Author Archives: lynbelisle

About lynbelisle

Lyn Belisle Artist’s Statement: Shards and Veils As an artist, my personal obligations and passions are pulling individual connections from the circular nature of time, fashioning shards of recognition from the well of collective unconscious, exploring the idea of the “secret handshake” in symbol and archetype, celebrating the frozen moment between what was and what is to come. I work in four main media to explore these ideas: • In collage, often using beeswax and altered papers to celebrate anonymous faces and otherworldly places • In unglazed earthenware clay and found objects, often to create spiritual and symbolic “neo-santo” assemblage • In fiber and paper, often to create wall pieces with natural colors, wax, felt, cheesecloth and digital photo images • In acrylic paint, often as pure, non-referenced exploration of form and veiling I take inspiration and comfort from the knowledge that we are all connected on a deep cross-cultural level with shared collective memories that each of us can glimpse through art without the need for words.

I don’t do cowboys – however . . .

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Perhaps it’s because I’ve lived in Texas most of my life, but I tend to regard “cowboy art” as somewhat clichéd. However, I found this great early 20th century photo of a horseman that seemed as if it might work for an encaustic photocollage, particularly after I blurred the background using Photoshop.

Just for fun, I took pictures at every stage of the process, and you can see how it all went together as I worked through it – the finished piece is 16×16″ and is collage and wax on Arches watercolor paper bonded to a birch cradle panel. I might have done a few things differently, but I’m pleased with the result – it’s a new take on cowboy art! Now I just have to figure out a title . . . . “Blazing Saddles”? Nah, that’s taken . . . .

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Monday two-fer – beautiful bones and beeswax

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You get two art reviews for the price of one (yeah, I know, they are all free) but still –  I wanted to post Part Two of my Colorado Trip while it was still fresh in my mind, and I couldn’t wait to show you the video of yesterday’s Beeswax Collage workshop at my Studio (see the amazing video, below)!

Colorado Trip Part Two –  Georgia O’Keeffe at the Colorado Springs Art Center

Horse’s Skull on Blue – Georgia O’Keeffe 1931; Oil on canvas

Georgia O’Keeffe and the Southwestern Still Life is not strictly a “Georgia O’Keeffe show”, (which I should have known had I done my homework before we visited the exhibit). And thank goodness it isn’t, because when her work is placed beside that of her contemporaries – including modernists like Stuart Davis and Marsden Hartley as well as more traditional painters who were also lured by the Taos light –  O’Keefe’s cutting-edge brilliance shines.

One of her quotes that ran across a bright orange wall at the CSAC gallery read, “I had to create an equivalent for what I felt about what I was looking at – not copy it.” That, to me, was huge – and her work showed this journey into interpretation and abstraction through the loose structure of “still life.”.

I was so impressed by the juxtapositions and inclusions that I searched to see who had curated the exhibit. It was Charles C. Eldredge, former director of the Smithsonian American Art Museum, who placed O’Keeffe’s work in the context of other artists who were influenced by the Southwest at the same time she was. The exhibit raised thought-provoking questions such as “What is a still life, really?” and “How does an artist chose represent an observation?”

I loved the show – my favorite painting was this one (below) – and my friend Carol Mylar and I talked for a very long time about why it was included as a still life, and why its powerful simplicity is so mesmerizing. For a much more educated and detailed review of Georgia O’Keeffe and the Southwestern Still Life, read Gayle Cement’s enlightening, enjoyable discussion of the works.

Georgia-O_Keeffe-Black-Patio-Door-1955-large-1339814400

Georgia O’Keeffe Black Patio Door 1955

22And now . . . . .Fabulous Sunday Workshop – Wax and Layers and in Beeswax Collage

The smell of the beeswax, the roar of the crowd – what a workshop! Every single participant took the notion of wax enhancement on monochromatic collage and ran with it, creating evocative personal statements. I’ve recently added another hour to my workshop format, and three hours instead of two makes a huge difference. We have more time to critique and discuss – it obviously worked yesterday. Take a look at some of the inspired pieces the students created. Nice work, Y’all!

Colorado notes, part one – Carol and I visit Pueblo artist Karen Wallace

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Carol and me in an earlier visit in the pursuit of art!

Carol and me in an earlier visit on our everlasting art quest 🙂

It never fails – every time I visit my dear friend Carol Mylar, I come home over-the-top inspired. Carol lives in Colorado Springs now, but we still share the same close ties in art and life as we did when we shared a studio on Queen Anne Street back in the 90’s. For example, we discovered we’d bought the same iPhone and the same iPhone case without knowing it – I’m sure you have friends like that, too – it’s kinda spooky but fun.

One of the best times we had during my short trip was a drive to Pueblo just south of the Springs to visit artist and writer Karen Wallace. Karen and I go back a very long way, but hadn’t seen each other in a few years. She’s amazing – her house, her life, her artwork are woven seamlessly into a fulfilling creative existence. You can get a glimpse of this in Karen’s book, Visions and Verse: Along the Path.

