By the skin of its finny-fin-fin

One of the “Aha!” artsy discoveries I made in Boston was Fish Leather. Now maybe you knew all about it, but I didn’t. And it’s beautiful! It looks like suede on one side and has a glossy.scale-like pattern on the other side. Here’s a piece that I purchased from Bead+Fiber.

fl1_edited-1 There’s a shop called The Fish Leather Co in the UK that’s specializing in this material, and you can find out from their site how it’s made. It’s apparently a long process and different species of fish have different kinds of leathers. Definitely interesting to read about! Fish Leather is eco-friendly and taken from non-endangered fish (unless you’re the fish that gets turned into leather, I guess).fl2

I found a shop on Etsy that has hand-crafted Fish Leather jewelry – it’s called ModernNaturals19 and the artisan does nice work – see the cuff bracelet below. You’d have to sew a bunch of these together to make a garment of any kind, but the material itself is beautiful and I can see it being used for small adornments and decorative objects. Dang. Fish leather. Who woulda thought?

 

 

 

TOP TEN STUDIO ESSENTIALS

Lyn Belisle Studio: TOP TEN NON-ART Studio Essentials That I Can’t Live Without

Here’s my list – what’s yours? Share these with a friend 🙂 Next week I’ll have a list of the 10 ART PRODUCTS that I can’t live without.

1. Baby powder

babypowderI use this to dust the inside of air-dry clay molds to keep them from sticking, to “de-stick” my hands temporarily when I’ve been using spray adhesive, to dull down a shiny gel acrylic surface, among other things – Johnson’s smells the best to me – makes me all nostalgic

2. Blue Painter’s tape

blueMasks the edges of watercolor paper, makes irregular stencils for stamping and painting, use to tape around unfolder paperclip to make a handle for a quick cutting tool, put strips sticky-side-up on work table to keep cat from stepping on work in progress (sorta works as a distraction when they try to shake it off their feet) – and so much more – available in bulk from Uline

3. Canvas clay cloth

clothI can turn my painting worktable into an earthenware clay workspace in an instant with this – it unrolls and has a great canvas non-stick surface for rolling out clay slabs. It also makes an instant “clean” surface for projects of any kind of you keep the back side un-clay-y – available at ClayWorld

4. Cheap white washcloths

wahclothsI really could not do without these – clean-up, texturing, wiping walnut ink off clay – it goes on and on. I wash them and use them over and over, and they are cheaper than paper towels and more ecologically responsible – $4 buys a bundle of 18 at Walmart

5. Drinking straws

strawsLet me count the ways I use these – hmm, ok, to poke holes in clay face shards and adornments, to cut into 2” sections and use as channels for cord backing on pendants, as cores for paper beads, drinking Diet Dr. Pepper – and so on. Get both sizes, the standard ones for big holes and the little coffee ones for smaller holes. Available at delis and coffee shops everywhere. If you happen to need 900 of them, get ‘em at Uline for less than $4.

6. E6000 adhesive

e600A sculptor in Colorado Springs told me about this, and the stuff can stick metal to glass and glass to rock, paper and scissors – you get the idea. It’s good stuff, kinda looks like silicone gel. Most artists and jewelers know about it, but just in case you didn’t, you can get it many places, including Michaels.

7. Heavy-duty hole punch

holepunchThis is the only semi-specialty item on the list. I use it for punching holes for stringing beads, for book binding thread, for tags – it’s great. It will punch through thin metal and heavy mat board easily. Mine is from EK Tools. Worth the $15 price tag over and over, and you can get it in two different hole sizes. I have both.

8. Lavender Essential Oil

lavYou guys know that I’ve studied aromatherapy since the 80’s – and lavender oil is great for balancing your frantic mood when things aren’t going well in the studio – just a sniff will calm and refocus. But it’s also the best thing for burns, and I keep a bottle right next to my hot-glue gun. It’s saved me from having more than a few blisters. It works for mosquito bites, too, and can take off gummy residue better than goo-gone. You should have lavender essential oil just as a general principle in your life – great stuff! I recommend Aura Cacia, and you can read about it here.

