Category Archives: Inspiration

Decayed Daguerreotypes and The Public Domain Review

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Portrait of Emma Gillingham Bostwick [between 1851 and 1860], by Mathew Brady’s studio

Part of having some leisure time over the holidays is discovering new Good Stuff, which, of course, I’m passing along to you guys. Look at that wonderful portrait, above – it’s an old daguerreotype that has been naturally distressed over time by scratches, dust, hair, etc, and particularly the rubbing of its glass cover. Isn’t it beautiful?? Artists strive to achieve those distressed effects in wax and paint – age and natural process has done it for us here.

It’s part of a collection from a site called The Public Domain Review: a project of the Open Knowledge Foundation. You can read more about these daguerreotypes and see many more fantastic examples here.

Reading the Public Domain Review’s mission statement makes me smile:

images“In particular, as our name suggests, the focus is on works which have now fallen into the public domain, that vast commons of out-of-copyright material that everyone is free to enjoy, share, and build upon without restriction. Our aim is to promote and celebrate the public domain in all its abundance and variety, and help our readers explore its rich terrain – like a small exhibition gallery at the entrance to an immense network of archives and storage rooms that lie beyond.”

 

The Public Domain Review has unbelievable treasures, and my personal favorites are in the images collections. Here are a few of the non-copyright images I came across in my first visit – it won’t be my last. I hope you have fun with this great resource. I plan to donate to their site (just as soon as I climb out of this rabbit-hole of digital discovery)!

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A holiday wish for you

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Happy holidays, everyone! In the spirit of the Season, I’m giving you a couple of links to fun things

First, if you want to make origami crane ornaments to symbolize the hope for peace in the new year, here’s a link to a video I did a couple of years ago – you’ll just need some square paper and a tiny bit of patience. (I just checked the video and realized that I made it in 2012,  right before I opened the Studio! I was still working from home in the little studio lab – seems so long ago!)

Next, here’s a link to five collage sheets with some of my favorite images from my earlier work – print ’em out, tear ’em up, and play. I’m happy to share these with you guys.

Finally, here’s a recipe that I’ve posted before for a yummy fresh cranberry relish. It’s beautiful to look at, easy to make, and delicious with ham or turkey or just about anything else – even vanilla ice cream!

Thank you for all you do to make the world a kinder and more beautiful place!

 

A Gift from Joanna

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joannamadonnaDear friend Joanna Powell Colbert sent me a beautiful gift, a limited edition print of her newest artwork, Dark Madonna and Daughter. I found the perfect home for this lovely work in an old tin retablo frame from the early 1900’s. It’s hanging in my study on the wall above my computer. I love the serenity of this piece – it reminds me to slow down and take a breath when I get too rushed. You can order this print for yourself from her site, Gaian Soul.

I would encourage you to read Joanna’s blog post on how this piece came about. It speaks to the creative process in all of us. She also has a wonderful online series which has just started called 30 Days of Yuletide: A Daily Sacred Pause to Welcome the Return of the Sun. Just reading it each day helps keep me grounded to the season and the earth. And, boy, don’t we all need some grounding this time of year! Thank you, Joanna!

A quick reminder to San Antonio folks, Linda Lucretia Shuler will be signing her novel, Hidden Shadows, at my Studio this evening from 5-7. Her book (which I am thoroughly enjoying) explores how we ground ourselves to a homeplace – in this case, the beautiful Texas Hill Country. I hope you can join us for some informal literary conversation with Linda and share some refreshments.

Seek serenity, y’all – and celebrate the season!

 

Encaustic inspiration – free!

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eaicoverHooray! The new FREE issue of ENCAUSTIC ARTS MAGAZINE is online and ready to drool over. If you’ve ever wondered why “encaustic” (incorporating and exploring wax as an art form) is so fascinating, this will give you the answer, big time. You are strongly encourage to subscribe for free if you haven’t already.

