Category Archives: Mixed Media

Assignment: refocus through a creative challenge

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After week of extremes – extreme dismay – the fire near the Studio that caused so much damage to others – and extreme joy – fantastic time with Clare O’Neill, more pics to come – I’m ready to get back to some new artwork. But it always takes me a while to re-focus. Does that ever happen to you?

So here’s what I did this morning – I collected some random stuff from my work table and arranged it like a collage. Easy. I photographed it, then gave myself a challenge – make something out of (or inspired by) this pile o’ stuff.

fodder

Here what I have to work with:

  • watch parts
  • copper wire
  • A very cool stained paint rag
  • a face shard (or course)
  • a bird wing
  • a paper scrap
  • glass beads
  • a wooden egg

My assignment – MAKE SOMETHING. First thought – print and mount the photo for an encaustic piece – easy. Harder would be to make an assemblage sculpture, or a huge acrylic abstract painting based on the colors and textures — so what would YOU do?

Your assignment – Email me a pic of some of your small random studio stuff, no more than ten items, It shouldn’t be contrived or exotic – a tuna can, a twig, some lace, whatever – and then tell us what you’re thinking about doing with it. I’ll post the pics of the “ingredients” first. Then, in a week or so, I’ll ask for a pic of what you have done with them, sort of like an online Show and Tell There will be a prize involved!

PS Speaking of Show and Tell, don’t miss the next one at Lyn Belisle Studio on Saturday, January 30th from 2-4!

 

Encaustic excitement and fiber – Maggie Ayers’ mixed media work

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Maggie Ayers – Cocoon, 2008

 

 

 

 

 

 

Clare O’Neill’s visit to my studio is just days away, and I’ve been immersed in encaustic excitement! I just can’t wait to work with her since many mixed-media artists like me are incorporating the seductiveness of beeswax into their work, and Clare’s expertise is impressive – we are so lucky to have her here.

Maggie Ayers, Flourish (detail) 2009

Maggie Ayers, Flourish (detail) 2009

Coincidentally, I just discovered this morning that one of my fiber artist heroes, Maggie Ayers, has also turned to encaustic, and wow! What she’s doing with wax and silk is gorgeous! Maggie Ayers’ work prompted my interest in fiber art about ten years ago – her work is unique and organic.

She’s brought those qualities to wax – you’ll love the new work that she demonstrates in the video below.

Maggie writes, “Central to all my work is the notion of mark making. Whether it is a trailed line of ink from a delightfully scratchy bamboo nib, a rusted metal print on paper or torn reclaimed cloth, or quickly cut scalpel lines on a beeswax and resin ground, these are my working beginnings.” Beautiful.

Maggie Ayers, Small encaustic panel, 2015

The big lesson for me is not just about wax or silk or collage or any particular medium, but about expressing one’s own ideas in many ways. Not everyone who comes to Clare’s workshop this weekend will become a photoencaustic artist, but each of us will experience a new method of communicating through our art as Clare instructs us, and as Maggie Ayers has done. I love it!

Maggie Ayers, small panel, 2015

If you’re a mixed-media artist, and you’re new to encaustics, here’s a great list of resources compiled by Rhonda Raulston that will introduce you to the seductiveness of wax – but be careful – it’s contagious.

A holiday wish for you

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holidaycard copy

Happy holidays, everyone! In the spirit of the Season, I’m giving you a couple of links to fun things

First, if you want to make origami crane ornaments to symbolize the hope for peace in the new year, here’s a link to a video I did a couple of years ago – you’ll just need some square paper and a tiny bit of patience. (I just checked the video and realized that I made it in 2012,  right before I opened the Studio! I was still working from home in the little studio lab – seems so long ago!)

Next, here’s a link to five collage sheets with some of my favorite images from my earlier work – print ’em out, tear ’em up, and play. I’m happy to share these with you guys.

Finally, here’s a recipe that I’ve posted before for a yummy fresh cranberry relish. It’s beautiful to look at, easy to make, and delicious with ham or turkey or just about anything else – even vanilla ice cream!

Thank you for all you do to make the world a kinder and more beautiful place!

 

Fun with faces

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A package of Face Shards from my Estsy show ready to ship to California

A package of Face Shards from my Etsy shop ready to ship to California

I was getting an Etsy order out this morning for five Rune and Relic Face Shards, and thought about how much fun these little faces are to make. You can use them for so many things – Spirit Dolls, ornaments, pins and pendants – anyway, I thought I’d re-post a SHARDS link to a very simple tutorial on mold-making and faces that I did for a workshop a couple of years ago. This tutorial recommends a two-part product called MegaMold that you can order online from Cool Tools (this site also has a bunch of very nifty pre-made molds). Michael’s has something similar called Amazing Mold Putty for about $20 – use your 40% coupon!

moldstuffThis mold-making project would be great fun to do over the holidays with kids – and you can get air-dry clay at Michael’s or Jo-Ann’s – it’s very inexpensive, doesn’t need a kiln, and isn’t discouragingly messy. I like the one called Model Magic. It comes in tubs and also in small packages, in different colors. So plan some time to make some faces!

