Monday two-fer – beautiful bones and beeswax

You get two art reviews for the price of one (yeah, I know, they are all free) but still –  I wanted to post Part Two of my Colorado Trip while it was still fresh in my mind, and I couldn’t wait to show you the video of yesterday’s Beeswax Collage workshop at my Studio (see the amazing video, below)!

Colorado Trip Part Two –  Georgia O’Keeffe at the Colorado Springs Art Center

Horse’s Skull on Blue – Georgia O’Keeffe 1931; Oil on canvas

Georgia O’Keeffe and the Southwestern Still Life is not strictly a “Georgia O’Keeffe show”, (which I should have known had I done my homework before we visited the exhibit). And thank goodness it isn’t, because when her work is placed beside that of her contemporaries – including modernists like Stuart Davis and Marsden Hartley as well as more traditional painters who were also lured by the Taos light –  O’Keefe’s cutting-edge brilliance shines.

One of her quotes that ran across a bright orange wall at the CSAC gallery read, “I had to create an equivalent for what I felt about what I was looking at – not copy it.” That, to me, was huge – and her work showed this journey into interpretation and abstraction through the loose structure of “still life.”.

I was so impressed by the juxtapositions and inclusions that I searched to see who had curated the exhibit. It was Charles C. Eldredge, former director of the Smithsonian American Art Museum, who placed O’Keeffe’s work in the context of other artists who were influenced by the Southwest at the same time she was. The exhibit raised thought-provoking questions such as “What is a still life, really?” and “How does an artist chose represent an observation?”

I loved the show – my favorite painting was this one (below) – and my friend Carol Mylar and I talked for a very long time about why it was included as a still life, and why its powerful simplicity is so mesmerizing. For a much more educated and detailed review of Georgia O’Keeffe and the Southwestern Still Life, read Gayle Cement’s enlightening, enjoyable discussion of the works.

Georgia-O_Keeffe-Black-Patio-Door-1955-large-1339814400

Georgia O’Keeffe Black Patio Door 1955

22And now . . . . .Fabulous Sunday Workshop – Wax and Layers and in Beeswax Collage

The smell of the beeswax, the roar of the crowd – what a workshop! Every single participant took the notion of wax enhancement on monochromatic collage and ran with it, creating evocative personal statements. I’ve recently added another hour to my workshop format, and three hours instead of two makes a huge difference. We have more time to critique and discuss – it obviously worked yesterday. Take a look at some of the inspired pieces the students created. Nice work, Y’all!

Sunday’s creative Citra-solv collage circle

That Citra-solv stuff is amazing – it cleans the studio, takes old paint out of brushes, de-greases your tires, and makes amazing art paper from recycled magazines. If you haven’t tried it, perhaps you should – a bit messy, but worth it. Yesterday’s workshop participants got five gold stars for their creative collages. They made some fantastic solvent-altered papers and put together intriguing fantasy worlds. Take a look, and then I’ll give you some sources for the Citra-solve altered paper techniques below the video, You can figure out a million ways to use these cool designs.


I did a post last year on Citra-solv featuring a video by Cathy Taylor, who specializes in workshops using the altered magazine pages. If you want to go a bit further, there’s a new eBook out that I ordered just before this workshop titled “Dissolve It . . Resolve It.” You can download it for $9.95 and I think it’s quite worth it if you’re going to be working with this technique. There are even some directions about using Citra-solv to transfer images. I don’t know the author, but she does a great job laying out the basics and then inspiring experimentation! Fun stuff.

citrabook

Fiber Artists of San Antonio Style Show 2015

fasaWhen I joined FASA, the Fiber Artists of San Antonio, I knew they did more than quilting and knitting, but I didn’t realize that “fiber art” includes basketry, beadwork, braiding, clothing design, crochet, dyeing, embroidery, felting, hooking, knitting, lacework, mixed media, needlework, paper, quilting, sculpture, sewing, spinning, surface design, textile design and weaving. As a mixed media artist, I’ve discovered a lot to learn and love in this group!

