Tag Archives: mixed-media

Seth Apter, master of mixed media and a darn nice guy

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Seth Apter had been an Art Hero of mine long before I heard he was coming to Texas from NYC. His work is a fusion of fine art, accessible craft and  mixed media exploration that I so often try to achieve. Only he does it consistently, and seemingly effortlessly. Check out his work and you’ll see what I mean.

On Thursday I got a chance to  work with him in person (woohoo) at his all-day Collage Camp workshop sponsored by Roadhouse Arts. I learned a lot about collage techniques, and even more about approaches to teaching. Seth is a master at constructive critique. All of us appreciated his feedback. I only wish I could have taken the next thresethe days of classes with Seth, but, alas, I needed to be in Bulverde for the opening of my encaustic show, Coeur Samples, with Michelle Belto.

But guess who showed up at our opening at Dan Pfeiffer’s Gallery yesterday evening – Seth! He came with Bulverde friends Lisa and John Meyer. What a treat! I told him that having him there definitely added to the show’s mojo!

One of the things that makes Seth such a fine teacher is the way he organizes his classes, step by step, and in a logical way that helps you internalize the steps and elements. In the Collage Camp, we started with a series of eight small collages, each of which demonstrated one of Seth’s design principals.  These will serve as an informal reference book for future work. Here are some photos from our day together – what a fantastic group with an unforgettable teacher.

You’ll enjoy looking around Seth Apter’s website – he told us that he’s getting ready to launch a new line of mixed media tools and products that will enhance anyone’s mixed media work, info at the link below – I am grateful to have met him – isn’t learning new stuff fun?

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A two-day encounter of the art-full kind

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wsWhat was I thinking? Two full-day workshops at the Studio back-to-back? A weekend of hanging out, creating, eating and talking with eight other like-minded souls?  How would all of that look? It looked FANTASTIC!

Saturday was Belisle’s Collage Extravaganza and Composition Challenge. We worked on two major pieces – a collage on canvas with extreme emphasis on composition (the AB3s) and a collage on cradle board with image transfers and encaustic wax. The intrepid participants gave it their all, and we were very tired but happy at the end of the day. Here’s the video – see if you can detect the AB3s of composition at work in the finished pieces.

But wait – there’s more! On Sunday, Lesta Frank and I team-taught a very non-traditional mixed media journaling class. Everyone designed their own pages and created a loose-leaf portfolio to collect and show their experimental surface finishes, including one really interesting Profile Page. This was Lesta’s idea and consisted of an actual dimensional profile cutout with descriptions of a personal profile as part of the composition. Very nice! Watch for it in the video, below.

In the critiques and discussions, all agreed that the two-day experience was great, both for those who came both days and those who came on one day of choice. We had eight participants each day, half of whom were there for both days. Nicely balanced! I will plan another weekend experience in the early part of 2016. I should be recovered by then!

Out of a job, better get organized . . .

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First of all, congrats to this week’s Friday Freebie winner, Karen Cutrer, who subscribed to SHARDS five months ago. Karen, I’m not sure we’ve met, but so glad you won the Gold (or Silver)  Simple Leaf for gilding anything your heart desires. Send me an email with your address and color choice – lyn@lynbelisle.com – and I’ll get it to you right away. You have to promise to let me know how you use it! Golden eggs? Silver flower pots?

OK, so as summer progresses, I’m starting to realize that I don’t have an outside teaching job to go back to since 1969! – yikes. So I’m attempting to organize the Studio schedule to function as a full-time workspace (not an easy task for a left-handed Gemini). Here’s a first attempt at a reorganized Workshop webpage. It’s not too different yet, but I’ve added videos from past workshops and tried to make it easier to read. Suggestions?

wkSince I started teaching workshops even before I had the Studio, my goals have been:

  • Make it enjoyable for you – no stress or pressure, no scary stuff
  • Create a finished piece to take home with you to spur ideas and confidence
  • Provide all materials so you can just show up and create – no expensive lists of materials to bring – you don’t need expensive products to make art that you love.
  • Celebrate your style and your vision – no “copy me” or it’s wrong

Here are some early workshop pics from my kitchen and little ex-garage studio – we were squished, but it was still fun. I want to keep that sense of fun!

One of the new things I;m trying this fall is a longer two-day workshop, not with an out-of-town artist, but with just me, other local aritsts, or in this case, Lesta and me on one of the days. You can sign up for one day, two days, or both. There’s still a limit of eight, and lunch is included. Here are the details on that one – you can read more here:

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 I also want to continue the monthly Show and Tell get-togethers. They really feed my soul! I’ll post those on my webiste as they are scheduled, but they will generally be the last Saturday of the month. Please take a look at the latest one from day before yesterday – wonderful!! And thanks for letting me think out loud about where my road goes from here. You are the best 🙂

Mixing it up with Lesta

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Art Book: Lyn Belisle

I love teaching with Lesta Frank. She’s imaginative, patient, talented and funny, and she has a huge following of devoted students, some of whom met us at the Studio yesterday for a special workshop. Our idea was to create mixed media accordion books that would function as a little showcase for 6×6″ collages. The collages feature hand-decorated paper and digitally copied faces enhanced with oil pastel. You can see the prototype I made, above.

1The workshop was scheduled for half a day, but as soon as Lesta got into demonstrating surface design on paper, I could tell that we should have scheduled a full day because everyone was having so much fun.

We did manage to make a bunch of gorgeous paper, construct several small collages, put our gallery books together, and have time for a critique. We’ve invited the participants back for an extra two hour bonus session following Show and Tell this coming Saturday (more about that soon).

