in the spring of 1962. It was love at first sight – love of his work, his impossibly endearing British accent, and his enthusiasm for those of us lucky enough to be his Trinity art students. We called him “Uncle Philsy.” Sometimes we added “wicked” to it.

He taught us to weld in steel and carve in stone. He taught us a love of lyrical form and a respect for eclectic elegance. Phil was my mentor then and my friend ever after, as he was to so many of us. He died this weekend, 94 years old, a consummate artist and humanist.

Here’s a brief look at the work that friends and I saw several years ago on a visit to his inspiring studio and gallery in Blanco, Texas. Phil tells a funny story about finding the right head for a sculpture, just 20 years after the fact.

In 2012, Phil gave an informal lunchtime lecture at Blue Star Art Complex. I sat next to him and used my phone to record his remarks. Phil’s recollections and philosophy shine through despite my hand-held phone recording and the less-than-idea sound circumstances. This is a rare look at the workings of this incredible artist’s mind.

As I re-watched the video, I was particularly struck by his comments on “the quiet, long-time savoring of the moment” that is so rare these days, and then talked of his love for his peaceful life at his Blanco studio.

So many of us will miss you, Phil – thanks beyond words for gracing us with your inspiring presence, your soaring art and your everlasting friendship.


More about Philip John Evett

 

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EARTHWORKS: September 9-10

She Cat – created by Linda Rael, owned and cherished by Lyn Belisle

I know of no other artist whose works resonate in my heart as much as those of dear friend Linda Rael. Everything she creates makes me think, “Dang, I wish I had done that.” She incorporates animal bones and porcupine quills and rust and earth and tattered linen and other stuff that myths and magic are made of. I purely love her art!

Linda Rael 2016

Linda Rael – Fiber, Rust, Found Objects –  2016

It’s been a dream of mine for several years to collaborate with Linda on a show, and recently, over a long lunch, we decided to go for it! We are calling this show “Earthworks” – it reflects a direction that we’ve both been exploring, going to ground, leaving behind bright color and adding elements one might find along a stream bed or sacred path.

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The works will be on exhibit at my Studio for just two days during the second weekend of September. 

Many of Linda’s new pieces are fiber-based and hand-rusted with the natural patterns adorned and enhanced with hand stitching. My own pieces will be mostly sculptural, much like my neo-santo series, but less refined, more weathered.

Want to see a few sneak preview photos? Please take a look, then mark your calendar now because the availability of these works is limited to September 9-10 only.  You won’t want to miss this event – it’s always fun to visit the Studio, and I am thrilled that Linda is joining me in this amazing two-day exhibit called Earthworks.

Linda Rael 2016

Linda Rael 2016

Linda Rael 2016

Linda Rael 2016

Linda Rael 2016

Linda Rael 2016

Lyn Belisle 2016

Lyn Belisle 2016

Lyn Belisle 2016

Lyn Belisle 2016

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I would SO fail . . . . . .

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One of the things that I’ve had time to do this month is poke around in thrift shops. I found this totally creepy set of stamps from the 50’s called “Grading Aids.” The idea is that you evaluate some poor kid’s work by stamping a scary clown face on their paper or drawing. No words, no comments, just a clown face. Ewww. That is wrong in so many ways.

Let’s apply these standards to the new abstract diptych that I just finished. It’s layered with symbol and calligraphy and paint and prayer and a mystical snake and all kinds of radical, goofy non-representational stuff.

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Well, first of all, it’s not neat. Damn, I hate it when that happens. The Clown is not pleased either. Look at those random spatters.

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It’s also obviously careless work – you can’t even read what it says – very poor penmanship (no matter that penmanship isn’t even taught anymore). The Clown disapproves.

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In fact, this painting is so unacceptable I might have to do it over – right, Clowny?

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Actually, I think I’ll do it over a bunch of times – I’ll do a whole SERIES of careless, messy joyful abstract paintings – take THAT, you stupid clown and all the rest of the inside-the-box thinkers that try to rubber stamp individual creativity. Hooray, back to the Studio – what an EXCELLENT idea!!

Happy creating, Everybody!

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Thank you, Brother Cletus

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Saying goodbye to this San Antonio icon and artist is so hard. Brother Cletus died yesterday. Cletus Behlmann, S.M., a Marianist Brother, taught for 19 years before arriving in San Antonio to become a full time artist. He settled in San Antonio in 1977 and began operating the St. Mary’s University Art Center.

He captured the heart of the city in his painting and in his personal life with his affable, self-effacing wit and generous spirit. Those of us who were lucky enough to know him were blessed, but his work speaks to everybody through joyous color and dancing line.

Thank you, Brother Cletus, for sharing your life and art with us – we will miss you so much, but we know where you live. 🙂

 

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The fiber world of Jude Hill – Feel Free

Jude Hill’s introduction photo to her Spirit Cloth 101 free and open tutorial

One of the best aspects of the “gift of fire” that is the Internet is the generosity of artists who share their passion. For free. As a wannabe fiber artist, I happily discovered Jude Hill – she freely gives her expertise, her thoughts and vision, and her extensive library of online lessons about creating personal statements in fiber.

Jude Hill – completed study

Her blog itself is called Spirit Cloth and the free lesson site within it is – Feel Free! It’s perfect for people who want to experience the idea of fiber art by working on small pieces and learning techniques while incorporating interesting concepts. Like cats! Like magic! Like magic cats!

Jude Hill “Conjure”

And . . . she grows her own Indigo!

Samples of indigo – Jude Hill

Take a look around Jude’s blog site – it’s packed with ideas and inspiration, and not just for fiber artists. I found myself sketching some nifty ideas for cat spirit dolls after I looked at some of her creations. There’s a place on her site to donate if you feel so inclined. I did. This is what she wrote about her teaching and sharing:

Here, at THIS place I call Feel Free, I intend to share something beyond the “thing”. Feel Free to look around and use what I share.  Feel free to share this place with others. THIS is my gift. THIS is not a business.