Many FASA members create one-of-a-kind garments for the juried Fashion Show, an annual event that is wildly popular and usually a sell-out. I was lucky enough to get a ticket by the stage this year, and happily present to you a sampler of the artistic fashions.  The theme was In Harmony With Nature – and these talented designers combined nature, art, imagination and fashion in their creations. Take a look!      

One last note – the winner of the Walnut Ink Friday Freebie is Jo Etta Jupe – congrats, Jo Etta! Let me know how you’d like to receive your fabulous freebie 🙂
 

 

Walnut Ink – in the beginning (and a FF)

wiIt’s a rainy morning here in San Antonio, so I was at the computer, clearing out some old duplicate video files when I  discovered this clip from 2011. It’s me, talking about a new discovery – Walnut Ink! Y’all know that I live and breathe that stuff – just ask anybody who has taken a workshop on any subject at the Studio.

This little video was made waa-aay before I had the big Studio, back when I was making Kindle covers for my old Etsy shop in the little garage studio. Here, I’m using Walnut Ink on unglazed clay to make a Scent Shard.  You may remember that I made a lot of these several years ago. The idea is to put drops of essential oils on an evocative earthenware face and let the scent and good vibes disperse over a period of time. Pretty cool, right?

Here’s the video clip, and for today’s Friday Freebie, the SHARDS subscriber whose name is drawn on Sunday night will get – what else?? a bottle of Tsukineko Walnut Ink! (Incidentally, Wikipedia says the stuff was used to stain the hands of criminals back in old Rome because it wouldn’t wash off . . .)

 

Tina Karagulian at Intermezzo Gallery in Boerne

 Tina Karagulian is a storyteller, writer, poet, artist and friend. I was lucky enough to see her recent work at Intermezzo Gallery and Studios on Saturday afternoon in Boerne, Texas. Intermezzo is an amazing art-filled space. Owner Cathy Galloway‘s mission isto bring together people and creativity, color and sounds, textures and poetry, ideas and hope, surprises and beauty.”

All of these were in evidence as Tina read her poetry and discussed her work while jazz guitarist John Lind played interpretive music to the audience’s suggested descriptive words for each of the paintings. Here’s a short video of Tina’s paintings and poetry, John’s music, and the Intermezzo Gallery.

It was, alas, the closing day of her Inner and Outer Space exhibit, but you can learn more about Tina and her work on her website. And do go visit Intermezzo Gallery and Studios when you’re in Boerne. It’s a serene and sacred space. Thank you, Tina, for your gifts and for sharing them with all of us!

 

Three-minute “big question” video

I was upgrading my Vimeo account this morning and came across this Staff Pick called “What Comes After Religion” by Jonathan Hodgson. It’s thought-provoking and beautifully made and addresses (in just three minutes) questions about the human need for spirituality in the absence of formal religion – and the way art plays an integral part. I thought it was worth sharing. Comments?

WHAT COMES AFTER RELIGION from Jonathan Hodgson on Vimeo.

OK, back to work – is it Friday yet?

Showing and telling all

Man, you throw a few artists together in one room on a Saturday afternoon, and crazy things happen. We had the most info-packed, inspiring Show and Tell at the Studio on Saturday – everything from techniques on leather and fabric, to bone-bleaching, to Vicki Siptak’s Spirit Lamp. And more! The video will give you an idea, but ya just had to be there. I’m glad I was!

Franni’s Beach Project was a huge hit – and it even resonated long-distance to Bonnie Davis, who was in Florida but must have picked up the vibes, because she sent me this photo:

beachAnd speaking of beaches, I’m leaving tomorrow at the crack of dawn for Whidbey Island just north of Seattle to be with beautiful friend Joanna Powell Colbert at her Gaian Soul retreat. I’ll be teaching with Joanna – and can’t begin to describe how excited I am. Four friends from San Antonio are going along – we are anticipating all kinds of adventures. Maybe we will see whales from the ferry! Or polar bears – nah, probably not. But the next time you hear from me, I’ll be on the outskirts of Canada!

