Category Archives: art

Workshop notes . . .

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Oh, no – she’s over-blogging again! But I did want to share some quick workshop notes and videos with you. valerieThere’s a Spirit Doll workshop this Sunday, and, as good timing would have it, I just received this photo from Valerie, who recently returned to her house in Freeport, NY after hurricane Sandy – she made this Spirit Doll using one of my face shards to celebrate the return. I love the colors and textures. Thank you, Valerie.

Last night was the Asian Painting workshop – great fun, lovely results from the participants. If you want to see me do a demo of the basics, click on this link. And here’s a video of the workshoppers and their artistry. They came as Grasshoppers and left as Masters 🙂

The empty altar

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Last week, I received this really nice letter from a group that I admire tremendously – Celebration Circle.

Dear Lyn: At the recommendation of many mutual friends, we are writing to invite you to create a hand-made altar for the Celebration Circle’s annual art exhibit, One People, Many Paths: The Sacred Art of Altars and our tenth year of presenting this exhibit and silent auction at the Bijou Theater September 1 – 30. You will be one of 50 artists to receive a handcrafted wooden box to use as the basis for creating a small “altar” focused on whatever matters to you – personally, artistically and/or spiritually – employing whatever media and/or embellishments your vision requires. The completed piece is due no later than Sunday, August 11th. 

the empty altar box

the empty altar box

What could I say, but “of course!” Now comes the challenge. I looked at the empty altar box for a while and remembered that I had some sheets of weathered moss that came off a wall planter.

. . . .lined with moss

. . . .lined with moss

On they went to line the altar – glue, glue. So far, so good – then I thought “Aha, a Spirit Doll! – I love making those” So I popped one in from the last workshop. Oops – the whole thing instantly turned into a moss lined coffin. Not good. Back to the drawing board – will keep you updated :). All suggestions gracefully accepted!

. . .oh, no! She looks dead! Oops. Bad idea.

. . .oh, no! She looks dead! Oops. Bad idea.

Arts, letters & amber – a studio visit

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Carolyn Eastman Cazares is a Woman of Letters – Hebrew letters. She fell in love with the letterforms over a decade ago and paints them in layered compositions that transcend translation. I visited Carolyn at her Studio on the edge of the Texas Hill Country north of San Antonio, and I was astounded with the diversity and passion in her work. When she falls in love with something – Hebrew letters, chunks of amber, faces that compel her, she is prolific in her explorations. Her amber and copper wire jewelry is lyrical – she says that amber is a combination of “liquid sunshine and ancient wisdom.”

She also makes a great chocolate gluten-free cake (and gave me the recipe). We talked for over an hour about creativity, relationships and art, and what inspires us, and we found a lot of common ground. If you’ve visited my house and my studio, you can see from the photos that Carolyn and I share a lot of the same kinds of “artists’ stuff”! Thanks for the visit, Carolyn – I will be back!

Cheap tricks – tags and labels

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I’m getting some new work ready for my Art Show on July 20th with Lesta, Jan and Alison (hint hint, see invitation at the end) and I made some really cool earthenware beads, if i do say so myself. They are finished with walnut ink and gilder’s paste. They looked pretty good on the string, but when I added a descriptive tag, they looked great! I’d buy ’em for me if I didn’t get ’em free :).

runeshot

Here’s how:

  • Think of a catchy name – I used Rune & Relic because I already had that name on some things in my Etsy shop)
  • Write a very short description or use a quotation or poem line that is applicable – search for stuff like “Everything you can imagine is real.” ― Pablo Picasso
  • Add a photo, or if you don’t know how to do that, find a great stamp and use it on all of your tags – I use a moon face stamp and add a raven stamp on top as my signature on my handmade books.
  • stampwithmoonandraven
  • Design your tags to the dimensions of a business-card (2″x3.5″) Open up a business card printing program – MS Word has one – follow the set-up directions,and just put in plain cardstock instead of business card paper – it’s cheaper by far.  Print and cut apart, punch holes and add string or raffia. Voila!! (which means, “damn, that looks good” in French)

So now you are asking yourself, “Where can I find some of those fantastic Rune and Relic Beads?? Well, here’s your personal invitation for the Christmas in July Art Show and Sale at Lyn Belisle Studio featuring Four Amazing Artists! You’ll shout “Voila!!”

invitation

 

Surface treatment

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So I joined the Fiber Artists of San Antonio in March under false pretenses – the only fiber I knew anything about came in my granola. But I am learning so much from this talented group – it started when I met Sherrill Kahn at the first meeting I attended.

Today I took the plunge and worked a bit with surface design on fabric. It was amazing! And fun! After about four hours steady work in the Studio, I completed three pieces (well, the surface part, anyway). I even had time to do some sewing on one piece. The materials I used were Gesso, acrylic paint, India ink (that may have been a mistake – it’s very intense and unforgiving – live and learn), pattern stamps, and gold leaf sealed with acrylic medium. I also tried a digital heat transfer on one of the pieces. Here are the results. i don’t know where I’m going from here, but I do know that I’m hooked on working with fabric and fiber. Look out, FASA 🙂.