I think you can tell from the video below what an enjoyable mixed media afternoon this was – and you can be sure that we will schedule another one soon. Thanks, Lesta!

PS – congrats to artgirl3313@gmail.com who won the Friday Freebie Beeswax and Collage download – I’ll send you the download link right away, and thanks for subscribing.

Painting with friends, part two

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sherryTwo of the best art teachers I’ve ever worked with are Sherry Christensen (left) and Linda McLaughlin. For several decades, we taught art in North East ISD and saw each other often at meetings and student art shows. Now retired, they are joining me at the Studio on Thursday afternoons to explore some of the new media that’s available, and to paint together for a couple of hours.

I had great plans for doing some mid-tone painting on canvas this past Thursday, but we started playing with some scribble crayon drawings on Bristol board while we waited for our canvases to dry. Then we painted over everything with white, like artist Jane Davies often does. We lifted some paint with paper, then added a wash of Quinacridone gold. But wait, there was more! I had the beeswax out from a previous workshop, so on went a layer of beeswax, which we incised. Then came walnut ink (of course) and Shiva oil paint sticks. Then some gold foil and stamping. Man, did we have fun! The canvases will have to wait until next time – this kind of  spontaneous exploration is good for an artist’s soul 🙂

Curious evolution of a work on canvas

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dissofmem2Where do art ideas come from? Darned if I know – Here’s a piece that invented itself from 12 clay face slabs I made last week just because I didn’t want to throw away too-dry clay. The piece is called “Dissolution of Remembrance” because forgetting the names of objects and misplacing small items worries me, and I know I’m not alone in that.

I used these unplanned clay pieces to address this worry through an art piece. I arranged the fired earthenware slabs in an almost irregular pattern on a 24×30″ canvas, then sewed and adhered them in place. First came a wash of walnut ink (of course). Then I added some red oxide acrylic paint – here’s what it looked like at that stage – kinda disjointed.

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I tried to make it more cohesive with various colors of paint, attempting to suggest a progression of memory loss, and finally got the idea of putting rusted wire inside each head – it didn’t really work. Suddenly, I remembered talking about cheesecloth in my last post, and added a layer of cheesecloth over the whole composition to unite the elements. That was a good decision.

After that, there was lots of action going on with matte medium and fabric stiffener. Next came a thin coat of encaustic wax. Finally I added branches to allude to the branching dendrites in the brain. Science occasionally comes in handy 🙂

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The last element, silk cocoons, was another accident – the plastic bag of cocoons was open on the table nearby and the silk kept catching on the branches – well, duh – how obvious was that? So, on they went. Symbols of hatching new thoughts?

I’m not sure “The Dissolution of Remembrance” is completely finished, but it’s been amazing to watch the process as both the maker and the observer. Now if I could just remember where I put it –  – – only kidding. I think.  dissofmem1

Creating with invisible directions

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It’s hard to explain how it feels when the parts take over and show you where they need to go – sounds kind of weird. But I just finished a Shardian assemblage that did just that. This figurative piece had never existed before, so there were no directions, but the pieces fit together so smoothly that every piece that was put in place felt exactly right. I love it when that happens! Hmmm . . .this piece started right after my visit to Papa Jim’s . . . (hearing theme from Twilight Zone) . . .

 

Lyn and Lesta and paper surface design (and a fine afternoon was had by all)

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29Lesta Frank and I have known each other since high school, and we finally got together to collaborate as teachers for a half-day workshop at the Studio on Sunday. I learned a lot from Lesta about paper surface designs – she’s pretty fearless with stencils and rollers! And I taught everyone how to do stamping on-the-cheap with a foam plate and black construction paper, and then how to showcase our designs on the cover of an origami Lotus book.

We know that once you see this video, you’ll wish you were there 🙂, so we’re gonna do a second session early in the new year. Check it out! And thanks, Lesta, for the inspiration!

Lesta and Lyn – a half-day workshop exploring mixed-media surface design

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Finally! Lesta Frank, my much-revered artist pal, is coming to the Studio to pair up with me for a half-day workshop on Sunday, November 9th. It’s called Exploring Paper Surface Design, and it’s going to be amazing. We’ve been talking about doing this forever and now it’s really gonna happen.

Lesta and I go back a looo-ooong way (like, high school). She’s a popular teacher as well as a well-known watercolorist  – funny and innovative, as those of you who’ve seen her at the Show and Tell Saturdays already know. Here’s a very short sneak preview from one of those sessions – I love the part when Lesta says, “If you don’t like it, just keep adding stuff”! There are four spots left for the workshop at the moment if you’d like to join us. Have a great day and thanks for following SHARDS!

Work, work, work – rust, rust, rust

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handHiya – I’m popping in for a minute to show the latest results from my summer vacation painting month at the Studio – these are the first two in a series called “Sympathetic Resonance.” They are a continuation of my explorations into rust and patina, their color and texture. I love the way these are presented – a craftsman friend constructed heavy cedar boxes that stand by themselves as objects or hang on the wall as frames – either way, the pieces seem to work. The cedar compliments the patinas.If you can’t see the pieces in your email (and if you’re interested), you can look at them in browser view.

Yay! Art is so much fun when things are going well. I am taking a few of these pieces to Dan Pfeiffer’s Gallery in Kerrville next weekend to see if they are a good fit for his space. He is a fantastic woodworker/artist. So I’ll be laboring away on Labor Day doing what I love – hope you will be, too! More soon, happy weekend.