Karen lives in a small adobe casita that’s filled with her own art and that of friends, some nationally known painters. There are little altars and stories everywhere. Karen treated Carol and me to a lot of these stories before we went of for a lovely lunch in downtown Pueblo. It’s always so inspiring to see how other artist live and work – take a look at the home and studio of Karen Wallace (and her dog, Chamaya):


I’ll give a report on other parts of my Colorado trip soon, including the Georgia O’Keeffe show – too much for one post!

 

Hey, look – this might turn out OK after all . . . dang!

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I love teaching art. Actually, you can’t really teach art, but you can be an art coach and encourage the art that’s already inside someone to come out and play!

This afternoon, my friend Mary worked with me at the Studio on abstract painting. We started with a mj1hard task – saving some unsave-able paintings. In this example, we began with a background that had been painted in the last class but didn’t have much direction. First step was to make some random scribble marks right on top of the painting (left). Eek! 

But that gave us permission to really get into revising it, layering paint, scraping back into it, adding texture. There were a number of times when neither of of thought we were going anywhere, but we kept trusting the process. Mary was fearless in following my suggestions – brave woman. She added many of her own good ideas as we worked back and forth. Here are some pictures – the last photo is the finished piece. I love what she did!

Ya just have to Trust the Process (and read the book by that name). Which means – keep trying, add paint, subtract paint, keep listening to what the painting is telling you. Making art is HARD, but so rewarding! Great work, Mary – high fives!

Out of a job, better get organized . . .

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First of all, congrats to this week’s Friday Freebie winner, Karen Cutrer, who subscribed to SHARDS five months ago. Karen, I’m not sure we’ve met, but so glad you won the Gold (or Silver)  Simple Leaf for gilding anything your heart desires. Send me an email with your address and color choice – lyn@lynbelisle.com – and I’ll get it to you right away. You have to promise to let me know how you use it! Golden eggs? Silver flower pots?

OK, so as summer progresses, I’m starting to realize that I don’t have an outside teaching job to go back to since 1969! – yikes. So I’m attempting to organize the Studio schedule to function as a full-time workspace (not an easy task for a left-handed Gemini). Here’s a first attempt at a reorganized Workshop webpage. It’s not too different yet, but I’ve added videos from past workshops and tried to make it easier to read. Suggestions?

wkSince I started teaching workshops even before I had the Studio, my goals have been:

  • Make it enjoyable for you – no stress or pressure, no scary stuff
  • Create a finished piece to take home with you to spur ideas and confidence
  • Provide all materials so you can just show up and create – no expensive lists of materials to bring – you don’t need expensive products to make art that you love.
  • Celebrate your style and your vision – no “copy me” or it’s wrong

Here are some early workshop pics from my kitchen and little ex-garage studio – we were squished, but it was still fun. I want to keep that sense of fun!

One of the new things I;m trying this fall is a longer two-day workshop, not with an out-of-town artist, but with just me, other local aritsts, or in this case, Lesta and me on one of the days. You can sign up for one day, two days, or both. There’s still a limit of eight, and lunch is included. Here are the details on that one – you can read more here:

immersion

 

 I also want to continue the monthly Show and Tell get-togethers. They really feed my soul! I’ll post those on my webiste as they are scheduled, but they will generally be the last Saturday of the month. Please take a look at the latest one from day before yesterday – wonderful!! And thanks for letting me think out loud about where my road goes from here. You are the best 🙂

A guru for digital photocollage . . . and a glitzy Friday Freebie!

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Hallelujah – I’ve discovered the Digital Imaging Evangelist! She’s for real – Julieanne Kost is the “Principal Digital Imaging Evangelist” for Adobe Systems, and she is a wealth of creative inspiration for artists who work with digital images. Like me! – You might know that I’ve been using vintage digital images and encaustic wax in my latest work, like this piece, below.

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“Drifters” Lyn Belisle – Encaustic Photo Collage on Birch Panel, 14×14″

The encaustic part I’ve learned from Michelle Belto and Clare O’Neill – and now I have a new Photoshop guru in Julieanne! She can be your guru, too – she has a ton of great FREE tutorials on her website. Combining, enhancing and altering digital images is an addictive art form – just ask my friend Jennifer Martin, who’s working with me, learning Photoshop and using her own beautiful digital images. So take a look at Julieanne’s tutorials if you’d like to explore the endless possibilities of the art of the digital image.

gold leaf smallDid you notice the small gold leaf accents in the piece above? That’s another technique that you can utilize when you combine wax and photocollage. Here’s a photo from my new eBook, Behind the Veil: Beeswax and Collage, that shows how to use a circle punch to cut the leaf. If you don’t have gold leaf that’s already studio to a backing, watch the free tutorial I made to show you how to manage and use loose sheets of metal leaf.