9. Nashua Clear Duct Tape

nashuaThe perfect tape for book-binding, labelling, tape transfer – it tears cleanly and is super strong. I must go through a roll a week at the Studio. I used it to attach the covers for my custom e-reader covers and have been using it and recommending it ever since. It’s made by Nashua and is available at Home Depot.

10. Quart Mason jars

masonI hear my ancestors might have drunk whiskey out of these – now *that* would be an instant tranquilizer and work-stopper – but I use these for water jars, bead storage, feather storage (the cats paw at the sides trying to get to the feathers), brush storage, clay slip, glazes, spools of thread – chances are I don’t have to tell you how useful these big jars are – and they are recyclable and reusable and work as a nice vase for just-picked bunches of herbs and flowers for the Studio table. I have a friend who uses a meditation jar – she cuts strips of paper with favorite quotes and thoughts on them and keeps them in a clear Mason jar to pull out when she needs inspiration.  Better even than whiskey? I imagine so.

 

Cooler weather contemplations

This first really cool morning truly felt like fall – and I think a lot of us feel a pull toward thoughts like those Mary Oliver expresses in the poem Fall Song:

Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,
the uneaten fruits crumbling damply
in the shadows . . .

I started a little construction yesterday and worked on it again early this morning – it seems to fit. Bones and seeds and clay and cactus skeleton – there is something so poignant about fall.

ledgedwellers

 

Air-dry clay

If you read the Studio newsletter today, you’ll know that there’s a whole lot going on in September – if you missed it, click this link. But I’ve had some time to plan a new workshop on an alternative way to make shards and adornments even if you don’t have a kiln. Sherrill Kahn got me thinking about this (Hi, Sherrill!), and you know I’ve been playing with molding compound. Well, I’ve discovered that you can make molds with air dry clay which, with a few tricks, work just about as well as fired clay. Look at this photo and see if you can tell which ones are air-dry and which ones are fired.P1090280

It’s not easy to tell – and I used some air-dried clay buttons on the piece that I submitted to the juried FASA show (below). You can see how nice they look with an iridescent finish. So sign up for the October 15th workshop and learn how to do this stuff! TGIF, y’all . . . .

buttons

 

No-Fire Shard Faces – a how-to freebie

So you can’t come to the workshop this afternoon? Darn! Well, never fear – here’s a how-to freebie on making your own shard faces and adornments at your own place of creative belonging. No kiln needed because this project uses air-dry clay, lightweight and inexpensive. I’m going to demo this process at the workshop this afternoon although we will be using actual earthenware clay today. But this is a fun option to try at home (yes, you can try this at home). Here are some how-to step-by-step photos. And if you click this link, you’ll get a printable one-page list of materials and directions. Happy molding! That sounds weird. Happy creating beautiful one-of-a-kind clay objects of delight!!

 

You, too, can make a rooster shard . . .

shardpendantsworkshop

Rooster shard necklace and other pendants by Lyn Belisle

Sunday’s Earthenware Shard and Adornment workshop will be fun, and there’s one space left for a brave soul. We’ll play with clay and create pendants and faces and roosters. Well, maybe not everybody will want to make a rooster, but a friend asked me to make some rooster jewelry for a rooster aficionado that he knows. Always one for a challenge, I did it (see the necklace, above). You can use regular decorative stamps like this one on thin pieces of damp clay in all kinds of ways. After Sunday’s workshop is over, I will take the pieces home and fire them to Cone 05, then we’ll meet again on Wednesday evening to finish them and string them at Ann Pearce‘s jewelry studio next door. It’s one of my favorite workshops. Even the rooster part.

Transfer and acrylic workshop report

Workshop Report Card Grade is A+++! New workshops are tricky, and this one especially so because we were using a heat transfer on paper and then working with acrylics, which were unfamiliar to some of the participants – but should I have worried? Nah! Great results, great times, lots of learning and laughing. If you’d like to see the process itself, I demonstrate it here on YouTube, and if you’d like to see the participants’ spectacular results, just look at the photos (which, taken on my phone cause I forgot my cool new camera, don’t begin to justify the work). I also did a tutorial on another process we tried using Golden Fluid Acrylic Medium for transfers, here.

