Home from The Prairie

belIt’s hard to know where to start when you’ve just experienced an amazing four days in an unfamiliar but totally inspiring place. Teaching with the gifted instructors at Vivi Magoo in Round Top was an honor – and the students taught me as much I taught them! My friend Bonnie said that it was like going off to camp – how true. Except the camp cabins at The Prairie were furnished with lace and soft pillows and rose chintz.

I did miss my pal Michelle Belto – she was a huge help preparing botanical prints and papers for our demonstrations. And I couldn’t have done it without help from Lorri Scott, whose advice kept me focused and confident in a new environment – so glad she’s feeling better! Each of the three classes had its own personality – and I loved them all. Remarks heard during the three days, “I love your residue!” – “Those look like tie-dyed underpants” – “Ow, ow, that rebar’s hot!!” – “Look, it’s an alien!” – and especially, “I feel like I’ve know you guys all my life.”

I’ll let the video give you a taste of all the truly fun things we did and learned, but videos can’t show the welcoming warmth of the students and instructors at Vivi Magoo (by the way, I did find out where the name came from). Many thanks to Barb Solem and her family. And what a thrill it was to meet fellow Artful Gathering (yay!) instructors Diane Cook and Debby Anderson in person. So Viva, Vivi Magoo, and y’all in San Antonio stay tuned for workshops at my Studio sharing all of this good stuff!

Second workshop with Clare O’Neill offered January 18th & 19th

I just got off the phone with Clare – she has agreed to stay in San Antonio two extra days and do a second workshop on the two days following the first one, Monday and Tuesday, Jan. 18th and 19th. Monday is the MLK Holiday, so hopefully this will make it possible for more people to meet Clare and work with her.

There is a second PayPal button for the second workshop at this link – I won’t have time to add the second workshop to the flyer page before I leave for Round Top in about three minutes, but know that it’s available.If you have any questions at all, please email me.

Special thanks to Clare for scheduling this workshop for us!! You’re the best!.

 

Clare O’Neill Two-Day Workshop is a sellout – wow

_Ava's BirdThanks to everyone who signed up – the workshop is full – this means just one thing. We have to have Clare come back!

I do have a waiting list in case there are cancellations (or in case she’s willing to schedule a second session). – just send me an email – . exciting!!

Encaustic excitement – Clare O’Neill at the Studio in 2016

Clare O’Neill “Paulette” Mixed Media: Photography, beeswax, pigments and oils

I’m packing for Round Top and Vivi Magoo this morning, but before I leave, I gotta tell you what happened this weekend. First, there was Monika Astara’s amazing sale on Saturday, and then there was a great meeting of the South Texas encaustic group on Sunday – and then last night, plans for an incredible workshop were finalized with the amazing Clare O’Neill.

It still seems like a dream, but Clare really is coming to teach at my Studio in January of 2016. She has been such major influence in my new work – several artist friends have taken her class on my recommendation and everyone agrees that she is an extraordinary teacher and artist. Here’s a post I wrote during her online class in February. Even at that early stage, I knew I was on to something special with Clare.

_Ava's Bird

Lyn Belisle: Ava’s Bird

I haven’t announced it yet on my webpage, so you’re the first to know – here are the details (click on the image below for the online version). Two people signed up yesterday, so there are only six spaces left.

If you know you’d like to meet Clare and work with her in person at my Studio for two days (yay!), sign up now. And if you’d like to hold a spot with a $50 deposit, just send me an email.

clareoneill

The timeless art of The Prairie – a gentle retreat

viviUntil I was asked to teach at the Vivi Magoo art retreat, I had never heard of The Prairie, a meeting and event venue in Round Top, Texas. People from all over the country fly in to Austin or Houston to stay at The Prairie, but since it’s just a couple of hours away from San Antonio, we drove up on a quiet Monday to check it out. I knew it had been founded by Rachel Ashwell (the inventor of “Shabby Chic”) but I was curious to see how art classes would work there.

Now that I’ve seen it, I can’t wait for next week to get here! We saw no one when we first drove up to the collection of lovely old houses and barns – the only sound was the breeze, and the only signs of life were the white linen sheets blowing on the clothesline and a white horse in the pasture.

