Friday Freebie – Threads of Blessing

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When the Sathreads1cred Ground exhibit opened at Cathedral House Gallery in late May, I met a woman named Helen Schnelzer who sponsors a wonderful program called Threads of Blessing, an annual needlework workshop for the women of Uganda. These workshops are designed to encourage women to gather as a community, learn organizational skills, and help develop personal esteem. I purchased five of the embroidered tapestries and wanted to share one with a SHARDS subscriber as a Friday Freebie. This one was embroidered by Abby Thorciba, who writes in her statement, “I have orphans I care for . . .the Lord has given me this to feed, clothe and care for them and myself.” Look at the great expression on this face!

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Here is the full tapestry – it’s about 18×18″ on unbleached muslin and could be stretched to frame or sewn into a hanging or a pillow. It’s signed by Abby Thorciba. I’ll wait until Sunday to do the Friday Freebie drawing but will let you know who the winner is Sunday night. All subscribers will have a chance to win, and I thank you so much for reading my blog.

And here’s the brochure – click on it to read it, and if you’d like to donate, you can write to The Episcopal Diocese of West Texas, Attn: Threads of Blessing, PO Box 6885, San Antonio, TX 78209 (or just email me and I can give you more information – I’m not affiliated with the program, but I definitely support its philosophy and will continue to threads3purchase these unique works).

 

 

Smell Good, Paint Good

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bath_saltYes, you too can do this in July! Even the smelling part – the July workshops at the Studio are posted and ready for action. And the first one is something different. It’s an Aromatherapy Spa workshop on Wednesday evening, July 10. Here’s the description:

“I’ve taught classes in Aromatherapy since 1990 and would love to show you how to make your own beautiful, natural spa products using essential oils. You’ll take home bath salts, lotions, and linen spray as well as formulas and methods for extending your knowledge of aromatherapy.”

This should be really fun – and there’s a bit of art in learning how to do some creative packaging, especially with the bath salt envelopes.

sumiBUT, WAIT! There’s more. Another new workshop (Wednesday, July 17, 6-8) involves the ancient Asian arts of Sumi-e and Gyotaku. I taught these two techniques for years at workshops for art teachers. Come discover the serenity of Becoming One With the Bamboo and Playing With Dead Fish! This is one of those “you’ll amaze yourself” workshops. You’ll even get to take home your own Sumi-e brushes.

The last two workshops are popular favorites with a twist – I’ve learned a new Spirit Doll wrapping technique and look forward to sharing it with you on Sunday, July 21. And if you’re hankering to play in the mud again, I’m offering a clay workshop on shard faces and small adornments (I’ll fire them for you) on Sunday, July 28th.

All of the links are on my website, and there’s the Paypal page which is ready to take your loot. As usual, the tuition is a mere $55, all materials included – just show up and create, limit eight lucky souls.  I’ll be sending this out to my mailing list but wanted SHARDS subscribers to get the word first.

Hope to see you this weekend at the Pablo Solomon event! That’s all, Folks . . . .♥Lyn

 

Birthdays and Journies

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Today my odometer rolled over to 69000 miles . . .wow, that’s getting up there. Birthdays are weird. They are not different kinds of days, really, but when you are getting older than you ever thought you’d be, it does give pause. Here’s a photo I took a couple of years ago of my old track shoes – nice visual metaphor. I walk to the track early every morning and have for years – it’s my meditation time. And here’s one of my favorite Mary Oliver poems. Seems appropriate. . . thanks for being part of the journey, dear friends!

The Journey

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One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice–
though the whole house
began to tremble
and you felt the old tug
at your ankles.
“Mend my life!”
each voice cried.
But you didn’t stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do–
determined to save
the only life you could save.

~Mary Oliver ~

 

 

 

 

Magnetic attraction, creative workshop ideas

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My first evening workshop at the Studio began somewhatdramatically when a driving rainstorm started just before we gathered, but it turned out to be a happy omen because the creative workshoppers outdid themselves. There was something comfortable and cozy about being together in the Studio with rain on the windows and Mozart playing on the laptop speakers. See for yourself – the participants made the loveliest magnetic pins. I provided the materials, including the earthenware  faces, but they provided the magic.

How (not to) fire a kiln

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Being away from the Studio for two weeks meant playing catch-up when I got back. There were a lot of things I could do art-wise while I was gone, but creating earthenware and firing it was not one of them. Sunday was Clay Day – I made about 60 small and large face shards and small sculpture pieces such as pendants. Monday was hurry-up-and-dry-so-I-can-fire-the-kiln day. I loaded the kiln Monday afternoon even though some larger pieces were still damp (gulp). This is a huge NO-NO. I don’t want to see you guys trying this.

Do you see the little face on top of the big face? It’s completely dry – you can tell because it’s white, but the big piece underneath is gray. It’s damp, and anyone with any sense wouldn’t fire it at this point, but I propped the kiln lid open, let it stay on Low for a few hours, and crossed my fingers that it would dry out and not shatter in the firing.kiln1

There’s really nothing mysterious about loading and firing a kiln. Most electric kilns like my Skutt have a kiln-sitter that uses a pyrometric cone made of clay. The cone is designed to melt at a specific temperature (in this case, about 1800F). When it melts, a three-prong device trips and turns the kiln off. That metal rectangular thingy has dropped down, indicating that the #05 cone on the inside has melted.