 

Meanwhile, back at the Studio

Back at last from Boston with lots of inspiration and good memories! Look what was waiting for me on Facebook yesterday, just in time for Eileen Achorn’s beading workshop this Saturday at the Studio – two fabulous examples of cabochon beading using my face shards. These were done by Kathy Cosgrove from Round Lake Beach, Illinois. She wrote, “I purchased a few of your shards a few months ago and I wanted to share with you the outcome of my projects.” All I can say is, “WOW.”

This is an extension of the same technique that Eileen will be teaching, although she will (blessedly) start us off with the basics – if you’re in San Antonio, I hope you’ll consider joining us from 11-2 next Saturday the 15th at the Studio. Here’s the sign-up link. I had no idea that the little clay faces could be elevated to the kid of art that Eileen and Kathy do! And Eileen promises that even I, with little patience and no beading experience to speak of, can do this. We’ll see. I’ll send a report and pics after the workshop if you can be there in person.

Now, repeat after me . . . there’s no place like home, there’s no place like home . . . . .:)

Hamburger Transformed

Sorry,  I’m probably “over-blogging” from Boston, but rarely do I have such a stretch of time to experiment with art and write about the weirdness of the process. For example, my Taos teacher Gwen Fox always says, “Start with a thumbnail from an existing picture.” So I found this hamburger in a magazine (fig. 1) – it looked interesting through the paper window (or maybe I was hungry). I turned it sideways and sketched in the shapes which started morphing into abstract figures. (fig.2). I tried to make the two figures balance and relate, but it became obvious that the figure on the left was dominant, so . . .whack! Off went the second figure to be used elsewhere. (fig. 3) I put a very few finishing tweaks on the left figure and, when matted, it is intriguing and colorful. (fig. 4). I think I will name it “McDonald.” Or maybe “Hunger and Evolution.” Isn’t art fun??

Workshop-O-Rama!

OK, so maybe that’s a little hokey, but I did want to let you know about three cool June workshops before I leave for Boston. Here’s the Amazing, Stupendous lineup:

shellsWednesday, June 12, 6-8 p.m. at the Studio: Shards Pins  – This one happened kind of by request, and there are three spots left, so if you want to make some really pretty wearable art ornaments with earthenware faces, come join us that Wednesday evening – here’s the link to the description (tuition same as usual, $55 and all materials included)  and here’s where to sign up.

trioSaturday, June 15th, 11 a.m.-2 p.m.at the Studio: Shard Faces and Cabochon Beading: Master Class with Eileen Achorn (Beginners Welcome, Too!) This will be a rare and wonderful opportunity to work with Guest Artisan Eileen, whose beadwork is astounding. She’s a wonderful teacher, as well – heck, she’s a prof at UTSA. There are five spaces left at this point. Tuition $65, basic materials such as backings and face shards included (except for beads-BYOBeads :)) Optional: Eileen will be at Ann Pearce’s next door to the Studio to help you select beads with Ann before the class from 10-11 a.m. Here’s a link to the description and to the signup.

ladsmSunday, June 30th, 3-5 p.m. at the Studio: Digital Transfer and Painting Workshop
I’m really excited about this technique and have used it for all of the work I’m taking to the Beacon Hill Art Walk. We’ll use TAP paper to transfer the images, then incorporate them into a mixed-media work with paint and other media. Five spots left for this workshop (which will go fast, so even though it’s over a month away, you might want to sign up now). I will probably repeat this workshop in July, just FYI, if it goes as well as I think it will. Here’s the link to the description and here’s the link to sign up.

That’s all for now from Workshop-O-Rama Central. I’m off to practice my Boston accent so the natives will understand me – lets see . . .“I pahked my cahr in Hahhvad Yaahhrd . . “ OOh, wicked good. 🙂