We explored a bit, and then found Sarah, a lovely young woman who was readying the main house for next week’s gathering. The whole place is otherworldly and serene – I really felt as if I had gone back in time. Here’s a collection of photos that I took while we were there – it’s truly a beautiful environment. If you want information on the upcoming Vivi Magoo retreat, click here. And if you want to visit The Prairie, you’ll discover it down a secluded gravel road about five miles out of Round Top, Texas – but be prepared to find yourself in another time zone!

Seth Apter, master of mixed media and a darn nice guy

Seth Apter had been an Art Hero of mine long before I heard he was coming to Texas from NYC. His work is a fusion of fine art, accessible craft and  mixed media exploration that I so often try to achieve. Only he does it consistently, and seemingly effortlessly. Check out his work and you’ll see what I mean.

On Thursday I got a chance to  work with him in person (woohoo) at his all-day Collage Camp workshop sponsored by Roadhouse Arts. I learned a lot about collage techniques, and even more about approaches to teaching. Seth is a master at constructive critique. All of us appreciated his feedback. I only wish I could have taken the next thresethe days of classes with Seth, but, alas, I needed to be in Bulverde for the opening of my encaustic show, Coeur Samples, with Michelle Belto.

But guess who showed up at our opening at Dan Pfeiffer’s Gallery yesterday evening – Seth! He came with Bulverde friends Lisa and John Meyer. What a treat! I told him that having him there definitely added to the show’s mojo!

One of the things that makes Seth such a fine teacher is the way he organizes his classes, step by step, and in a logical way that helps you internalize the steps and elements. In the Collage Camp, we started with a series of eight small collages, each of which demonstrated one of Seth’s design principals.  These will serve as an informal reference book for future work. Here are some photos from our day together – what a fantastic group with an unforgettable teacher.

You’ll enjoy looking around Seth Apter’s website – he told us that he’s getting ready to launch a new line of mixed media tools and products that will enhance anyone’s mixed media work, info at the link below – I am grateful to have met him – isn’t learning new stuff fun?

sethban

Beeswax collage workshop – personal and inspired

The beautiful visual stories seemed almost to create themselves in Sunday’s Beeswax Collage workshop at the Studio. Participants were given a limited choice of vintage images, some basic collage and texture materials, and some beeswax, walnut ink, and gold leaf. Then, as one person said, “The magic is happening!”

Sunday’s workshop was a delightful combination of the perfect medium paired with the perfect group – everyone had a chance to take risks, make decisions, and turn “mistakes” into assets in their work. And they did it! Take a look at some photos from the workshop.

Congratulations to all of the artist and bravo for the great work – and now, for a commercial break. If you want to see how this beeswax collage process works, I have written an e-book called Behind the Veil that explains this process step-by-step, including where to find free vintage images. It can be yours to download for a mere $5.99 heck, a fancy latte costs more than that!

But wait, there’s more – no, actually, that’s all for now. It was a great workshop and I thank everyone who participated! Have a lovely  Monday, everyone.

Mood indigo

Part of the fun of teaching a new workshop is the research (aka play) that goes into developing a curriculum and a process. Michelle Belto and I have a chance to teach a class in indigo, shibori and rust dyeing for Vivi Magoo at The Prairie in early November, and we jumped at the chance. I had done shibori and rust dying, but had not worked much with indigo (OK, I so had never worked with indigo, but don’t tell anybody).

Like learning most new things, learning indigo dye techniques was a combination of asking people how to do it and practicing on my own. It’s an amazing substance – this plant has been used for dyeing since 2400 BC, and maybe earlier. Cakes of indigo were used as currency in the Revolutionary War. Once dyed, indigo is so colorfast that it can last for centuries or even millennia. Here’s a video of my first indigo adventure.

I have a lot more to learn about creating color with indigo, but yesterday I worked on learning some basic techniques, mixing the indigo properly, and experimenting using paper and fabric. The deep blue-greenish color is a natural partner for the terra-cotta shades of rust dyeing. I really can’t wait to teach these classes at the retreat and share this wonderful process! Hope you’ll think about joining us at Vivi Magoo at The Prairie on November 3rd. I promise that it won’t make you bluewell, maybe it will.