An Artful Weekend with the Solomons

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Things are so quiet here – our house guests, Pablo and Beverly Solomon are safely home, the Studio is back to its usual self, ready for workshops, and I just finished posting the video from the weekend (below). What great memories we’ll all have! These photos are from both evenings, and include some really great shots of guests posing with their original Pablo Solomon drawings, with Pablo and with his pet monster lizard creature, Diablo. Thanks to everyone who came and helped make this an artful and art-filled weekend!

Friday Freebie – Threads of Blessing

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When the Sathreads1cred Ground exhibit opened at Cathedral House Gallery in late May, I met a woman named Helen Schnelzer who sponsors a wonderful program called Threads of Blessing, an annual needlework workshop for the women of Uganda. These workshops are designed to encourage women to gather as a community, learn organizational skills, and help develop personal esteem. I purchased five of the embroidered tapestries and wanted to share one with a SHARDS subscriber as a Friday Freebie. This one was embroidered by Abby Thorciba, who writes in her statement, “I have orphans I care for . . .the Lord has given me this to feed, clothe and care for them and myself.” Look at the great expression on this face!

threads2

Here is the full tapestry – it’s about 18×18″ on unbleached muslin and could be stretched to frame or sewn into a hanging or a pillow. It’s signed by Abby Thorciba. I’ll wait until Sunday to do the Friday Freebie drawing but will let you know who the winner is Sunday night. All subscribers will have a chance to win, and I thank you so much for reading my blog.

And here’s the brochure – click on it to read it, and if you’d like to donate, you can write to The Episcopal Diocese of West Texas, Attn: Threads of Blessing, PO Box 6885, San Antonio, TX 78209 (or just email me and I can give you more information – I’m not affiliated with the program, but I definitely support its philosophy and will continue to threads3purchase these unique works).

 

 

Magnetic attraction, creative workshop ideas

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My first evening workshop at the Studio began somewhatdramatically when a driving rainstorm started just before we gathered, but it turned out to be a happy omen because the creative workshoppers outdid themselves. There was something comfortable and cozy about being together in the Studio with rain on the windows and Mozart playing on the laptop speakers. See for yourself – the participants made the loveliest magnetic pins. I provided the materials, including the earthenware  faces, but they provided the magic.

How (not to) fire a kiln

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Being away from the Studio for two weeks meant playing catch-up when I got back. There were a lot of things I could do art-wise while I was gone, but creating earthenware and firing it was not one of them. Sunday was Clay Day – I made about 60 small and large face shards and small sculpture pieces such as pendants. Monday was hurry-up-and-dry-so-I-can-fire-the-kiln day. I loaded the kiln Monday afternoon even though some larger pieces were still damp (gulp). This is a huge NO-NO. I don’t want to see you guys trying this.

Do you see the little face on top of the big face? It’s completely dry – you can tell because it’s white, but the big piece underneath is gray. It’s damp, and anyone with any sense wouldn’t fire it at this point, but I propped the kiln lid open, let it stay on Low for a few hours, and crossed my fingers that it would dry out and not shatter in the firing.kiln1

There’s really nothing mysterious about loading and firing a kiln. Most electric kilns like my Skutt have a kiln-sitter that uses a pyrometric cone made of clay. The cone is designed to melt at a specific temperature (in this case, about 1800F). When it melts, a three-prong device trips and turns the kiln off. That metal rectangular thingy has dropped down, indicating that the #05 cone on the inside has melted.

kiln2

The Kiln Gods were kind – nothing broke, amazingly enough. Here’s the first tray just out of the kiln, still very warm.

kiln3

Here’s the bottom layer, waiting to be unloaded. If you look on the right, you can see the slumped cone and the tripping device with the middle pin in the down position.

kiln4

So despite my Bad Practice of loading damp greenware, I got away with it – this time. These pieces are now ready for me to figure out how to use them – as Scent Shards? Sculpture pieces? Stay tuned 🙂

kiln5 kiln6

 

 

Meanwhile, back at the Studio

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Back at last from Boston with lots of inspiration and good memories! Look what was waiting for me on Facebook yesterday, just in time for Eileen Achorn’s beading workshop this Saturday at the Studio – two fabulous examples of cabochon beading using my face shards. These were done by Kathy Cosgrove from Round Lake Beach, Illinois. She wrote, “I purchased a few of your shards a few months ago and I wanted to share with you the outcome of my projects.” All I can say is, “WOW.”

This is an extension of the same technique that Eileen will be teaching, although she will (blessedly) start us off with the basics – if you’re in San Antonio, I hope you’ll consider joining us from 11-2 next Saturday the 15th at the Studio. Here’s the sign-up link. I had no idea that the little clay faces could be elevated to the kid of art that Eileen and Kathy do! And Eileen promises that even I, with little patience and no beading experience to speak of, can do this. We’ll see. I’ll send a report and pics after the workshop if you can be there in person.

Now, repeat after me . . . there’s no place like home, there’s no place like home . . . . .:)