Some of the ideas that I stole – er, I mean, was inspired by – in this issue were these intriguing orbs by Jamie Lee Hoffer. The artists says, “The encaustic medium has all the elements that inspire my creativity and push my boundaries.” eaiorbs

Another artist’s works that I found thought-provoking were the books constructed by Erin Keane from Asheville, NC. She writes, “I’m very deliberate in my image making;It’s an odd combination of precision and frenzy. I will construct and contemplate, arrange and re-arrange, until finally pieces fall into place and I am overwhelmed with a visceral response.” Wow.

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There are many pages and photographs of beautiful art in this free online publication. Even if you have no intention of ever melting a block of beeswax, check this out. Read the artists’ statements for a valuable lesson in how to write about your art. ENCAUSTIC ARTS MAGAZINE is published by the Encaustic Art Institute, a national organization headquartered in Santa Fe.

Finally, I would be remiss without once again thanking dear friend Michelle Belto who introduced me to this wonderful world of wax. Here is her national teaching schedule for next year (found on p.130 in the EA magazine) – if you are lucky enough to be able to sign up for one of her classes, do it! Happy reading, happy inspirations!

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A gift from Lorri Scott –

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Lorri Scott, wonderful fiber artist and new-found friend

Lorri Scott is a fantastic fiber artist who teaches all over the country. She’s a weaver, a dyer of cloth, creator of altered cloth books and art, and a designer of garments and accessories. When I found out that I had a chance to teach for her at Vivi Magoo because she was facing surgery, I was petrified because she is so stellar and well-known for her fiber art. But we talked, and she reassured me, and all was well – Lorri’s recovering nicely, and I had a wonderful time at the retreat teaching the dyeing classes. I am forever grateful to her for her help.

Imagine my surprise when she send ME a thank you present! Holy posole – there she was, recovering from surgery out there in California, and she took the time to send me a gift for doing something I should be thanking HER for. Lorri hand-felted the cover of the beautiful little cloth book, and her sister fitted it out on the inside as a sewing kit – what a treasure!

Now I can’t wait to take a workshop from her! Lorri, many thanks – hope you’re feeling tons better – you are amazing!

Tortoise-shelter architecture by a brilliant contractor

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You know Dudley, right? Our 90 pound Sulcada tortoise who was the size of a chalupa just five years ago?

Dudley's baby picture with Chico the kitten

Dudley’s baby picture with Chico the kitten

She spent the winter last year on the deck, but she’s just too darn big now and needed a backyard shelter to keep her warm when temperatures drop below 50F. She is, after all, a desert tortoise.

I suppose we cold have just spread thirty or forty sleeping bags over her 4×6′ crate, but that seemed kind of tacky, so we called our long-time friend and contractor, Kurt Wahrmund, to see what he could come up with. After all, he built her first condo. The brilliant result? A cedar-clad shelter that matches the architecture of the house. It has three wall panels that can be stored in the summer, and it features a plexiglass roof and a plenum system that directs the heat from a space heater down into Dud’s straw-lined crate. Check this out!

I am so grateful to Kurt for figuring out a beautiful solution that works aesthetically and practically for human and tortoise both – if you ever need a contractor/designer with a great solution to a building dilemma, call Kurt Wahrmund!

Home from The Prairie

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belIt’s hard to know where to start when you’ve just experienced an amazing four days in an unfamiliar but totally inspiring place. Teaching with the gifted instructors at Vivi Magoo in Round Top was an honor – and the students taught me as much I taught them! My friend Bonnie said that it was like going off to camp – how true. Except the camp cabins at The Prairie were furnished with lace and soft pillows and rose chintz.

I did miss my pal Michelle Belto – she was a huge help preparing botanical prints and papers for our demonstrations. And I couldn’t have done it without help from Lorri Scott, whose advice kept me focused and confident in a new environment – so glad she’s feeling better! Each of the three classes had its own personality – and I loved them all. Remarks heard during the three days, “I love your residue!” – “Those look like tie-dyed underpants” – “Ow, ow, that rebar’s hot!!” – “Look, it’s an alien!” – and especially, “I feel like I’ve know you guys all my life.”

I’ll let the video give you a taste of all the truly fun things we did and learned, but videos can’t show the welcoming warmth of the students and instructors at Vivi Magoo (by the way, I did find out where the name came from). Many thanks to Barb Solem and her family. And what a thrill it was to meet fellow Artful Gathering (yay!) instructors Diane Cook and Debby Anderson in person. So Viva, Vivi Magoo, and y’all in San Antonio stay tuned for workshops at my Studio sharing all of this good stuff!

