Contemporary mirror by Dale Jenssen, 2015 – owned by me! Yay!
Dale Jenssen is a multi-talented artist whose work I love. I have one of her iconic mirrors and several pieces of her jewelry. Whenever I wear the earrings she created, other artist friends always admire them and say, “Dale, right?”
Exciting news – Dale is coming to Lyn Belisle Studio in June for a one-time afternoon workshop to show you how to create these wonderful earrings from metal, beads and small found objects. You will NOT want to miss this. You can find the details here.
I met Dale several years ago through the Fiber Artists of San Antonio – yep, she’s an amazing fiber artist as well as metals sculptor. Check out two of her creations for FASA, below, and don’t miss the chance to work with Dale at my Studio on June 12th. I’m so excited!! Thanks, Dale, and TGIF, Y’all.
What’s in it for you, you ask? When you join the class for just $85 each session, you get almost three hours of video instruction right from my studio, plus “live” feedback in our online classroom. And these workshops are never “sold out.”
This is my third year with Artful Gathering, and I wasn’t sure how it all worked when I first started. But it’s very cool! And you can come to class in your PJs! Registration opens on May 1st. Hope to see you at Artful Gathering!
Now – – on to ARTFUL ABSTRACTION.
Wednesday’s workshop, Abstract Acrylic Exploration, was hard work – just ask any of the participants!Painting from an abstract perspective is like walking a tightrope without a net – there are no representational objects to look at. You are on your own, trusting the process and making decisions every moment while trying not to over-think. It’s tough.
I am so proud of their results! Each of the students had the same guidelines (layers, textures, limited palette with just two colors on a 12×12″ canvas) but individuality ruled! Take a look at these amazing abstracts – intricate, passionate, personal – nice work, everyone!
I’ve scheduled a few Wednesday afternoon workshops this spring at the Studio and it’s working out well. Yesterday’s Indigo session was kind of a “test drive” of the three hour format – the second Indigo workshop is on Sunday, and there is another special request group on Monday, so the Studio will be blue for almost a week.
Wednesday’s participants had some excellent suggestions about how to keep the dyeing process flowing during the short three hours. It was a rainy day, so our drying was done inside or on the bench under the awning. Everything clicked, the indigo did its magic, and we had a fantastic time.
I’ll be wrapping up the indigo experiences next week and will give you some tips and resources on how you can do this at home or in your own studio. One of the most-repeated comments from yesterday’s students was , “This is sooooo much easier than I thought it would be!” And it is!
GET IT? It was a Pebble Mosaic workshop! Well, the pun may be bad, but the workshop was great – David Chidgey, Master Mosaicist, did a splendid job of teaching us how to turn pebbles into art. We learned new terms, such as “Interstice”(pronounced inter-STEE-cee) and “scratch coat.” We delighted in picking through bins of tiny multi-colored pebbles looking for just the right one to fit our designs. There wasn’t (much) rock throwing. Honest.
Free free to admire our results in the video (below). Not bad for beginners – high fives to everyone, especially David!
I was afraid for a while that I’d never make it home in time for the workshop. My plane out of Boston was delayed and I missed a connection in Minneapolis and had to stay there overnight. Unfortunately, that caused me to miss the opening of the HotWax/Cold Wax show in Kerrville.Bummer. But I’ll get there soon.
One good thing the trip delay provided was extra time to play with some iPad art. I’m trying to learn ProCreate, a really cool digital art program that I had mentioned in an earlier blog post. The experimental work below is a photo of my water bottle in the seat-back pocket on the plane, combined with a selfie and some other stuff, including some filters and special effects. (You can see a warning about keeping your seat-belt fastened while seated if you look closely.)
So, see – you can make art anywhere, even on a plane (especially if you have an iPad), and out of anything, even plain old pebbles (especially if you have David Chidgey). Artists are never at a loss for fodder.
Hope you all have a great week – it sure is nice to be back in Texas.
PS – Registration for most of the summer workshops at the Studio is now open at this link – yay!
Image transfer, whether done with graphite sheets, TAP paper, gel mediums or any other method is simply another way of selectively inputting and arranging images on a substrate. It’s neither “cheating” or “tracing.” Even if drawing is not your forte, you can use graphite media to produce striking lights and darks in a classic drafting style. Look at some of the work by iconic painterLarry Rivers to see how a master uses this technique.
We had some poets and prose writers in yesterday’s group – always a good sign for cross-genre inspiration! And our post-workshop critique was one of the best I can remember. There were lots of dream images and personal insights floating around. Fascinating stuff! Here are a few photos from a very rich and productive afternoon! Thanks, All!
I’m headed to Boston tomorrow for a few days so I can see the family and come home with a renewed appreciation of South Texas temperatures (it’s supposed to be 17F while I’m there – yikes). Now, y’all go outside, smell the Mountain Laurel, and bask in this lovely weather!
Last night, I visited the San Antonio Calligraphy Guildto show them how to make a pretty paper pocket purse/pendant project(say that three times fast) and a folding votive screen card. Calligraphers are nice people! I can’t wait to see how they take these projects and adapt them to their own many talents.
Here are some photos – there were 30+ participants, all cutting and gluing and having fun and following the directions (mostly!)
