What do you have to say to yourself?

That was the question in yesterday’s workshop at the studio called “Postcards to Myself.”

It’s a new workshop, one that I designed to see if we, as artists, create unconscious messages to ourselves as we work on art pieces that combine random images and text. The small works that were produced were amazingly lyrical, and many did seem to have meaningful messages.

The project itself was done in seven stages on an 11×14″ sheet of archival matboard.

  • Stage One – images and objects
  • Stage Two – veiling
  • Stage Three – vintage text chosen randomly
  • Stage four – enhancement and alteration
  • Stage five – selection
  • Stage six – wax or acrylic medium
  • Stage Seven – interpretation

When the collage layers were complete, 4×6″ post-card size areas were selected with transparent plexiglass rectangles. Those were cut out, and then finished either with beeswax or acrylic mat medium. We even wrote notes to ourselves on the backs of our “postcards.”

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In the example above, this postcard-size section from the larger work shows faces from two different cultures and contains words such as “separate,” “restrain,” and “ruin.” It sounds like a trailer for a mini-drama! And yet it’s a completely coincidental juxtaposition within the larger collage.

We had such fun and learned so much from this project. I’ll definitely repeat it, and will probably create an eBook with with a list of materials and instructions. In the meantime, please enjoy the video from “Postcards to Myself.”

By the way, the first prototype postcard I did included text that said “eat one’s words” – so I was very careful about what I said during our critique!

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Spring 2017 workshops at Lyn Belisle Studio

As promised, SHARDS readers are the first to know about my upcoming workshops. Here is a list of new workshop that will be offered in the coming months at the Studio. There may be more as time permits, but these are definite. Click on the images for registration information.

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Thanks! I hope to see you at the Studio soon!!

 

New year, new workshops, new adventures . . yay!

“For last year’s words belong to last year’s language
And next year’s words await another voice.
And to make an end is to make a beginning.”
           (Little Gidding)”― T.S. Eliot

It’s not quite the new year, but I’m already planning new workshops for the new studio. Some things will be changing. As I said in an earlier post,  the space is different, more like a home than a storefront, so our workshops will be limited to six instead of eight.

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Intuitive Collage workshop in the new studio on December 11th

When we work together, I want to concentrate on the incredibly satisfying Practice of Art (more about that later) and to bring you ideas that you’ll get excited about and use as catalysts to do more personal art on your own.

It’s fun to bring home a finished piece (and we will always do that) but that piece should be a springboard for you to use, change and claim as your own inspiration for something new. In other words, Steal Like an Artist!

Here’s the first of the new year’s workshops – it’s called Postcards to Myself, and it’s designed to send a message to yourself without knowing what you’re going to write in advance. All will be revealed through the process of layering collage and beeswax. Sounds like fun? I hope so! It’s also a good way to learn about using beeswax as a mixed-media tool.

And its hidden agenda is to get you excited about your own art. Click on the image below to go to the sign-up page.

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By the way, did you know today is Boxing Day? It’s celebrated in the UK and other places the day after Christmas. Here’s an entertaining article about its origins and somewhat goofy modern-day activities.

Six Color Christmas Bows isolated on white

My personal take on Boxing Day is to celebrate the old year by mentally “boxing up” last year’s memories, tying a silver bow around them, and packing them away in a special cupboard at back of my mind, clearing the boards for new adventures! What a year it was, what a year it will be! Thanks so much for being a part of it all.

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First time’s a charm. . .yay!

Yesterday was the first workshop at the new studio. I am so grateful to everyone who helped me test-drive the space as a workshop venue (Lesta, Peggy, Claire, Mary, Rosemary, Mary Beth, Silvia, Cecelia). Not only did they give me great suggestions about workshop logistics in the new space, they also did some fantastic collage work!

The workshop itself  was called Intuitive Photocollage. We created mixed media collages using images, paint and other very simple elements to enhance our art practice through visual storytelling. The main goal was to examine how our intuitive choices influenced the process and to understand why we chose certain placements or values.

It was totally cool to see the differences in each person’s work, even when they used exactly the same images and materials – check out the video.

The Process – tear images from magazines and arrange them using Lyn’s AB3s of composition as your guideline. Veil, conceal and reveal the images with loosely applied acrylic paint, stamps, stencils and other collage elements.

The Goal – achieve an intriguing balance of images and paint strokes enhance by mixed media techniques for both a finished work and as an extension into other art forms.

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I gave everyone an A+ on both their helpful suggestions for the studio and on their intriguing artwork.

studio2The new studio is an intimate space, more like a home that a storefront. The test-drive participants suggested that workshops be limited to six people, and I agreed. We had eight yesterday, and while everyone worked beautifully together, six is a better number for both getting around in the space and getting personal attention. It may make getting into a workshop a little harder, but we’ll be more comfortable!

