I screen, you screen . . .

lisa

Lisa Stamper Meyer, “Mysterious Miasmas” Acrylic on Paper

What a treat to have the multi-talented Lisa Stamper Meyer at my Studio yesterday teaching a workshop on Silk Screening for Mixed Media Artists! Lisa is amazing – You can see her work at The Gallery at Gruene Lake Village. She’s a patient teacher, generous in her expertise.

I have to admit that I wasn’t ready to add one more thing to my repertoire, but – wrong! This process has so many possibilities. Everyone who participated said the same thing. The inspirations for using this idea on fiber, on handmade paper, with encaustic are unllimited – I’m sold!

Take a look at the video, and then do some exploring on the EZscreen process with the links I’ve listed at the end of this post – many thanks to Lisa for an amazing afternoon.

ezscreenprint.com

ikonicsimaging.com

speedballart.com

Calligraphy Guild, a project for YOU, and a Friday Freebie – or two . . .

10Last night, I visited the San Antonio Calligraphy Guild to show them how to make a pretty paper pocket purse/pendant project (say that three times fast) and a folding votive screen card. Calligraphers are nice people! I can’t wait to see how they take these projects and adapt them to their own many talents.

Here are some photos – there were 30+ participants, all cutting and gluing and having fun and following the directions (mostly!)

ppppI thought that YOU might like to have the directions for the pretty paper pocket purse, so as the first Friday Freebie, I’m giving you a link to the downloadable Pocket Pattern handout that I gave the calligraphers last night. All you need is 9×12″ construction paper and 8.5×11″ decorative paper, plus some ribbon and such. Easy!

And to sweeten the deal (after all, it’s getting close to Valentine’s Day), I’ll give away TWO Friday Freebies, the little purses pictured below, one to each of two lucky SHARDS subscribers. Just be a subscriber by Sunday at midnight – winners announced Monday morning. Good luck, and happy weekend!!

Dragonfly

Dragonfly

Gaisha

geisha

Challenge update

This is what I ended up doing with the objects I collected for the spontaneous “Studio Stuff” challenge. I like it! It’ s called HeART of Time, and it’s about how time flies – wings? eggs? clock pieces? Makes sense to me!

HeART of Time: mixed media assemblage by Lyn Belisle

HeART of Time: mixed media assemblage by Lyn Belisle

And here’s the studio stuff I started with:

fodder

Now I’m wondering if it’s cheating to add a couple of extra things to pull the project together. I added some cloth wings that I’d had for years and also a small box with compartments to put everything in. Nah, that’s not cheating – you can add a few things, too, if you like. I’m kind of making up our rules as I go!

Below are two submissions of studio stuff from brave artist friends – let’s see what they do with it! Names have been concealed to protect the innocent. Stay tuned.

Rosemary toni

 

Pegboard studio storage spiff-up

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I love these new pegboard walls that I copied from Lisa Stamper Meyer‘s studio! They have made a huge difference in the storage space by providing hanging places and supply screening. Here is a side view and back view – you can see how well the pegboard walls hide a multitude of stuff!

2side 3back

And here’s what you need if you, too, want to make a storage wall shelf like these.

A metal shelf, 4’x8’x18″ – I bought mine from Costcohere’s a link. These shelves are on casters so you can roll them around easily if you need to. When I bought them, they were $98 each, very sturdy – I think they hold 1200 pounds.

A sheet of 4×8′ pegboard, primed white. I bought mine from Home Depot. Here’s a link for those. They are a little bit unwieldy to manage but if you have access to a truck, you can just lay them in the back. You will probably need a helper – Mike helped a lot with this project.

A bag of 8″ cable tieshere’s a link. This is the neatest trick. You just thread the cable ties through the pegboard holes and pull them tight to the shelf posts. We used eight ties per shelf, three on the sides (top, middle, bottom) and two in the center to hold them steady.

Lisa even attached brush holder to her pegboards using cable ties – she’s an organizing genius! If you have any questions about this easy project, send me an email.

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Easy all-purpose gift tags for you

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Like a lot of families, mine is quite – er, eclectic when it comes to ritual and celebration. We are a motley crew of every spiritual persuasion (or none), so I try to design gift tags and cards for us that reflect that diversity through symbolic neutrality. These little milagro heart tags fit the bill – folk arty but not specifically religious. If you want to use them, too, here’s a link to a sheet of eight tags that you can print out on card stock, fold, cut apart, trim the corners, and punch.