Encaustic excitement – Clare O’Neill at the Studio in 2016

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Clare O’Neill “Paulette” Mixed Media: Photography, beeswax, pigments and oils

I’m packing for Round Top and Vivi Magoo this morning, but before I leave, I gotta tell you what happened this weekend. First, there was Monika Astara’s amazing sale on Saturday, and then there was a great meeting of the South Texas encaustic group on Sunday – and then last night, plans for an incredible workshop were finalized with the amazing Clare O’Neill.

It still seems like a dream, but Clare really is coming to teach at my Studio in January of 2016. She has been such major influence in my new work – several artist friends have taken her class on my recommendation and everyone agrees that she is an extraordinary teacher and artist. Here’s a post I wrote during her online class in February. Even at that early stage, I knew I was on to something special with Clare.

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Lyn Belisle: Ava’s Bird

I haven’t announced it yet on my webpage, so you’re the first to know – here are the details (click on the image below for the online version). Two people signed up yesterday, so there are only six spaces left.

If you know you’d like to meet Clare and work with her in person at my Studio for two days (yay!), sign up now. And if you’d like to hold a spot with a $50 deposit, just send me an email.

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The timeless art of The Prairie – a gentle retreat

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viviUntil I was asked to teach at the Vivi Magoo art retreat, I had never heard of The Prairie, a meeting and event venue in Round Top, Texas. People from all over the country fly in to Austin or Houston to stay at The Prairie, but since it’s just a couple of hours away from San Antonio, we drove up on a quiet Monday to check it out. I knew it had been founded by Rachel Ashwell (the inventor of “Shabby Chic”) but I was curious to see how art classes would work there.

Now that I’ve seen it, I can’t wait for next week to get here! We saw no one when we first drove up to the collection of lovely old houses and barns – the only sound was the breeze, and the only signs of life were the white linen sheets blowing on the clothesline and a white horse in the pasture.

We explored a bit, and then found Sarah, a lovely young woman who was readying the main house for next week’s gathering. The whole place is otherworldly and serene – I really felt as if I had gone back in time. Here’s a collection of photos that I took while we were there – it’s truly a beautiful environment. If you want information on the upcoming Vivi Magoo retreat, click here. And if you want to visit The Prairie, you’ll discover it down a secluded gravel road about five miles out of Round Top, Texas – but be prepared to find yourself in another time zone!

Seth Apter, master of mixed media and a darn nice guy

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Seth Apter had been an Art Hero of mine long before I heard he was coming to Texas from NYC. His work is a fusion of fine art, accessible craft and  mixed media exploration that I so often try to achieve. Only he does it consistently, and seemingly effortlessly. Check out his work and you’ll see what I mean.

On Thursday I got a chance to  work with him in person (woohoo) at his all-day Collage Camp workshop sponsored by Roadhouse Arts. I learned a lot about collage techniques, and even more about approaches to teaching. Seth is a master at constructive critique. All of us appreciated his feedback. I only wish I could have taken the next thresethe days of classes with Seth, but, alas, I needed to be in Bulverde for the opening of my encaustic show, Coeur Samples, with Michelle Belto.

But guess who showed up at our opening at Dan Pfeiffer’s Gallery yesterday evening – Seth! He came with Bulverde friends Lisa and John Meyer. What a treat! I told him that having him there definitely added to the show’s mojo!

One of the things that makes Seth such a fine teacher is the way he organizes his classes, step by step, and in a logical way that helps you internalize the steps and elements. In the Collage Camp, we started with a series of eight small collages, each of which demonstrated one of Seth’s design principals.  These will serve as an informal reference book for future work. Here are some photos from our day together – what a fantastic group with an unforgettable teacher.

You’ll enjoy looking around Seth Apter’s website – he told us that he’s getting ready to launch a new line of mixed media tools and products that will enhance anyone’s mixed media work, info at the link below – I am grateful to have met him – isn’t learning new stuff fun?

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