Gifts and Presence

Gifts I’m Carrying Into the New Year

As the year turns, I find myself less interested in presents and resolutions and more drawn to offerings—the thoughtful, non-material gifts that actually sustain a creative life.

It’s been a year that asked a lot of us. One that felt heavy in ways that were hard to name, where clarity was scarce and holding steady sometimes counted as progress. In moments like that, I find myself returning to the work—not for answers, but for anchoring.

Three of the Seven Messengers, Earthenware and Found Objects, Lyn Belisle, 2025

In the Encanto collection I’m creating for the Taos exhibition, nothing begins as whole. Each piece is assembled from fragments: shards of material, memory, intuition, and story. Individually, they hold meaning. Together, they become something new—a vessel, a guardian, an altar that didn’t exist before their meeting.

That feels like the right metaphor for the year ahead. Not a clean beginning, but a gathering. A year shaped less by starting over than by recognizing what is already in our hands—saved fragments, carried questions, pieces that refused to be discarded.

The work ahead isn’t about inventing something entirely new, but about listening closely enough to hear how the shards and clues want to speak to one another, and trusting that connection itself is a form of creation.

For Robert Rauschenberg, especially in his Combines series, the work was rarely about inventing new imagery from scratch. Instead, it emerged from listening to what disparate materials wanted to say together: a quilt, a newspaper clipping, a photograph, a brushstroke, a found object.

assemblage

Robert Rauschenberg, Monogram, 1955-59 Freestanding combine Oil, printed paper, printed reproductions, metal, wood, rubber heel and tennis ball on canvas, with oil on angora goat and tyre on wooden base mounted on four casters, 106.6 x 160.6 x 163.8 cm

Individually, these elements carried their own histories. But when brought into proximity, they began a conversation that produced meaning neither could hold alone.

He trusted that relationship itself was generative. The act of placing, juxtaposing, and allowing tension or harmony to arise was the creative act. In that sense, the artwork wasn’t imposed—it was discovered through attentive assembly. This concept means the world to me.

Robert Rauschenberg, Odalisk, 1955-1958 Freestanding combine Oil, watercolour, crayon, pastel, paper, fabric, photographs, printed reproductions, newspaper, metal, glass, pillow, wooden post and lamps on wooden structure with stuffed rooster, 210.8 x 64.1 x 68.8 cm

So, about those gifts — one gift I’m carrying forward is permission—to work slowly, to trust that fragments don’t need to explain themselves right away. Shards know how to wait. They reveal their connections in time.

Another is attention, the soft, ongoing, background kind. The listening that notices how one piece leans toward another. How an image answers a question posed months ago. How intuition doesn’t hand us a map, but offers clues – “a secret handshake“.

I’m also carrying continuity. The understanding that the work doesn’t reset on January 1st. We bring our fragments with us—unfinished ideas, saved scraps, half-formed thoughts—and the new year simply offers a fresh surface on which to assemble them. It also gives us a grounded connection to where we have been.

Santa Nina, Encaustic Collage, Lyn Belisle, 2025

And finally, companionship. The knowledge that we never gather shards alone. We are guided by shared histories of making, by other artists (like Rauschenberg) working in the past or in parallel, by unseen hands that have always known how to build meaning from pieces.

  • Permission
  • Attention
  • Continuity
  • Companionship

If there is a gift in these words, it’s this: a reminder that you don’t need to arrive whole to begin the year. Thank goodness! What you carry—your fragments, saved pieces, unfinished ideas, and intuitive longings—is already enough. My hope is that you’ll treat them with the same care we give to cherished shards in the studio, trusting that when the time is right, they will find their place and become something new.

Thanks for your presence, thanks for giving me attention and companionship, and for meeting these thoughts with the intelligence and generosity that only the best readers bring. Happy Holidays!

Trunk Story

Some of the best gifts come from unexpected places. Several weeks ago, I received a note through my website contact form. This is what it said:

I love your work and the way you incorporate different textures with your clay. I have two very old trunks the type that are made of wood and have metal and leather details. The two trunks came from my Dad’s family ranch south of San Antonio that is an original family land grant.

The wood and metal details are very very weathered. I was wondering if you were interested in having these two trunks. I would like to donate them if you want them and I can send you pictures to see if you’re interested. The trunks look very old.

We connected, and she sent me some photos of the trunks as well as some photos of the ranch where they came from, a place where she grew up.

When she brought the trunks to my house (yes, delivery was included!), I got that goose-bumpy feel that some old objects can produce just by radiating a sense of profound history and adventure. Canvas, rust, wood – everything I love just ready to be re-purposed.