Some of my examples
Cutting holes for the votive screen
We used Art Deco design paper
Creative chaos
The votive screen fits inside the pocket purse!
I thought that YOU might like to have the directions for the pretty paper pocket purse, so as the first Friday Freebie, I’m giving you a link to the downloadable Pocket Pattern handout that I gave the calligraphers last night. All you need is 9×12″ construction paper and 8.5×11″ decorative paper, plus some ribbon and such. Easy!
And to sweeten the deal (after all, it’s getting close to Valentine’s Day), I’ll give away TWO Friday Freebies, the little purses pictured below, one to each of two lucky SHARDS subscribers. Just be a subscriber by Sunday at midnight – winners announced Monday morning. Good luck, and happy weekend!!
My demo collage created during Sunday’s Composition Camp workshop – 8×10″, mixed media, titled “Again?”
First workshop of the year taught by ME (yay!- I love teaching workshops) was Part One of Composition Camp. So what is Composition Camp?? It’s an intensive three-hour workshop directed toward planning and starting your artwork with strong composition bones, no matter in what medium. And it’s super easy.
I’ve developed a composition system called the AB3’s, which stands for
Alignment
Breathing Room
Threes and Thirds
It’s kind of like a simple kick-start for your artwork because it lets you know in advance where your main elements will be most effective. The students in yesterday’s Composition Camp: Collage workshop were given a folder with photos of a random person and a random cat along with some scraps of paper – they had to make a narrative collage using only those elements. Everyone took the challenge and ran with it. Take a look!
Before we began our work yesterday, we talked about painterly influences on collage imagery, particularly the works of Larry Rivers and Robert Rauschenberg, two of my favorite artists ever. Rauschenberg said that he works “in the gap between art and life,” that he wanted to question the distinction between everyday objects and art objects. I like that!
Robert Rauschenberg, Buffalo II, 1964
Larry Rivers, French Money, 1962
It’s always good to go to the Masters for inspiration! There are two more sessions of Composition Camp to come, and there will be more in the summer and fall.
I’m posting my newsletter info to SHARDS subscribers because there’s so much going on in the next couple of weeks at the Studio – take a look and join us if you’re in the San Antonio area.
BIG SALE – I’m very excited about this – Lesta and Alison and I always have a fantastic time, and Michelle Belto will be joining us on Saturday. Her encaustic work has been shown all over the world – you will love it. This BIG SALE will be fun. Date: This Saturday November 28th, time: 10-4, place: my good ol’ Studio. I’ll have tons of new earthenware shards and gifties and Bee Dishes and faces! Please join us for art and Chef Mike’s snacks.
Aha! – and speaking of snacks, Lesta and I have decided to have an Art Snacks workshop the afternoon of Saturday, December 5th. So what an Art Snack? It’s a project that you can learn and complete in a short time to give as a gift or to keep. Here are some of the art snacks you will make and take that afternoon:
A folding votive candle card
A hand-painted collaged luggage tag
An origami gift tag ornament
A bookmark
It will be a fun way to spend some creative time of your own during a very busy season. You can read more about it and sign up here, tuition is $75, all materials included.
By the way, there are two spaces left in the Wax and Fiber Talisman workshop the next day, Sunday December 6th. This workshop is a bit quieter and more process-focused – check it out.
The next official Show and Tell will be on Saturday, January 30 – yikes, a long time away, but we will have a LOT to talk about. And there may be a little surprise “pop-up” Show and Tell over the holidays – I’ll send out an email in advance.
Yay! It took most of the day yesterday, glued to my computer instead of playing in the Studio, but the spring workshop calendar is finally up on my website. I hope you find something that you like! Thanks to everyone who helped me out with the workshop preference survey – I included most of the things you suggested (like three Composition Camps) and I still have the rest of the year (and some Saturdays) to add new stuff.
And I have some great guest teachers right off the bat – Clare O’Neill, of course (can’t believe she’s actually coming to MY studio – woohoo). There may be one or two spots in her workshops as things shift around, so email me if you are interested.
It’s hard to know where to start when you’ve just experienced an amazing four days in an unfamiliar but totally inspiring place. Teaching with the gifted instructors at Vivi Magoo in Round Top was an honor – and the students taught me as much I taught them! My friend Bonnie said that it was like going off to camp – how true. Except the camp cabins at The Prairie were furnished with lace and soft pillows and rose chintz.
I did miss my pal Michelle Belto – she was a huge help preparing botanical prints and papers for our demonstrations. And I couldn’t have done it without help from Lorri Scott, whose advice kept me focused and confident in a new environment – so glad she’s feeling better! Each of the three classes had its own personality – and I loved them all. Remarks heard during the three days, “I love your residue!” – “Those look like tie-dyed underpants” – “Ow, ow, that rebar’s hot!!” – “Look, it’s an alien!” – and especially, “I feel like I’ve know you guys all my life.”
I’ll let the video give you a taste of all the truly fun things we did and learned, but videos can’t show the welcoming warmth of the students and instructors at Vivi Magoo (by the way, I did find out where the name came from). Many thanks to Barb Solem and her family. And what a thrill it was to meet fellow Artful Gathering (yay!) instructors Diane Cook and Debby Anderson in person. So Viva, Vivi Magoo, and y’all in San Antonio stay tuned for workshops at myStudio sharing all of this good stuff!