Also, I’m re-posting this link to the Angel Face Gift Tags I designed several years ago just in case you need some last-minute gift-wrapping help. You can print these out and stick them on a packing wrapped in brown paper and tied with raffia, and it will look all Martha-Stewarty – honest!

gifttags

 

 

 

 

I’m headed to Boston for just a few days for a quick visit  – back soon! Keep out of trouble and go make something creative!

Seth Apter, master of mixed media and a darn nice guy

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Seth Apter had been an Art Hero of mine long before I heard he was coming to Texas from NYC. His work is a fusion of fine art, accessible craft and  mixed media exploration that I so often try to achieve. Only he does it consistently, and seemingly effortlessly. Check out his work and you’ll see what I mean.

On Thursday I got a chance to  work with him in person (woohoo) at his all-day Collage Camp workshop sponsored by Roadhouse Arts. I learned a lot about collage techniques, and even more about approaches to teaching. Seth is a master at constructive critique. All of us appreciated his feedback. I only wish I could have taken the next thresethe days of classes with Seth, but, alas, I needed to be in Bulverde for the opening of my encaustic show, Coeur Samples, with Michelle Belto.

But guess who showed up at our opening at Dan Pfeiffer’s Gallery yesterday evening – Seth! He came with Bulverde friends Lisa and John Meyer. What a treat! I told him that having him there definitely added to the show’s mojo!

One of the things that makes Seth such a fine teacher is the way he organizes his classes, step by step, and in a logical way that helps you internalize the steps and elements. In the Collage Camp, we started with a series of eight small collages, each of which demonstrated one of Seth’s design principals.  These will serve as an informal reference book for future work. Here are some photos from our day together – what a fantastic group with an unforgettable teacher.

You’ll enjoy looking around Seth Apter’s website – he told us that he’s getting ready to launch a new line of mixed media tools and products that will enhance anyone’s mixed media work, info at the link below – I am grateful to have met him – isn’t learning new stuff fun?

sethban

Beeswax collage workshop – personal and inspired

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The beautiful visual stories seemed almost to create themselves in Sunday’s Beeswax Collage workshop at the Studio. Participants were given a limited choice of vintage images, some basic collage and texture materials, and some beeswax, walnut ink, and gold leaf. Then, as one person said, “The magic is happening!”

Sunday’s workshop was a delightful combination of the perfect medium paired with the perfect group – everyone had a chance to take risks, make decisions, and turn “mistakes” into assets in their work. And they did it! Take a look at some photos from the workshop.

Congratulations to all of the artist and bravo for the great work – and now, for a commercial break. If you want to see how this beeswax collage process works, I have written an e-book called Behind the Veil that explains this process step-by-step, including where to find free vintage images. It can be yours to download for a mere $5.99 – heck, a fancy latte costs more than that!

But wait, there’s more – no, actually, that’s all for now. It was a great workshop and I thank everyone who participated! Have a lovely  Monday, everyone.

A two-day encounter of the art-full kind

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wsWhat was I thinking? Two full-day workshops at the Studio back-to-back? A weekend of hanging out, creating, eating and talking with eight other like-minded souls?  How would all of that look? It looked FANTASTIC!

Saturday was Belisle’s Collage Extravaganza and Composition Challenge. We worked on two major pieces – a collage on canvas with extreme emphasis on composition (the AB3s) and a collage on cradle board with image transfers and encaustic wax. The intrepid participants gave it their all, and we were very tired but happy at the end of the day. Here’s the video – see if you can detect the AB3s of composition at work in the finished pieces.

But wait – there’s more! On Sunday, Lesta Frank and I team-taught a very non-traditional mixed media journaling class. Everyone designed their own pages and created a loose-leaf portfolio to collect and show their experimental surface finishes, including one really interesting Profile Page. This was Lesta’s idea and consisted of an actual dimensional profile cutout with descriptions of a personal profile as part of the composition. Very nice! Watch for it in the video, below.

In the critiques and discussions, all agreed that the two-day experience was great, both for those who came both days and those who came on one day of choice. We had eight participants each day, half of whom were there for both days. Nicely balanced! I will plan another weekend experience in the early part of 2016. I should be recovered by then!