I used some parchment-colored card stock, but you could use any tag-weight paper that will go through your inkjet printer. The punched out gold circle adds a glitzy, industrial touch. Email me if you have any questions, but these tags are sooooo easy to put together. Quick, too!

Fun with faces

A package of Face Shards from my Estsy show ready to ship to California

A package of Face Shards from my Etsy shop ready to ship to California

I was getting an Etsy order out this morning for five Rune and Relic Face Shards, and thought about how much fun these little faces are to make. You can use them for so many things – Spirit Dolls, ornaments, pins and pendants – anyway, I thought I’d re-post a SHARDS link to a very simple tutorial on mold-making and faces that I did for a workshop a couple of years ago. This tutorial recommends a two-part product called MegaMold that you can order online from Cool Tools (this site also has a bunch of very nifty pre-made molds). Michael’s has something similar called Amazing Mold Putty for about $20 – use your 40% coupon!

moldstuffThis mold-making project would be great fun to do over the holidays with kids – and you can get air-dry clay at Michael’s or Jo-Ann’s – it’s very inexpensive, doesn’t need a kiln, and isn’t discouragingly messy. I like the one called Model Magic. It comes in tubs and also in small packages, in different colors. So plan some time to make some faces!

Also, I’m re-posting this link to the Angel Face Gift Tags I designed several years ago just in case you need some last-minute gift-wrapping help. You can print these out and stick them on a packing wrapped in brown paper and tied with raffia, and it will look all Martha-Stewarty – honest!

gifttags

 

 

 

 

I’m headed to Boston for just a few days for a quick visit  – back soon! Keep out of trouble and go make something creative!

Big Ol’ Sale Saturday and more . . . .

I’m posting my newsletter info to SHARDS subscribers because there’s so much going on in the next couple of weeks at the Studio – take a look and join us if you’re in the San Antonio area.

BIG SALE – I’m very excited about this – Lesta and Alison and I always have a fantastic time, and Michelle Belto will be joining us on Saturday. Her encaustic work has been shown all over the world – you will love it. This BIG SALE will be fun. Date: This Saturday November 28th, time: 10-4, place: my good ol’ Studio. I’ll have tons of new earthenware shards and gifties and Bee Dishes and faces! Please join us for art and Chef Mike’s snacks.

blacksat

Aha! – and speaking of snacks, Lesta and I have decided to have an Art Snacks workshop the afternoon of Saturday, December 5th. So what an Art Snack? It’s a project that you can learn and complete in a short time to give as a gift or to keep. Here are some of the art snacks you will make and take that afternoon:

  • A folding votive candle card
  • A hand-painted collaged luggage tag
  • An origami gift tag ornament
  • A bookmark

It will be a fun way to spend some creative time of your own during a very busy season. You can read more about it and sign up here, tuition is $75, all materials included.

snacksinvit copy

By the way, there are two spaces left in the Wax and Fiber Talisman workshop the next day, Sunday December 6th. This workshop is a bit quieter and more process-focused – check it out.

The next official Show and Tell will be on Saturday, January 30 – yikes, a long time away, but we will have a LOT to talk about. And there may be a little surprise “pop-up” Show and Tell over the holidays – I’ll send out an email in advance.

Please join us at the BIG SALE this Saturday!!

Lyn

Rust dyeing – multiple pieces, multiple materials, magical results

Book cover made with experimental rust-dyed paper - Lyn Belisle

Book cover made with experimental rust-dyed paper – Lyn Belisle

Ever since I learned that I’ll be teaching dyeing and surface design at Vivi Magoo art retreat, I’ve had little else on my mind. Did you see the newsletter about this event? If not, click here – it’s going to be SO much fun, and it’s coming up in just a month, November 3-5.

One of the techniques I’m teaching with Michelle Belto is dyeing with rust. I’ve done a bit of that, but wanted to tackle it on a Big Scale. And it worked! I dyed a yard of linen (thanks for that old white linen skirt, Gloria), some scrap cotton pieces, and two types of watercolor paper – a heavy 300# cold press and a lighter #140 hot press. I did it all at one time with the same process just to see how the different materials would take the rust. All were slightly different but all turned out beautifully.

Here’s a short version of how I did it. I collected some rusty objects in a plastic bucket and poured a solution of bleach and vinegar over them to sit overnight. Do this outside! I got this recipe from the Internet (there are many rust-making solutions if you want to test other ones). There was about two inches of yucky rusty foamy gunk in the bottom of he bucket the next morning. Stinky yucky. But rusty.