With Trust and Peace.
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Isn’t that perfect for a day when we think about the concept of freedom? Free to share, free to learn. Happy Independence Day, everyone.

Color sketch by Jude Hill

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Pamela Taylor and the issue of incarceration

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I took a quick break last evening to visit with friend and art activist Pamela Taylor, whose exhibit of paintings opened at IAMA Coffee House just outside the Pearl on Broadway.

Called “Confinement (In)Justice: A Dichotomy” it aims to call attention to the unparalleled rate of incarceration in the United States.

Here is a bit more about Pamela – I cherish her friendship and encourage you to get by IAMA this month to see her work.

Pamela Taylor, M.S., a San Antonio native, is an abstract expressionist painter whose work is intense and chaotic, symbolizing her personal pain and concern about society”s increasing tolerance of inequality, harassment, and intimidation, which has created an environment of incivility in schools, workplaces, and politics. She is the Co-Founder of Dress for Success San Antonio and Founder of Career Gear San Antonio, workforce development non-profit organizations serving the disenfranchised; Taylor served as CEO for nearly 14 years. While there, she worked directly with inmates of Bexar County Jail for 2 years. Taylor has been featured in the San Antonio Express News and local media on numerous occasions and is a survivor of domestic violence. In 2011, Taylor spoke about her ordeal in a TED Talk at Trinity University.

Confinement (In)Justice: A Dichotomy will be on display at The IAMA Coffee House from June 28-July 26, 2016.

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Summertime at the Studio – Dyeing to Share

DSCN2548I told Rosemary Uchniat on Saturday that putting together a video from her dyeing workshops was always no-fail because the pictures were consistently  bright, artistic  and colorful! Just look at that drying rack – wow!

Despite the fact that Rosemary had laryngitis, she persevered and taught a spectacular class to rave reviews! What a trouper that woman is.

Small Space Dyeing with Rosemary – the Video:

And on Sunday, the Show and Tell sharing session was just as colorful in every conceivable way with many different media. Some folks presented their work, some just soaked in all of the vibes, and some said they came specifically to steal ideas! Maybe I should change the name to Show and Steal.

Take a look at some of the very creative things that the Show-ers and Tell-ers brought in, and feel free to steal like an artist!.

Show and Tell always sparks discussion – there were some especially good ones yesterday, everything from art activism to construction technique to poetry as creative inspiration. It’s such a pleasure and privilege to host these once-a-month gatherings at Lyn Belisle Studio.

July is going to be a quiet month – I’ve kept the Studio Calendar free from workshops and lessons (even Show and Tell) so I can explore my own work while developing new ideas. If you have workshop inspirations, send ’em along!

I’ll blog from time to time, of course, especially when I find great stuff to steal, show, and share! Stay cool, y’all!

summer cocktails

 

 

 

 

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Face it – this clay don’t need no kiln

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One thing is for sure – the number of faces that came into the workshops on Sunday and Monday were a lot fewer than the number of faces that went out. The energetic and enthusiastic workshoppers must have created hundreds of little air-dry clay people – and not just human faces – there were 3-D molds, insects, cats, and one persona that looked like creepy Chucky (that one became our mascot).

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The object was to explore ways to use no-fire clay – to make original and iconic clay face shards and other dimensional components without the need of firing in a kiln.

We concentrated on four areas:

  1. How to make reverse press molds with both two-part silicone and with air dry clay
  2. How to use the molds with various kinds of air-dry clay to make a dimensional object
  3. How to finish the surface of the dried clay faces with walnut ink and metallics
  4. How to use those finished components in mixed media projects

The key to success is to embrace the imperfections inherent in the air-dry clay – those cracks and irregularities give the pieces the illusion of heritage and a wabi-sabi touch of imperfect beauty. You can see what I mean from our video – every picture tells a story, every little face has a secret history – hopefully not Chucky’s:

 

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Summer Solstice Studio Party with Pablo Solomon

This is our fourth year together! The annual Solstice Party with Pablo and Beverly Solomon is always delightful. This year, Pablo premiered his new paintings, which are filled with color, energy, and his iconic female figures.

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In his artist talk, Pablo discussed how the act of painting can represent a cathartic release of emotions that speak to certain people on many levels – almost like a secret code. The multi-talented artist also described his love for ecological stewardship and recycling old materials into re-invented art.

I invite you to share their Solstice celebration in the video, below – thanks, as always, to Pablo and Beverly! And today, as is our tradition, we get to go junk shopping with them for new art fodder!! Hooray, YeYa’s, here we come!

 

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Lessons in metal from a master teacher

I will never again underestimate the artistry that goes into a pair of earrings designed by nationally-known artist Dale Jenssen – her skills are impressive. She taught two days of detailed metal jewelry techniques at the Studio this weekend, and her students produced some amazing work (see the video, below).

I have been a fan of Dale’s for years and have collected some of her work – earrings and a treasured mirror – but working with her gave me new insights into her talent and experience as a designer and craftsperson. She provided an array of materials for students to choose from, then led them through the process of cutting, finishing, and assembling their pieces using tools like the drill press, grinders, punches, and wire brushes. It was cool!

Dale’s metalwork is featured in Artful Home as well an  in galleries and public and private spaces through the United States. Here are some of her iconic sconces. She also does custom work and special commissions. I am profoundly grateful to her for sharing her skills with us!

Sconces by Dale Jensses in Artful Home

Sconces by Dale Jensses in Artful Home

Wasp Sconce by Dale Jenssen

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