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Other than that, most things will stay the same. The tuition fee is still $65 for three hours, and I plan to continue providing most, if not all, materials.

We’ll have plenty of room to work with encaustics as well as other mixed media projects, including air-dry clay and other 3-D media.  And I can’t wait to create paintings and collages in my very own studio room next to the workshop space!

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So, yay! I’m looking forward to creating some interesting new workshops in 2017 that will help you in your art practice. The first one will be called Postcards to Myself.

That’s the Monday workshop report! In the meantime, you’re invited to the Carver Cultural Center this Thursday from 5-7 pm for the opening of a wonderful exhibit of magical realism works sponsored by GAGA (Gentileschi Aegis Gallery Association). I’m proud to be a part of it! Hope to see you there.

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Round Top Report – Vivi Magoo at the Prairie

Historic Round Top home

The little town of Round Top, Texas (Pop. 1200) is friendly, charming, and enjoying an artistic Renaissance. I returned there this week to teach at the Vivi Magoo Art Retreat on the Prairielucky me!

When you go there, check out the Round Top Inn –  that’s where I got to stay. The Inn is really a collection of vintage farmhouses and cottages set on lovely grounds framed by oak trees and guarded by a huge furry black cat.

The main house porch

The breakfasts are yummy, too – organic and locally sourced. Here’s my Wednesday morning plate, a fresh tomato tart and sausage. Drool.

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I taught two all-day workshops, The Beauty of Beeswax: Behind the Vintage Veil (which includes collage composition and basic encaustic techniques) and Fabulous Fusion: Wax, Earthenware and Fiber Talismans (which included mold making, wax on earthenware, and assemblage techniques).

Here are two of the demos I did during those classes – you can get the idea of what we worked on from these photos:

Lyn Belisle: "Frisky Nun"

Lyn Belisle: “Frisky Nun”

Lyn Belisle: Wax, Earthenware, Fiber Talisman

Lyn Belisle: Wax, Earthenware, Fiber Talisman

But the real fun of these Vivi Magoo retreats is, of course, watching the students get excited by the process and create breathtaking work.  I am so happy when they take the methods I teach, adapt them for themselves, and then use them in their own spectacularly individual ways.

As you watch this video of both my all-day workshops, pay attention to the different directions that the participants take in their finished pieces. I always tell them there is more than one right answer, and each of them found a brilliant one.

To make the experience totally perfect, beautiful Barb Solem, the Vivi Magoo founder, invited me back for next year – yay! It was the best ending possible to a wonderful three days in Round Top, Texas.

Dixie and Karen make talisman magic!

Dixie and Karen make talisman magic!

Henkel Hall, where the workshops were held

Goodbye, Henkel Hall – see you next year!

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A workshop and visit with Julie and Greg from Australia – wow!

How often have I had an Australian come to Texas for a workshop with me? Well, never – until now.

Greg is amazed by Julie's talent!!

Greg is amazed by Julie’s extraordinary talent – of course!

Australians Julie (Julz) Dandelyon and her husband Greg Dodge had been in touch with me for a while about a possible get-together when they visited the States, but I never thought their visit would become a reality.

It did! We’ve just finished the most amazing two days together at my new house working in mixed media, making molds, firing earthenware, and creating collages on canvas. We also ate, drank, visited, talked for hours about their extensive world travels and plans for the future. Total bonding!

Julie was such a quick study with clay – it was her first time working with the shard face process, and she quickly developed her own unique style, making her own molds and embellishments. Take a look at the video of some of Julie’s work over the past two days – beautiful stuff.

Of course, she did everything upside down . . only kidding. I hope to get to Australia next year to work with Julie on several projects that we discussed – what a dream that would be! Thanks, Greg and Julz!

 

Santa Fe, Round Two

My workshop on Saturday at the Artisan Exp in Santa Fe once again proved to me that starting with a good grasp of composition works magic in any collage-based process. I discussed my Composition AB3’s ( Alignment, Breathing Room and Thirds) and demonstrated how easy it is to master these guidelines.

Voila! Every person produced a really good encaustic collage, all different, but all strong in subject, vision, and composition. Below are some of the pieces in process, and some that are completed. (If you can’t see the images, click here to view them in your browser.)

One of the participants, artist, author and tarot reader Arwen Lynch-Poe, documented her process and with her permission, I’ll use her photos to show you how she put her piece together. (If you can’t see the images, click here to view them in your browser.)

So between Encaustic Bling with Michelle Belto on Friday and Engraven Images on Saturday, the Santa Fe workshops were super fun and successful!

And if you want to take this workshop, you still can. I’m teaching the all-day version, plus a Wax, Earthenware and Fiber Talisman class at ViVi Magoo in Round Top in three weeks.