I asked her if it would be OK if I took some of the components apart to used in mixed-media assemblages, and she said, “Of course,” but I can’t bring myself to do that just yet.

These photographs show the well-worn canvas coverings and the character of the boards that were used to construct the trunk. Some of the hardware is incredibly intricate,

What did these trunks hold? How far did they travel? Who made them? Where did the metal hardware come from? And how will I honor them thorough my art?

This is a starting place – an open doorway for a lot of visual stories.

Stay tuned for more. This is a gift that requires a lot of thought! Thank you, Margaret, for this inspiration.

 

 

Last-minute gift tags

This is a quickie post – we’re all holiday-busy! Four years ago I designed some little gift tags for SHARDS readers, and I actually needed to print out some for myself this morning.

I found the old post from 2012 and decided to share it again with you guys. Here’s what the gift tags look like – you can just print out a sheet of six on card stock, fold them and attach them.

xmastags1 xmastags2

Get your tags here!! And happy wrapping!

Stack of books and other presents in basket. Christmas decoratio

A Gift from Joanna

joannamadonnaDear friend Joanna Powell Colbert sent me a beautiful gift, a limited edition print of her newest artwork, Dark Madonna and Daughter. I found the perfect home for this lovely work in an old tin retablo frame from the early 1900’s. It’s hanging in my study on the wall above my computer. I love the serenity of this piece – it reminds me to slow down and take a breath when I get too rushed. You can order this print for yourself from her site, Gaian Soul.

I would encourage you to read Joanna’s blog post on how this piece came about. It speaks to the creative process in all of us. She also has a wonderful online series which has just started called 30 Days of Yuletide: A Daily Sacred Pause to Welcome the Return of the Sun. Just reading it each day helps keep me grounded to the season and the earth. And, boy, don’t we all need some grounding this time of year! Thank you, Joanna!

A quick reminder to San Antonio folks, Linda Lucretia Shuler will be signing her novel, Hidden Shadows, at my Studio this evening from 5-7. Her book (which I am thoroughly enjoying) explores how we ground ourselves to a homeplace – in this case, the beautiful Texas Hill Country. I hope you can join us for some informal literary conversation with Linda and share some refreshments.

Seek serenity, y’all – and celebrate the season!

 

Making stuff – a LOT o’ stuff

Hope your Thanksgiving was super – mine was blessedly relaxing – a real day off from work. For some reason, I had forgotten what it’s like to get ready for a studio sale since encaustic exhibits and guests artists have been my focus lately, but I was hard at work all day in the Studio Tuesday and Wednesday getting ready for Saturday’s Big Ol’ Sale with Lesta, Michelle, and Alison.

This morning I’m finishing up some earthenware pieces.  I’m especially excited about the new little “B Beautiful” dishes because a portion will go to The Honeybee Conservancy for research to combat Colony Collapse and ensure that the bees will continue to thrive and produce honey and beeswax. Can’t do encaustic without beeswax. Can’t enjoy a sopaipilla without honey! Here’s a preview of the B Beautiful dishes. They are a perfect size for rings, paper clips, cough drops, hearing aids (what?), jelly beans – and at just $10 each, they make lovely hostess gifts for a cause:

bdozen1

Other pieces I’ve been making are be-ribboned Encantos (charms) and HeartShard Blessing holders (larger wall-hung clay pockets). All are made from fired clay and enhanced with sari silk ribbon. Here are some of those – I especially like the new ivory ones from white clay……

Finally, I’ve created some new pendants and face shards – some are strung as necklaces and some are loose, ready for you to play with.

home2 pendants

If you’re in San Antonio, don’t let the predicted cold weather keep you away from the Big Ol’ Art Sale – it will be cozy in the Studio and there will be lots of beautiful art and tasty refreshments. OK, back to work!! See you tomorrow, 10-4 at the Studio!

 

 

 

Friday Freebie – little spring cards

I saw the most amazing redbud tree yesterday on my way to Trinity, and all of the ornamental pears are loaded with white blossoms – spring is definitely coming out all over. Here are some little cards to tie on baskets or bouquets. You can print them out, cut and fold them, and attach them to Something Nice for Someone.

springcards2springpic

 

 

 

Sunday thoughts

Sometimes events are just too incomprehensible to feel anything but sad – but also so very grateful for friends and family and human goodness.

child

 

A little gift for you

Thanks to everyone who subscribes to my blog, Shards – I designed some holiday gift tags for you. You can print them out and cut them apart and fold them – they make even a brown bag look pretty. These are some of the same images I use on my own tags – thanks to my friend Maria for many of them.

Access you gift tags here – print them on card stock if you can. There are three different designs, six cards on each sheet. I hope you like them, and happy holidays!