Living and learning

learning copySchool starts for me this week – as a teacher and a student! I go back to Trinity to teach my course in Essential Information Technology, and I’m taking an online photo-encaustic class from Clare O’Neill. The tuition for that one is rather steep, but I expect to learn a lot of new skills in both photography and encaustic that I can pass along to my own workshop participants. (Did somebody say “Old dog, new tricks?” – arf.)

If you’d like to experience an online class, do I have a deal for you! Michelle Belto, encaustic artist extraordinaine, and I have teamed up in an online offering called “Wax and Tissue.” You can see details here at Roses On My Table. It’s a good way to gently discover the encaustic process, and if you take a look at the materials list, you can see it’s not all that complicated. It’s a lot of fun, too – we had a great time making this video.

Online classes are easy to access and view (you get specific easy-to-follow directions) and you can look at them as often as you need to or want to. I like to watch the ones I take in sections so I can have “think breaks” in between.

“Wax and Tissue” has a lot of information (and a certain amount of goofiness – you know Michelle and me) and you can email us questions through the forum with the other students. The course costs $55, which is a *lot* less than the encaustic class I’m taking with Clare O’Neill – and definitely less than my Trinity students are paying for *their* tuition! Lifelong learning in the arts is truly priceless, especially when you can do it in your jammies. Think about joining us – OK, I”m off – gotta head to class!

Leonardo da Vinci’s ‘to do’ list

8I shoulda posted yesterday’s Friday Freebie (the Shish-ka-barbie dolls, which you can win if you’re a subscriber by midnight Sunday) but I forgot – darn. OK, yet *another* New Year’s Resolution: start keeping a daily a “To-Do” list and follow it!!

While looking for ways to remember stuff better, I found out that Leonardo da Vinci wrote To-Do lists! And they are very cool – nothing like “post to blog” or “stop by HEB.”

Nope, his were more like, “obtain a skull, to get books on anatomy bound, observe the holes in the substance of the brain, describe the tongue of the woodpecker and the jaw of a crocodile, and give the measurement of a dead man using his finger as a unit.” And he illustrated his To-Do lists, meticulously and beautifully:

You can read more about his To-Do lists on Open Culture. I love this site – it’s so worth exploring, lots of free courses and images and ideas,  but make sure you don’t go down the Rabbit Hole of fascinating links and end up like I did, watching a free 1934 B Western John Wayne movie from their archives called The Lawless Frontier. (Don’t click that link – you’ve been warned).

I’ll announce the Friday Freebie winner on MondayI’m putting it on my To-Do list.  Happy 2105, everyone!

(Note to self – rewrite resume . . . . . . . . . . .)

 

FASA fun and face shard fabrications

Friday night was the opening of the FASA Juried show – I felt darn lucky to get accepted, but never in my wildest dreams expected to win an award – and for People’s Choice! Here are my pals Sidney and Mary Beth getting ready to fill out their orange voting slips for my piece, “Rune and Relic Bundles.” Thanks, guys (and to everyone else who voted)! And congrats to Susie Monday, Dian Lamb, Linda Rael, and Lisa Kerpoe who won awards from the Juror. It was an absolutely fantastic show. Look below for the video – amazing work from these fiber artists, and SAY SI! was the perfect venue.

FASA1

After all that, I was so inspired that I got to work on some new pieces for the Studio show on December 6th. Here are some work-in-progress pieces and one that I just finished from that bunch. I love making these little Shard beings! Every one of them has its own personality.

It was a busy weekend, but not too busy to draw a name for the Friday Freebie, a small Guatemalan purse from Friendship Bridge with a Shard Face inside. And the winner is . . Zet Baer! I saw Zet at the Fiber Art show – how nice to draw her name. So congratulations! Let me know how you’d like to receive your FF, Zet, and thanks to everyone for subscribing and reading and commenting.

Now, on to thoughts of turkey, dressing, mmmmmm . . . .