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Update note: Since I returned from Santa Fe on Monday, I’ve looked at a couple of places for new workshop venues – and there are several good possibilities.. . .more soon.

But the good ol’ Studio isn’t closed yet! We still have a fantastic event coming up a week from today. It’s Monika Astara’s popular trunk show and sale of exquisite, artistic fashions!  Here’s more info – hope to see you there.

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Right now I’m off to the Trinity Alumni Art Showcase where I’ll be showing and selling my Encanto earthenware and sari ribbon mixed-media pieces. Wish me luck!

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Santa Fe Whirlwind

So I went to Santa Fe – yeah, I know, I didn’t call, I didn’t write – I definitely didn’t blog! It was a crazy experience – fun, intense, exciting, exhausting. 

The huge Buffalo Thunder Resort Hotel just outside Santa Fe was the venue for the giant Artisans Materials Expo where I taught two encaustic workshops as part of the Encaustic Art Institute (EAI) and International Encaustic Artists (IEA) conference and retreat. Internet reception was very spotty there (that’s my excuse for not keeping in touch).

However, they did have an astonishingly extensive collection of Native American art pieces throughout the huge hotel – some traditional , some contemporary. It was eye candy for the soul 🙂

Michelle Belto was a great teaching teammate and travel partner. She is also a riot to hang out with. She taught a solo workshop on Thursday, we co-taught on Friday, and I taught a solo workshop on Saturday. Here are some photos from our Friday “Wax and Bling” class. There was glitz everywhere – fun stuff.

Friday night was the opening of  the Making Your Mark juried exhibit at the EAI Gallery in the Santa Fe Railyard art district. Michelle and I both had pieces in the show. The juror, David Limrite, was at the opening and gave a gracious statement about the 57 pieces work he selected for a field of over 200 entries.

The exhibit is a showcase of the many ways in which artists work in wax.

Here is a video presentation I made for the Santa Fe conference. It introduces the finalists for 2016 La Vendéenne Awards which honor excellence in encaustic painting. The awards took place on Saturday night.

This introduction will give you an idea of the depth and breadth of expertise present in artists who practice the versatile and ancient art medium of encaustic.

This ends Part One of the Santa Fe Report – stay tuned for Part Two later in the week which will include a couple of interesting links for you to check out as well as more photos……..

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Whiter Shades of Pale – playing in the no-color zone

Lesta Frank has a ray gun – she brought it to our all-day Whiter Shades of Pale workshop yesterday, and when anyone “called color” on another person (like, they were reaching for some red paint), they got blasted with flashing lights and wild beeps. It was pretty funny!

The whole day was a delight, as a matter of fact. In the morning, we made beautiful pale papers under Lesta’s expert tutelage – ecru, ivory, palest gold and silver – all breathtaking. A favorite was the string-embedded paper.

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In the afternoon, we used those papers to create stunning assemblage/collages with the hand-embellished paper and found objects tied into our canvases.

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Lesta’s collage

The video from the workshop is just pure eye-candy. It’s astonishing how much richness and variety can come from such a a limited color palette. Limiting the color choices allows you to concentrate on texture and composition.

Pale colors and textures are so wonderfully nostalgic that I thought I’d treat you to the original inspiration, the song called “A Whiter Shade of Pale” which won a Grammy for Procol Harum in (gulp) 1967. The video looks so sweet and goofy – very non-MTV. But boy, does it bring back memories!

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September Spirit Dolls

Lyn's workshop demo spirit doll

Lyn’s workshop demo spirit doll, “Leafwing”

There’s something about a Spirit Doll workshop that gives me goosebumps. I think it’s because in just three hours, a group of willing people trust their creative instincts to combine some sticks and clay and cloth and build the most amazing mysterious little beings. It’s really magical!

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You’ve seen my Spirit Doll workshop videos before, and every group is special – this one was particularly memorable. It may have been because of the mix of people, several of whom had come from far away and had never been to the Studio before. There was a lot of welcoming and bonding before the three hours was over.

So this time, I have two videos to share with you. The first one shows the magic of the group pulling together their Spirit Dolls one by one.

And the second one is for YOU. It shows you step-by-step photos of how I made the prototype for yesterday’s workshop just in case you get inspired and want to try this for yourself. I hope you enjoy them both.

Ready to make your own? Here are the basics (especially if you’re a visual learner)!

Finally, if you want all of the Spirit Doll tips and techniques and variations that I have ever tried, I have a DVD called The Magic of Spirit Dolls from my two-hour Artful Gathering class. Just sayin’ – if you missed the workshop, you can capture the “spirit” of it on video! Just click on the image for the link. End of commercial break – have a happy Labor Day!

 

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