Rust dyeing – multiple pieces, multiple materials, magical results

Book cover made with experimental rust-dyed paper - Lyn Belisle

Book cover made with experimental rust-dyed paper – Lyn Belisle

Ever since I learned that I’ll be teaching dyeing and surface design at Vivi Magoo art retreat, I’ve had little else on my mind. Did you see the newsletter about this event? If not, click here – it’s going to be SO much fun, and it’s coming up in just a month, November 3-5.

One of the techniques I’m teaching with Michelle Belto is dyeing with rust. I’ve done a bit of that, but wanted to tackle it on a Big Scale. And it worked! I dyed a yard of linen (thanks for that old white linen skirt, Gloria), some scrap cotton pieces, and two types of watercolor paper – a heavy 300# cold press and a lighter #140 hot press. I did it all at one time with the same process just to see how the different materials would take the rust. All were slightly different but all turned out beautifully.

Here’s a short version of how I did it. I collected some rusty objects in a plastic bucket and poured a solution of bleach and vinegar over them to sit overnight. Do this outside! I got this recipe from the Internet (there are many rust-making solutions if you want to test other ones). There was about two inches of yucky rusty foamy gunk in the bottom of he bucket the next morning. Stinky yucky. But rusty.

I spread a plastic drop-cloth in the yard (away from plants) and put a layer of fabric and watercolor paper on the plastic – some of it overlapped a bit, but I wasn’t concerned, I just wanted to see what happened on the different materials. The whole area was about three by four feet. I dumped the contents of the bucket over the whole thing and spread it out, wearing gloves. . .very very random. Then I covered it with black plastic and weighted it down with some old outdoor cushions and some flower pots to keep good contact – also to keep Dudley the Tortoise out of the pile of stuff.

It sat covered in the sun for about six hours, then I took of the cushions and peeled back the black plastic – zowee! What great rust colors! It was exciting – take a look at the pictures below, and then I’ll tell you my observations. (If you can’t see the pictures, click this link)

Here are my observations and caveats – first, I haven’t washed the fabric thoroughly so I’m not sure how color fast the rust is, but since I won’t be wearing it, just using it for fiber art, that doesn’t concern me. You may want to try a small piece and see how it works for you if you’re going to make a garment.

Secondly, I wish I had dampened the 300# watercolor paper because it’s very thick and I think it would have taken the rust better if it had been wet. The thinner 140# watercolor paper was the most successful of the four materials. It had strong prints from the objects and lots of color variations.

After the process was done, it occurred to me that the formula that I got from the Internet included bleach, but that didn’t seem to affect the fabric – it still dyed a rich rust. Next time I’ll try it with salt and vinegar just to see. But whatever method you use, research it and try it on a small sample first. That’s what I did before I mixed up this huge batch. Work outside, wear gloves, keep your tortoises away from it!

In the Viva Magoo all-day class, we will be doing a version of this that uses lighter fabrics and papers and we’ll include some over-dyeing using the Shibori method (yep, you can do Shibori on paper as well as fabric) – I hope you’ll consider signing up for one of the workshops. If it’s half as interesting as this rusty experiment was today, it’ll be worth the price of admission!

A two-day encounter of the art-full kind

wsWhat was I thinking? Two full-day workshops at the Studio back-to-back? A weekend of hanging out, creating, eating and talking with eight other like-minded souls?  How would all of that look? It looked FANTASTIC!

Saturday was Belisle’s Collage Extravaganza and Composition Challenge. We worked on two major pieces – a collage on canvas with extreme emphasis on composition (the AB3s) and a collage on cradle board with image transfers and encaustic wax. The intrepid participants gave it their all, and we were very tired but happy at the end of the day. Here’s the video – see if you can detect the AB3s of composition at work in the finished pieces.

But wait – there’s more! On Sunday, Lesta Frank and I team-taught a very non-traditional mixed media journaling class. Everyone designed their own pages and created a loose-leaf portfolio to collect and show their experimental surface finishes, including one really interesting Profile Page. This was Lesta’s idea and consisted of an actual dimensional profile cutout with descriptions of a personal profile as part of the composition. Very nice! Watch for it in the video, below.

In the critiques and discussions, all agreed that the two-day experience was great, both for those who came both days and those who came on one day of choice. We had eight participants each day, half of whom were there for both days. Nicely balanced! I will plan another weekend experience in the early part of 2016. I should be recovered by then!