I spread a plastic drop-cloth in the yard (away from plants) and put a layer of fabric and watercolor paper on the plastic – some of it overlapped a bit, but I wasn’t concerned, I just wanted to see what happened on the different materials. The whole area was about three by four feet. I dumped the contents of the bucket over the whole thing and spread it out, wearing gloves. . .very very random. Then I covered it with black plastic and weighted it down with some old outdoor cushions and some flower pots to keep good contact – also to keep Dudley the Tortoise out of the pile of stuff.

It sat covered in the sun for about six hours, then I took of the cushions and peeled back the black plastic – zowee! What great rust colors! It was exciting – take a look at the pictures below, and then I’ll tell you my observations. (If you can’t see the pictures, click this link)

Here are my observations and caveats – first, I haven’t washed the fabric thoroughly so I’m not sure how color fast the rust is, but since I won’t be wearing it, just using it for fiber art, that doesn’t concern me. You may want to try a small piece and see how it works for you if you’re going to make a garment.

Secondly, I wish I had dampened the 300# watercolor paper because it’s very thick and I think it would have taken the rust better if it had been wet. The thinner 140# watercolor paper was the most successful of the four materials. It had strong prints from the objects and lots of color variations.

After the process was done, it occurred to me that the formula that I got from the Internet included bleach, but that didn’t seem to affect the fabric – it still dyed a rich rust. Next time I’ll try it with salt and vinegar just to see. But whatever method you use, research it and try it on a small sample first. That’s what I did before I mixed up this huge batch. Work outside, wear gloves, keep your tortoises away from it!

In the Viva Magoo all-day class, we will be doing a version of this that uses lighter fabrics and papers and we’ll include some over-dyeing using the Shibori method (yep, you can do Shibori on paper as well as fabric) – I hope you’ll consider signing up for one of the workshops. If it’s half as interesting as this rusty experiment was today, it’ll be worth the price of admission!

You can do it, Kid . . .

Have you ever wanted to get your work out there in public – and help people at the same time? Yeah? So why not apply to become an Artist in Residence at Imagine Crafts? There’s an open call right now and they are looking for DIYers, Card Makers, Memory Keepers, Mixed Media and more.

You can go here to see all of the requirements and benefits, but basically, they send you their crafting supplies for free and you come up with three small projects a month to show creative ways to use them

These guys are near and dear to my heart because they represent Tsukineko, the Walnut Ink makers.And it’s a friendly group, too – I’m not affiliated with them other than that I buy my weight in Walnut Ink from them every month or so, but when I need advice about orders or products, they are right there.

Here are some of the kinds of projects that the Artists in Residence come up with:

Classy Halloween Art Journal Page by Jowilna Nolte

Must Have My Creative Medium! by Renee Zarate

You guys can do this, and it would be fun!! Think of the mixed media things you’ve done in Studio workshops or tried on your own, and then come up with a catchy project and name. OK, here are some goofy ideas to get you started – I’ll make up the names and you can make the projects for your application –

  • Catchy Cactus Coasters
  • Mini-billboard Pet Portraits
  • Rocks that Rock
  • Starry Night Sleep Tee
  • Jazz-Score Journal

See? That took me about five seconds to think of a few ideas – you can do better, Kid – get out there and be famous, and you can thank me when you have your own international design line. Here’s where to apply. (And tell ’em Lyn sent you 🙂

 

Bonnie, Akim & me, the (ahem) calligrapher

Lefties like me are challenged in many ways, but especially in the fine art of calligraphy. I’d always envied people who could take a simple work like “bread” and elevate it to super-star status with illuminated swashes. But thanks to my friend Bonnie Houser, I can now write like a calligrapher! And I’m getting better at it – AND it’s fun!

Some of you may know Bonnie as the owner of Dry Comal Creek Vineyards and Winery and some of you may know her through her art work, She’s a great friend and teacher to a lot of people. Lesta Frank and I asked Bonnie to give us a quick calligraphy lesson on an alphabet called AKIM. It was “invented” by German artist, sculptor and musician Hans-Joachim Burgert, who said,The 10spiritual material is the simple line. . .the line is a medium of free graphic discipline.”  Because this is a monolinear alphabet (no chiseled shading), anyone, even left-handed people, can do it well.

It was amazing how quickly we picked it up with Bonnie’s help. And the great thing is that there are as many personal variations of the Akim hand as their are writers. If you do a web search, you will see this for yourself. Take a look at some of the work we did with Bonnie, then give it a try!