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The Kiln Gods were kind – nothing broke, amazingly enough. Here’s the first tray just out of the kiln, still very warm.

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Here’s the bottom layer, waiting to be unloaded. If you look on the right, you can see the slumped cone and the tripping device with the middle pin in the down position.

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So despite my Bad Practice of loading damp greenware, I got away with it – this time. These pieces are now ready for me to figure out how to use them – as Scent Shards? Sculpture pieces? Stay tuned 🙂

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Meanwhile, back at the Studio

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Back at last from Boston with lots of inspiration and good memories! Look what was waiting for me on Facebook yesterday, just in time for Eileen Achorn’s beading workshop this Saturday at the Studio – two fabulous examples of cabochon beading using my face shards. These were done by Kathy Cosgrove from Round Lake Beach, Illinois. She wrote, “I purchased a few of your shards a few months ago and I wanted to share with you the outcome of my projects.” All I can say is, “WOW.”

This is an extension of the same technique that Eileen will be teaching, although she will (blessedly) start us off with the basics – if you’re in San Antonio, I hope you’ll consider joining us from 11-2 next Saturday the 15th at the Studio. Here’s the sign-up link. I had no idea that the little clay faces could be elevated to the kid of art that Eileen and Kathy do! And Eileen promises that even I, with little patience and no beading experience to speak of, can do this. We’ll see. I’ll send a report and pics after the workshop if you can be there in person.

Now, repeat after me . . . there’s no place like home, there’s no place like home . . . . .:)

Provincetown

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We had a great time exploring Provincetown today. The ferry ride took about an hour and a half from Boston Harbor. P-Town is a charming, quirky, arty, touristy, colorful place with a crazy assortment of architecture. My favorite gallery was the Tao Water Gallery on Commercial Street. The current exhibit there was The Calligraphic Gesture which included  some amazing encaustic works on paper. Here are a few photos with The New Camera, which did a good job (even though i kept turning it on and forgetting to take off the lens cap – oops, glad I bought that warranty).

New camera!

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I’d been thinking about researching and buying a new camera for the last year or so – and today – wham! I walked into a Boston Radio Shack on Boylston Street with my friend Danny and saw this Nikon CoolPix L820 on sale for less than $250 – OK, so not totally cheap, but not $1000 either (and I did make a little money at the Beacon Hill Art Walk):

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So far, this is an amazing camera. I set it up, zipped across the street to the Boston Public Garden, and gave the 30X Zoom a try. Check out these pics from waaaayyy far away:

And last but not least, a sleeping kitty’s ear two rooms away when I got back to the apartment (yeah, yeah, the rest of him was asleep too):

As usual, I don’t have any stock in Nikon (it would be nice), but I’m impressed with this camera. Danny bought one too, so we will be comparing notes. Sometimes people in my Digital Photo classes ask what kind of camera they should buy,  and I would not hesitate to recommend this little Nikon. So far, it’s a winner.

 

 

 

Beacon Hill Art Walk – ups and downs

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aw3Hooray! There were many more Ups that Downs yesterday. The only little downs were the really strong winds that spontaneously rearranged the artwork every fifteen minutes, and the high temperatures. But hundreds of people turned out for the eighty or ninety artists who showed on the streets and in the courtyards of Beacon Hill.

 

Among the highlights – I saw an old friend from Chicago, Sharon Bostick. She lived on Beacon Hill for many years and happened to be in town for the show, looked me up, and voila! Sharon and her husband purchased several pieces. Thanks, Sharon! An unexpected highlight came from the Art Walk committee who visited my spot and awarded me with yellow ribbon for third place in show – wow! Not bad for this first-time non-Boston newbie. Thanks, Committee!

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I could not have done the show without friends Pat Semmes and Danny Sanchez who helped haul the stuff (including tables) up and down the brick sidewalks. I think after all was said and done I sold ten pieces, got a very nice award,  met some super artists (who said that it was more of a looking day than buying day, but still . . .) and will definitely apply for next year. I’ll be back, jurors willing and the creek don’t rise.  Here are some more photos:

Setting out to set up . . .

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Today is the Beacon Hill Art Walk and my friend Pat Semmes and I are making preparations to get the artwork and setup stuff from Here to There, which is about half a mile up Beacon Hill. Another friend, Danny, will be the muscleman on the team and help us get the carts up the cobblestone sidewalks. Yay. Our location, which we will share with two other artists, is just off Revere Street in Bellingham Place, a shady courtyard – well, more like an alley :). This is gonna be fun! At least we’re pretty close to the Gelato shop.

Here’s the artwork semi-packed upbasket

Here are the art supplies, semi-cleaned up:

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And here is some additional Paper Cut-out Art from my Boston kitty who evidently thought I could use a bit more variety:

kittyart
Onward and (quite literally) UPWARD! Report to follow!