Potters and gourders

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I’m presenting a program to the San Antonio Potters Guild tonight. It’s called Earthenware, Ornament, and Assemblage. While collecting photos photos of my clay pieces, I realized that working in earthenware has been part of my art practice for almost 50 years! These days it’s mostly face shard production and some small sculptural pieces, and I love exploring finishes for fired unglazed clay. Here’s one of the finishes I’m showing the potters tonight – it’s a wax-based custom metallic patina that starts with neutral shoe polish! I used it as a finish on the piece at the left and thought you might like to see how it’s done.

Kathleen Peet: "Diamonds on the soles of her shoes"

Kathleen Peet: “Diamonds on the soles of her shoes”

Just as I was working on my Potters Guild presentation, I got a message from Kathleen Peet, a mixed-media artist from Prineville, Oregon who uses my shard faces in her work. She works with gourds in a unique way – look at this gorgeous piece, left.

Kathleen has an Etsy shop called  Full Circle Art and you can contact her there to see the full scope of her creativity with gourds.

This is what she says about her passion: “When I started in 1996, gourds were a relatively new medium, especially in rural eastern Oregon. The most frequently asked questions were: “What are those?” and “Do you grow them?” Now, gourds are much better known, and some are recognized as ‘fine art’ rather than just craft. I have enjoyed taking this medium in many different directions, and just when I think I’ve tried everything, some new idea hits me. While still enjoying painting, spinning/weaving, ceramics and abalone jewelery….I always come back to gourds!”

Here are some photos of more of Kathleen’s work, including a look at her Oregon studio – thanks, Kathleen! Clay and gourds are a natural pairing!

 

A pretty colorful weekend at Lyn Belisle Studio

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32The Studio was awash in dye this weekend, first with Rosemary Uchniat’s fantastic half-day Small Space Dyeing workshop on Saturday, and then my Goddess Banner workshop on Sunday afternoon. Everyone was caught red-handed having fun – and blue-handed, and green-handed . . .take a look at the video!

Both classes will be repeated in case you want to join in. Rosemary’s second Small-Space Dyeing class is October 17th from 1-5. The first one sold out instantly. And my next Goddess Banner workshop is coming right up on Sunday, August 16th from 2-5.

banNow about those Goddess Banners, this was a special small class that was scheduled for a guest from Houston who wanted to take both Rosemary’s class and mine the same weekend. There were four of us, and it was great to be able to work alongside the participants. I had a blast! We transferred images, dyed cheesecloth, created symbols and words of inspiration, and put it all together in the most remarkable way! I just love this project – and it’s three hours, start to finish.

One of my favorite fiber artists, Linda Rael, was in our group – that made it even more fun. She has a great idea for a series of banners, but I’ll let her tell you about it if she actually does it. Hope so! Take a look at the video, and then consider signing up for the workshop on August 16th – you won’t regret it! It’s to dye for. Sorry.

Out of a job, better get organized . . .

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First of all, congrats to this week’s Friday Freebie winner, Karen Cutrer, who subscribed to SHARDS five months ago. Karen, I’m not sure we’ve met, but so glad you won the Gold (or Silver)  Simple Leaf for gilding anything your heart desires. Send me an email with your address and color choice – lyn@lynbelisle.com – and I’ll get it to you right away. You have to promise to let me know how you use it! Golden eggs? Silver flower pots?

OK, so as summer progresses, I’m starting to realize that I don’t have an outside teaching job to go back to since 1969! – yikes. So I’m attempting to organize the Studio schedule to function as a full-time workspace (not an easy task for a left-handed Gemini). Here’s a first attempt at a reorganized Workshop webpage. It’s not too different yet, but I’ve added videos from past workshops and tried to make it easier to read. Suggestions?

wkSince I started teaching workshops even before I had the Studio, my goals have been:

  • Make it enjoyable for you – no stress or pressure, no scary stuff
  • Create a finished piece to take home with you to spur ideas and confidence
  • Provide all materials so you can just show up and create – no expensive lists of materials to bring – you don’t need expensive products to make art that you love.
  • Celebrate your style and your vision – no “copy me” or it’s wrong

Here are some early workshop pics from my kitchen and little ex-garage studio – we were squished, but it was still fun. I want to keep that sense of fun!

One of the new things I;m trying this fall is a longer two-day workshop, not with an out-of-town artist, but with just me, other local aritsts, or in this case, Lesta and me on one of the days. You can sign up for one day, two days, or both. There’s still a limit of eight, and lunch is included. Here are the details on that one – you can read more here:

immersion

 

 I also want to continue the monthly Show and Tell get-togethers. They really feed my soul! I’ll post those on my webiste as they are scheduled, but they will generally be the last Saturday of the month. Please take a look at the latest one from day before yesterday – wonderful!! And thanks for letting me think out loud about where my road goes from here. You are the best 🙂