Finally, the Friday Freebie is a whole packet of paper-backed gold leaf to use in any creative and/or goofy way! If you are the lucky SHARDS subscriber whose name is drawn Sunday night, I’ll send you a package of Simple Leaf by Speedball – your choice, silver or gold. So many creative ideas, so little time – and don’t forget there’s a Show and Tell at the Studio tomorrow from 2-4! TGIF, Y’all…..

 

 

Sunday’s creative Citra-solv collage circle

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That Citra-solv stuff is amazing – it cleans the studio, takes old paint out of brushes, de-greases your tires, and makes amazing art paper from recycled magazines. If you haven’t tried it, perhaps you should – a bit messy, but worth it. Yesterday’s workshop participants got five gold stars for their creative collages. They made some fantastic solvent-altered papers and put together intriguing fantasy worlds. Take a look, and then I’ll give you some sources for the Citra-solve altered paper techniques below the video, You can figure out a million ways to use these cool designs.


I did a post last year on Citra-solv featuring a video by Cathy Taylor, who specializes in workshops using the altered magazine pages. If you want to go a bit further, there’s a new eBook out that I ordered just before this workshop titled “Dissolve It . . Resolve It.” You can download it for $9.95 and I think it’s quite worth it if you’re going to be working with this technique. There are even some directions about using Citra-solv to transfer images. I don’t know the author, but she does a great job laying out the basics and then inspiring experimentation! Fun stuff.

citrabook

Friday night’s opening – the art and the chef

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Art and food – what a combination. Both were in abundance Friday night at Pablo Solomon’s opening. It was a huge success – lots of conversation, an amazing spontaneous yoga demonstration, and good sales and feedback from the guests – thanks, everyone. And the food – well, read on.

Michael Belisle, the Studio Chef, outdid himself as usual for this event. Here are a few of his culinary creations:

Chef Mike is an integral part of the Studio events – workshop participants and art patrons alike know that they will be well-fed when they visit. He spares no effort to obtain the best and freshest ingredients – here he is “procuring” eggs from the neighbor’s chicken coop. Don’t tell.

mike

Thanks, Chef Mike, for all you do to make Lyn Belisle Studio a place of creative belonging – and creative eating!

Here’s the recipe for Chef Mike’s  herby cheesy crackers. Warning – they really are addictive.

Herbed Cheese Crackers

2 (10 1/2-ounce) boxes cheese crackers (Cheezits)
1/2 cup vegetable oil
1 (1-ounce) package salad dressing mix (recommended: Hidden Valley Original Ranch)
1 heaping tablespoon dried dill
1 teaspoon garlic powdeR
1 teaspoon celery salt

Place the crackers in a large sealable freezer container. In a bowl, mix the oil, salad dressing mix, dill, garlic powder, and celery salt. Pour this mixture over the crackers, cover the container, and invert it to coat the crackers with seasoning. Refrigerate for at least 24 hours, turning the container every so often to keep the crackers coated. Let the mixture come to room temperature before serving. Store in the covered container in refrigerator.

 

 

 

Pablo and photo ops . . .

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Tomorrow! You are invited!! This should be fun.

INVIT

Pablo Solomon at Lyn Belisle Studio

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Lyn Belisle by Kevin Dome, Boring Tuna Studio

Right before the opening at six, my photographer/web designer friend Kevin Dome of Boring Tuna will take photos of Pablo in my Studio. I love Kevin’s work – delighted that he’ll be “shooting” Pablo.

And you’ll love Pablo’s work – he’s a consummate conversationalist, and his wife Beverly is beautiful and charming. Meet them both tomorrow at the Studio from 6-9 and enjoy some wine and munchies.

ugur

Ugur

And speaking of photography, so many artists would like to be able to work confidently with digital images for reference or content. Here’s a great workshop opportunity from artist pals Susan Carlin and Ugur Kilic  at Whistle Stop Corner Art Studio:whistle

 

 

You can even stay at Whistle Stop during the workshop – they have charming rooms in a historic compound/studio/B&B – check it out!

Hope to see you tomorrow at Pablo Solomon’s opening party.

Goddess Banners – wishes on the wind

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Goddess banner surface design in process during workshop

Goddess banner surface design in process during workshop

In my last post, I said that I was excited about the upcoming Goddess Banner Workshop because it was something new for me. The idea was a combination of influences – Joanna Powell Colbert’s Gaian Soul Retreat, of course, and also the small-space dyeing techniques that Rosemary Uchniat teaches. And personally, I’ve felt an urge to explore the healing aspects of iconic feminine energy and consciousness, aka just plain ol’ being kind and being nurturing, both to ourselves and the planet we live on. Soooo – it was a joy to work with the eight women who participated in yesterday’s Goddess Banner workshop.

Before you look at the video, you should know that every person worked with the exact same image, an anonymous early 20th century photograph (1915) from the Flickr Commons archives. But each face look very different in the individual completed banners. We all remarked on this – each of us brings ourselves into the process and transforms our images unconsciously and almost magically. I’ll be offering this workshop again soon. Thanks to the participants who helped me bring this idea to reality in yesterday’s class. Wonderful banners all!!